A Place to Rest

Share:

Exploring the convoluted and costly business of where to spend an afterlife in New York City.

If you want to make someone immediately uncomfortable, ask what he plans to do with his body, when his heart has stopped beating and his flesh has gone cold.

A few months ago, I received an envelope from the Pinelawn Memorial Park and Garden Mausoleum in Farmingdale, New York. Inside was a free booklet titled, “Let’s Face It Now” and a letter that explained how taking charge of your death—though the word “death” was never mentioned—offers a sense of accomplishment and peace of mind. I’m 31 years old. Other than mild asthma and the occasional cold, I am healthy. So I was unnerved and even offended that Pinelawn had targeted me as a potential customer.

But maybe the Pinelawn folks had chosen the right person after all. As an incurable procrastinator, one of the things that frightens me most about death is that I won’t be prepared. Death is not accommodating. Don’t I get one phone call? A final meal? One more paragraph in the novel I’m reading? I may never know how it ends.

What’s worse, I might not have achieved my legacy yet—a house with a backyard, grandchildren, a Pulitzer. And as the letter from Pinelawn reminded me, living in a city of eight million people, on the moment of my passing there just might not be room for me. With so many other variables out of my control, I decided it was time I found a place to rest when I’m dead. Feeling very adult—31 is not that young—as well as a touch morbid, I took the train to Green-Wood Cemetery in Brooklyn, in search of a place to begin my afterlife.

*   *   *

As the name Green-Wood suggests, the cemetery boasts lush grasses and hundred-year-old trees. Rustic signs indicating different paths—Blossom, Berry and Birch—curl around so many hills. On the Sunday after St. Patrick’s Day, I joined the “Eminent Irish Tour.” Green-Wood offers tours most Sunday afternoons and every Wednesday. At one stop, Ruth Edebohls, our tour guide, shared the story of a scrappy Irish immigrant who went from rags to riches, and at another she spoke of a courtesan, Lola Montez, who was famous for her seductive Spanish spider dance. Her admirers included Andre Dumas, Victor Hugo and Honoré de Balzac.

As we stepped sideways up certain inclines, Edebohls, who has been giving tours for the last fifteen years, explained that her “clomping” was due to two hip replacements and a knee replacement. Clearly, these two hours were a labor of love.

While I listened to her stories of the dead, I was also looking at the newer graves, taking notes on location, and searching for open space. I was looking for my place to rest.

*   *   *

America’s first pioneers kept burial simple—people were interred where they died. Friends of the deceased were unlikely to return to the spot and didn’t want to draw any strangers’ attention to it, so they left the grave unmarked. In time, people began marking the burial spot with wooden slabs carved with the initials of the deceased. In the 1700s, as frontier homes transformed into farming estates, isolated graves became clusters of graves, which were shared with neighbors. Then, for some families, churchyards replaced farm burial. As villages grew into bustling cities, church graveyards became more crowded, and less pleasant to visit; both factors led to the development of today’s rural cemeteries.

The Cemetery of the Evergreens in Bushwick
The Cemetery of the Evergreens in Bushwick

Green-Wood Cemetery was founded in 1838, predating both Central and Prospect Parks. It was built upon the terminal moraine—the rocky debris deposited by glaciers that stretches from Staten Island through Brooklyn and Queens. Rural cemeteries, like Green-Wood at the time, served not only as burial grounds but as garden retreats, following the model of Mount Auburn Cemetery in Massachusetts and Père Lachaise in Paris. In addition to the wealthy deceased residents, its gentle hills, glacial ponds and stunning view of  New York Harbor drew strollers, picnickers, and in the 1850s attracted as many as half-a-million tourists a year. Charles Dickens and the King of Hawaii were among them. As a U.S. travel destination in the 19th century, it was perhaps second only to Niagara Falls, says Jeff Richman, who authored a book about the culture and history of Green-Wood.

Easily one of the finest cemeteries in New York, securing a spot there in advance could cost between $12,000 and $22,000 today. In recent years, the cemetery has reclaimed old paths and a handful of ponds to create more space for graves; however, in ten years, there might not be any lots left to sell.

Edebohls, who has honey blonde hair, favors movie star make-up, and has a love for anything Victorian, is comfortable talking about death, even her own. “It’s just a matter of temperament,” she told me when we met a few weeks after her tour. She believes the dead watch over us. A medium once told Edebohls she could see spirits in the trees along every stretch of her walking tour. Edebohls was delighted.

On a pleasant Tuesday morning, she and I stopped at an open patch of grass, on a hill, backed by a copse of firs. This was the spot Edebohls has chosen for herself and her ex-husband. “It’s hard for a lot of people to understand why I’m so happy to have my burial spot,” she said. But she and her ex-husband are both glad to have that part of their future, or fate, settled. While they aren’t romantically involved, Edebohls said they’ve reconnected “spiritually” and now speak everyday.

A single grave generally holds two to three people. Coffins are stacked one on top of another with two to three feet of dirt in between. Edebohls, whose ex-husband is ten years older, expects she will be on top, but “you never know,” she said.

Edebohls’ pink cheeks sparkled beneath her sunglasses as she spoke about her future neighbor, an Irish woman. “She died in 2007. She gets lots of visitors,” she said, seeming oddly pleased.

Like Edebohls, my mother, an Irish-born Roman Catholic, is unfazed by death—her own or anyone else’s. When she first began her job as a hospice nurse, I was nine. It made me think of death all the time. I spent weeks staring at the ceiling, afraid that I might fall asleep and not wake up. At night, I listed the names of those who had died: my babysitter; my grandfathers and two teenage boys from my town, Yardley Pennsylvania. The list grew. Whether I was praying or deliberately giving myself nightmares I still don’t know.

Reminders of my mother’s former patients were everywhere in our home: A photographer left her a framed picture of the ocean; a woman we called Granny had gifted her a nativity scene entirely made of corn husks; a collector of rare books had given me a favorite novel. These keepsakes haunted me. It wasn’t until I was older, until I had lost friends myself, that I realized how special it was to have that one item—a T-shirt, a mix tape, a photograph—to remember them by.

*   *   *

I returned to Green-Wood several times, allowing myself to get lost inside, dwarfed and distracted by the elegant statues and the bedroom-sized mausoleums. I looked at the graves, read the epitaphs, slid cards to one side so I could better see a photograph. People left more than flowers. They left bracelets, pinwheels, balloons, prayer flags, paperweights, teddy bears, Barbie dolls and tiny bottles of liquor. In front of one headstone—engraved with an image of a young man in a backwards baseball cap—sat a giant birthday cake made of artificial flowers. The banner read “Happy Birthday in Heaven” and the card “love your heartbroken mother.”  As strange as I felt and as troubled as I might have looked to anyone who saw me, I was encouraged by something Edebohls had said about the dead appreciating their visitors. I counted the stones left by others—a Jewish tradition that has been adopted by other faiths—and sat in the chapel.

Historian Allan Smith at the grave of composer Leonard Bernstein in Green-Wood Cemetery
Historian Allan Smith at the grave of composer Leonard Bernstein in Green-Wood Cemetery

From the outside, the chapel in Green-Wood is an exquisite triple-domed terra cotta masterpiece. While it was designed by the same firm that built Grand Central, Warren and Wetmore, the chapel is more understated, more delicate, as if the building itself understood the need for restraint. Still, I envision a couple taking wedding photos on the front steps and I’m not wrong. The space is also available for weddings, book talks and gallery exhibits. Once emptied of people, it lends itself to quiet reflection.

I left through the main gates, passing under striking domes, Gothic spires, flying buttresses and a scene of Jesus and his apostles carved from stone. On the grey day I first visited, these gates were ominous, begging for a clash of thunder and spooky disembodied laughter. Gut on a bright spring day the scene is stunning, in just the opposite way—filled with bird song and squirrels, flowering gardens and towering oaks. I wished for more time there.

*   *   *

A few weeks later, I walk through a more modest entrance at The Cemetery of the Evergreens, which straddles Bushwick, Brooklyn, and Ridgewood, Queens. This time, I’m not alone.

“It’s Cemetery of the Evergreens. That is its legal name, not The Evergreens Cemetery,” Allan Smith, a former architect and local historian, tells me for the third time. Smith has written a book about one cemetery and helped restore another. I ignore both the brochure and the website, because the name matters to Smith and because it really does sound nicer. Smith, now in his early seventies, has been visiting this cemetery since the late 1940s. He carries a green bookbag and wears a sullen expression like a scolded eight-year-old boy. He’s not the type to force a smile to ease the strain of a conversation, but he isn’t unfriendly. And when he talks about cemeteries, he gets excited.

Allan Smith in Green-Wood Cemetery; Smith has written a book about Cypress Hills Cemetery, and much of his family is buried in the Cemetery of the Evergreens
Allan Smith in Green-Wood Cemetery; Smith has written a book about Cypress Hills Cemetery, and much of his family is buried in the Cemetery of the Evergreens

In the early 1800s, Smith explains, New York experienced a burial crisis. The population had nearly tripled and in addition to overcrowding, people worried about the spread of diseases such as smallpox. The water table was rising, or at least residents believed it was.

“They thought corpses were mixing with the water,” Smith says. Internments were banned in lower Manhattan, and in 1847 the Rural Cemetery Act was passed. This allowed investors to build commercial cemeteries in the boroughs beyond Manhattan. The Cemetery of the Evergreens was built two years later.

This talk of corpses mixing with water reminded me of the Sundays I spent as an altar server in our small-town church in Pennsylvania, braiding the tassels on my robe, and staring at a bronze plaque that hung between two stained glass windows and paid the following tribute: “Gwendolyn, daughter of Charles and Mary Spong, who died at sea April 27, 1903. Age nine months.”

I wondered whether Gwendolyn was buried under the church, or in the yard? Or if her parents had been pressured by other passengers to leave her body at sea. I pictured a swaddled Gwen, released from her mother’s hands, falling through strata of water, growing darker and colder. Batted about by sharks and dolphins, Gwen becomes an offering for the starfish, sea anemones and eyeless creatures who don’t even realize how dark it is on the ocean floor. At this point, a lay reader would nudge me and point with his chin to the cushions that needed to be laid at the altar gate or at the ushers waiting for communion plates. My daydream was over.

When Smith visited the Cemetery of the Evergreens as a teenager, families came for more than funerals. On weekends, they would promenade in their finery down Bushwick Avenue, which at the time was dotted with mansions—Brooklyn’s own Park Avenue. From there, they’d enter the cemetery.

“This is Brewer’s Row,” Smith says, leading me down a path just inside the cemetery gates, one plot named Hickory Knoll and another called simply The Lawn. These little white houses—some ornate, others simple Art Deco blocks with clean straight lines—are the resting places of some of Brooklyn’s wealthiest residents. The mausoleums line either side of an inclined driveway that curves to the right. Smith then points to a few short marble columns. He explains that a severed column symbolizes a life cut short, as does a broken flower bud or branch. A sculpture of a lamb or an angel often sits at the grave of a young child, representing innocence and purity.

