A Place to Rest

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Exploring the convoluted and costly business of where to spend an afterlife in New York City.

If you want to make someone immediately uncomfortable, ask what he plans to do with his body, when his heart has stopped beating and his flesh has gone cold.

A few months ago, I received an envelope from the Pinelawn Memorial Park and Garden Mausoleum in Farmingdale, New York. Inside was a free booklet titled, “Let’s Face It Now” and a letter that explained how taking charge of your death—though the word “death” was never mentioned—offers a sense of accomplishment and peace of mind. I’m 31 years old. Other than mild asthma and the occasional cold, I am healthy. So I was unnerved and even offended that Pinelawn had targeted me as a potential customer.

But maybe the Pinelawn folks had chosen the right person after all. As an incurable procrastinator, one of the things that frightens me most about death is that I won’t be prepared. Death is not accommodating. Don’t I get one phone call? A final meal? One more paragraph in the novel I’m reading? I may never know how it ends.

What’s worse, I might not have achieved my legacy yet—a house with a backyard, grandchildren, a Pulitzer. And as the letter from Pinelawn reminded me, living in a city of eight million people, on the moment of my passing there just might not be room for me. With so many other variables out of my control, I decided it was time I found a place to rest when I’m dead. Feeling very adult—31 is not that young—as well as a touch morbid, I took the train to Green-Wood Cemetery in Brooklyn, in search of a place to begin my afterlife.

*   *   *

As the name Green-Wood suggests, the cemetery boasts lush grasses and hundred-year-old trees. Rustic signs indicating different paths—Blossom, Berry and Birch—curl around so many hills. On the Sunday after St. Patrick’s Day, I joined the “Eminent Irish Tour.” Green-Wood offers tours most Sunday afternoons and every Wednesday. At one stop, Ruth Edebohls, our tour guide, shared the story of a scrappy Irish immigrant who went from rags to riches, and at another she spoke of a courtesan, Lola Montez, who was famous for her seductive Spanish spider dance. Her admirers included Andre Dumas, Victor Hugo and Honoré de Balzac.

As we stepped sideways up certain inclines, Edebohls, who has been giving tours for the last fifteen years, explained that her “clomping” was due to two hip replacements and a knee replacement. Clearly, these two hours were a labor of love.

While I listened to her stories of the dead, I was also looking at the newer graves, taking notes on location, and searching for open space. I was looking for my place to rest.

*   *   *

America’s first pioneers kept burial simple—people were interred where they died. Friends of the deceased were unlikely to return to the spot and didn’t want to draw any strangers’ attention to it, so they left the grave unmarked. In time, people began marking the burial spot with wooden slabs carved with the initials of the deceased. In the 1700s, as frontier homes transformed into farming estates, isolated graves became clusters of graves, which were shared with neighbors. Then, for some families, churchyards replaced farm burial. As villages grew into bustling cities, church graveyards became more crowded, and less pleasant to visit; both factors led to the development of today’s rural cemeteries.

The Cemetery of the Evergreens in Bushwick
The Cemetery of the Evergreens in Bushwick

Green-Wood Cemetery was founded in 1838, predating both Central and Prospect Parks. It was built upon the terminal moraine—the rocky debris deposited by glaciers that stretches from Staten Island through Brooklyn and Queens. Rural cemeteries, like Green-Wood at the time, served not only as burial grounds but as garden retreats, following the model of Mount Auburn Cemetery in Massachusetts and Père Lachaise in Paris. In addition to the wealthy deceased residents, its gentle hills, glacial ponds and stunning view of  New York Harbor drew strollers, picnickers, and in the 1850s attracted as many as half-a-million tourists a year. Charles Dickens and the King of Hawaii were among them. As a U.S. travel destination in the 19th century, it was perhaps second only to Niagara Falls, says Jeff Richman, who authored a book about the culture and history of Green-Wood.

Easily one of the finest cemeteries in New York, securing a spot there in advance could cost between $12,000 and $22,000 today. In recent years, the cemetery has reclaimed old paths and a handful of ponds to create more space for graves; however, in ten years, there might not be any lots left to sell.

Edebohls, who has honey blonde hair, favors movie star make-up, and has a love for anything Victorian, is comfortable talking about death, even her own. “It’s just a matter of temperament,” she told me when we met a few weeks after her tour. She believes the dead watch over us. A medium once told Edebohls she could see spirits in the trees along every stretch of her walking tour. Edebohls was delighted.

On a pleasant Tuesday morning, she and I stopped at an open patch of grass, on a hill, backed by a copse of firs. This was the spot Edebohls has chosen for herself and her ex-husband. “It’s hard for a lot of people to understand why I’m so happy to have my burial spot,” she said. But she and her ex-husband are both glad to have that part of their future, or fate, settled. While they aren’t romantically involved, Edebohls said they’ve reconnected “spiritually” and now speak everyday.

A single grave generally holds two to three people. Coffins are stacked one on top of another with two to three feet of dirt in between. Edebohls, whose ex-husband is ten years older, expects she will be on top, but “you never know,” she said.

Edebohls’ pink cheeks sparkled beneath her sunglasses as she spoke about her future neighbor, an Irish woman. “She died in 2007. She gets lots of visitors,” she said, seeming oddly pleased.

Like Edebohls, my mother, an Irish-born Roman Catholic, is unfazed by death—her own or anyone else’s. When she first began her job as a hospice nurse, I was nine. It made me think of death all the time. I spent weeks staring at the ceiling, afraid that I might fall asleep and not wake up. At night, I listed the names of those who had died: my babysitter; my grandfathers and two teenage boys from my town, Yardley Pennsylvania. The list grew. Whether I was praying or deliberately giving myself nightmares I still don’t know.

Reminders of my mother’s former patients were everywhere in our home: A photographer left her a framed picture of the ocean; a woman we called Granny had gifted her a nativity scene entirely made of corn husks; a collector of rare books had given me a favorite novel. These keepsakes haunted me. It wasn’t until I was older, until I had lost friends myself, that I realized how special it was to have that one item—a T-shirt, a mix tape, a photograph—to remember them by.

*   *   *

I returned to Green-Wood several times, allowing myself to get lost inside, dwarfed and distracted by the elegant statues and the bedroom-sized mausoleums. I looked at the graves, read the epitaphs, slid cards to one side so I could better see a photograph. People left more than flowers. They left bracelets, pinwheels, balloons, prayer flags, paperweights, teddy bears, Barbie dolls and tiny bottles of liquor. In front of one headstone—engraved with an image of a young man in a backwards baseball cap—sat a giant birthday cake made of artificial flowers. The banner read “Happy Birthday in Heaven” and the card “love your heartbroken mother.”  As strange as I felt and as troubled as I might have looked to anyone who saw me, I was encouraged by something Edebohls had said about the dead appreciating their visitors. I counted the stones left by others—a Jewish tradition that has been adopted by other faiths—and sat in the chapel.

Historian Allan Smith at the grave of composer Leonard Bernstein in Green-Wood Cemetery
Historian Allan Smith at the grave of composer Leonard Bernstein in Green-Wood Cemetery

From the outside, the chapel in Green-Wood is an exquisite triple-domed terra cotta masterpiece. While it was designed by the same firm that built Grand Central, Warren and Wetmore, the chapel is more understated, more delicate, as if the building itself understood the need for restraint. Still, I envision a couple taking wedding photos on the front steps and I’m not wrong. The space is also available for weddings, book talks and gallery exhibits. Once emptied of people, it lends itself to quiet reflection.

I left through the main gates, passing under striking domes, Gothic spires, flying buttresses and a scene of Jesus and his apostles carved from stone. On the grey day I first visited, these gates were ominous, begging for a clash of thunder and spooky disembodied laughter. Gut on a bright spring day the scene is stunning, in just the opposite way—filled with bird song and squirrels, flowering gardens and towering oaks. I wished for more time there.

*   *   *

A few weeks later, I walk through a more modest entrance at The Cemetery of the Evergreens, which straddles Bushwick, Brooklyn, and Ridgewood, Queens. This time, I’m not alone.

“It’s Cemetery of the Evergreens. That is its legal name, not The Evergreens Cemetery,” Allan Smith, a former architect and local historian, tells me for the third time. Smith has written a book about one cemetery and helped restore another. I ignore both the brochure and the website, because the name matters to Smith and because it really does sound nicer. Smith, now in his early seventies, has been visiting this cemetery since the late 1940s. He carries a green bookbag and wears a sullen expression like a scolded eight-year-old boy. He’s not the type to force a smile to ease the strain of a conversation, but he isn’t unfriendly. And when he talks about cemeteries, he gets excited.

Allan Smith in Green-Wood Cemetery; Smith has written a book about Cypress Hills Cemetery, and much of his family is buried in the Cemetery of the Evergreens
Allan Smith in Green-Wood Cemetery; Smith has written a book about Cypress Hills Cemetery, and much of his family is buried in the Cemetery of the Evergreens

In the early 1800s, Smith explains, New York experienced a burial crisis. The population had nearly tripled and in addition to overcrowding, people worried about the spread of diseases such as smallpox. The water table was rising, or at least residents believed it was.

“They thought corpses were mixing with the water,” Smith says. Internments were banned in lower Manhattan, and in 1847 the Rural Cemetery Act was passed. This allowed investors to build commercial cemeteries in the boroughs beyond Manhattan. The Cemetery of the Evergreens was built two years later.

This talk of corpses mixing with water reminded me of the Sundays I spent as an altar server in our small-town church in Pennsylvania, braiding the tassels on my robe, and staring at a bronze plaque that hung between two stained glass windows and paid the following tribute: “Gwendolyn, daughter of Charles and Mary Spong, who died at sea April 27, 1903. Age nine months.”

I wondered whether Gwendolyn was buried under the church, or in the yard? Or if her parents had been pressured by other passengers to leave her body at sea. I pictured a swaddled Gwen, released from her mother’s hands, falling through strata of water, growing darker and colder. Batted about by sharks and dolphins, Gwen becomes an offering for the starfish, sea anemones and eyeless creatures who don’t even realize how dark it is on the ocean floor. At this point, a lay reader would nudge me and point with his chin to the cushions that needed to be laid at the altar gate or at the ushers waiting for communion plates. My daydream was over.

When Smith visited the Cemetery of the Evergreens as a teenager, families came for more than funerals. On weekends, they would promenade in their finery down Bushwick Avenue, which at the time was dotted with mansions—Brooklyn’s own Park Avenue. From there, they’d enter the cemetery.

“This is Brewer’s Row,” Smith says, leading me down a path just inside the cemetery gates, one plot named Hickory Knoll and another called simply The Lawn. These little white houses—some ornate, others simple Art Deco blocks with clean straight lines—are the resting places of some of Brooklyn’s wealthiest residents. The mausoleums line either side of an inclined driveway that curves to the right. Smith then points to a few short marble columns. He explains that a severed column symbolizes a life cut short, as does a broken flower bud or branch. A sculpture of a lamb or an angel often sits at the grave of a young child, representing innocence and purity.

Half of the lots in the Cemetery of the Evergeens are given names like Whispering Grove; the rest are Biblical, like Mount of Olives and Nazareth. Even though the Cemetery of the Evergreens is non-sectarian and non-denominational, groups tend to self-segregate. In an area populated by Chinese graves, families leave paper money and incense, as well as oranges and other food —all things some Chinese believe the dead will need on their journey to the afterlife.

When we reach a plot called Ascension, Smith crouches down before his maternal grandparents’ stone, picks up a tulip pot knocked on its side by the wind, and turns it upright, placing some stones inside. “Very few people visit. I can tell you,” he says. He repeats this process in North Mead, for his great-grandparents, his paternal grandparents and his parents. Along the way, we see only security guards and landscapers drive by. I ask Smith if he ever gets lonely visiting the cemetery.

“That’s why I’m thankful when that green truck goes by,” he says referring to the landscaping and maintenance workers that pass every half-hour or so and wave.

The Cemetery of the Evergreens; Donato P. Daddario has served as the cemetery’s historian for the past decade
The Cemetery of the Evergreens; Donato P. Daddario has served as the cemetery’s historian for the past decade

Unless you have a deed, a legal document to show you are related to another family member already buried here, you cannot reserve a plot at the Cemetery of the Evergreens. There isn’t room. The lots are first-come, first-served. Even if I wanted to be buried in this cemetery, I wouldn’t be allowed in.

Smith’s own burial is a matter of logistics. He will either lie with his parents or his grandparents, wherever there is still space, and as a result he won’t need his own headstone. It seems sad to me that Smith, a former architect, won’t get to design his own. As we sit on the L train, having left the cemetery behind, he cranes his neck and draws a grave for himself on the back of the cemetery map. If he weren’t planning to stay in one of the family graves, this is the headstone he would have chosen. It was a simple long rectangle within another slightly smaller rectangle and the name ‘ALLAN BOECHER SMITH’ in all capital letters. “Deep chiseled letters,” he says.