Half of the lots in the Cemetery of the Evergeens are given names like Whispering Grove; the rest are Biblical, like Mount of Olives and Nazareth. Even though the Cemetery of the Evergreens is non-sectarian and non-denominational, groups tend to self-segregate. In an area populated by Chinese graves, families leave paper money and incense, as well as oranges and other food —all things some Chinese believe the dead will need on their journey to the afterlife.

When we reach a plot called Ascension, Smith crouches down before his maternal grandparents’ stone, picks up a tulip pot knocked on its side by the wind, and turns it upright, placing some stones inside. “Very few people visit. I can tell you,” he says. He repeats this process in North Mead, for his great-grandparents, his paternal grandparents and his parents. Along the way, we see only security guards and landscapers drive by. I ask Smith if he ever gets lonely visiting the cemetery.

“That’s why I’m thankful when that green truck goes by,” he says referring to the landscaping and maintenance workers that pass every half-hour or so and wave.

The Cemetery of the Evergreens; Donato P. Daddario has served as the cemetery’s historian for the past decade
The Cemetery of the Evergreens; Donato P. Daddario has served as the cemetery’s historian for the past decade

Unless you have a deed, a legal document to show you are related to another family member already buried here, you cannot reserve a plot at the Cemetery of the Evergreens. There isn’t room. The lots are first-come, first-served. Even if I wanted to be buried in this cemetery, I wouldn’t be allowed in.

Smith’s own burial is a matter of logistics. He will either lie with his parents or his grandparents, wherever there is still space, and as a result he won’t need his own headstone. It seems sad to me that Smith, a former architect, won’t get to design his own. As we sit on the L train, having left the cemetery behind, he cranes his neck and draws a grave for himself on the back of the cemetery map. If he weren’t planning to stay in one of the family graves, this is the headstone he would have chosen. It was a simple long rectangle within another slightly smaller rectangle and the name ‘ALLAN BOECHER SMITH’ in all capital letters. “Deep chiseled letters,” he says.

I don’t want Smith to be buried in this flat, desolate graveyard. It’s far too quiet. Of all of the cemeteries I’d visited, the Cemetery of the Evergreens felt the most like a cemetery—sad. While walking through it, even with Smith beside me, everything seemed too still. The graves felt forgotten. I would never expect to have even monthly visitors, but to know that just a few strangers might walk by occasionally would be a comfort. I crossed the Cemetery of the Evergreens off my list.

*   *   *

One Saturday morning in April, I visit Cypress Hills Cemetery in Brooklyn. There are at least six cars parked along the drive and several more pass as I walk. The graves are packed more tightly here than at Green-Wood or Cemetery of the Evergreens. The newer headstones are set closer to the driveway in rows, while the older graves lean against each other in the shadow of tall trees and shrubs. Smith had told me on my last visit that cemeteries often leave empty space at their front entrances, for aesthetic reasons. Cypress Hills ignores this convention.

Anthony Desmond, the office manager and family services counselor at Cypress Hills, sits behind his desk in a dark-wood-paneled office. He is thirty-something and bald with sympathetic eyes and a warm smile—which can’t hurt in his line of work. His customers are generally older—much older than me. “Some people feel like if they come in and prearrange for their burial then they’re going to die the next day,” he says.

Cypress Hills Cemetery is situated near East New York, a neighborhood known for high crime and violence. “It keeps us busy,” says Desmond. “Though not in the way that we would prefer.” Desmond went to law enforcement school, where he began training as a police officer, then changed his mind and joined his father in the family business. But his training has been useful; on at least three occasions he has helped catch criminals who had sought asylum in the cemetery.

Because most of his customers live in the surrounding community, Desmond and his family try to engage them with activities unrelated to death care. Last year, they invited a high school marching band to perform on Memorial Day and this past Christmas more than 200 children came to see Santa. The kids were excited about the free gifts and didn’t seem bothered by the tombstones.

After comparing prices for urns and graves—a single burial lot at Cypress Hills costs between $5,000 and $8,000 and an urn costs around $300—I ask Desmond if working with so many grieving families depresses him. He says being able to help people makes him feel good. If a family is struggling Desmond will share a little of his own grief. While they walk through the cemetery he’ll point to the grave of his sister, who died five years ago. “You never fully heal,” he says. “You just try to let them know that things are going to get better.”

When I ask Desmond about his own arrangements, he pauses and for the first time looks uneasy. He says he tries not to think about them. “I would rather just be cremated and left with my family on the mantle. That’s fine by me. After I’m dead it doesn’t really make a difference.”

Desmond has a point. I could have my ashes scattered by the creek in my hometown or flushed down the toilet. I could squeeze into a burial plot at Cypress Hill or spend my life saving up for a $250,000 mausoleum in Green-Wood. And what would it matter?

I walk the grounds at Cypress Hills as a grandmother, mother and son gather beside a lawn pump, collecting water for one grave’s flowers. Across the driveway, an old man kisses his fingers lightly, then bends down, touching his hand to a headstone. While the graves may be crowded, at least there are more visitors. Perhaps it’s a consolation for them to see each other, to know that their pain is shared.

*   *   *

I meet Allan Smith again, when he and his co-author, Stephen Duer, present their book on Cypress Hills Cemetery to a gathering of New York’s death care professionals in Park Slope. At the reading, I discuss my research with Duer, casually listing the cemeteries I’ve visited.

“You have to go to Woodlawn,” he says. The man is adamant. The mausoleums at Green-Wood, he continues, are a joke compared to Woodlawn.

So, on a Tuesday morning, I meet Susan Olsen, the official historian for Woodlawn Cemetery, in the Bronx. She wears a cheery pink shirt under a black blazer but she isn’t happy. Her eyes are puffy from an allergic reaction, which she admits is making her grumpy. “Let’s get this over with,” she says, leading me to a tiny room inside the administrative building at the cemetery’s front entrance.  “I’ve got the History Channel coming this afternoon.”

She explains to me what makes Woodlawn unique—lists its selling points since I am, after all, a prospective client. It all comes down to  history, architecture and artistry, Olsen says. And then our conversation takes a detour as she explains the history of embalming. “The best advertising for embalming was Abraham Lincoln’s death,” she tells me. After Lincoln died, his body was taken on a two-week funeral tour before reaching Springfield, Illinois. It was viewed by strangers at every stop along the way. Until that point, embalming was considered experimental, but after that it caught on quickly. Soldiers who died in battle could now be transported for miles on trains and then buried with their families.

Historian Susan Olsen in Belmont Mausoleum, near the entrance of the 140-year-old Woodlawn Cemetery
Historian Susan Olsen in Belmont Mausoleum, near the entrance of the 140-year-old Woodlawn Cemetery

At the same time, the role of undertaker developed into that of funeral director. Instead of having to clean house and invite all of your guests over, Olsen explains, people would send them to funeral parlors. “For those who were rich, it made them look good, and if they were poor, it made them look even better.” Olsen is a born storyteller; she feigns apathy, but the more she talks the clearer it becomes that death care actually matters to her.

Asked what her own final wishes are, Olsen waves away the question. “Oh I don’t care,” she says. “Cremation, I guess.”

Olsen gives me an audio guide, a sleek black device that looks like a TV remote, and circles the most critical spots on the tour map: the graves of Duke Ellington and Miles Davis and a few more that she thinks will interest me.

There are 1,300 mausoleums in Woodlawn. “Possibly, more than any other cemetery in the country besides New Orleans,” says a voice from the audio player, not Olsen’s. And they are magnificent. The tallest is seventy feet tall and detailed with cherubs, flames and gargoyles. Many are the size of small chapels.

In any direction I look there are also sculptures—hundreds of them—usually of women with long hair in flowing robes with flower petals between their fingers. Alongside these graceful figures are statues of children and angels.

Woodlawn prides itself on “beauty before permanence,” allowing stones that other cemeteries forbid, such as white marble and limestone, because they erode more quickly in harsh weather. Up close, some of the faces of the sculptures appear to be melting; other sculptures are missing fingers and limbs; one is headless. A privately contracted gardener tells me a groundskeeper who was drunk one night knocked the head off with a shovel.

In the 19th and 20th centuries, bizarre tragedies were usually well documented on the deceased’s gravestone. At Woodlawn, fifteen-year-old George Spencer Millet’s stone reads:

“Lost life by stab in falling on ink eraser, evading six young women trying to give him birthday kisses in office of Metropolitan life building.”

At the Cemetery of the Evergreens, another monument describes how two sets of brothers died playing marbles when a gas tank exploded beside them.

Statues at the Cemetery of the Evergreens
Statues at the Cemetery of the Evergreens

If Green-Wood is a park, then Woodlawn is a sculpture garden. In a way, the statues and mausoleums at Woodlawn are stunning, something to ogle, and admire, but this art was man-made and quickly eroding. What felt special about Green-Wood wasn’t the monuments but the atmosphere. True, the chapel and entrance are breathtaking, but it was the winding paths, the hills and the layers upon layers of branches a hundred years away that held me there. On a warm, clear day, it’s paradise. And on a grey afternoon, that cemetery wrapped its sadness around me, making it hard to leave.

*   *   *

On a Thursday afternoon, I stop at a monument store called Century Memorials, on Fifth Avenue not far from Green-Wood, to ask about epitaphs. With its white siding and antiquated lettering, it looks like a post office from a country-western film. I peek in the door, half expecting to see a man in spurs, with a bandanna covering his mouth and nose. Instead, I find an older woman wearing a necklace that says “Grandma.” She smiles up at me from beneath blue eye shadow and painted eyebrows, invites me to sit and introduces herself as Monica Hakola. A banner celebrating the store’s 150th anniversary hangs from the ceiling. “It’s old,” she says. The office explodes with papers, files and pictures of gravestones. I ask her when epitaphs became so generic—so many graves repeat the same thing; “Beloved wife,” “Beloved Husband,” “Beloved Son”—and if she has seen any special ones. “Let’s ask John,” Hakola says. “JOHN!!” A man seated in a cubicle just behind the front desk, John Hakola unfolds himself from his chair and steps to his full height, around six-foot-three. He is nearly seventy with weary blue eyes, but still handsome. He seems less enthused about visitors than Mrs. Hakola, but he is willing to accommodate me to please his wife.

I ask John if he remembers seeing any epitaphs that were memorable. “Memorable or oddball?” he asks.

This wasn’t the first time I’d posed the question; I just hadn’t found an answer. Anthony Desmond of Cypress Hills had told me that his favorite epitaph belonged to Jackie Robinson: “A life is not important except on the impact it has on other’s lives.”  When I asked Olsen why she thought the final expressions on gravestones have gotten less creative, she answered flatly, “Because people have gotten less creative.”

“I know the one you’re thinking of,” says Monica Hakola. She rifles through a few files in a drawer, then hands me a photograph. “This one’s a real comedian,” she says.

The grey stone in the photo belongs to a man named Alfred. The top line reads, “It’s been a wonderful life.” Below that is his name, birth date and death date. Hakola points out that there is still space for two more names. And below the space, in small capital letters, Alfred closes with, “I love you all. Thanks for coming.” Even though I know Hakola called Alfred a comedian ironically, I still picture an old man standing behind a microphone, with a gleam in his eye, saying those last words before taking a bow. It was perfect.

*   *   *

By now, I was leaning towards both a grave and an epitaph, but there were still aspects of ground burial that needed to be resolved. So I asked Melissa Conrad, a friend and PhD candidate in biology at New York University, about decomposition. She told me that “while you’re alive, multiple mechanisms prevent your cells from breaking down.” But when your heart stops beating, your blood isn’t circulating or being cleaned. This causes a chemical change in those cells that are used to receiving clean blood, and these protective mechanisms fail. This chemical change triggers the release of enzymes, which cheat the body by breaking apart high-energy bonds and stealing from its energy stores.

Opportunistic feeders like worms, bacteria, fungus and even starfish—if you’re a body in water, like poor Gwendolyn Spong—speed up this process.  They’re called detritivores. “In the end what you have are the simple building blocks that become available again,” Conrad says. Simply put, the molecules that make up your body are ready to take a different form.

A species of flies called phoridae, but commonly known as  coffin flies, are an eighth of an inch long, brown or grey and drawn to moist, decaying material. They are picky eaters, I learn. Given the choice between steak and potatoes, they will choose the steak. I’m made queasy by the image of tiny monsters devouring my hair, skin and nails, and then laying eggs so their offspring can continue the process.  Cremation starts to look more attractive than before.

Gravestones of varying sizes at the Cemetery of the Evergreens
Gravestones of varying sizes at the Cemetery of the Evergreens

I return to Green-Wood to explore its crematorium. Santos Rivera, who works in sales, leads me through a room with a small raised garden and two cushioned backless benches. It could be the waiting room at a doctor’s office on the Upper East Side, if not for the glass cupboards lined with lidded ornamental vases made of stone, onyx, marble and colored glass. Others hold boxes of cast iron, engraved with names, dates and, frequently, Chinese symbols. Each shelf is lit from above.

Rivera leads me outside the main building to the Tranquility Garden, where the sound of rushing water conjures images of a spa. Urns can also be buried here. Rivera points out a small flat plaque in the grass. Somewhere under the dirt sit two urns. “One on the right and one on the left,” he says tapping a shiny black shoe in each spot.

Just beyond the grass, water swirls in a lily pond. Bamboo plants point skyward in giant pots on either side of a narrow path, which forms an asterisk with other paths crossing the pond. Each path leads to a single glass house, known as a columbarium, and together they form a semi-circle around the pond. Inside the houses are more waiting rooms, and more urns.

We return to the main building and I follow Rivera in his blue dress shirt and shiny shoes. He walks me past a chapel that looks like a giant home theater, with several sofa chairs that curve in view of a lectern. Families often hold a committal service in the chapel, before sending the casket to the crematorium. Services last only fifteen minutes, Rivera told me. “Otherwise, there’s a wait.”

In the back room, two empty biers—moveable frames used to transport caskets—wait in front of vast stainless steel cabinets. The biers look like hospital stretchers, only sturdier and missing the mattresses. The newer ones have built-in scales, so that bodies can be weighed and moved at once. The steel cabinets, I realize, are the ovens.

Two thousand degrees Fahrenheit is the right temperature at which to burn a body. “You put your heaviest bodies on in the morning,” says Rivera. Otherwise, the retorts, the ovens where bodies are sent, are overworked and will break down. Unlike the old models, which workers ran by hand, the newer models, Phoenixes, have timers, buttons to preheat and a light to indicate when the machine has cooled down. “I used to think of it as opening up the doors to hell,” Rivera admits. Now, he  sees things more practically. “Cremations are just a quick way to get ashes,” he says.

While bodies take two hours to be cremated, the retort needs another hour to cool down.  “Then you open it up and take out the handles,” says Rivera, referring to the knobs and bars used by pallbearers to carry coffins.  “Sometimes you get a fancy casket that might have a spring mattress in there, or you could get a cardboard box.”

When the brass and metal bits have been removed, an employee will sweep the ashes into a tray, where they cool for another half-hour. The remains, including larger bone fragments, are poured into a pulverizer, the size of a regular blender. It takes only a few seconds to reduce bone to ash, Rivera told me. The ashes are poured into a black bin, the size of a small book, lined with a plastic bag, and then finally into the urn. Depending on the receptacle, the whole process can last between four and five hours.

The final product, which comprises the corpse and the coffin, weighs between seven and twelve pounds. Sifting, the process of separating the ashes from the wood, used to be standard procedure, but it wasn’t foolproof. “In that process, you would lose some of the remains. So it was outlawed. Now, you give it all back,” says Rivera.

The demand for Rivera’s  services has doubled in the last decade, from 1,200 to nearly 2,500 cremations annually. Green-Wood is building a second chapel and another waiting room.  “This way we can handle two services at once,” he says.

The reason for cremation’s popularity is likely financial. The average funeral costs around $5,000, including a casket. Cremation generally costs around $350. A niche for an urn can cost as little as $700, whereas the average plot for a single burial at Green-Wood is $15,000.

In Green-Wood, a premium spot, which allows for a larger tombstone and plantings, is approximately $22,000, but a private mausoleum can cost as much as $300,000.  This sounds expensive until you compare it to Forest Hills Cemetery in California, where a family mausoleum with an ocean view costs more than $825,000.

Every funeral home has a closet full of unclaimed remains, or cremains, usually inside urns. Rivera confirmed this. “They are required by law to wait 120 days,” he said. Afterward, the homes are legally allowed to dispose of the remains, but they seldom do. Sometimes the families never come back. “They didn’t have a place to put them or couldn’t afford them, ”he says.

As elegant as the urns look, the concept of being made to fit into a smooth square box or vase seems too delicate, too sanitary. I don’t want to be kept like a china dish under an artificial light.

In Rivera’s office I notice a row of scattering urns sitting above his shelves, each one painted differently—with clouds, an American flag, army camouflage or a field of sunflowers. They work like salt shakers, letting a little ash out at a time. I picture my brother and sister, with their future children, and maybe mine, shaking out ashes over a favorite field by a creek back home in Pennsylvania.

Before I leave, Rivera hands me a few brochures about cremation. One is titled, “Explaining Cremation to a Child.” The image on the front shows two models in matching blue sweaters and khakis, looking up at a young girl who is for no apparent reason sitting in a window—which, upon closer examination, is not actually a window, but still has an ethereal light behind it. The brochure reads, “In explaining cremation to your child avoid words that may have a frightening connotation such as ‘fire’ and ‘burn.’” A few paragraphs later it adds, “Be sure to point out that a dead body feels no pain.”  Out of context, the brochure is laughable, but the concept of a parent having to rely on a brochure to explain death, and what happens to dead bodies, is less so.

*   *   *

While the prospect of worms and phoridae flies recycling my flesh still disgusts me, I’m less excited about cremation after seeing the pulverizer. I don’t want to be blended. And as charming as scattering your ashes seems, it’s also very final. Once you’re scattered, you’re gone. Forever.

Plant life thrives among the dead at the Cemetery of the Evergreens
Plant life thrives among the dead at the Cemetery of the Evergreens

But not every part of death care has to be so unromantic. Women who work in the funerary business have a less than conventional approach to dying. Ruth Edebohls, the tour guide at Green-Wood, has thought about the dress she’ll be buried in. It’s a long-sleeved turtleneck and it’s velvet. “That would be perfect if it were in the winter,” she said. Although it doesn’t have a zipper, she added, and might be difficult to pull over a corpse. Angela Ragusa, a 21-year-old who grew up in the memorial business, said she wants “something plain” for her gravestone. She chose a black stone with rosary beads on top; even though it’s less natural, it’s trendier. “Everyone wants the black,” she said.

I’ve wrestled with the nightmare of decay, the grotesque sucking of flies and tunneling of worms and the gnawing of rodents, and decided it’s still preferable to cremation. There is something clean, even spiritual, about burial that’s missing from the very sterile and modern process of cremation. Through burial, you are intimately, inextricably part of nature, with a community both living and dead. To me, it’s a way of forever belonging.

I’ve decided I’ll wear a short-sleeved navy dress at my funeral, and earrings that are small and timeless. Choosing an epitaph was much harder. For the moment, I think a quote from Albert Schweitzer comes closest to expressing what I’ve learned in 31 years.  “Sometimes our light goes out, but is blown again into instant flame by an encounter with another human being.” Put simply, people need other people. It’s both a thank you to friends and strangers and a reminder.

A simple gravestone at Cemetery of the Evergreens
A simple gravestone at Cemetery of the Evergreens

As for my grave, I chose Green-Wood. I found a spot up a series of winding roads and under a canopy of oaks and maples. It’s far enough from civilization to be peaceful, but it’s $22,000—a premium lot. This is my dream plot. Ten years from now it seems possible, but when I ask about the feasibility of my claiming it, I’m told that Green-Wood could actually fill up in five years, not ten. (I’m assured this is not the case with its urn gardens.) So it seems I’ll need a fallback plan.

Fortunately, I know another place that does have room. Half a mile inside the dreary brown gates and packed front lawn of Cypress Hills Cemetery, I leave the driveway and follow a path that’s cracked and partially embedded in the earth. I eventually abandon that path and cross through a field of graves and up a hill. This cemetery is much more exposed than Green-Wood, with fewer serpentine paths, smaller hills, and none of the man-made ponds and fountains, but it, too, has peaceful corners.

I’m drawn up the hill by a massive, sprawling tree, an elm or an oak, I can’t be sure. Beneath its tremendous shadow stands a brownstone obelisk topped with a cloaked urn; beside it a limestone statue of a woman holding lilies with her one remaining arm.

I look out over the graves in the field below, imagining them through the seasons, speckled with leaves in the fall, draped in snow in the winter and then swirling with muddy puddles in spring. I picture them crisp with dew in the morning, beads of water glistening across epitaphs, and I imagine how cold the air is on a winter night.

Of course, there are crickets, cicadas and birds. A cemetery is never fully quiet. The tree leaves rustle like seashells under water. In the distance, I can hear the purr of cars on the Jackie Robinson Parkway. I sit down and lean my back against my tree—no tour guides, no visitors, no strangers in sight. It’s just me, alone in my sanctuary.

*   *   *

Shannon Firth is a journalist who lives in Brooklyn. She has written about authors, running, and the elusive nature of women’s friendship. Her work has been published by The Independent, The Local, Nerve and findingDulcinea.

Julie Turkewitz writes for publications that include The Atlantic and The New York Times. She also likes to take pictures.

 

 

When Young Muslims Want to Stop Masturbating, They Turn to Reddit

Share:

Inside the makeshift online support groups where devout men go to break their taboo sex habits.

This story is republished from MEL Magazine, a new men’s digital magazine that understands that there’s no playbook for how to be a guy. Sign up for their newsletter here.

On a Friday night a few weeks ago, Ibrahim “Ibby” Mamood was frantically typing on his laptop, shaking, with droplets of sweat dripping from his forehead. Every so often, he peered over his shoulder, just in case someone was still awake and could come into his room. “I did it again,” he typed to the members of a private Facebook group. “I lost control of myself. May Allah, the greatest, the most kind, the most merciful, forgive me.”

Mamood, 27, lives in Birmingham, one of Britain’s largest cities and home to the country’s largest Muslim population outside of London. He’s a practicing Muslim who prays five times a day and teaches children in madrassa (Islamic school). He lives in a neighborhood almost entirely filled with Muslim families, all of whom know each other, attend the same social events and congregate at the same mosque.