I don’t want Smith to be buried in this flat, desolate graveyard. It’s far too quiet. Of all of the cemeteries I’d visited, the Cemetery of the Evergreens felt the most like a cemetery—sad. While walking through it, even with Smith beside me, everything seemed too still. The graves felt forgotten. I would never expect to have even monthly visitors, but to know that just a few strangers might walk by occasionally would be a comfort. I crossed the Cemetery of the Evergreens off my list.

*   *   *

One Saturday morning in April, I visit Cypress Hills Cemetery in Brooklyn. There are at least six cars parked along the drive and several more pass as I walk. The graves are packed more tightly here than at Green-Wood or Cemetery of the Evergreens. The newer headstones are set closer to the driveway in rows, while the older graves lean against each other in the shadow of tall trees and shrubs. Smith had told me on my last visit that cemeteries often leave empty space at their front entrances, for aesthetic reasons. Cypress Hills ignores this convention.

Anthony Desmond, the office manager and family services counselor at Cypress Hills, sits behind his desk in a dark-wood-paneled office. He is thirty-something and bald with sympathetic eyes and a warm smile—which can’t hurt in his line of work. His customers are generally older—much older than me. “Some people feel like if they come in and prearrange for their burial then they’re going to die the next day,” he says.

Cypress Hills Cemetery is situated near East New York, a neighborhood known for high crime and violence. “It keeps us busy,” says Desmond. “Though not in the way that we would prefer.” Desmond went to law enforcement school, where he began training as a police officer, then changed his mind and joined his father in the family business. But his training has been useful; on at least three occasions he has helped catch criminals who had sought asylum in the cemetery.

Because most of his customers live in the surrounding community, Desmond and his family try to engage them with activities unrelated to death care. Last year, they invited a high school marching band to perform on Memorial Day and this past Christmas more than 200 children came to see Santa. The kids were excited about the free gifts and didn’t seem bothered by the tombstones.

After comparing prices for urns and graves—a single burial lot at Cypress Hills costs between $5,000 and $8,000 and an urn costs around $300—I ask Desmond if working with so many grieving families depresses him. He says being able to help people makes him feel good. If a family is struggling Desmond will share a little of his own grief. While they walk through the cemetery he’ll point to the grave of his sister, who died five years ago. “You never fully heal,” he says. “You just try to let them know that things are going to get better.”

When I ask Desmond about his own arrangements, he pauses and for the first time looks uneasy. He says he tries not to think about them. “I would rather just be cremated and left with my family on the mantle. That’s fine by me. After I’m dead it doesn’t really make a difference.”

Desmond has a point. I could have my ashes scattered by the creek in my hometown or flushed down the toilet. I could squeeze into a burial plot at Cypress Hill or spend my life saving up for a $250,000 mausoleum in Green-Wood. And what would it matter?

I walk the grounds at Cypress Hills as a grandmother, mother and son gather beside a lawn pump, collecting water for one grave’s flowers. Across the driveway, an old man kisses his fingers lightly, then bends down, touching his hand to a headstone. While the graves may be crowded, at least there are more visitors. Perhaps it’s a consolation for them to see each other, to know that their pain is shared.

*   *   *

I meet Allan Smith again, when he and his co-author, Stephen Duer, present their book on Cypress Hills Cemetery to a gathering of New York’s death care professionals in Park Slope. At the reading, I discuss my research with Duer, casually listing the cemeteries I’ve visited.

“You have to go to Woodlawn,” he says. The man is adamant. The mausoleums at Green-Wood, he continues, are a joke compared to Woodlawn.

So, on a Tuesday morning, I meet Susan Olsen, the official historian for Woodlawn Cemetery, in the Bronx. She wears a cheery pink shirt under a black blazer but she isn’t happy. Her eyes are puffy from an allergic reaction, which she admits is making her grumpy. “Let’s get this over with,” she says, leading me to a tiny room inside the administrative building at the cemetery’s front entrance.  “I’ve got the History Channel coming this afternoon.”

She explains to me what makes Woodlawn unique—lists its selling points since I am, after all, a prospective client. It all comes down to  history, architecture and artistry, Olsen says. And then our conversation takes a detour as she explains the history of embalming. “The best advertising for embalming was Abraham Lincoln’s death,” she tells me. After Lincoln died, his body was taken on a two-week funeral tour before reaching Springfield, Illinois. It was viewed by strangers at every stop along the way. Until that point, embalming was considered experimental, but after that it caught on quickly. Soldiers who died in battle could now be transported for miles on trains and then buried with their families.

Historian Susan Olsen in Belmont Mausoleum, near the entrance of the 140-year-old Woodlawn Cemetery
Historian Susan Olsen in Belmont Mausoleum, near the entrance of the 140-year-old Woodlawn Cemetery

At the same time, the role of undertaker developed into that of funeral director. Instead of having to clean house and invite all of your guests over, Olsen explains, people would send them to funeral parlors. “For those who were rich, it made them look good, and if they were poor, it made them look even better.” Olsen is a born storyteller; she feigns apathy, but the more she talks the clearer it becomes that death care actually matters to her.

Asked what her own final wishes are, Olsen waves away the question. “Oh I don’t care,” she says. “Cremation, I guess.”

Olsen gives me an audio guide, a sleek black device that looks like a TV remote, and circles the most critical spots on the tour map: the graves of Duke Ellington and Miles Davis and a few more that she thinks will interest me.

There are 1,300 mausoleums in Woodlawn. “Possibly, more than any other cemetery in the country besides New Orleans,” says a voice from the audio player, not Olsen’s. And they are magnificent. The tallest is seventy feet tall and detailed with cherubs, flames and gargoyles. Many are the size of small chapels.

In any direction I look there are also sculptures—hundreds of them—usually of women with long hair in flowing robes with flower petals between their fingers. Alongside these graceful figures are statues of children and angels.

Woodlawn prides itself on “beauty before permanence,” allowing stones that other cemeteries forbid, such as white marble and limestone, because they erode more quickly in harsh weather. Up close, some of the faces of the sculptures appear to be melting; other sculptures are missing fingers and limbs; one is headless. A privately contracted gardener tells me a groundskeeper who was drunk one night knocked the head off with a shovel.

In the 19th and 20th centuries, bizarre tragedies were usually well documented on the deceased’s gravestone. At Woodlawn, fifteen-year-old George Spencer Millet’s stone reads:

“Lost life by stab in falling on ink eraser, evading six young women trying to give him birthday kisses in office of Metropolitan life building.”

At the Cemetery of the Evergreens, another monument describes how two sets of brothers died playing marbles when a gas tank exploded beside them.

Statues at the Cemetery of the Evergreens
Statues at the Cemetery of the Evergreens

If Green-Wood is a park, then Woodlawn is a sculpture garden. In a way, the statues and mausoleums at Woodlawn are stunning, something to ogle, and admire, but this art was man-made and quickly eroding. What felt special about Green-Wood wasn’t the monuments but the atmosphere. True, the chapel and entrance are breathtaking, but it was the winding paths, the hills and the layers upon layers of branches a hundred years away that held me there. On a warm, clear day, it’s paradise. And on a grey afternoon, that cemetery wrapped its sadness around me, making it hard to leave.

*   *   *

On a Thursday afternoon, I stop at a monument store called Century Memorials, on Fifth Avenue not far from Green-Wood, to ask about epitaphs. With its white siding and antiquated lettering, it looks like a post office from a country-western film. I peek in the door, half expecting to see a man in spurs, with a bandanna covering his mouth and nose. Instead, I find an older woman wearing a necklace that says “Grandma.” She smiles up at me from beneath blue eye shadow and painted eyebrows, invites me to sit and introduces herself as Monica Hakola. A banner celebrating the store’s 150th anniversary hangs from the ceiling. “It’s old,” she says. The office explodes with papers, files and pictures of gravestones. I ask her when epitaphs became so generic—so many graves repeat the same thing; “Beloved wife,” “Beloved Husband,” “Beloved Son”—and if she has seen any special ones. “Let’s ask John,” Hakola says. “JOHN!!” A man seated in a cubicle just behind the front desk, John Hakola unfolds himself from his chair and steps to his full height, around six-foot-three. He is nearly seventy with weary blue eyes, but still handsome. He seems less enthused about visitors than Mrs. Hakola, but he is willing to accommodate me to please his wife.

I ask John if he remembers seeing any epitaphs that were memorable. “Memorable or oddball?” he asks.

This wasn’t the first time I’d posed the question; I just hadn’t found an answer. Anthony Desmond of Cypress Hills had told me that his favorite epitaph belonged to Jackie Robinson: “A life is not important except on the impact it has on other’s lives.”  When I asked Olsen why she thought the final expressions on gravestones have gotten less creative, she answered flatly, “Because people have gotten less creative.”

“I know the one you’re thinking of,” says Monica Hakola. She rifles through a few files in a drawer, then hands me a photograph. “This one’s a real comedian,” she says.

The grey stone in the photo belongs to a man named Alfred. The top line reads, “It’s been a wonderful life.” Below that is his name, birth date and death date. Hakola points out that there is still space for two more names. And below the space, in small capital letters, Alfred closes with, “I love you all. Thanks for coming.” Even though I know Hakola called Alfred a comedian ironically, I still picture an old man standing behind a microphone, with a gleam in his eye, saying those last words before taking a bow. It was perfect.

*   *   *

By now, I was leaning towards both a grave and an epitaph, but there were still aspects of ground burial that needed to be resolved. So I asked Melissa Conrad, a friend and PhD candidate in biology at New York University, about decomposition. She told me that “while you’re alive, multiple mechanisms prevent your cells from breaking down.” But when your heart stops beating, your blood isn’t circulating or being cleaned. This causes a chemical change in those cells that are used to receiving clean blood, and these protective mechanisms fail. This chemical change triggers the release of enzymes, which cheat the body by breaking apart high-energy bonds and stealing from its energy stores.

Opportunistic feeders like worms, bacteria, fungus and even starfish—if you’re a body in water, like poor Gwendolyn Spong—speed up this process.  They’re called detritivores. “In the end what you have are the simple building blocks that become available again,” Conrad says. Simply put, the molecules that make up your body are ready to take a different form.

A species of flies called phoridae, but commonly known as  coffin flies, are an eighth of an inch long, brown or grey and drawn to moist, decaying material. They are picky eaters, I learn. Given the choice between steak and potatoes, they will choose the steak. I’m made queasy by the image of tiny monsters devouring my hair, skin and nails, and then laying eggs so their offspring can continue the process.  Cremation starts to look more attractive than before.

Gravestones of varying sizes at the Cemetery of the Evergreens
Gravestones of varying sizes at the Cemetery of the Evergreens

I return to Green-Wood to explore its crematorium. Santos Rivera, who works in sales, leads me through a room with a small raised garden and two cushioned backless benches. It could be the waiting room at a doctor’s office on the Upper East Side, if not for the glass cupboards lined with lidded ornamental vases made of stone, onyx, marble and colored glass. Others hold boxes of cast iron, engraved with names, dates and, frequently, Chinese symbols. Each shelf is lit from above.

Rivera leads me outside the main building to the Tranquility Garden, where the sound of rushing water conjures images of a spa. Urns can also be buried here. Rivera points out a small flat plaque in the grass. Somewhere under the dirt sit two urns. “One on the right and one on the left,” he says tapping a shiny black shoe in each spot.

Just beyond the grass, water swirls in a lily pond. Bamboo plants point skyward in giant pots on either side of a narrow path, which forms an asterisk with other paths crossing the pond. Each path leads to a single glass house, known as a columbarium, and together they form a semi-circle around the pond. Inside the houses are more waiting rooms, and more urns.

We return to the main building and I follow Rivera in his blue dress shirt and shiny shoes. He walks me past a chapel that looks like a giant home theater, with several sofa chairs that curve in view of a lectern. Families often hold a committal service in the chapel, before sending the casket to the crematorium. Services last only fifteen minutes, Rivera told me. “Otherwise, there’s a wait.”

In the back room, two empty biers—moveable frames used to transport caskets—wait in front of vast stainless steel cabinets. The biers look like hospital stretchers, only sturdier and missing the mattresses. The newer ones have built-in scales, so that bodies can be weighed and moved at once. The steel cabinets, I realize, are the ovens.

Two thousand degrees Fahrenheit is the right temperature at which to burn a body. “You put your heaviest bodies on in the morning,” says Rivera. Otherwise, the retorts, the ovens where bodies are sent, are overworked and will break down. Unlike the old models, which workers ran by hand, the newer models, Phoenixes, have timers, buttons to preheat and a light to indicate when the machine has cooled down. “I used to think of it as opening up the doors to hell,” Rivera admits. Now, he  sees things more practically. “Cremations are just a quick way to get ashes,” he says.

While bodies take two hours to be cremated, the retort needs another hour to cool down.  “Then you open it up and take out the handles,” says Rivera, referring to the knobs and bars used by pallbearers to carry coffins.  “Sometimes you get a fancy casket that might have a spring mattress in there, or you could get a cardboard box.”