This makes what he calls an “addiction” to masturbation even harder to talk about. Calling me from a cafe in central Birmingham, far away from his home, he says that he started masturbating in his late teens “without really knowing what I was doing.”

“It started, like most boys, with wet dreams. I thought I was wetting the bed. And it really developed from there. Later, I looked at pornographic images. Not because of a sinful sexual attraction. I wanted to figure out what was happening to my body.”

Mamood tells me that as he grew older — and with Islamic marriage on his mind — he attempted to become a more devout Muslim. As he was doing so, however, he continued looking at pornography. “I knew what I was doing was wrong… I’ve always known that. But we live in a society where pornography is widespread, so even when I wasn’t looking for porn, it was just there.”

Like many Muslim men in Mamood’s situation — i.e., finding themselves unable to talk about sex, masturbation or porn in deeply religious communities, where such things are considered taboo — he turned to the internet for help. In addition to private groups on Facebook (Mamood’s has more than two hundred members) and WhatsApp, the biggest support network is on Reddit, where the MuslimNoFap subreddit has about two thousand followers.

On the surface, it might seem like the normal Reddit No Fap community, a group of men whose choice of abstinence is largely driven by a desire for self-improvement. But according to members of MuslimNoFap, who all wished to remain anonymous, their community is much different. As one told me, “The main NoFap community is largely aiming to somehow assert their masculinity through control of themselves, with the hope of sleeping with women outside of marriage.” Conversely, the MuslimNoFap community is designed to uphold the sanctity of Nikah (marriage), which also means that “any form of sexual activity is prohibited until made permissible by Allah.”

“All we’re trying to do is serve Allah, and to do what he commanded us to do,” the MuslimNoFapper adds.

While the men I spoke to had joined the group for different reasons — some wanted to stop watching porn; others used to the group to manage depression and anxiety — nearly all of them wanted to get married in a halal (Islamically permissible) way, and were worried that their affinity for porn and masturbation would nullify their marriages in the eyes of God. It also was clear that despite thinking about marriage for much of their lives, none of these men had been prepared for what would happen on their wedding nights.

“There’s no way we can talk about sex, or anything to do with sex inside a mosque. It’s impossible,” a Canadian man by the username Abu Khadeer says. “Most of the people in these groups had a strict Islamic upbringing. They didn’t learn about sex education in the madrassa, where they were prohibited from having girlfriends. Some date and have sex outside of marriage, but [most] other men are truly devoted to their religion. They end up giving into temptation … usually because they’re afraid they won’t be competent when they finally get married.”

“Most mentions of sex in the [mosque] are usually associated with sin,” he adds. The attitude that the imams take is that any sort of deliberate extramarital sex is a severe sin — one that results in punishment in the akhira [afterlife].”

Islamic scholars differ in their opinions of this interpretation. The mainstream view among some world-famous preachers, including Zakir Naik, is that anyone engaging in extramarital sexual activities without repentance (in the form of fasting and prayer) will be sent to hell on Judgment Day. Others say that because the Qu’ran doesn’t specifically call masturbation zina (a major sin), severe punishments don’t apply.

Still, most devout Muslim men grow up being told to stay away from any type of sexual activity until marriage. As Abu Khadeer says, “A lot of us are told to be celibate up to the point of marriage. And then when we get married, we’re just expected to know what to do. One of the guys on the forum had to divorce his wife because he couldn’t consummate his marriage. He literally didn’t know how to have sex with her on his wedding night.”

It’s difficult to quantify the problem, but most of the imams I spoke to recognized that this is an issue that is often kept secret. Imams from progressive Imams Online network say Islamic leaders hadn’t really dealt with situations involving men and sex education, beyond very extreme situations — ones where the men believed they’d been possessed by evil spirits, in which case, the imams recommend long periods of praying and fasting, or sometimes ruqyah, an Islamic exorcism ritual.

“Things like sexual etiquette aren’t taught in Islamic schools, because there’s an aversion by teachers who believe it’s a parent’s duty to teach their children about sex, but many parents don’t feel confident talking to their sons about sex either,” says London-based imam Muhammad Jafer. “As a result, you have young men who reach their 20s knowing next to nothing about intimacy, or worse, they’ve learned about it by looking at sinful websites or talking to people about sex in haram [forbidden] environments.”

Plus, as Mamood points out, “Most [imams] are older men, who grew up at a time when getting married young was something everyone did, so they don’t understand the world we’re in now. [They] don’t understand how much our society is sexualized now. To say that we should abstain from pornography is impossible.”

“The problem begins when you say abstinence is the only option,” adds Imtiaz Ayub, a social worker based in Derby, a small city in the north of England. Ayub isn’t an imam, but much of his work involves working with Muslim teenagers, including getting them to open up about sex. “There’s a wider problem here — one where in Muslim communities this idea of a very macho masculinity is imposed,” he explains. “More and more young Muslim men are obsessed with how they look, how muscular they are, as a way to prove they’re manly. But at the same time, they’re not encouraged to talk about their own sexuality. That can be very confusing for [them].”

In Ayub’s opinion, communities that have told young men to disregard their sexuality are “basically waiting for a volcano to erupt.”

“Muslim boys aren’t different to any other type of male — they’re going to be sexually curious when they reach a certain age, and if communities care about them, they need to provide spaces where they can openly talk about sex without the taboos. You can’t expect young Muslim boys to grow up and become men unless they’re able to manage the period when they grow up to become men.”

His attitude is shared by others who are trying to offer better resources for Muslim men to talk about sex. In the U.S., a website called “Purify Your Gaze” provides interactive sessions via Skype — usually involving a mentor — and other specially designed programs, consisting of physical activities and Islamic prayers, to aid men throughout their “healing” processes from porn and masturbation. Others, like U.K. imam Alyas Karmani, take a more modern approach — one that disregards notions of personal sexual gratification as a major sin, earning him the title of the “Muslim Sex Doctor.” Same for Mufti Abu Layth, another British imam who caused controversy when he used his weekly advice session on Facebook Live to say that masturbation wasn’t prohibited in Islam at all. Instead, he believes past Muslim scholars had suggested that masturbation could be used to safely manage one’s sexual desires.

To Ayub, Mufti Abu Layth’s statements were a positive first step. “The Mufti has a big public platform, and it was important for him to say that. Even if there are Muslim men who want to be celibate, who want to abstain until marriage, it’s still important for them to understand that masturbation is a natural human thing.”

A few days ago, I spoke to Mamood again. He was in better spirits. He’d put blocks on the porn sites he’d visited, and following the advice and encouragement of the other members of his anti-masturbation support group on Facebook, he’s trying to combat his sexual urges through studying Islamic books. That said: “I’m fine during the day, when I can control my temptations. It’s moments at night when I’m alone…,” he admits.

He takes a long pause, and then mutters a short prayer in Arabic asking for God’s forgiveness. “Those are the times I’m worried about. It’s at night time, when the devil likes to tempt us, especially on the internet.”

 

 

How Cleaning Out My Hoarder Mother-in-Law’s Junk Caused My Own Marriage to Crumble

Share:

As we plowed through decades of her extreme clutter, I began to notice similar tendencies in my husband. And once I saw the hoarder in him, there was no turning back.

There’s a snapshot Aiden took of me a few days after our wedding on Christmas Eve, 2009. I’m standing outside his mother’s house wearing disposable coveralls, gloves, and a particulate mask. In the background is a dumpster. The ground is thick with dead, brown palm fronds. I am beaming at the camera.

I wished so much that I could have met Ruth, my mother in law. I knew she was a bright, adventurous woman who never found work to suit her lively intelligence. She was a 1960’s housewife fascinated by history and art and ideas. She loved dogs. She suffered from untreated depression and agoraphobia.

The day Ruth died, her family just locked up the house and walked away. Now, five years later, it’s still standing empty. Aiden worries about it. I worry about him. No one, I think, should have to clear out a parent’s house alone. His brothers are no help at all.

“You and I can do it together,” I say. “It’ll be our honeymoon. We’ll take a month and just get it done.”

And now we’re here.

The front door opens into the living room — an ironic name for such an uninhabitable place. I’ve never seen anything like this. There are LPs, stained mattresses, mountains of canned food, ripped cushions, dog crates, and hundreds upon hundreds of boxes. All fading back into the darkness. The smell is beyond staleness or rot. It’s the stench of sickness, of time lost.

I’d fantasized about meeting my mother in law. Now I’m getting my wish, but in the most macabre way. As I dig through her belongings, I feel I’m excavating Ruth herself. Every room in that house — every pile of garbage, every broken sofa, every packed closet — seems saturated with her spirit. Each stratum we uncover reveals more of the woman who raised my husband — a woman whom I will otherwise never know.

I haven’t yet heard of obsessive-compulsive hoarding. I have no idea that there’s a clinical name for what I’m looking at. I only know that Ruth’s house feels like a map of a disturbed mind.

Why, I wonder, is the floor of the den covered in newspapers three feet deep?

“That’s for the dogs,” Aiden explains, as if it makes perfect sense. We start hacking the newspaper out, a job that requires pickaxes and shovels. Clouds of powdered filth fill the air. The whole thing is a petrified matt of paper, urine and excrement. Decades ago, Ruth crammed her ever-growing collection of dogs — eighteen? twenty? — into this single modest-sized room and left them to do their thing. When the floor got bad, she simply added another layer of paper.

In another room, I find notebooks. Boxes of them, all densely crammed with faint, microscopic handwriting. They’re lists of words.

“Oh, Mom was always learning languages,” Aiden tells me. Some of the word-lists are in English. Others are in Spanish, German, Polish, Norwegian. Clearly the work of an intelligent and gifted person. The thing is, I can’t see anyone actually using them for anything. They’re barely legible. It’s as if Ruth was collecting words just for the sake of having them.

Further in, there’s a stack of maybe thirty cardboard boxes, wrapped in paper and swathed in packing tape. What was Ruth storing with such special care? Even with my mat knife, it takes a long time to get the first one open. I tear off the paper. Underneath there’s more tape. Then tissue paper. Gently, I turn back the layers.

Palm fronds. The box is full of dead palm fronds from the yard outside, carefully folded and packed.

I spend the next hour cutting open more boxes. They all contain more of the same. As I work, I keep twisting to glance behind me.

Back in the den I find Aiden crouched down, frowning at the heaps of crud that we’ve hacked out of the floor.

“We need to go through all this by hand,” he says earnestly.

I stare. “You mean the whole room? All of it?”

“There could be something important buried here,” he says. “Get a bag.”

I get a bag. As I start sifting, I try to think of something to say. We can’t do this. We’ll never get through it all. This is crazy.

I pry up a wad of rat-chewed newsprint. Underneath, gazing up at me, are Aiden’s eyes.

It’s a photograph, half buried in the muck. It can’t be Aiden, though.

The picture is old, taken maybe around 1920. But the resemblance is eerie. Same curly brown hair, same beautiful eyes. The guy is obviously a relative. Aiden has no idea who he is.

Later on, we show the picture to Aiden’s dad. “That’s your Great Uncle Norman,” he says. “He had some problems.” Problems? Apparently, Ruth’s uncle committed suicide sometime before the Second World War.

I’m sorry to hear it. But what really disturbs me is the vision of my sweetie buried under a pile of garbage in that house. Those eyes, hidden down there for decades. Sad eyes. A genetic heritage.

At the end of January, after about a month of excavation, we run out of time. The whole process has been traumatic for Aiden, and to what end? We’ve filled one corner of the dumpster, which means we’ve thrown away the equivalent of about one closet’s worth of stuff. The rest of the house we leave as it was, relocking the door behind us. I feel defeated. Aiden is silent.

Back in London, our cluttered apartment is starting to worry me.

“I’m remodeling, so everything’s kind of up in the air,” Aiden had told me months before, the first time I saw where he lived: before it became where we lived. I’d been impressed to learn that he was doing all the work himself. Naturally the place was messy now, I thought. I could see it was going to be beautiful when it was done.

But time passed, and the remodel began to seem like the labor of Sisyphus: a project that could absorb any amount of time and work without ever reaching completion.

Now we’ve returned from California and moved into a construction site. It’s uncomfortable. There’s no room for my stuff. Aiden urges patience as he keeps accumulating tools and crates and building materials salvaged from neighborhood trash cans. One night, I come home and am bewildered to see what looks like a pile of car parts in the living room.

I’m starting to understand that, for my husband, the chaos of the remodel is not a temporary stage on the way to a cozy shared living space. It’s the way he lives.

When I shake out a blanket, clouds of dust and mold fly up. We have fleabites. Without consulting me, Aiden adopts two dogs, which are never housebroken. Now I have to wear clogs all day, stepping over puddles on my way to the kitchen.

I offer to do all the cleaning myself. “This is not your project,” Aiden responds. I try to negotiate for one clutter-free room. For the first time, I see my husband truly furious. Once, I rearrange a couple of pictures on the wall. After that, Aiden doesn’t speak to me for a week. He feels that I’m a feckless control freak. I feel unwelcome and unvalued. Much as I love him, I’m sliding into chronic depression. Angry depression.

Through it all I can’t get Ruth, or her house, out of my mind.

Finally, two years later, our marriage ends. I’ve been fighting hard to clear away the obstacles — physical and emotional — that stand between us. To Aiden, I’ve realized at last, my efforts feel like an attack on the core of his being.

The hoarder crowds his life with rubbish in an effort to keep other things out of his life. Things like spontaneity, and the spiritual intimacy reflected in a shared living space. Love and friendship don’t stand a chance. The need to barricade oneself — literally and psychologically — overrides everything else.

I grieved our loss for a long time. But today I’m sitting in a tranquil room full of clean surfaces. There’s open space. There’s sunlight. I luxuriate in having exactly what I need and no more — my books, my teakwood desk, my glass pen jar. Best of all, my thoughts have room to spread and blossom.

 

 

This “Old Guy With a Sign” Protests Trump Every Single Day

Share:

Gale McCray has never been politically active, but since the election he’s become a fixture at a Fort Worth, Texas, intersection.

Most days, 74-year-old Gale McCray putters around Fort Worth, Texas, doing odd jobs and errands – like delivering cookie bouquets – for extra cash. He also spends his time standing at a busy intersection with a homemade anti-Trump sign that simply says, “Trump, that boy don’t act right.”

For 21 years, McCray worked as a mailman for the United States Post Office. He admits he was just as the stereotype suggests: disgruntled. Unhappy and unfulfilled for the better part of his career, he finally quit and took out his entire retirement fund. After blowing through the money over a period of two years on marijuana and “craziness,” McCray was left with $500 to his name. It was then he realized he had a “problem” and he wanted to address it.

“The best thing about America is that you get multiple chances at life,” McCray chuckles. “So, I took another chance.”

McCray went back to school and got a degree at the age of 43, then worked for ten years as a recreation therapist, working with alcoholics and addicts – something he felt called to do. He would teach leisure education classes for patients in treatment centers, and talk to them about participating in activities and how to be out in the world, such as going to a movie or engaging in swimming exercises. Then he drove a school bus for six years before officially retiring in 2008. Over the past nine years, McCray has become more vocal about his political views though he says they aren’t based on politics, per se, but on common sense, human decency, and kindness.

Gale McCray poses with his sign.

Now, the sign he holds for at least two hours per day in front of passing cars and curious eyes is the result of a tipping point. One that McCray didn’t even know was coming. The downhome, country phrase written in big, black letters on the sign just popped into his head, McCray says. He heard it often while growing up in a working-class household in Oklahoma during the forties and fifties.

“It’s country talk, that’s all it is. The full phrase is, ‘That boy just don’t act right. God bless him,’” McCray explains. “Like, I’m a big baseball fan so I’d say this about a player: ‘That right there is a really good ball player, but the fact is that boy just don’t act right. God bless him.’”

Once he found a piece of cardboard large enough to fit his message, McCray focused on the destination. He says he didn’t put a whole lot of thought into it, but ideally had two specific requirements: within walking distance of his home, and a lot of traffic. So, he chose an intersection that fit the bill, with a four-way stop and an island off to the side for him to stand on.

“A few years ago, I made a different sign,” McCray says. “It said, ‘Help, I watch too much Fox News. Can’t tell truth from lies. Need therapy.’ But I was just being silly. This right here is different.”

When asked why it was different, McCray pauses. He speaks in a heavier and much more somber tone than the lighthearted, jovial one he’s been using.

“After the election I was just amazed, I couldn’t believe [Donald Trump] got elected,” he says. “I remembered seeing a guy with a sign once shortly after Bush took us into Iraq. And he was a Middle Eastern guy. He had such resolve on his face, like he knew he wasn’t going to change anything but that he had to get out there and do something. And that’s kind of how I felt.”

McCray stands with his sign at his preferred intersection in Fort Worth.

McCray maintains that he isn’t political. He isn’t angry and he isn’t trying to make a grandiose statement. He’s just “an old guy with a sign.” But the motivation seems deeper than that. After the recent election, McCray became politically active for the first time. He called Congresswoman Kay Grange, visited her office and spoke with one of her representatives about the travel ban. But it just didn’t feel like enough. Then protests broke out all over the country, including the Dallas Fort Worth Airport. And it affected him deeply.

“I saw mothers and grandparents on the news getting separated from their families and I got kind of emotional thinking about it and thinking about my own family,” he says. “There just wasn’t any compassion as to how it was implemented. So, I don’t know. It was all of that, really. I mean, this isn’t the America that I know.”

While standing alone on the cement-lined, grassy island, McCray has heard it all – boos, car horns, cheers and, of course, his fair share of ‘fuck you.’” According to the New York Times, 51.7 percent of Forth Worth residents voted for Donald Trump, which isn’t an overwhelming number, but enough to garner some unpleasant reactions to his sign.

Some people have called the cops on him, others hold up the peace sign. One person shouted at him to “get a job” while another asked, “Who’s paying you to do that?” An older woman even slowed down traffic just enough to roll down her window and tell McCray with all sincerity, “You’re stupid.”

“What I notice the most is how a lot of the people are just so angry,” he says. “It makes me sad to see them get so angry at me. I don’t feel anger towards them. And they look like they’re going to have a heart attack over this. You can’t take it so seriously. If I took what people said seriously, I wouldn’t be able to do this.”

McCray waves at passersby.

McCray says he often thinks back to that Middle Eastern man that he saw with a sign all those years ago. No one beeped at him. No one slowed down. They just saw him standing there and wondered what he was doing out there with that sign.

“That man had a big effect on me,” McCray says. “I made up my own story about him, about who he was and why he was doing what he was doing, and how he had to get out there and just do something – anything. It has stuck with me. I imagine people are doing the same with me. And maybe it will stick with them.”

McCray has since started taking the sign with him on his travels. He’s recently been to Oklahoma, Florida and South Carolina. A musician he met in Oklahoma even wrote a song based on the sign’s catchphrase. It’s called, you guessed it: “That Boy Don’t Act Right.” And on more than a few occasions, McCray has struck up conversations with people just to hear their thoughts and views no matter who they voted for. He’s not trying to change anyone’s mind, he says, or convert political beliefs. But he hopes that some people will feel motivated to go out and do something – anything – to make them feel as if they are doing their part. Maybe they’ll see the sign and think about voting or taking their own course of action. In the end, that’s really what McCray says he’s trying to do – inspire action.

“I still don’t feel like I’m doing enough,” he says. “Like I said, I’m just an old man with a sign. But at least, for me, it’s something. At least I’m doing something.”

 

 

I Went to the Hospital to Give Birth…And Tested Positive for Meth

Share:

When the nurse first told me, mid-labor, that there were methamphetamines in my system, I cracked up laughing at the absurdity. When child services showed up, it stopped being funny.

It’s the birth of my first child, and I’m seven, maybe eight hours into labor. Whatever time it is, I’m well past the point of caring about modesty, so I don’t even think it’s strange when a nurse follows me into the bathroom.

“Just so you know, you’ve tested positive…” The nurse pauses there, and shifts her eyes to the floor. My anxiety fills the silence. I expect she’s going to say something about the whirring machines that have been measuring the baby’s heartbeat, my contractions, my blood pressure, any of those things.

“For methamphetamine.”

Relief floods me, and I explode with laughter. Meth? I didn’t even take Tylenol during my pregnancy.

“Well, I’ve always been a positive person,” I say, because cracking awful jokes is what I do to pave over uncomfortable situations. I smile, and the nurse seems relieved. Clearly, this is a mistake. I offer to give another sample.

The nurse crosses her arms in front of her chest while I squat over the toilet, one hand hoisting my hospital gown up toward my enormous belly, the other dangling the plastic cup in an area I can’t even see. Remarkably, my aim is true.

If there’s one thing I’ve mastered during pregnancy, it’s peeing into cups. My obstetrician’s office required a urine sample at most every visit to check hormone levels. At this point I’m 42 weeks, so I’ve peed into dozens, maybe scores, of sample cups. That’s probably why I wasn’t even aware the hospital administered a drug test when I checked in to give birth. My everyday routine as a pregnant lady involves peeing on demand.

The nurse sends the sample to the hospital’s lab.

When I imagined labor, I expected to pass the time by stretching on an exercise ball or pacing the hospital’s long white hallways. But my doctor is concerned about the baby’s heartbeat – it drops dramatically every time I have a contraction – and so I am confined to a labor bed, an IV of fluids in my arm, an oxygen mask on my face, and belts stretched across my belly to monitor the baby.

So I make do. My doula rubs lavender essential oil on my temples, and my husband plays “Push It,” the Spotify playlist I created for labor and delivery. I have a photo of Beyoncé propped up on the over-bed table, because if anything can inspire me, it’s Queen Bey. Also on the table is my birth plan, which is kind of like a wish list for delivery. That includes modest requests, like keeping the door to my room closed, as well as more imperative things, like, “Please delay all routine procedures on the baby until after the bonding and breastfeeding period.”

Occasionally I convince the staff to unhook the machines and let me move around the room for a few minutes. It’s better that way. Movement helps distract from the contractions, allowing my body to muscle through each wicked snap. But when I’m in bed, I’m hit with the full force of every punch, my vision blurring and sparkling along the edges. It’s like a migraine, but rippling through the entirety of me, and I just have to lie there and take it.