When the brass and metal bits have been removed, an employee will sweep the ashes into a tray, where they cool for another half-hour. The remains, including larger bone fragments, are poured into a pulverizer, the size of a regular blender. It takes only a few seconds to reduce bone to ash, Rivera told me. The ashes are poured into a black bin, the size of a small book, lined with a plastic bag, and then finally into the urn. Depending on the receptacle, the whole process can last between four and five hours.

The final product, which comprises the corpse and the coffin, weighs between seven and twelve pounds. Sifting, the process of separating the ashes from the wood, used to be standard procedure, but it wasn’t foolproof. “In that process, you would lose some of the remains. So it was outlawed. Now, you give it all back,” says Rivera.

The demand for Rivera’s  services has doubled in the last decade, from 1,200 to nearly 2,500 cremations annually. Green-Wood is building a second chapel and another waiting room.  “This way we can handle two services at once,” he says.

The reason for cremation’s popularity is likely financial. The average funeral costs around $5,000, including a casket. Cremation generally costs around $350. A niche for an urn can cost as little as $700, whereas the average plot for a single burial at Green-Wood is $15,000.

In Green-Wood, a premium spot, which allows for a larger tombstone and plantings, is approximately $22,000, but a private mausoleum can cost as much as $300,000.  This sounds expensive until you compare it to Forest Hills Cemetery in California, where a family mausoleum with an ocean view costs more than $825,000.

Every funeral home has a closet full of unclaimed remains, or cremains, usually inside urns. Rivera confirmed this. “They are required by law to wait 120 days,” he said. Afterward, the homes are legally allowed to dispose of the remains, but they seldom do. Sometimes the families never come back. “They didn’t have a place to put them or couldn’t afford them, ”he says.

As elegant as the urns look, the concept of being made to fit into a smooth square box or vase seems too delicate, too sanitary. I don’t want to be kept like a china dish under an artificial light.

In Rivera’s office I notice a row of scattering urns sitting above his shelves, each one painted differently—with clouds, an American flag, army camouflage or a field of sunflowers. They work like salt shakers, letting a little ash out at a time. I picture my brother and sister, with their future children, and maybe mine, shaking out ashes over a favorite field by a creek back home in Pennsylvania.

Before I leave, Rivera hands me a few brochures about cremation. One is titled, “Explaining Cremation to a Child.” The image on the front shows two models in matching blue sweaters and khakis, looking up at a young girl who is for no apparent reason sitting in a window—which, upon closer examination, is not actually a window, but still has an ethereal light behind it. The brochure reads, “In explaining cremation to your child avoid words that may have a frightening connotation such as ‘fire’ and ‘burn.’” A few paragraphs later it adds, “Be sure to point out that a dead body feels no pain.”  Out of context, the brochure is laughable, but the concept of a parent having to rely on a brochure to explain death, and what happens to dead bodies, is less so.

*   *   *

While the prospect of worms and phoridae flies recycling my flesh still disgusts me, I’m less excited about cremation after seeing the pulverizer. I don’t want to be blended. And as charming as scattering your ashes seems, it’s also very final. Once you’re scattered, you’re gone. Forever.

Plant life thrives among the dead at the Cemetery of the Evergreens
Plant life thrives among the dead at the Cemetery of the Evergreens

But not every part of death care has to be so unromantic. Women who work in the funerary business have a less than conventional approach to dying. Ruth Edebohls, the tour guide at Green-Wood, has thought about the dress she’ll be buried in. It’s a long-sleeved turtleneck and it’s velvet. “That would be perfect if it were in the winter,” she said. Although it doesn’t have a zipper, she added, and might be difficult to pull over a corpse. Angela Ragusa, a 21-year-old who grew up in the memorial business, said she wants “something plain” for her gravestone. She chose a black stone with rosary beads on top; even though it’s less natural, it’s trendier. “Everyone wants the black,” she said.

I’ve wrestled with the nightmare of decay, the grotesque sucking of flies and tunneling of worms and the gnawing of rodents, and decided it’s still preferable to cremation. There is something clean, even spiritual, about burial that’s missing from the very sterile and modern process of cremation. Through burial, you are intimately, inextricably part of nature, with a community both living and dead. To me, it’s a way of forever belonging.

I’ve decided I’ll wear a short-sleeved navy dress at my funeral, and earrings that are small and timeless. Choosing an epitaph was much harder. For the moment, I think a quote from Albert Schweitzer comes closest to expressing what I’ve learned in 31 years.  “Sometimes our light goes out, but is blown again into instant flame by an encounter with another human being.” Put simply, people need other people. It’s both a thank you to friends and strangers and a reminder.

A simple gravestone at Cemetery of the Evergreens
A simple gravestone at Cemetery of the Evergreens

As for my grave, I chose Green-Wood. I found a spot up a series of winding roads and under a canopy of oaks and maples. It’s far enough from civilization to be peaceful, but it’s $22,000—a premium lot. This is my dream plot. Ten years from now it seems possible, but when I ask about the feasibility of my claiming it, I’m told that Green-Wood could actually fill up in five years, not ten. (I’m assured this is not the case with its urn gardens.) So it seems I’ll need a fallback plan.

Fortunately, I know another place that does have room. Half a mile inside the dreary brown gates and packed front lawn of Cypress Hills Cemetery, I leave the driveway and follow a path that’s cracked and partially embedded in the earth. I eventually abandon that path and cross through a field of graves and up a hill. This cemetery is much more exposed than Green-Wood, with fewer serpentine paths, smaller hills, and none of the man-made ponds and fountains, but it, too, has peaceful corners.

I’m drawn up the hill by a massive, sprawling tree, an elm or an oak, I can’t be sure. Beneath its tremendous shadow stands a brownstone obelisk topped with a cloaked urn; beside it a limestone statue of a woman holding lilies with her one remaining arm.

I look out over the graves in the field below, imagining them through the seasons, speckled with leaves in the fall, draped in snow in the winter and then swirling with muddy puddles in spring. I picture them crisp with dew in the morning, beads of water glistening across epitaphs, and I imagine how cold the air is on a winter night.

Of course, there are crickets, cicadas and birds. A cemetery is never fully quiet. The tree leaves rustle like seashells under water. In the distance, I can hear the purr of cars on the Jackie Robinson Parkway. I sit down and lean my back against my tree—no tour guides, no visitors, no strangers in sight. It’s just me, alone in my sanctuary.

*   *   *

Shannon Firth is a journalist who lives in Brooklyn. She has written about authors, running, and the elusive nature of women’s friendship. Her work has been published by The Independent, The Local, Nerve and findingDulcinea.

Julie Turkewitz writes for publications that include The Atlantic and The New York Times. She also likes to take pictures.

 

 

The Cocaine Kings of the Pittsburgh Pirates

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In the early ’80s, an A/C repairman, an unemployed photographer and a Major League mascot became the dealers of choice for the city’s sports stars – and changed baseball history along the way.

Whatever the price, by whatever name, cocaine is becoming the All-American Drug. . . .  A snort in each nostril and you’re up and away for 30 minutes or so. Alert, witty, and with it. No hangover. No physical addiction. No lung cancer . . . instead drive, sparkle, energy.

Time Magazine, 1981

“The butterflies have already started,” said Rod Scurry on April 18, 1981, in anticipation of his first major league start the following day in Houston. The season was almost two weeks old, and Scurry had yet to make an appearance on the mound. In fact, he hadn’t pitched more than four innings in a single outing in two years. He was only getting the break now because Pirates ace Jim Bibby was injured; still, Scurry was excited and was hoping not just to start but also to finish his own game. “I’ll be trying to go nine,” he said.

Growing up, Rod Scurry never doubted he would play in the majors, if not as a pitcher then as a hitter. In high school he once hit a five-hundred-foot home run. But despite his batting prowess, he had always been a pitcher at heart. In the 1960s, when he was just a child, he stacked mattresses against the wooden fence in the backyard of his Nevada home and hurled fastballs at them. He had always had power. But then there was the hook. He could sweep his curveball in at such an angle the ball would bend between a batter’s legs. Frequently compared to the preeminent lefty of all time, Sandy Koufax, Scurry drove himself to live up to the compliment. This desire propelled him out of bed at 5:30 a.m. to jog to school through high mountain air and sometimes freezing temperatures just so he could get extra pitching practice in at the Hug High gym before the opening bell rang. On game days, when his teachers believed him to be studiously tending to his work in the classroom he would in fact be poring over index cards he had made that listed the tendencies of the opposing team’s big hitters.

Scurry’s aspiration to pitch a complete game nearly came to fruition. He pitched seven strong innings, shutting out the Astros on four hits, while adding seven strikeouts. Lifted for a pinch hitter in the top half of the eighth in a scoreless game, Scurry was forced to pace the clubhouse floor, listening to the final innings on the radio, anxiously rooting for his club. His teammates cooperated, as the Pirates finally picked up a pair of runs to make the score 2–0. Reliever Eddie Solomon completed the shutout, going the final two innings to secure the victory.

A Rod Scurry baseball card for sale on comc.com.

Although he didn’t close the game, Scurry had made a superlative debut start that lived up to his pedigree and reminded many of the days when he struck out eighteen or nineteen per start back at Hug High. “I’m excited,” Scurry said. “My first big league win is a big thrill. I’ve dreamed about this day. Winning my first big league game is the highlight of my career. I never complained about relieving last year, but I’ve always wanted to be a starter.”

“Last year was frustrating,” Scurry admitted. “I understood the situation. They were world champions, and they had to go with the pitchers who won. I wasn’t thrilled too much with sitting around, but I didn’t get down on myself.”

Across the diamond, the Astros took notice of what they had seen thrown against them. “The kid has an outstanding curveball,” the opposing starter, Joe Niekro, commented. “Sometimes a pitcher has to wait a long time to get his chance. I know how it feels.” A poll of scouts echoed Niekro’s assessment, declaring that Scurry’s curveball was not just good but the finest in the major leagues.

“Scurry Can’t Sleep on Major Success,” read the Pittsburgh Press sports page the day after the game, playing off Scurry’s remark that he had been “too excited to sleep” the night before his start and had in fact slept little at all in the two days leading up to the outing. Pitching coach Harvey Haddix defended the young pitcher, saying, “You don’t need sleep to pitch. I did it many times in the days we rode trains between cities. In fact, it may help. You take it out on the other team’s hitters.”

What Scurry failed to mention to Haddix was that it wasn’t merely adrenaline keeping him up at night—it was cocaine, which he also used before the game. His memorable first big league start and win were accomplished while he was high.

* * *

By this time, Rod Scurry and Pirates mascot, the Pirate Parrot, Kevin Koch, had become friends. Soon, the circle soon expanded to include Koch’s high school buddy Dale Shiffman. It was a dream come true for the local boy Shiffman, who fit right in with the baseball crowd. He had always loved the game, but as he reached high school in the 1960s he didn’t have time for baseball anymore as his interests ran to “beers, cigs, and slicked-back hair.” In the army during the early 1970s Shiffman picked up baseball again and played at a high level while based at Fort Devin, Massachusetts. By the 1980s Shiffman had become a three-sport season ticket holder in the ’Burgh. He was the type of guy whose awareness of the four seasons was determined not by the temperature outside or the leaves on the trees but by the particular sport being played in his city. Fall was all about the Steelers, in the winter he followed the Penguins, and his summers were devoted to the Pirates. So when Koch started inviting Shiffman down to the stadium to hang out with the team before games, the outgoing Shiffman was in his element. When the invitation was extended for him to take to the field for batting practice and a chance to shag a few fly balls, Shiffman was in downright heaven. “I got to stand out there in right field with my heroes,” Shiffman said. “A few would even invite me to meet after the game to have a beer. Life could not have been better.”

Shiffman’s 1969 high school yearbook describes him as “a real car buff . . . enjoys a good laugh . . . dependable pal . . . carefree.” Shiffman stayed true to his character in the ensuing years, particularly to being “carefree” as he spent much of his time bowling, golfing, and playing softball. “Dale’s not interested in working,” a friend later told the Pittsburgh Post-Gazette. “Dale doesn’t want to grow up. All he wants to do is have a good time.”

Shiffman was employed only sporadically in the photography business when he made his entrance on the major league scene. Without a full-time occupation, he felt a certain validation in being able to say he knew and spent time with prominent sports figures. Right or wrong, “hanging out with athletes made your pride go up,” Shiffman admits. Instead of being just another guy struggling to hold down a job, he now felt important. He was being invited to golf and barbecue outings with different players. When he took a date down to the ballpark, all the ushers would know his name, and a player or two might give him a shout-out following the night’s contest, which would duly impress his female companion, not to mention Shiffman himself. “It made you feel like a somebody even if you really were a nobody,” he says.

Shiffman and Koch, like so many others in the early 1980s, had recently discovered cocaine. The drug was making the rounds through their softball league, alongside the other party mainstays: beer, pot, and Percodan. “Everyone we hung out with at the bar and from our end of town—everyone was into [cocaine],” Koch says.