I’ve just done a few stretches and heaved myself back into bed when another nurse enters the room. I snap the oxygen mask back on my face as she delivers her news.

My drug sample is positive for meth. Again. The nurse ticks off a list of everything that’s about to happen: The baby will be tested for drugs. The hospital social worker will meet with me before I can be discharged. Child Protective Services will be contacted to evaluate my fitness as a parent.

“And of course, you cannot breastfeed the baby,” the nurse finishes.

I rip the oxygen mask away. This isn’t a joke anymore.

“Can they do that?” I ask my doula.

“I don’t know.” She looks grim.

“This isn’t right!” My husband is angry. He knows me, he’s seen the way I’ve nurtured and cared for the fragile bud inside me. His voice deepens into a growl as he stabs a finger toward the nurse. “You tell them. I don’t care who you have to call. The lab, the social worker, the doctors. You tell them they’re wrong.”

The nurse only shrugs and leaves the room.

My husband and I have experienced loss through miscarriage, so I’ve been especially careful this pregnancy, almost to the point of superstition. No alcohol, no deli foods, nothing raw, undercooked or smoked. The bulk of my produce was organic, my drinking water purified through a reverse-osmosis system. I used clove oil on a persistent toothache instead of visiting the dentist, because I didn’t want any anesthetic to pass through my body and into the placenta. During all 42 weeks, the hardest drugs that entered my body were prenatal vitamins and puffs from my prescription asthma inhaler.

“My inhaler,” I say. My hands shake.

“Your inhaler.”

The contractions are furious. I am furious. I am scared. My husband and my doula both hunch over their smartphones, searching for facts about asthma inhalers and drug tests. In the background, my labor mix plays “I’m Coming Out” by Diana Ross. My birth plan is on the floor, wrinkled, footprints stamped onto the white paper. I want to run away, but I’m belted down to a labor bed and attached to a bunch of machinery, caught somewhere between a sob and a scream.

The nurses, who begin to look alike, are no longer friendly, and we have a lot of conversations that don’t make sense. It’s four, possibly five a.m., but who’s to say? Labor runs on Salvador Dalí time, and I’ve hit that point of sleeplessness where the world doesn’t feel real anymore.

My husband scrolls through pages of information about albuterol inhalers and drug tests. He shows his phone to every nurse who steps foot in the room.

“See,” he points at a page from Drugs.com, then flips to CBS News stories about false positives, archives of reports, message boards with anecdotal evidence.

“Just give me one more test,” I plead. “I’ll prove it.”

I realize how much we sound like the prisoners who argue their innocence or patients in a mental institution who say they’re not crazy. The more I insist I’m not on drugs, the more I sound like I am.

“You can take this up with CPS,” a stone-faced nurse says.

Child Protective Services. A bolt of dread shoots through me as I remember the pregnancy announcement I sent to my loved ones and posted on Facebook six months ago. It seemed innocent enough. Bryan Cranston, the star of “Breaking Bad,” owns a movie theater in my town. When I ran into him at a film screening, I thought a photo with him would be the perfect way to announce my pregnancy and declare my love for the show, which is about a teacher-turned-methamphetamine dealer.

On the announcement, Bryan Cranston has one hand on my belly. “Breaking Baby,” the card reads in the style of the show’s logo, like elements in the periodic table. The bottom of the card modifies a memorable quote from the show: “I am the one who knocks up.”

The author's pregnancy announcement card featuring actor Bryan Cranston (left). (Image courtesy Maggie Downs)
The author’s pregnancy announcement card featuring actor Bryan Cranston (left). (Image courtesy Maggie Downs)

In the shadow of my failed drug tests, a card celebrating a morally questionable meth cooker has become one of my most misguided ideas. If the folks at CPS want proof I’m an unfit parent, I’m handing it to them on quality card stock, stuffed inside a pretty envelope.

Eventually the long desert night becomes a smoldering July morning. The baby’s heartbeat drops until it almost stops, and my doctor is summoned. My son is born via emergency C-section at 9:56 a.m. He is whisked away to another room, my husband follows, and for the first time in ten months, I am alone.

* * *

When I change my son’s diaper for the very first time, there is a plastic bag covering his genitals, a band of tape cinching it tight. It doesn’t strike me as abnormal until the nurse peering over my shoulder shakes her head no.

“I don’t think that’s enough urine for a sample,” she says. “We’ll have to do it again.”

Of course. They have to test my child for drugs, and this is how it’s done. It’s one of the saddest things I’ve ever seen, this tiny baby part wrapped in plastic, this uncomfortable, squawking child. His skin is so silky and new, the plastic so crinkly and manufactured.

Three days pass with me in the hospital bed, recovering from surgery. For three days I nestle my son in my arms, and I encourage him to breastfeed. All three days, the nurses are reluctant to hand over the baby, saying my actions are irresponsible. I feel like a wounded dog. I fight the urge to bark and snap at their hands.

Every shift change, two nurses stand by my bed and inform another two nurses of my status as a combative patient. “This woman tested positive for methamphetamine,” they say. “She has been briefed on the risks associated with breastfeeding, and she refused our advice. She is breastfeeding at her own risk.”

On my last day in the hospital, the social worker makes a visit. He is the first person to offer me a sliver of kindness and the benefit of doubt.

“I don’t think you’re on meth,” he says. “But my hands are tied.”

He says my son’s drug test was negative. Mine, however, has been sent to an outside lab for additional testing. I should receive the results in two to three weeks. In the meantime, he will try to hold off on contacting CPS.

“Just expect them to show up at any moment, is all I’m saying,” he adds.

spot-1

A part of me recognizes the hospital is acting in the interests of my child. But even if I were a drug user, does that justify turning delivery into something criminal? At what point do the rights of my child outweigh my own?

As soon as I signed a waiver and checked in to the labor ward, this birth belonged to the hospital. All sense of agency was stolen from me – from how I was forced to labor in an unnatural position, flat on my back, to the way I was treated like a drug addict when I was at my most vulnerable. Now my future feels like it’s in their hands too.

We live in the desert, where the only things that thrive are rugged and prickly, and it’s 112 degrees the day I bring my child home. Prior to giving birth, I pictured this as my Hallmark moment – sitting in the rocking chair that belonged to my mother, a cooing baby in my arms, the soft, yeasty smell of his skin. Instead, my son hollers until he’s purple, and I exhaust myself trying to make him stop. Every time the clanky air conditioner kicks on, my son cries with renewed energy. We are sweaty and sticky and unhappy. I finally place him in a bassinet next to the couch, where I collapse. Let him scream.

Lemon, my blind and deaf dachshund, settles in by the bassinet, as though she’s guarding it. Every so often Lemon leaps to her feet and pokes her nose into the bassinet, sniffs the baby, then curls up on the floor again. After a little while of this, my son calms. My dog is already proving to be a better mother than I am.

The weeks that follow are dark. I don’t know if I would have experienced the same level of postpartum depression without failing those drug tests. But I do know most other mothers don’t spend their first few weeks with baby the way I do – the shades drawn, peeking out from behind the blinds, examining each car that drives past. Every phone call, every knock at the door, every pop of gravel in the driveway sets my heart racing. Every night shreds me to pieces, wondering if my son will be whisked away by morning. I am suddenly a stickler for housework. What if CPS comes and sees all the laundry? What will they think of our dishes in the sink? It seems insane to think someone could take my child away, yet testing positive for meth once seemed insane too.

Sometimes while my son sleeps, I curl up on the floor of his yellow nursery, too afraid to be separated by a room or a wall. I am tired, but I don’t sleep. This isn’t how it was supposed to be, I think. This child was so wanted, so desired, but now that he’s here, I’m unable to protect him. I fall short.

I stay awake long enough to hear the coyotes scream in the empty lot next to my house. Out there is a desert, a place of harsh conditions and vast unknowns, and our home isn’t an oasis anymore. That’s when I mentally plot the route from Palm Springs to Mexico and imagine our lives in a seaside town. We could start over. We could be happy.

spot-2The days pass, and the air conditioner continues to chug. The blinds are drawn, and the house is gloomy despite the burning sun outside. I don’t run off to Mexico, of course. I’m still hopped up on painkillers for my angry C-section incision, and I’m fuzzy from insomnia. I can’t even make it to the mailbox.

Three weeks after I give birth, the hospital social worker phones and speaks to my husband. The results are in. I’m not on drugs. The call lasts less than a minute; it only takes a few seconds to apologize.

After the call, I suppress the urge to cry.

“What do we do now?” I ask my husband.

He shrugs. He looks sad and scared and relieved, and I’m all of those things too. I don’t quite believe it’s over, that we can just be parents who love and laugh and enjoy the comfort that comes from being in a safe space. But here we are.

My son is asleep against my shoulder, and I don’t want to disrupt him. Instead I walk over to the patio door, pull open the blinds, and for the first time in weeks, let the light in.

* * *

Maggie Downs Answers Your Questions: For more on what really happened at the hospital, read a Q&A with the author on Narratively’s Facebook page.

Maggie Downs is a writer, mother, and adventurer based in Palm Springs, California. Her work has appeared in the Washington Post, the Los Angeles Times, Today.com, and Racked, among other publications. She holds an MFA in creative nonfiction from the University of California Riverside-Palm Desert. Find her on Twitter @downsanddirty.

Cornelia Li is an illustrator based in Toronto. Her works often explore human emotions via storytelling. See her more experimental scribbles on Instagram @cornelia_illo.

 

 

The Day My Therapist Dared Me to Have Sex With Her

Share:

My analyst and I grew more intimately connected each week of treatment...but I never saw this indecent proposal coming.

It’s the waning moments of my fourth session with a new therapist. I’m holding back — and she knows it. My entire body feels tense, not ideal for the setting. I try to relax, but the plush leather couch crumples under me when I shift, making the movements extraordinary. I’ve barely looked into my therapist’s blue eyes at all, and yet I think the hour has gone very well. Of course it has. On the surface, when the patient has been highly selective of the discussion topics, therapy always resembles a friendly get-together.

“Well,” my therapist, Lori, says, the millisecond after I become certain our time is up and I might be in the clear. “I don’t think I should let you go until we’ve at least touched on what was put out there at the end of last week’s session.”

I so supremely wanted this not to come up. My eyelids tighten, my mouth puckers to the left, and my head tilts, as though I’m asking her to clarify.

“When you said you’re attracted to me,” she continues.

“Oh, yeah,” I say. “That.”

Back in session three Lori was trying to build my self-esteem, the lack of which is one of the reasons I’m in treatment. Within the confines of my family, I’ve always been the biggest target of ridicule. We all throw verbal darts around as though we’re engaged in a massive, drunken tournament at a bar, but the most poisonous ones seem to hit me the most often, admittedly somewhat a consequence of my own sensitivity. I’ve been told it was historically all part of an effort to toughen me up, but instead I was filled with towering doubts about my own worth. And since 2012, when I gave up a stable, tenured teaching career for the wildly inconsistent life of a freelance writer, I’ve had great difficulty trusting my own instincts and capabilities. I told Lori that I wish I was better at dealing with life’s daily struggles instead of constantly wondering if I’ll be able to wade through the thick.