When Koch and Shiffman hit the city’s nightclubs and bars after Pirates’ games, they typically ran into some of the players. Inside Pittsburgh-area nightspots such as Heaven, the VIP, Sophie’s Saloon, or the Sunken Cork, things got interesting for the pair. Koch explains, “Berra or somebody would say, ‘Hey, do you guys party?’ Then one thing led to another, and the players found out that Dale [Shiffman] could get stuff, and that’s how it kind of snowballed from there.”

Kevin Koch as the Pittsburgh Pirate. (Photo via yinzster.com)

Koch says that the players, mostly Scurry and shortstop Dale Berra, began to call him prior to games to ask if he could pick some blow up from Shiffman and bring it down to the ballpark. Shiffman purchased the cocaine from various locals. He cut the coke, not to increase the weight but rather to replace the cocaine he was taking out for his own personal consumption. Shiffman says his motivation wasn’t to make money; it was to get his party favors without having to pay for them. He figured he was not only scoring free coke but also greatly expanding his social circle, now filled with local sports figures. He could have hardly asked for more.

Typically Shiffman wrapped up a gram or two, or sometimes an eight ball, then Koch swung by and picked up the drugs on his way to work. The transactions between Koch and the players usually took place deep within the corridors of the stadium, such as in the runway outside the clubhouse or sometimes in the parking lots. The men never had any run-ins with Pirates officials; in fact, as cocaine use became more prevalent, Koch even suspected that those in charge had to know what was going on.

“It seemed like no one really cared,” Koch says. “I mean, I think Major League Baseball even knew itself that it had problems, like, years before, when they had alcohol problems with a lot of guys.”

After a while Koch realized that with Shiffman frequenting the games, maybe his own role in these transactions was superfluous. Beyond that, despite the fact that he was in a drug- and alcohol-induced haze much of the time, Koch could still see the precarious position he was putting himself in. Something in the back of his mind wouldn’t let him rest. “When you’re raised by a mom and dad that care about you, you start to put one and one together,” he says.

Growing up, Koch had been described as the typical “nice, regular all-American boy.” As he grew into adulthood, local papers painted a similar portrait, albeit one with a bit more edge. As the Pittsburgh Post-Gazette put it, he was “the sort a mom would like her daughter to bring home, an earnest yes-ma’am kind of guy with a bit of the devil in him.”

Koch tried to distance himself from his middleman position, telling the guys that they had one another’s phone numbers and could set things up for themselves. A few of the players began to call Shiffman’s house directly, or Shiffman met them outside the clubhouse after the games, where they made their exchanges. These callers were usually Scurry and Berra, although Shiffman was also becoming close with the Pirates reliever Eddie “Buddy J.” Solomon. A pretty low-key guy, Solomon sometimes invited Shiffman over to his apartment, where they would do a couple lines and just hang out. Occasionally Shiffman received calls to bring some blow to a downtown hotel room for some of the visiting National League teams’ players.

“I remember some of the other teams all of a sudden started to get involved,” Koch says. “They’d say, ‘Hey, can you get your buddy to do this or that?’ And I’d call Dale, and he’d come down, and we’d party with just about everybody; it was pretty bizarre. It was pretty out of control in the eighties.”

Yet Koch insists it wasn’t all about the cocaine all the time. More often, he says, it was just a bunch of guys getting together, and if someone had some on them, then sure, they would all do a line. “Now, we would be in the clubs every night drinking and stuff,” Koch admits, “but it wasn’t like ‘Hey, let’s all get together because of cocaine.’”

Whenever there were requests made of Koch, however, he found it very hard to decline them. “Imagine guys that are making that much money, and now you’re partying with them. After a while you don’t think anything about it. You almost think you’re untouchable,” Koch says. If players were looking to hook up, and Shiffman wasn’t going down to the game that night, Shiffman called Koch. They both lived in the South Hills, so Koch could easily swing by Shiffman’s residence and pick up a couple grams for the boys that night. Other times the players would ask Koch to call Shiffman for them. Koch says he would think about the job that had opened up a whole new world to him, a job he cherished. He would think about how the people within the organization treated him so well. He had been welcomed into the family; he was well liked and appreciated.

He knew he wasn’t doing the team any favors by bringing drugs to the stadium, but in the end, he always agreed.

“I’d say all right,” Koch says. “I couldn’t say no. What are you gonna do? It’s almost impossible to say no. These were your heroes. Guys from when you were a kid. I remember sitting down with Willie [Stargell] going, ‘I remember your first game, Willie. It was in ’63 at Forbes Field. I was like nine or ten years old.’ And with other guys, we’d talk sports together, and I would tell them this or that; and they’d say, ‘Man, you were there that night?’ Like Gene Garber, I said, ‘I remember you pitching your first game against the Chicago Cubs. You had three perfect innings going at Forbes Field, then in the fourth Billy Williams jacked that ball.’ And Garber would be like, ‘Oh my God!’”

Koch wasn’t a mere fan. Baseball was a game he loved. And whether Dale Berra or Rod Scurry were stars or not, it didn’t matter to him. Or to Dale Shiffman. It was the name on the front of the jersey, not the back, that was important. For guys raised in the South Hills who grew up with baseball in their blood, anyone who donned the black and gold sat on a pedestal and was worthy of reverence, and it would be damn hard to say no to them.

Koch’s baseball memories are part of who he is, and more often than not his stories always come back to the Pirates previous home at Forbes Field in Pittsburgh, otherwise known as the House of Thrills. “What a ballpark to go to. Ah, that was the park. That was heaven to me. When that ball was hit at Forbes Field in a night game, it would literally disappear into the darkness. There were no stands to see it bounce around in or people to grab it. It went straight into Schenley Park. You would see it going, and then once it went past the lights, it was gone; it was into the night.”

* * *

Scurry made six subsequent starts following his debut victory. The youngster pitched well, but as a member of the pitching-heavy Pirates, it wasn’t long before he was back in the bullpen. By 1982 his role as a full-time member of the Pirates bullpen was cemented. His starting days were behind him.

For somebody who was quiet to begin with, Scurry talked even less when using cocaine at the ballpark. He feared his mouth would betray him. He had begun living his life in secret. By his own account he became a con artist of sorts and “got to be pretty good at it.” He couldn’t let the outside world know that his life was now controlled by cocaine, and he became even more introverted. His future wife, Laura, later described to the Associated Press how tough it was for Scurry to deal with stress. “He had a hard time with pressure, and I think that’s why he started doing what he was doing,” she said. “It was the pressure of waiting and not knowing. The drugs made him quiet, shy, and scared. When he wasn’t on them, he was normal and fun and happy.”

In 1982 cocaine use had become routine for many major league ballplayers. The Pirates’ John Milner would later say that he, Parker, Scurry, Berra, and outfielder Lee Lacy shared up to seven grams a week with one another during this time. “If I had it, I shared it; if they had it, they shared it,” he said. In fact, it was so common that the first thing Scurry and Berra thought about prior to the season’s home opener was making sure someone had called Shiffman for easy home game delivery. Nothing said opening day like the sound of Pirates organist Vince Lascheid banging out a few notes of “Let’s Go Bucs,” the smell of hot dogs wafting through the stadium, or the prospect of an eight ball of cocaine to take it all up a notch.

* * *

The neighborhood of Garfield was settled on the hills above the Allegheny River in Pittsburgh’s East End. Up until the 1960s Garfield was home to predominately Catholic, working-class families. Its earliest inhabitants worked the mills along the Allegheny River and shopped locally from the merchants along Penn Avenue. Neighborhood activist Aggie Brose recalled to the Post-Gazette that Garfield was once a place where “you sponsored each other’s kids, you went to all the weddings and funerals, you never wanted for a babysitter…. When you put the kids to bed, the women went out on the stoops.”

In the latter half of the 1960s and early 1970s, Garfield’s citizens moved to nearby suburbs. Soon, the small businesses in the community were boarded up, and public housing projects sprouted up in the area. As more and more residents continued to flee, twenty-four-year-old heating and cooling repairman Kevin Connolly and his family remained.

Connolly was an all-state baseball player at the sports powerhouse Central Catholic High School, the alma mater of Hall of Fame quarterback Dan Marino. Connolly himself later played semipro football as a member of the Pittsburgh Tri-Ward Rebels.

If anyone could attest to what a slippery slope cocaine use could be, it was Connolly. Early during the 1982 baseball season, he was introduced to Pittsburgh Pirates pitcher Rod Scurry on a double date arranged by the pair’s girlfriends. During the evening the talk turned to cocaine. Up until this point Connolly had only tried the drug a few times. “That night we all pitched in and got some,” Connolly says. “Then we went out again the next Friday.”

Before long the foursome was hitting the town three nights a week, when Scurry wasn’t out of town with the Pirates. Doing coke became an integral part of the evenings, with Connolly struggling to match funds with the well-to-do pitcher. From fifty dollars on the first occasion, the price of admission seemed to grow with each ensuing outing as the group’s drug consumption increased. After a month or two the evenings were costing the young repairman a minimum of $100 or $150. “I couldn’t afford that,” he says. “After going out three nights a week and pitching in every time, I couldn’t do it, you know. Then I got this brilliant idea.”

Connolly was having the time of his life hanging out with Scurry and the girls, and he had to find a way to make things work. He had to “find somebody that had [cocaine], get it at cost, then sell it.” That was the key to staying in the game.

Initially, he didn’t know exactly how or where to go about enacting his plan, but it didn’t take him long to figure out. The East End was Connolly’s turf. His business, Budget Air Conditioning and Heating, was located on Penn Avenue. He also played softball in the neighborhood. He knew people there, and he knew people who knew people. If he was going to find cocaine, the East End would be where he would find it.

Connolly began to regularly buy a quarter ounce of cocaine, which he would usually split, keeping half for himself and selling the other half to Scurry or sometimes a few other acquaintances or contacts. His new enterprise yielded hardly enough to make a profit. But he was doing free cocaine, and that was the whole point, anyway. On top of that, he was introduced to another Pirates ballplayer, shortstop Dale Berra, around this time, which was even cooler to the young sports fan. “Early on we didn’t hang out that much,” Connolly says, but he remembers it being a big deal whenever Berra did come around.

Connolly soon realized that his quarter-ounce purchase wasn’t sufficient to keep up with the group’s growing appetite for cocaine. It was time to up the ante. His next purchase was for a quarter kilogram. However, once initiated into the world of cocaine, it didn’t take him long to realize the extent of the money-making opportunities now open to him. A quarter kilogram wasn’t going to cut it either. The demand around him necessitated yet another increase in weight.

* * *

Nineteen eighty-two was Rod Scurry’s career year. If the switch to the bullpen bothered Scurry, he didn’t let it show on the mound. He had the season of his life, saving fourteen games as a reliever and posting a minuscule 1.74 earned run average, the lowest in the league of anyone with at least twenty appearances. The Pirates finished the season in fourth place, eight games off the pace.

Despite the fact that Connolly was emerging as a new supplier for Scurry, Dale Shiffman continued to receive calls from the pitcher throughout the season. Even on the road Scurry managed to hook up. He had a connection in Philadelphia and elsewhere it was far from a challenge to score. He snorted a gram before a game against Houston, and then went on to hold the Astros scoreless. From that point on, he figured drug use wouldn’t hurt him when he pitched. Scurry’s career ascent brought him an abundance of money and with it an abundance of cocaine. “Finally,” he would later tell the Pittsburgh Press, “it got to the point where I couldn’t quit.”

Come opening day 1983, scoring coke had become paramount to Scurry. Personal matters were arranged first, before any baseball would be played. Once more the season began with a call to Shiffman.

A year after meeting Rod Scurry for the first time, Kevin Connolly came to a realization: This shit is everywhere. Going out to clubs or parties with his new Pirates buddies, he saw cocaine use so out in the open, so common, that he looked around and quipped, “Cocaine is legal, isn’t it?” This pervasiveness made him feel like he wasn’t doing anything wrong by partaking, but now he was going to get in on the real action. By 1983, Garfield’s Kevin Connolly was heading to Miami to trade forty thousand dollars for two kilos of cocaine.

The deal was arranged through a girl he knew from the Pittsburgh area who was dating a supplier in Florida. From there a regular hook-up would be cemented. The suppliers taught Connolly the ropes, including how to pack his product for safe airline travel. The cocaine, which came in a large chunk, was placed in a plastic bag. The bag was then placed inside another bag and dipped in mustard. This package was placed into “another bag that had coffee grinds in it,” Connolly explains. “So we had three bags going. . . . Then we just sewed it into my jacket, and I’d walk through the airport.”

The experience tested Connolly’s mettle as his heart raced with fear; oddly enough, he found it to be an enjoyable fear. Transporting drugs gave him a rush he would come to love more than using the drug itself. He always stayed straight for the transactions and the transport. But that didn’t stop him from getting high. These deals became Connolly’s new source of adrenaline, and physiologically they took him places cocaine never did. If, for instance, a group of police dogs stood ahead of him, Connolly would not change his course; instead, he would walk straight toward the dogs, pushing the thrill as far as it could take him.