She quickly and convincingly pointed out that I work rather hard and am, ultimately, paying my bills on time, that I have friends, an appreciation for arts and culture, and so on. In short, I am, in fact, strong, responsible and “pretty good at life.”

Then Lori heightened the discussion a bit. “I also feel that it is your sensitivity that makes you a great catch out there in the dating world,” she said, to which I involuntarily smiled, blushed and quickly buried my chin in my chest. I was too insecure and too single to handle such a compliment from a beautiful woman.

“Why are you reacting that way?” Lori asked.

I shrugged my shoulders, only half looking up.

“Is it because you’re attracted to me?”

I laughed a little, uncomfortably. “How did you know?”

She gently explained she could tell the day I walked into her office for the first time, after I flashed a bright smile and casually asked where she was from.

Now, a week after dropping that bomb, Lori asks, “So, why haven’t we talked about it?”

“I was hoping to avoid it, I suppose.” I tell her the whole notion of having the hots for a therapist is such a sizable cliché that I was embarrassed to admit it. “For Christ’s sake,” I say, throwing my hands up, “Tony Soprano even fell in love with his therapist.”

Lori snorts, rolls her eyes. “I knew you were going to say that.”

I smile, shake my head and look around the room, denying acceptance of my own ridiculous reality.

“It’s OK,” Lori says, grinning. “We can talk about this in here.”

I look again at her stark blue eyes, prevalent under dark brown bangs, the rest of her hair reaching the top of her chest, which is hugged nicely by a fitted white tee under an open button-down. She jogs often, I’d come to find out, which explains her petite figure and ability to probably pull off just about any outfit of her choosing.

I still can’t speak, so she takes over.

“Do you think you’re the first client that’s been attracted to their therapist?” she asks rhetorically. “I’ve had other clients openly discuss their feelings, even their sexual fantasies involving me.”

“What?” I cackle, beginning to feel as though I’ve moseyed onto the set of a porno.

“It’s true,” she says, acknowledging her desk. “What’s yours? Do you bend me over and take me from behind?”

Nailed it.

“If that’s what you’re thinking, it’s OK,” she goes on, earnestly, explaining that she’s discussed sexual scenarios with her clients before so as to “normalize” the behavior and not have them feel their own thoughts are unnatural. By showing the patient a level of acceptance, she hopes to facilitate a more comfortable atmosphere for “the work” — her painfully accurate pseudonym for psychotherapy.

I take a second to let the red flow out of my face, and ponder what she said. I’m a little unsure about this whole technique, but the more I think about it, the more it makes sense. So I go home, incredibly turned on and completely unashamed.

* * *

One of the great breakthroughs I’ve had in the thirteen months since I began seeing Lori (who agreed to participate in this article, but requested that her full name not be published) is a new ability to accept the existence of dualities in life. For instance, I’ve always had a tremendous sense of pride that, if it doesn’t straddle the line of arrogance, certainly dives into that hemisphere from time to time. I’m great at seeing flaws in others and propping myself up above them by smugly observing my character strengths. I’ve never liked that about myself, but the harder concept to grasp is the fact that I can be so egotistical while also stricken with such vast quantities of insecurity.

In treatment I came to realize that all people have contradictions to their personalities. There’s the insanely smart guy who can’t remotely begin to navigate a common social situation, the charitable girl who devotes all her time to helping strangers, but won’t confront issues in her own personal relationships. In my case, my extreme sensitivity can make me feel fabulous about the aspects of myself that I somehow know are good (my artistic tastes) and cause deep hatred of those traits I happen to loathe (the thirty pounds I could stand to lose).

My next session with Lori is productive. We speak about relationships I’ve formed with friends and lovers, and how my family may have informed those interactions. One constant is that I put crudely high expectations on others, mirroring those thrown upon me as a kid. I’m angered when people don’t meet those expectations, and absolutely devastated when I don’t reach them. Lori points out that it must be “exhausting trying to be so perfect all the time.” I am much more comfortable than I was the week prior, and can feel myself being more candid. I’m relieved that the whole being-attracted-to-my-therapist thing doesn’t come up.

Then, a week later, Lori mentions it, and I become tense again.

“I thought I’d be able to move past it,” I say, adding, “We aired it out, and it’s fine.”

As definitive as I’m trying to sound, Lori is just as defiant.

“I’m glad you feel that way,” she begins, “but I think you owe yourself some kudos. This kind of therapy,” she shares, “isn’t something just anyone can take on.” Such honest discussion doesn’t simply happen, it takes tremendous guts, and Lori can see that I am dealing with it relatively well, so I should praise my own efforts.

“Shit, we both should be proud of ourselves,” she says. “It’s not easy on the therapist either, you know.”

“Why not?”

“Because talking openly about sex is risky at any time, much less with a client.” She explains that therapists are warned any semblance of intimacy can be easily misconstrued. “We learn in our training to not personally disclose, for example,” she says, but adds that, occasionally, transparency can be helpful.

“Still, with you,” she continues, “until I raised the question, I didn’t know for sure that you would go with it; for all I knew you’d run out of here and never come back to risk being so uncomfortable again.”

She’s building my confidence more, and I’m learning that I play a much bigger role in how my life is conducted than I often realize. My treatment wouldn’t be happening if I weren’t enabling it.

Then she says, “And don’t think it’s not nice for me to hear that a guy like you thinks I’m beautiful.”

Crippled by the eroticism of the moment, and combined with the prevailing notion that no woman this stunning could ever be romantically interested in me, I flounder through words that resemble, “Wait…what?”

“If we were somehow at a bar together, and you came over and talked to me,” she says, then flips her palms up innocently, “who knows?”

I laugh again and tell her there’d be almost no chance of me approaching her because I’d never feel like I had a shot in hell.

“Well, that’s not the circumstances we’re in,” she says. “But you might. Who knows?”

I’m confused — Is she really attracted to me or is this some psychotherapeutic ruse? I’m frustrated — I told her I didn’t really want to talk about it. Shouldn’t she be more sensitive to my wants here? I’m angry — Is she getting an ego boost out of this? Most of all, I don’t know what the next step is — Am I about to experience the hottest thing that’s ever happened to a straight male since the vagina was invented?

There were two ways to find out:

1) Discontinue the therapy, wait for her outside her office every day, follow her to a hypothetical happy hour and ask her out, or

2) Keep going to therapy.

* * *

A week later, I’m physically in the meeting room with Lori, but mentally I haven’t left the recesses of my mind.

“Where are you today?” she asks, probably noticing my eyes roving around the room.

“I don’t know.”

“Are you still grappling with the sexual tension between us?”

Here we go again.

“Yes,” I say, with a bit of an edge in my voice, “and I don’t know what to do about it.”

Lori, ever intently, peers into my eyes, wrinkles her mouth and slightly shakes her head.

“Do you want to have sex with me?” she asks.

We both know the answer to that question. All I can do is stare back.

“Let’s have sex,” she announces. “Right here, right now.”

“What?” I respond, flustered.

“Let’s go!” she says a little louder, opening up her arms and looking around as if to say the office is now our playground, and, oh, the rollicking fun we’d have mixing bodily fluids.

“No,” I tell her, “You don’t mean that.”

“What if I do?” she shoots back. “Would you have sex with me, now, in this office?”

“Of course not.”

“Why ‘of course not’? How do I know for sure that you won’t take me if I offer myself to you?”

“I wouldn’t do that.”

“That’s what I thought,” she says, and tension in the room decomposes. “Mike, I don’t feel that you would do something that you think is truly not in our best interest, which is exactly why I just gave you the choice.”

Her offer was a lesson in empowerment, helping me prove that I have an innate ability to make the right choices, even if I’d so desperately prefer to make the wrong one.

I see what she means. I’m awfully proud of myself, and it’s OK to be in this instance. I’m gaining trust in myself, and confidence to boot. But, as the dualities of life dictate, I’m successfully doing “the work” with a daring therapist, while at the same time not entirely convinced she isn’t in need of an ethical scrubbing.

* * *

I don’t have another session with Lori for nearly three months, because she took a personal leave from her place of employment. When our sessions finally resumed, I could not wait to tell her about my budding relationship with Shauna.

Ten minutes into my first date with Shauna — right about the time she got up from her bar stool and said she was “going to the can” — I knew she would, at the very least, be someone I was going to invest significant time in. She was as easy to talk to as any girl I’d ever been with, and I found myself at ease. Plans happened magically without anxiety-inducing, twenty-four-hour waits between texts. Her quick wit kept me entertained, and I could tell by the way she so seriously spoke about dancing, her chosen profession, that she is passionate about the art form and mighty talented too. Shauna is beautiful, with flawless hazel eyes and straight dark hair, spunky bangs and a bob that matches her always-upbeat character. She is a snazzy dresser and enjoys a glass of whiskey with a side of fried pickles and good conversation as much as I do.

Things escalated quickly, but very comfortably, and since we’d both been in our fair share of relationships, we knew the true power of honesty and openness. So upon the precipice of my return to therapy I told Shauna about Lori, and admitted to having mixed feelings about what I was getting back into. I told her I was at least moderately uncertain if my mental health was Lori’s number-one concern since she always seemed to find the time to mention my attraction to her.

The first two sessions of my therapeutic reboot had gone great. Lori appeared genuinely thrilled that I was dating Shauna and could see how happy I was. I wasn’t overwhelmed with sexual tension in the new meeting room, though it wasn’t actually spoken about, and in the back of my mind I knew it was just a matter of time before it would start to affect my ability to disclose my thoughts to Lori again.

Then, while attempting to ingratiate myself with my new girlfriend’s cat by spooning food onto his tiny dish on the kitchen floor, I hear my phone ding from inside the living room.

“You got a text, babe,” Shauna says. “It’s from Lori.”

“‘I’m so impressed with you and the work you’re doing…’” Shauna reads off my phone from inside the living room, inquisitively, and not happily. I stuff the cat food back into the Tupperware and toss it into the refrigerator. I make my way into the living room, angry at myself for not changing the settings on my new iPhone to disallow text previews on the locked screen. Shauna’s walking too, and we meet near the kitchen door. “What’s this?” she says, holding up the phone. “Your therapist texts you?”

I take the phone from Shauna and say the most obvious, cliché-sounding thing: “It’s not what it seems.”

As I text back a curt “thanks,” Shauna tells me she’s going to ask her sister, a therapist herself, if it’s OK to text patients.

“Don’t do that.” I say, a little more emphatically. “I promise, this is nothing to be worried about. We’re not doing anything wrong.” I explain that Lori’s just trying to build my self-esteem.

“The only reason I’m even bringing this up is because you said you weren’t sure about her in the first place,” Shauna reminds me. I can tell she regrets looking at my phone without my permission, but I completely understand her feelings.

At my next session I tell Lori that Shauna saw her text and wasn’t thrilled about it.

“She probably feels cheated on to some degree,” Lori says. “A relationship between a therapist and a patient can oftentimes seem much more intimate than the one between a romantic couple.”

Lori goes on to point out that the reason she feels we can exchange texts, blurring the lines between patient/doctor boundaries — a hot topic in the psychotherapy world these days — is because she trusts that I’ll respect her space and privacy. “You’ve proven that much to me,” she says.