The scene in South Florida was like something out of a movie for the novice drug trader. Deals went down anywhere, from inside beautiful yet bullet hole-riddled houses to aboard Miami Vice-style cigarette boats. Other times, if his connection happened to fall through, he could score kilos in the parking lots of Miami’s or Ft. Lauderdale’s after-hours clubs.

“There was like ten or twelve people there who all had kilos in their car,” he recalls, “and they’d say ‘Try my stuff.’” One person’s loss was another man’s gain, and somebody was always more than happy to help out an out-of-towner.

“It was just a joke,” Connolly says. “There was just so much down there. I’d go out to the car, and they’d open up the trunk and they’d have like five keys [kilos] in it. Then another guy would say, ‘Hey, look at my stuff, man; I’ll give it to you for a hundred cheaper.’… It was like how you could get ounces in Pittsburgh, you could buy keys down there.” He could walk into a bar “knowing nobody,” and kilogram transactions were still guaranteed. “What a joke,” Connolly repeats.

Back home up north, Connolly couldn’t help but walk with a bit more of a strut. When darkness fell Connolly felt like the king of Pittsburgh. When he walked into a club and hung out with his new Pirates buddies, people turned to look. But it wasn’t just to check out their local sports heroes anymore. Connolly was making his own mark. He could hear the whispers—Hey that’s Kevin Connolly—and see the patrons gawk. Connolly says the club Heaven was where the in-crowd gathered. It was Pittsburgh’s answer to Studio 54 or the like—the club everyone talked about and went to be seen. Known for its grand marble staircase and white interior, Heaven also had private lounges and held events such as beach night or hot tub night. Connolly often joined a number of the Pirates and Steelers there. “[Lynn] Swann was there all the time, Mel Blount, Franco [Harris] too. It was the only place in Pittsburgh where everyone went,” Connolly says.

Despite making his own name for himself, Connolly could not deny the benefits that came with hanging out with athletes. Rod Scurry, for example, was known to attract a particular crowd. “Yeah, all the girls would know who he was,” Connolly says. This was a definite bonus for the lighthearted and good-natured Connolly, who was also not dumb to the allure that the little white powder he carried possessed. Right or wrong, he employed this magnetism to his advantage. Let me buy you a drink, he would say while reaching into the “wrong” pocket for his money. He religiously kept his coke in one pocket and his money in the other, always the same ones so that he would never make a mistake in front of the wrong people, such as law enforcement. Pulling out his abundant supply of blow, which was obviously much larger than most, he would make his female companions weak in the knees. Whoops, he would innocently declare, finger on his lip like a schoolboy. Needless to say, Connolly and his buddies were not short of company most evenings.

An Associated Press story after Scurry’s time in rehab.

One thing Connolly’s baseball acquaintances weren’t doing for him was making him any richer. Ballplayers are notoriously slow to their wallets. While some of them had voracious appetites for cocaine, this hunger did not translate to much money for those supplying it. There was a sense of privilege embedded in the athletes, as if they thought it should be enough for others to merely be around them. Other times they would adopt the stance, What’s the problem? You know I’m good for it! I’ll get you later.

“We never got paid,” Connolly remarks. Berra always seemed to be broke and even had his own particular excuse at the ready. “I get my check next week,” he would say.

“His checks were like $6,200, and he couldn’t even pay me,” says Connolly. Nor did Scurry. “You couldn’t get it off him, either.” Particularly if Scurry happened to already be holding; then it was an absolute certainty “you’d never see your money.”

It was inside Pittsburgh’s after-hours clubs, selling to patrons rather than ballplayers, where Connolly was truly making his money.

“We had a nice little round,” Connolly explains. “There was like five of them, and we’d hit them all starting at 2:30 a.m. The Allegheny Club was our first hit. Then we’d go dahntahn to Joyce’s, or JJ’s. After that we’d go up to Brookline, to the BYM Club [Brookline Young Men’s Club], a little higher class, nicer place. From there we’d go to the Perry Social in East Liberty, and our last stop would be at the BBC down in Bloomfield.”

All told the late-night rounds brought in around $2,800 on both Fridays and Saturdays. Add another thousand dollars or so during the day, and the weekends netted Connolly over seven thousand dollars. He puts his weekly gross profit at an estimated $13,000 at its peak. He would store the twenties and hundred-dollar bills in a shoe box and spend the rest. He blew through cash on women and partying as well as by charging the players less than he should have. For instance, many times he asked only two hundred dollars for five hundred dollars worth of coke. Connolly wasn’t exactly maximizing his profits. He knew the money was dirty, that it wasn’t really earned, so he felt no obligation to hold on to it. Still, he was having a damn good time.

Likewise, Dale Shiffman, the self-described “nobody,” was now living the high life as well. His life revolved around the Pittsburgh sports scene, from the green diamond of summer with the Pirates to the white ice of winter with the Penguins. “Dale’s a great guy. He was always at the games,” Penguins forward Kevin McClelland said. Added team captain Mike Bullard, “I think he more or less knew a bunch of us—ten of us. He probably knew everybody on the team to say hi.”

Shiffman wasn’t getting rich as a result of his role as a supplier. But it wasn’t about the money for him anyway; it was about hanging out with his heroes and having fun. He didn’t need much. He split his rent with a roommate or two, and when he needed money he found a freelance photography gig. Whatever money he was making from blow tended to go right back up his nose.

While there were some in the medical community who were still arguing in the 1980s that cocaine was “a safe, nonaddicting euphoriant,” Shiffman probably should have known he was headed for trouble the first time he tried the drug, an experience he describes as “love at first sight.” He slowly became addicted. The days of a little fun, in-control partying were long gone. He was now firmly in cocaine’s grip and wanting more, more, more.

* * *

This story is an excerpt from The Pittsburgh Cocaine Seven, now out in paperback.

 

 

How I Fell Face First for an Epic IRS Scam

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As an Ivy League-educated journalist who has reported on scams and their victims, I certainly never thought I’d fall for one myself. I couldn’t have been more wrong.

I received a call on my home phone recently from someone who identified himself as Officer Jason Dean with the Investigative Bureau of the Department of Treasury. He said an arrest warrant had been issued in my name for failure to respond to IRS Notice CP503 — a third reminder — informing me that I owed $5,347 in back taxes. He said my home and cell phones were being traced and I should not attempt to leave the city.

“That’s ridiculous,” I said, “I never received any notices.”

“That is not my concern,” he replied. “We’re only calling you as a courtesy to inform you that you will be arrested and charged with failure to meet federal taxation requirements, malicious conduct, and theft by deception. You will be arrested within the next two hours and held in custody for six months pending an investigation.”

And just like that, I was caught in what has become the biggest tax scam in American history.

I called upstairs to my teenage son and told him to call his other mother and tell her to come home. Then I got back on the phone and asked for more details, trying to prove to myself I could dismiss this as a hoax. I asked for the address they had for me. (He had it right.) I asked for the tax year this issue allegedly stemmed from. (2011.) I asked for my Social Security number. (He said he was not permitted to give this over the phone.)

I usually do my own taxes, and I am never completely confident that I get it right. Just a few months ago, I had received notice that I owed about $700 in back taxes for income I’d forgotten to include on my 2013 return. More recently, I filed my 2014 taxes, hoping I’d done them right. But 2011? I couldn’t even remember what I’d reported.

But the man on the phone was done talking. He repeated that I must not leave the area, or I would be charged with evading the police. Then he prepared to hang up.

“Wait,” I said. “This has to be a mistake. If I owed back taxes, I would pay back taxes.”

He paused and asked, “Can you tell me truthfully you have the intention to pay any taxes you owe?”

“Yes, of course,” I said.

He said he could transfer me to another unit that might be able to help. But, he warned, they don’t have to. (It sounded ridiculous but I wasn’t quibbling.)

A moment later, another man came on the line, identifying himself as Investigator Duane Maguire. He repeated that I would be held in custody for six months while a lien was put on my property.

Thinking this all bizarre but also thinking that things do go terribly wrong for people every day, I asked what I could do.

“The payment options are closed,” he said. “This is a criminal tax fraud case.”

“There must be something,” I said, adding, “Look, I have children.”

“Let me ask you,” he said, “Have you ever been arrested before?”

Assured I had not been, he said there was one possibility — if he could obtain a 1099C form for out-of-court restitution for cancellation of debt. But this would be difficult to secure, and there was not much time.

Just then, my cell phone rang. The caller ID read 911.

I told the man on the phone the police were calling me. “911? Already?” he said. “Don’t pick it up. They are trying to trace your location to make the arrest. I will try to call them off. Just don’t pick it up.”

He then explained what I would have to do to avoid being arrested. “I cannot take any personal information from you,” he said. “But if you obtain an Instant Tax Payment voucher at the bank and give me the code on it, I can obtain the 1099C form.” This, he said, would give me 48 hours to visit an IRS office and clear things up. But, he insisted, you must stay on the phone with me at all times until the process is completed. This made no sense. But I didn’t question it.

I looked at the kitchen clock. It was 5:10 p.m. I told him I had to pick up my son from baseball practice.

“I can call you on your cell phone but you have to stay on with me while you pick up your son and go to the bank,” he said, adding: “This is a federally monitored and recorded line, and you must not discuss what is happening with anyone or you will be in violation of federal law.” I raced upstairs and told my son what was happening and that he should relay it all to his other mother, Kate.

My cell phone rang. It was 911. It rang again. It was Kate. It rang again. It was 911. It rang again. It was the alleged Investigator Maguire. Bringing the phone with me, I rushed out of the house, telling my son to come with me to drive and refusing him a moment to change out of his pajamas.

In the car, the call came over the speaker, and when the caller put me on hold a few minutes later, I used my son’s cell to call Kate.

Within twenty seconds, he came back on and asked, “Who are you talking to? I told you this is a federally monitored phone, and you cannot speak about this with anyone. You are breaking federal law.”

I kept my son’s cell line open so Kate could hear.

“Is anyone else with you?” he asked.

“No,” I said, signaling my son not to say anything.

When we arrived at the ball field, I found my eleven-year-old in the dugout and told him something had happened and there would be a voice on the car phone as we drove home but he was not to say anything. He complied until the man asked how far I was from the bank.

“What did you do?” my younger son asked. “Rob a bank or something?”

I signaled for him to be quiet, dropped my kids off at home, and drove to Wells Fargo. It was 5:40 p.m. and the bank closed at six.

I had made no decision to withdraw the $5,347. But I was definitely operating on the premise that I needed to get to the bank before it closed to keep my options open. If it was a scam, I thought, they would tell me. If it was real, I would have to access the funds that would keep me out of jail.

At a stoplight, I glanced at the texts that had come in from Kate:

“Do not take money from the bank!!! Pls call the police instead.”

“Pls speak with Marcus at the Wells Fargo before withdrawing any money.”

A moment later, I was standing before Marcus. The IRS, presumably, was still on hold.

“Kate talked to the police and is 100 percent sure this is a scam,” Marcus said. “So is my manager.”

“100 percent?” I asked.

“100 percent,” he repeated.

He walked me over to the bank manager who explained: It used to be about lottery winnings. Now it is about alleged threats from the IRS.

As I sipped a glass of water, and my rushing adrenalin began to subside, the whole thing suddenly seemed so obviously ridiculous. And it was no surprise that when I got back on the phone, the alleged Investigator Maguire, who must have sensed this fish getting away, was no longer there.

Throughout my hour-long ordeal I was very aware that it could be a scam, and that there were many things that didn’t make sense. Yet I was also deeply afraid that it could be true — that I could have made a mistake on my tax forms; that IRS forms could have been sent but never arrived; and that events could get out of control and go terribly wrong. And this combination of plausibility, fear and confusion soon drove most rational thoughts from my head.

Since the IRS-Impersonation Telephone Scam began in 2013, it has targeted more than 400,000 Americans. More than 3,000 have been successfully conned out of thousands of dollars and more, according to Congressional testimony by Timothy P. Camus, Deputy Inspector General for Investigations and Treasury Inspector General for Tax Administration. The total take: approximately $15.5 million.

If anyone should have known better, it was me. I’m a somewhat experienced adult, with more than one degree from an Ivy League university. In my career as a journalist, I’ve researched the ways our minds fall for tricks like this. I’ve even reported on scams that cheated people out of big down payments on houses and tricked others into buying previously wrecked cars. But the truth is that I fell for this scam — almost completely.

And if you think that you wouldn’t, you might consider what Stanford University scam expert Martha Deevy, Director of the Financial Security Division at the University’s Center on Longevity, has to say. Contrary to popular opinion, Deevy and her colleagues have found that no one type of person tends to be vulnerable to a financial scam but, rather, certain types of people are vulnerable to certain types of scams.

For example, older women who live alone tend to be more vulnerable to confidence scams in which someone promises a large sum of money for a small fee (a fee that grows as the target is drawn in). Educated middle-aged Caucasian men who identify as financially literate tend to be vulnerable to investment frauds. And while the IRS scam is too new for researchers to have identified a typical victim profile, Deevy suggests that it is likely to be “law-abiding citizens who are confused by the IRS” — which, she adds, represents a very large number of us. In fact, when Deevy received a voicemail from an IRS scammer herself, she said she had to listen to it four times before concluding it was not real.