On my walk home, instead of being angry at Lori, I understand her thinking behind the text. But I’m also nervous about how Lori and Shauna can ever coexist in my life.

Isn’t therapy supposed to ameliorate my anxiety?

* * *

A week later, Lori begins our session by handing me a printout explaining the psychotherapeutic term “erotic transference” written by Raymond Lloyd Richmond, PhD. It says that erotic transference is the patient’s sense that love is being exchanged between him or herself and the therapist — the exact sensation I was experiencing with Lori, of which she was astutely aware.

According to Richmond, one of the primary reasons people seek therapy is because “something was lacking in their childhood family life,” perhaps “unconditional nurturing guidance and protection.” Upon feeling “noticed” and “understood” by a qualified therapist, sometimes a patient can be “intoxicated” by their therapist’s approval of them. A patient may in turn contemplate that a love is blossoming between them, and, in fact, it sort of is.

From an ethical standpoint, Richmond argues all therapists are “bound” to love their patients, for therapists are committed to willing “the good of all clients by ensuring that all actions within psychotherapy serve the client’s need to overcome the symptoms” which brought them into treatment. This takes genuine care and acceptance on their part. However, a patient can easily confuse the love they feel with simple “desire.” They’re not quite in love with their therapist, so much as they yearn for acceptance from someone, and in those sessions they just happen to be receiving it from their doctor.

Lori tells me that, all along, she has been “working with what I gave her” and that because I flirted with her a bit, she used that to her advantage in the treatment. In employing countertransference — indicating that she had feelings for me — she was keeping me from feeling rejected and despising my own thoughts and urges.

“There’s two people alone in a room together, and if they’re two attractive people, why wouldn’t they be attracted to each other?” says Dr. Galit Atlas. A psychoanalyst who’s had her own private practice for fifteen years, Dr. Atlas has an upcoming book titled The Enigma of Desire: Sex, Longing and Belonging in Psychoanalysis, and I sought her as an independent source for this essay to help me understand Lori’s therapeutic strategies.

Dr. Atlas explains that there are certain boundaries that cannot be crossed between therapist and patient under any circumstances — like having sex with them, obviously. But many other relationship borders can be mapped out depending on the comfort level of the therapist, as long as they stay within the scope of the profession’s ethics, which complicates the discussion surrounding erotic transference.

“As a therapist, I have a role,” Dr. Atlas says. “My role is to protect you.” She says it is incumbent on the therapist to not exploit the patient for the therapist’s own good, but admits that the presence of erotic transference in therapy brings about many challenges. “[Attraction] is part of the human condition,” she observes. In therapy, “the question then is: What do you do with that? Do you deny it? Do you talk about it? How do you talk about it without seducing the patient and with keeping your professional ability to think and to reflect?”

I ask her about the benefits of exploring intimacy in therapy, and Dr. Atlas quickly points out that emotional intimacy — though not necessarily that of the sexual brand — is almost inevitable and required. “An intimate relationship with a therapist can [be] a reparative experience — repairing childhood wounds — but mostly it’s about helping the patient to experience and tolerate emotional intimacy, analyzing the client’s anxieties about being vulnerable and every mechanism one uses in order to avoid being exposed.”

Dr. Atlas says this topic speaks to every facet of the therapeutic relationship, regardless of gender or even sexual orientation, because intimacy reveals emotional baggage that both the patient and therapist carry with them into the session. But this isn’t a symmetrical relationship, and the therapist is the one who holds the responsibility.

“Freud said that a healthy person should be able to work and to love,” she says. “In some ways therapy practices both, and in order to change the patient will have to be known by the therapist. That is intimacy. In order to be able to be vulnerable, both parties have to feel safe.”

After I briefly explain all that has gone on between me and Lori, Dr. Atlas steadfastly says she does not want to judge too harshly why and how everything came to pass in my therapy. “I don’t know your therapist, and I don’t know your history,” she says. But she offers that I should “explore the possibility” that I might have created and admitted my sexual adoration of Lori because one of my fears is to be ignored, not noticed.

Then I offer: “Maybe this essay is being written for the same reason.”

“Exactly.”

Maybe I wanted to interview Lori about erotic transference in my therapy sessions for that same reason as well…to stand out as the most amazingly understanding patient ever.

* * *

“I want to be very clear that this was never about feeding my own ego,” Lori says about her approach to my treatment. “We were always doing this in your best interest.”

I’m in Lori’s office, a tape recorder rolling and a pad and pen in my hands.

“I felt I was doing a disservice to you if I didn’t ‘out’ what I felt was weighing on us, which, honestly, felt like a heavy secret,” she says, pointing out that she discussed my therapeutic process for many hours in her required supervision meetings.

In order for Lori to advance in her field as a social worker, she has to attend 3,000 conference hours with another professional to go over casework — kind of like therapy quality control.

We talk about all of this during one of my scheduled sessions, for the entire hour — and go over by a few minutes, too.

Lori says that when she began her career as a social worker, she decided she wasn’t going to shy away from any subjects. “It’s typical for a client to [have] a habitual desire to sweep things under the rug,” she observes, especially about taboo topics. It can become a cycle of behavior that Lori seeks to break.

I refer back to the time when, unprovoked, she brought up my attraction to her.

She says she mentioned it to avoid what therapists call “door-knobbing,” which is when a patient will purposely mention some huge reveal right at the end of a session so as to sidestep a lengthy conversation about it.

“My only question for you is, was I wrong for bringing it up?” she asks. “Only you can answer that.”

Lori’s great at forcing me to reflect.

“I guess when I said I was over it and could move on, that was an example of my strict black-and-white thinking,” I say, throwing back some language she’s used often to describe my challenge in accepting dualities. In my mind, I was either attracted to her and shouldn’t see her anymore, or I wasn’t attracted to her and could still have her be my therapist. There was no in between.

I realize now that she wasn’t wrong for mentioning my feelings for her, even when I didn’t want her to. Lori noticed that I was frustrated with myself and wanted me to know that an attraction to a therapist is so normal and happens so frequently that there are technical terms for it.

I turn my attention towards the presence of countertransference in our session. I’m trying to come up with an actual question here, but, really, I just want her to confirm her feelings for me are real. So I say, referring to her feelings, with a great degree of difficulty, “It’s funny that they seem genuine to this day.”

“They are genuine,” Lori says, adding a moment later: “I think it might be a good idea if we explore why our discussing it suggests a lack of authenticity.”

“It doesn’t, necessarily,” I begin, then stammer through a few sentences, worried I might offend her by implying she’s been dishonest. I finally settle on, “I guess it comes back to my self-esteem issues. Why would a beautiful woman think I’m attractive?”

Lying in bed with Shauna a few months into our relationship, I ask her what she thought about me the moment she first saw me. I’m fishing for a compliment. But we met on Tinder and I just hope that seeing me in person wasn’t some kind of letdown for her after swiping right on my hand-picked glamour shots. Obviously she isn’t going to say something so awful after having committed to me for so long. It’s a slam-dunk ego boost.

She says she liked the fact that I was wearing a blazer and a tie on a first date. She adds that I was a little shorter than she anticipated, but was content with the two of us at least being the same exact height.

“What did you think when you first saw me?” she asks, turning it around, naturally.

Staying committed to my honesty-at-all-costs policy, I say, “I thought you were really beautiful, but not to the point where I was intimidated by you, which was very important because if I was, you would have gotten a very unconfident version of me, and we probably wouldn’t have hit it off as well as we did.”

Shauna thinks about that for a second, and eventually nods “OK.”

I explain that my insecurity could often get the better of me in dating situations. It was easy to convince myself that I’d be rejected by the girl I was with, especially if I thought she was out of my league. I would then slip into a nervous and reserved state that isn’t at all reflective of my true self.

I’m essentially saying that I was so thrilled to not find Shauna so extraordinarily pretty that I couldn’t accept her being on a date with me. That thought made so much sense at the time I said it, but I’ve since come to realize it is as ridiculous as it is insulting. After ten months of being with Shauna, I’m still completely floored by her, on every level, including a physical one. It gives me great pride to walk into a room with her, and I don’t imagine that changing. Therefore, she actually did meet a confident “version of me.” The way people look doesn’t drastically change in ten months but a person’s perception of self can. It seems my emotional workouts in erotic transference were just beginning to produce results.

* * *

“People fuck up,” Lori informs me during one winter session. “Therapists have slept with clients before, just like politicians have had sex with their interns. But, so you have a full understanding of how this works, we can date.” She explains the parameters as outlined in the social worker’s code of ethics. One of the many stipulations is that we wouldn’t be able to see each other, under any circumstances, for at least two years before dating. She tells me she loves her job, and there’s no way she would ever sacrifice my safety or her career for anything, so she would strictly follow all the dictated rules. “If you truly want to date me, there is the option. But it’s ultimately up to you.”

I know what she’s doing here — putting the onus on me, just like last year when she said we could have sex. The difference this time is the answer I want to give is on par with all of my involuntary urges.

“I don’t want to stop the work we’re doing,” I say. “At this point, it’s far too valuable to me, and, really, I know very little about you.” She’s beautiful, exercises, is smart, funny, professional, enjoys good TV…and that’s about it. Aside from whether or not we’d even both be single in two years, and if we’d be in the correct mind frame to explore a relationship, there are several other things I’m considering here: Would Lori and I really be compatible in every way? Would she ever see me as a lover, a partner, an equal, and not a patient? Could I ever reveal a detail about myself, or even just a shitty day of work, without wondering if she was picking it apart and analyzing it?

Frankly, all those questions could be answered in the positive. But, even if I wasn’t in a happy relationship — Shauna makes this choice much easier, for sure — I wouldn’t go that route. I’d be out a therapist.

* * *

It’s a beautiful spring night in New York and only sidewalk seating will do. Shauna and I are out to dinner at a restaurant near her Queens apartment, and we’re both in good spirits. The weather and the alcohol consumption are partly to blame for that, but, on cue with the season’s change, I feel I’ve turned an emotional corner. Work payments that were past due are finally finding their way into my bank account. As it turns out, my short-term money troubles were not an indication that I had no business being a writer, or that my life changeup was as irresponsible as unprotected sex at fourteen years old.

I’d told Lori as much that afternoon. I took a mental step back from my current situation and realized that in spite of my recent hardships, I was succeeding. I summarize my session for Shauna, who nods in agreement, lovingly pointing out that she’s had the same challenging freelancer experiences as a dancer.

“You’re doing great, babe,” she says matter-of-factly.

“Thank you. That means a lot,” I respond. “I guess if I’m going to be a writer I just have to accept all this and have faith in myself. The way Lori put it was, ‘You just have to go all-in.’”

“Good,” Shauna says. “You should listen to the women in your life.”

* * *

Liked this story? Our editors did too, voting it one of our 20 best untold tales!

See the complete list of Editors’ Picks here. 

* *

Michael Stahl is a freelance writer, journalist and editor living in Astoria, New York. He serves as a Narratively features editor as well. Follow him on Twitter @MichaelRStahl.

Casey Roonan is a cartoonist and cat person from Connecticut. Follow Casey on Instagram: @caseyroonan