“These guys,” she says, “are very good.”

Unlike most scams that attempt to trigger the desire for gain, the IRS scam rests on something more deeply hardwired in the brain — the fear of loss, which Nobel Laureate Daniel Kahneman and others have found, is a twice as powerful motivator. And fear of the loss of personal freedom is one of the most powerful fears there is. For me, it made the chance of losing $5,347 seem a trivial risk in comparison to the possibility that I had unwittingly brought trouble on myself that could land me in jail. So I kept taking this call seriously until it was absolutely clear to me it was not.

This quality of uncertainty, says Stanford’s Deevy, is precisely what these scammers prey on. “The IRS, in particular, even in a law-abiding person, is such a mystery. You think, ‘Did I miss something? Did I screw something up? They have seven years to come after me.’ It’s not indisputable that you could have done something incorrect. It’s plausible — and that’s why people get hooked. You might know it doesn’t sound right but you also think if you are wrong about that, the stakes are so high.”

Couple all this with the seeming urgency of the threat (the police will be there in two hours), the creation of isolation (you must not talk to anyone about this), and the apparent external affirmation (repeated 911 calls), and you have the ingredients for a scam that can get to people who should know better. Indeed, for me, it almost entirely stopped me from doing what is second nature: Google it. Talk to other people. And think.

If I had done any of those things, I would have known that the IRS never calls to demand immediate payment without giving you the opportunity to question it or discuss an appeal. Nor does it threaten law enforcement. Nor does a call from 911 appear as 911 on your phone. But fear put me in an altered space that, by the following day, made the whole experience feel like a dream.

Once back to my senses, I hesitated to share my story because it is embarrassing to say one fell, or almost fell, for a scam. People are quick to judge in these situations — if only because one does not want to imagine oneself being similarly vulnerable. But in the end, I decided to swallow my pride in the hope that sharing the story might help someone else recognize this scam for what it is, before their fear triggers are similarly activated, at the risk of overwhelming usually more rational minds.

* * *

Lisa Bennett is coauthor of Ecoliterate and a contributor to The Compassionate Instinct and other books. She is currently writing a memoir about how the most challenging issues of our times help teach us the most important things about being human. She is on Twitter @LisaPBennett.

Marley Allen-Ash is an illustrator from Toronto creating work through printmaking and digital media. Follow her on Instagram at @marleyallenash and see more of her work on her website www.marleyallenash.com.

 

 

The Day My Therapist Dared Me to Have Sex With Her

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My analyst and I grew more intimately connected each week of treatment...but I never saw this indecent proposal coming.

It’s the waning moments of my fourth session with a new therapist. I’m holding back — and she knows it. My entire body feels tense, not ideal for the setting. I try to relax, but the plush leather couch crumples under me when I shift, making the movements extraordinary. I’ve barely looked into my therapist’s blue eyes at all, and yet I think the hour has gone very well. Of course it has. On the surface, when the patient has been highly selective of the discussion topics, therapy always resembles a friendly get-together.

“Well,” my therapist, Lori, says, the millisecond after I become certain our time is up and I might be in the clear. “I don’t think I should let you go until we’ve at least touched on what was put out there at the end of last week’s session.”

I so supremely wanted this not to come up. My eyelids tighten, my mouth puckers to the left, and my head tilts, as though I’m asking her to clarify.

“When you said you’re attracted to me,” she continues.

“Oh, yeah,” I say. “That.”

Back in session three Lori was trying to build my self-esteem, the lack of which is one of the reasons I’m in treatment. Within the confines of my family, I’ve always been the biggest target of ridicule. We all throw verbal darts around as though we’re engaged in a massive, drunken tournament at a bar, but the most poisonous ones seem to hit me the most often, admittedly somewhat a consequence of my own sensitivity. I’ve been told it was historically all part of an effort to toughen me up, but instead I was filled with towering doubts about my own worth. And since 2012, when I gave up a stable, tenured teaching career for the wildly inconsistent life of a freelance writer, I’ve had great difficulty trusting my own instincts and capabilities. I told Lori that I wish I was better at dealing with life’s daily struggles instead of constantly wondering if I’ll be able to wade through the thick.

She quickly and convincingly pointed out that I work rather hard and am, ultimately, paying my bills on time, that I have friends, an appreciation for arts and culture, and so on. In short, I am, in fact, strong, responsible and “pretty good at life.”

Then Lori heightened the discussion a bit. “I also feel that it is your sensitivity that makes you a great catch out there in the dating world,” she said, to which I involuntarily smiled, blushed and quickly buried my chin in my chest. I was too insecure and too single to handle such a compliment from a beautiful woman.

“Why are you reacting that way?” Lori asked.

I shrugged my shoulders, only half looking up.

“Is it because you’re attracted to me?”

I laughed a little, uncomfortably. “How did you know?”

She gently explained she could tell the day I walked into her office for the first time, after I flashed a bright smile and casually asked where she was from.

Now, a week after dropping that bomb, Lori asks, “So, why haven’t we talked about it?”

“I was hoping to avoid it, I suppose.” I tell her the whole notion of having the hots for a therapist is such a sizable cliché that I was embarrassed to admit it. “For Christ’s sake,” I say, throwing my hands up, “Tony Soprano even fell in love with his therapist.”

Lori snorts, rolls her eyes. “I knew you were going to say that.”

I smile, shake my head and look around the room, denying acceptance of my own ridiculous reality.

“It’s OK,” Lori says, grinning. “We can talk about this in here.”

I look again at her stark blue eyes, prevalent under dark brown bangs, the rest of her hair reaching the top of her chest, which is hugged nicely by a fitted white tee under an open button-down. She jogs often, I’d come to find out, which explains her petite figure and ability to probably pull off just about any outfit of her choosing.

I still can’t speak, so she takes over.

“Do you think you’re the first client that’s been attracted to their therapist?” she asks rhetorically. “I’ve had other clients openly discuss their feelings, even their sexual fantasies involving me.”

“What?” I cackle, beginning to feel as though I’ve moseyed onto the set of a porno.

“It’s true,” she says, acknowledging her desk. “What’s yours? Do you bend me over and take me from behind?”

Nailed it.

“If that’s what you’re thinking, it’s OK,” she goes on, earnestly, explaining that she’s discussed sexual scenarios with her clients before so as to “normalize” the behavior and not have them feel their own thoughts are unnatural. By showing the patient a level of acceptance, she hopes to facilitate a more comfortable atmosphere for “the work” — her painfully accurate pseudonym for psychotherapy.

I take a second to let the red flow out of my face, and ponder what she said. I’m a little unsure about this whole technique, but the more I think about it, the more it makes sense. So I go home, incredibly turned on and completely unashamed.

* * *

One of the great breakthroughs I’ve had in the thirteen months since I began seeing Lori (who agreed to participate in this article, but requested that her full name not be published) is a new ability to accept the existence of dualities in life. For instance, I’ve always had a tremendous sense of pride that, if it doesn’t straddle the line of arrogance, certainly dives into that hemisphere from time to time. I’m great at seeing flaws in others and propping myself up above them by smugly observing my character strengths. I’ve never liked that about myself, but the harder concept to grasp is the fact that I can be so egotistical while also stricken with such vast quantities of insecurity.

In treatment I came to realize that all people have contradictions to their personalities. There’s the insanely smart guy who can’t remotely begin to navigate a common social situation, the charitable girl who devotes all her time to helping strangers, but won’t confront issues in her own personal relationships. In my case, my extreme sensitivity can make me feel fabulous about the aspects of myself that I somehow know are good (my artistic tastes) and cause deep hatred of those traits I happen to loathe (the thirty pounds I could stand to lose).

My next session with Lori is productive. We speak about relationships I’ve formed with friends and lovers, and how my family may have informed those interactions. One constant is that I put crudely high expectations on others, mirroring those thrown upon me as a kid. I’m angered when people don’t meet those expectations, and absolutely devastated when I don’t reach them. Lori points out that it must be “exhausting trying to be so perfect all the time.” I am much more comfortable than I was the week prior, and can feel myself being more candid. I’m relieved that the whole being-attracted-to-my-therapist thing doesn’t come up.

Then, a week later, Lori mentions it, and I become tense again.

“I thought I’d be able to move past it,” I say, adding, “We aired it out, and it’s fine.”

As definitive as I’m trying to sound, Lori is just as defiant.

“I’m glad you feel that way,” she begins, “but I think you owe yourself some kudos. This kind of therapy,” she shares, “isn’t something just anyone can take on.” Such honest discussion doesn’t simply happen, it takes tremendous guts, and Lori can see that I am dealing with it relatively well, so I should praise my own efforts.

“Shit, we both should be proud of ourselves,” she says. “It’s not easy on the therapist either, you know.”

“Why not?”

“Because talking openly about sex is risky at any time, much less with a client.” She explains that therapists are warned any semblance of intimacy can be easily misconstrued. “We learn in our training to not personally disclose, for example,” she says, but adds that, occasionally, transparency can be helpful.

“Still, with you,” she continues, “until I raised the question, I didn’t know for sure that you would go with it; for all I knew you’d run out of here and never come back to risk being so uncomfortable again.”

She’s building my confidence more, and I’m learning that I play a much bigger role in how my life is conducted than I often realize. My treatment wouldn’t be happening if I weren’t enabling it.

Then she says, “And don’t think it’s not nice for me to hear that a guy like you thinks I’m beautiful.”

Crippled by the eroticism of the moment, and combined with the prevailing notion that no woman this stunning could ever be romantically interested in me, I flounder through words that resemble, “Wait…what?”

“If we were somehow at a bar together, and you came over and talked to me,” she says, then flips her palms up innocently, “who knows?”

I laugh again and tell her there’d be almost no chance of me approaching her because I’d never feel like I had a shot in hell.

“Well, that’s not the circumstances we’re in,” she says. “But you might. Who knows?”

I’m confused — Is she really attracted to me or is this some psychotherapeutic ruse? I’m frustrated — I told her I didn’t really want to talk about it. Shouldn’t she be more sensitive to my wants here? I’m angry — Is she getting an ego boost out of this? Most of all, I don’t know what the next step is — Am I about to experience the hottest thing that’s ever happened to a straight male since the vagina was invented?

There were two ways to find out:

1) Discontinue the therapy, wait for her outside her office every day, follow her to a hypothetical happy hour and ask her out, or

2) Keep going to therapy.

* * *

A week later, I’m physically in the meeting room with Lori, but mentally I haven’t left the recesses of my mind.

“Where are you today?” she asks, probably noticing my eyes roving around the room.

“I don’t know.”

“Are you still grappling with the sexual tension between us?”

Here we go again.

“Yes,” I say, with a bit of an edge in my voice, “and I don’t know what to do about it.”

Lori, ever intently, peers into my eyes, wrinkles her mouth and slightly shakes her head.

“Do you want to have sex with me?” she asks.

We both know the answer to that question. All I can do is stare back.

“Let’s have sex,” she announces. “Right here, right now.”

“What?” I respond, flustered.

“Let’s go!” she says a little louder, opening up her arms and looking around as if to say the office is now our playground, and, oh, the rollicking fun we’d have mixing bodily fluids.

“No,” I tell her, “You don’t mean that.”

“What if I do?” she shoots back. “Would you have sex with me, now, in this office?”

“Of course not.”

“Why ‘of course not’? How do I know for sure that you won’t take me if I offer myself to you?”

“I wouldn’t do that.”

“That’s what I thought,” she says, and tension in the room decomposes. “Mike, I don’t feel that you would do something that you think is truly not in our best interest, which is exactly why I just gave you the choice.”

Her offer was a lesson in empowerment, helping me prove that I have an innate ability to make the right choices, even if I’d so desperately prefer to make the wrong one.

I see what she means. I’m awfully proud of myself, and it’s OK to be in this instance. I’m gaining trust in myself, and confidence to boot. But, as the dualities of life dictate, I’m successfully doing “the work” with a daring therapist, while at the same time not entirely convinced she isn’t in need of an ethical scrubbing.

* * *

I don’t have another session with Lori for nearly three months, because she took a personal leave from her place of employment. When our sessions finally resumed, I could not wait to tell her about my budding relationship with Shauna.

Ten minutes into my first date with Shauna — right about the time she got up from her bar stool and said she was “going to the can” — I knew she would, at the very least, be someone I was going to invest significant time in. She was as easy to talk to as any girl I’d ever been with, and I found myself at ease. Plans happened magically without anxiety-inducing, twenty-four-hour waits between texts. Her quick wit kept me entertained, and I could tell by the way she so seriously spoke about dancing, her chosen profession, that she is passionate about the art form and mighty talented too. Shauna is beautiful, with flawless hazel eyes and straight dark hair, spunky bangs and a bob that matches her always-upbeat character. She is a snazzy dresser and enjoys a glass of whiskey with a side of fried pickles and good conversation as much as I do.

Things escalated quickly, but very comfortably, and since we’d both been in our fair share of relationships, we knew the true power of honesty and openness. So upon the precipice of my return to therapy I told Shauna about Lori, and admitted to having mixed feelings about what I was getting back into. I told her I was at least moderately uncertain if my mental health was Lori’s number-one concern since she always seemed to find the time to mention my attraction to her.

The first two sessions of my therapeutic reboot had gone great. Lori appeared genuinely thrilled that I was dating Shauna and could see how happy I was. I wasn’t overwhelmed with sexual tension in the new meeting room, though it wasn’t actually spoken about, and in the back of my mind I knew it was just a matter of time before it would start to affect my ability to disclose my thoughts to Lori again.

Then, while attempting to ingratiate myself with my new girlfriend’s cat by spooning food onto his tiny dish on the kitchen floor, I hear my phone ding from inside the living room.

“You got a text, babe,” Shauna says. “It’s from Lori.”

“‘I’m so impressed with you and the work you’re doing…’” Shauna reads off my phone from inside the living room, inquisitively, and not happily. I stuff the cat food back into the Tupperware and toss it into the refrigerator. I make my way into the living room, angry at myself for not changing the settings on my new iPhone to disallow text previews on the locked screen. Shauna’s walking too, and we meet near the kitchen door. “What’s this?” she says, holding up the phone. “Your therapist texts you?”

I take the phone from Shauna and say the most obvious, cliché-sounding thing: “It’s not what it seems.”

As I text back a curt “thanks,” Shauna tells me she’s going to ask her sister, a therapist herself, if it’s OK to text patients.

“Don’t do that.” I say, a little more emphatically. “I promise, this is nothing to be worried about. We’re not doing anything wrong.” I explain that Lori’s just trying to build my self-esteem.

“The only reason I’m even bringing this up is because you said you weren’t sure about her in the first place,” Shauna reminds me. I can tell she regrets looking at my phone without my permission, but I completely understand her feelings.

At my next session I tell Lori that Shauna saw her text and wasn’t thrilled about it.

“She probably feels cheated on to some degree,” Lori says. “A relationship between a therapist and a patient can oftentimes seem much more intimate than the one between a romantic couple.”

Lori goes on to point out that the reason she feels we can exchange texts, blurring the lines between patient/doctor boundaries — a hot topic in the psychotherapy world these days — is because she trusts that I’ll respect her space and privacy. “You’ve proven that much to me,” she says.

On my walk home, instead of being angry at Lori, I understand her thinking behind the text. But I’m also nervous about how Lori and Shauna can ever coexist in my life.

Isn’t therapy supposed to ameliorate my anxiety?

* * *

A week later, Lori begins our session by handing me a printout explaining the psychotherapeutic term “erotic transference” written by Raymond Lloyd Richmond, PhD. It says that erotic transference is the patient’s sense that love is being exchanged between him or herself and the therapist — the exact sensation I was experiencing with Lori, of which she was astutely aware.

According to Richmond, one of the primary reasons people seek therapy is because “something was lacking in their childhood family life,” perhaps “unconditional nurturing guidance and protection.” Upon feeling “noticed” and “understood” by a qualified therapist, sometimes a patient can be “intoxicated” by their therapist’s approval of them. A patient may in turn contemplate that a love is blossoming between them, and, in fact, it sort of is.

From an ethical standpoint, Richmond argues all therapists are “bound” to love their patients, for therapists are committed to willing “the good of all clients by ensuring that all actions within psychotherapy serve the client’s need to overcome the symptoms” which brought them into treatment. This takes genuine care and acceptance on their part. However, a patient can easily confuse the love they feel with simple “desire.” They’re not quite in love with their therapist, so much as they yearn for acceptance from someone, and in those sessions they just happen to be receiving it from their doctor.

Lori tells me that, all along, she has been “working with what I gave her” and that because I flirted with her a bit, she used that to her advantage in the treatment. In employing countertransference — indicating that she had feelings for me — she was keeping me from feeling rejected and despising my own thoughts and urges.

“There’s two people alone in a room together, and if they’re two attractive people, why wouldn’t they be attracted to each other?” says Dr. Galit Atlas. A psychoanalyst who’s had her own private practice for fifteen years, Dr. Atlas has an upcoming book titled The Enigma of Desire: Sex, Longing and Belonging in Psychoanalysis, and I sought her as an independent source for this essay to help me understand Lori’s therapeutic strategies.

Dr. Atlas explains that there are certain boundaries that cannot be crossed between therapist and patient under any circumstances — like having sex with them, obviously. But many other relationship borders can be mapped out depending on the comfort level of the therapist, as long as they stay within the scope of the profession’s ethics, which complicates the discussion surrounding erotic transference.

“As a therapist, I have a role,” Dr. Atlas says. “My role is to protect you.” She says it is incumbent on the therapist to not exploit the patient for the therapist’s own good, but admits that the presence of erotic transference in therapy brings about many challenges. “[Attraction] is part of the human condition,” she observes. In therapy, “the question then is: What do you do with that? Do you deny it? Do you talk about it? How do you talk about it without seducing the patient and with keeping your professional ability to think and to reflect?”

I ask her about the benefits of exploring intimacy in therapy, and Dr. Atlas quickly points out that emotional intimacy — though not necessarily that of the sexual brand — is almost inevitable and required. “An intimate relationship with a therapist can [be] a reparative experience — repairing childhood wounds — but mostly it’s about helping the patient to experience and tolerate emotional intimacy, analyzing the client’s anxieties about being vulnerable and every mechanism one uses in order to avoid being exposed.”

Dr. Atlas says this topic speaks to every facet of the therapeutic relationship, regardless of gender or even sexual orientation, because intimacy reveals emotional baggage that both the patient and therapist carry with them into the session. But this isn’t a symmetrical relationship, and the therapist is the one who holds the responsibility.

“Freud said that a healthy person should be able to work and to love,” she says. “In some ways therapy practices both, and in order to change the patient will have to be known by the therapist. That is intimacy. In order to be able to be vulnerable, both parties have to feel safe.”

After I briefly explain all that has gone on between me and Lori, Dr. Atlas steadfastly says she does not want to judge too harshly why and how everything came to pass in my therapy. “I don’t know your therapist, and I don’t know your history,” she says. But she offers that I should “explore the possibility” that I might have created and admitted my sexual adoration of Lori because one of my fears is to be ignored, not noticed.

Then I offer: “Maybe this essay is being written for the same reason.”

“Exactly.”

Maybe I wanted to interview Lori about erotic transference in my therapy sessions for that same reason as well…to stand out as the most amazingly understanding patient ever.

* * *

“I want to be very clear that this was never about feeding my own ego,” Lori says about her approach to my treatment. “We were always doing this in your best interest.”

I’m in Lori’s office, a tape recorder rolling and a pad and pen in my hands.

“I felt I was doing a disservice to you if I didn’t ‘out’ what I felt was weighing on us, which, honestly, felt like a heavy secret,” she says, pointing out that she discussed my therapeutic process for many hours in her required supervision meetings.

In order for Lori to advance in her field as a social worker, she has to attend 3,000 conference hours with another professional to go over casework — kind of like therapy quality control.

We talk about all of this during one of my scheduled sessions, for the entire hour — and go over by a few minutes, too.

Lori says that when she began her career as a social worker, she decided she wasn’t going to shy away from any subjects. “It’s typical for a client to [have] a habitual desire to sweep things under the rug,” she observes, especially about taboo topics. It can become a cycle of behavior that Lori seeks to break.

I refer back to the time when, unprovoked, she brought up my attraction to her.

She says she mentioned it to avoid what therapists call “door-knobbing,” which is when a patient will purposely mention some huge reveal right at the end of a session so as to sidestep a lengthy conversation about it.

“My only question for you is, was I wrong for bringing it up?” she asks. “Only you can answer that.”

Lori’s great at forcing me to reflect.

“I guess when I said I was over it and could move on, that was an example of my strict black-and-white thinking,” I say, throwing back some language she’s used often to describe my challenge in accepting dualities. In my mind, I was either attracted to her and shouldn’t see her anymore, or I wasn’t attracted to her and could still have her be my therapist. There was no in between.

I realize now that she wasn’t wrong for mentioning my feelings for her, even when I didn’t want her to. Lori noticed that I was frustrated with myself and wanted me to know that an attraction to a therapist is so normal and happens so frequently that there are technical terms for it.

I turn my attention towards the presence of countertransference in our session. I’m trying to come up with an actual question here, but, really, I just want her to confirm her feelings for me are real. So I say, referring to her feelings, with a great degree of difficulty, “It’s funny that they seem genuine to this day.”

“They are genuine,” Lori says, adding a moment later: “I think it might be a good idea if we explore why our discussing it suggests a lack of authenticity.”

“It doesn’t, necessarily,” I begin, then stammer through a few sentences, worried I might offend her by implying she’s been dishonest. I finally settle on, “I guess it comes back to my self-esteem issues. Why would a beautiful woman think I’m attractive?”

Lying in bed with Shauna a few months into our relationship, I ask her what she thought about me the moment she first saw me. I’m fishing for a compliment. But we met on Tinder and I just hope that seeing me in person wasn’t some kind of letdown for her after swiping right on my hand-picked glamour shots. Obviously she isn’t going to say something so awful after having committed to me for so long. It’s a slam-dunk ego boost.

She says she liked the fact that I was wearing a blazer and a tie on a first date. She adds that I was a little shorter than she anticipated, but was content with the two of us at least being the same exact height.

“What did you think when you first saw me?” she asks, turning it around, naturally.

Staying committed to my honesty-at-all-costs policy, I say, “I thought you were really beautiful, but not to the point where I was intimidated by you, which was very important because if I was, you would have gotten a very unconfident version of me, and we probably wouldn’t have hit it off as well as we did.”

Shauna thinks about that for a second, and eventually nods “OK.”

I explain that my insecurity could often get the better of me in dating situations. It was easy to convince myself that I’d be rejected by the girl I was with, especially if I thought she was out of my league. I would then slip into a nervous and reserved state that isn’t at all reflective of my true self.

I’m essentially saying that I was so thrilled to not find Shauna so extraordinarily pretty that I couldn’t accept her being on a date with me. That thought made so much sense at the time I said it, but I’ve since come to realize it is as ridiculous as it is insulting. After ten months of being with Shauna, I’m still completely floored by her, on every level, including a physical one. It gives me great pride to walk into a room with her, and I don’t imagine that changing. Therefore, she actually did meet a confident “version of me.” The way people look doesn’t drastically change in ten months but a person’s perception of self can. It seems my emotional workouts in erotic transference were just beginning to produce results.

* * *

“People fuck up,” Lori informs me during one winter session. “Therapists have slept with clients before, just like politicians have had sex with their interns. But, so you have a full understanding of how this works, we can date.” She explains the parameters as outlined in the social worker’s code of ethics. One of the many stipulations is that we wouldn’t be able to see each other, under any circumstances, for at least two years before dating. She tells me she loves her job, and there’s no way she would ever sacrifice my safety or her career for anything, so she would strictly follow all the dictated rules. “If you truly want to date me, there is the option. But it’s ultimately up to you.”

I know what she’s doing here — putting the onus on me, just like last year when she said we could have sex. The difference this time is the answer I want to give is on par with all of my involuntary urges.

“I don’t want to stop the work we’re doing,” I say. “At this point, it’s far too valuable to me, and, really, I know very little about you.” She’s beautiful, exercises, is smart, funny, professional, enjoys good TV…and that’s about it. Aside from whether or not we’d even both be single in two years, and if we’d be in the correct mind frame to explore a relationship, there are several other things I’m considering here: Would Lori and I really be compatible in every way? Would she ever see me as a lover, a partner, an equal, and not a patient? Could I ever reveal a detail about myself, or even just a shitty day of work, without wondering if she was picking it apart and analyzing it?

Frankly, all those questions could be answered in the positive. But, even if I wasn’t in a happy relationship — Shauna makes this choice much easier, for sure — I wouldn’t go that route. I’d be out a therapist.

* * *

It’s a beautiful spring night in New York and only sidewalk seating will do. Shauna and I are out to dinner at a restaurant near her Queens apartment, and we’re both in good spirits. The weather and the alcohol consumption are partly to blame for that, but, on cue with the season’s change, I feel I’ve turned an emotional corner. Work payments that were past due are finally finding their way into my bank account. As it turns out, my short-term money troubles were not an indication that I had no business being a writer, or that my life changeup was as irresponsible as unprotected sex at fourteen years old.

I’d told Lori as much that afternoon. I took a mental step back from my current situation and realized that in spite of my recent hardships, I was succeeding. I summarize my session for Shauna, who nods in agreement, lovingly pointing out that she’s had the same challenging freelancer experiences as a dancer.

“You’re doing great, babe,” she says matter-of-factly.

“Thank you. That means a lot,” I respond. “I guess if I’m going to be a writer I just have to accept all this and have faith in myself. The way Lori put it was, ‘You just have to go all-in.’”

“Good,” Shauna says. “You should listen to the women in your life.”

* * *

Liked this story? Our editors did too, voting it one of our 20 best untold tales!

See the complete list of Editors’ Picks here. 

* *

Michael Stahl is a freelance writer, journalist and editor living in Astoria, New York. He serves as a Narratively features editor as well. Follow him on Twitter @MichaelRStahl.

Casey Roonan is a cartoonist and cat person from Connecticut. Follow Casey on Instagram: @caseyroonan

 

 

I’m Married. I’m a Woman. I’m Addicted to Porn.

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Countless couples have tackled the taboo subject of racy videos and illicit orgasms. What happens when it’s the woman who can’t stop watching?

This story features explicit situations that may not be suitable for all audiences.

It’s past two a.m. and my husband’s breathing has become long and even. An opportunity presents itself. I slip my right hand down my pajama pants and move slowly, careful not to bump my elbow into his side rib, or bring my hips into it. Too much movement or sound will wake him, and to be found out for something like this is not just embarrassing but potentially destructive. He’ll think he doesn’t satisfy me, and men do not like feeling inadequate, especially when it comes to matters of the bedroom. Or maybe he’ll feel sorry for me. And who wants to fuck someone they pity?

Even worse, maybe he’ll finally say the words I’ve been waiting for him to say since I first told him that I am a sex addict. That he’s bored with it. He’s disgusted. He’s had enough.

I lift my wrist away from my body. I’m careful to keep my breath from becoming a pant, even as my pulse quickens, but this takes much concentration. The body desires the convulsion the mind denies. There is no letting go here though. This orgasm is a controlled, measured, calculated experience.

I have masturbated in this way next to the sleeping bodies of all my serious, committed partners who came before my husband. In some cases, as expected, it was because I wanted more sex than they could give me. I’ve been called “insatiable” and “demanding” one too many times. But this has not always been the story. Yes, I have an incredibly high sex drive, but even in relationships where I have great sex multiple times a week my nighttime stealth for self-pleasure has persisted.

My college boyfriend, burgundy haired and tattooed, had the high sex drive typical of most nineteen-year-old males. We fucked all the time, but even still, I wanted more, something only I could give me. One afternoon, after he’d fallen into a deep post-sex slumber, I serviced myself with my second, third, and fourth orgasm beside him. That was the first time I’d experienced such a level of both secrecy and shame.

I made a promise to my husband and to myself, long before we were even wed, to be austerely honest. He knows I’ve been a compulsive masturbator since I was twelve years old. He knows about my extensive fluency in the hardcore categories of various porn sites. He knows about the bad habit I used to have of hooking up with not-so-nice men because they were available and I was bored — and that I rarely used protection with any of them. And that I believed, for a really long time, that my addiction made me a broken person, a disgusting person, a person unworthy of love. I told him these things from the start because I met him at a time in my life where I was ready and open for change. Because I liked him so much that I wanted to love him. Because I knew that the only way to love him, and be loved by him, was to be myself.

* * *

“What’s your favorite porn scene?”

The man who will become my husband in less than a year asks me this question as he lies naked and vulnerable beside me. We’ve just had sex and although I am naked too, it isn’t until this moment that I feel just as vulnerable as him. While it might seem absurd to some, I know immediately this is a moment of great significance for us. It is an opportunity to finally do things differently.

The possibilities run through my head.

I can describe something vanilla: This one where a busty blonde gets banged by her personal trainer. Or perhaps something a little more racy: These two hot teens swap their math teacher’s cum after he made them stay late in the classroom. Chances are he’ll get hard again and we’ll end up abandoning the conversation for a second round. These are harmless answers. Expected answers.

They’re also lies.

The possibility of revealing the actual truth not only makes me nervous, but also physically sick. I feel a constriction in the back of my throat, a flutter in my belly, a tremble in my extremities. After all, we’ve only been dating a couple of months and he doesn’t love me yet. If I tell him, will he ever?

“Why do you ask?” I reach for the sheet, damp with sweat, a tangle of 300-thread-count cotton across our limbs, and yank it up to cover my breasts.

“I don’t know,” he says. “Curiosity?” He turns over on his side and props his head up on his left hand. His green eyes are wide with wonder.

“Seems like a weird question.” I tuck the sheet into my armpits and scoot my body a little to the left so we’re no longer touching. The tone of my voice has become defensive and he can tell.

“It’s just that I usually pick the porn,” he explains. “Do you like what I choose?”

I see what he’s doing. He’s trying to be considerate since we just had sex while staring at the laptop screen after searching terms of his choosing: Latina, real tits, blow job, threesome.

Maybe he feels guilty for getting off to them instead of me, even though I’m the one who suggested we watch porn in the first place. Even though I’m always the one who suggests we watch porn while we have sex.

“Yeah, sure.” I look up at the ceiling. “They’re fine.”

“Are you sure?”

I wish he’d stop prying, but I realize something else is happening here. Not only is he trying to be considerate; he’s also trying to get to know me. The past couple of months has allowed us to cover most of the basics — what ended each of our most recent relationships, what our parents are like, what we hope to do with our lives in the next few years — but there’s still a longing for something deeper, and I can’t think of anything deeper than knowing a person’s favorite porn scene.

It can speak volumes. For one scene to stand out amongst the rest, when so many others are available, there has to be something below the surface. What maintains its appeal? What keeps a person returning in the deep, dark recesses of a lonely night? Perhaps the answers to these questions are a great source of shame. I never thought of revealing such answers to anybody, and especially not somebody like him, somebody I could really like. It seems far too risky, preposterous even.

It also seems necessary. Too many of my past relationships were doomed by my inability to tell the whole truth, to fully be myself. Now I have the opportunity to go there, and to say to a person, “This is who I am. Do you accept me?”

“Well, there’s this one gang bang,” I start, looking over at his face to see a reaction of surprise and interest register at once.

“Go on.”

I take a deep breath and proceed to tell him, first slowly, then progressively faster about the scene. Like a busted dam, I can hardly hold back the rush of descriptors fumbling from my mouth: “Two women in a warehouse. One dangling from a harness. The other just below her. Both are waiting to take on fifty horny men…” and on and on.

I watch his face the whole time, not pausing when his smile becomes a frown and his eyes squint as if it hurts to look at me.

“Afterward, the women exit the warehouse through a back door while the men applaud.”

For a long moment after I’ve finished talking, there is silence between us, but there is also a sense of relief on my part. I have revealed something so dark, so upsetting, so impacted in shame, and he hasn’t immediately disappeared. He is still here beside me, propped up on his left hand, naked and vulnerable, and so am I. He sees me and I see him seeing me and we are in new territory.

But then he says, “I kind of wish I hadn’t asked.” It’s all I need to hear to send me into tears. Not just tiny, embarrassed sobs, but humiliated wails. I have myself a tantrum. He is confused now as he pulls me close to him, laughing nervously at my abrupt shift in disposition. I try to pull the sheet completely over my head, but he pulls it back down and covers my face with apologetic kisses. He can’t possibly understand why I’m crying. He can’t possibly know what I’ve just revealed to him. “What’s going on? Baby, what’s wrong?”

And so I tell him.

* * *

Addiction to porn and masturbation is often grouped under general sex addiction because they all have to do with escape via titillation, pursuit and orgasm, but I’ve always felt more pathetic about my predilections. Going out and fucking — even someone you don’t really like — is wild, dangerous, but essentially social and shared. Though I had periods of promiscuity throughout my twenties, my biggest issue has always been with what I do alone.

There’s something so sad and humiliating in imagining a person locked away in a dark room, hot laptop balanced on chest, turning the volume down low, scrolling, scrolling, choosing, watching, escaping, coming.

And then realizing that person is me.

But my proclivity for solo pleasure has strong, stubborn roots. I lost my virginity to a water faucet when I was twelve years old. I have Adam Corolla and Dr. Drew to thank for this life-shaking experience; it was their late-night radio show “Loveline” on L.A.’s KROQ that served as my primary means of sex ed during my pre-teen years. This technique is one of the many things I learned, but I had a whole other kind of education going on, which had long filled my head with other ideas — sex is something that happens between a man and woman who love each other; masturbation is a sin. You know, your typical run-of-the-mill Catholic guilt stuff.

Just as oppressive as the Catholic guilt was my femininity. Girls weren’t talking about masturbation and sex. I had no company with whom to share my new activities and interests. And so this silence morphed into shame. I became a pervert, a loser, a sinner.

I tried to stop myself from taking long baths, from late-night undercover activities, from being alone too long, but the more I obsessed about stopping, the more I could not. I joined shame, secrecy and pleasure in a daily orgy, whether I was tired, bored, angry or sad. Whether I was single or coupled, it didn’t matter. Getting off required all of these components and I needed new, more extreme methods to stay engaged — more hours sucked away watching progressively harder porn like the warehouse video, complemented with dabbles in strip clubs, peep shows and shady massage parlors. It became impossible to get off during sex without fantasy, my body over-stimulated to numbness. I was irritable unless I was fucking or masturbating or planning to do either of these things. Life revolved around orgasm to the detriment of any kind of real progress in my professional or social existence.

I was out of control.

* * *

Little did I know that describing my favorite porn scene would be the first of many future admissions that would help peel back, layer by layer, a long and exhausting history of self loathing. My future husband and I quickly learned that watching porn during sex wasn’t a harmless kink for us; it was a method I’d long used to remain disconnected from my partners. It took much discipline and patience for us to expel it from our relationship altogether, though every now and then we slip up.

Talking about my habits led me to examine them, which ultimately led to my desire for change. Holding a secret for too long is like being unable to take a full breath. I didn’t want to feel this way anymore. I needed to share — often and fully — what had for too long been silenced in order to reclaim who I was underneath my addiction. I needed to breathe again.

I found relief in Sex and Love Addicts Anonymous meetings, seeing a therapist I trusted, attending personal development courses like the Hoffman Process and writing about my journey. I’ve managed to move away from porn for the most part, but when it comes to this addiction — to something I don’t have to seek out or purchase — control is like a wayward horse and my ass is always slipping off the saddle.

I constantly struggle with whether or not I should give up porn completely, but until I find a way to have some moderation with it, I avoid it as best I can. I wish I could just watch it occasionally, as some sort of supplement to my active sex life, but the whole ritual of watching porn is tangled up in too many other negative emotions. Watching porn takes me back to being that little girl alone in her bedroom, feeling ashamed and helpless to stop it. I can’t just watch one clip without needing to watch another after that, and another, until hours have passed and I’m back to binging every night.

If my husband leaves me alone all day and idleness leads me to watching porn, it’s the first thing I confess upon his return. Sometimes I don’t even have to say it. He can tell by my downturned eyes and my noticeable exhaustion. He shakes his head and takes me in his arms as I make another promise to try to leave it alone. When I visited a peep show on a recent work trip out of town, he seemed more amused than upset about the whole thing.

Unfortunately, I have yet to be as generous. If I find he’s been watching porn without me, when I’ve struggled to abstain for a stretch of time, I react with what might seem like unjustified rage. This frustration is only rooted in envy.

* * *

Masturbating beside my husband while he sleeps is the last secret I’ve kept from him. Although I’m beginning to fear that it’s actually just the latest secret. My resistance in telling him only proves how fragile recovery is. This week it’s masturbation. But maybe next week it’s back to porn binging. Or obsessive scrolling through Craigslist personals. Or lying about my whereabouts. And so forth. Abstaining from these habits, when so readily available, without abstaining from sexual pleasure completely, or the shame I’ve long bound to it, is a challenge I face daily.

That’s why I need to tell my husband.

Not because I need his permission, his forgiveness or to offer him some act of contrition. But because I need him to see me. To witness. The act of telling the truth, especially about something that makes us ache, is often the only absolution we need.

* * *

Erica Garza is a writer from Los Angeles. Her essays have appeared in Salon, Substance, LA Observed, The Manifest Station and HelloGiggles. She is also a staff writer at Luna Luna Mag. Read more at ericagarza.com and follow her on Twitter @ericadgarza.

Iris Yan is a Brazilian-born Chinese cartoonist who completed a one-year certificate at The Center for Cartoon Studies in Vermont.

 

 

Saying I Do, And Saying Farewell

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Eleven days after marrying the love of my life, I stared at his lifeless body and said goodbye.

Eleven days after my wedding, two men from the crematorium arrived to take my husband’s body away.

“Do you want his ring?” they asked, pointing to the black titanium band on his left hand.

“No, he should wear his ring,” I said. He should wear it into the afterlife.

A quick look passed between them. “Are you sure?”

“Yes,” I replied, and turned to my mother-in-law Linda for approval.

“Honey, you should keep his ring,” Linda said gently.

I gave the crematorium men a slight nod. They slipped the ring off his finger and handed it to me.

*   *   *

Kaz and I once made up a story of how we met. “You fell on your bike and I stopped to help you,” he said in his baritone voice. This actually happened on our second date. “Sounds good to me,” I said. But we never told the made-up version. Whenever people asked us how we met, we would look at each other, shrug and tell the truth: we met on Match.com. My profile advertised “Curves and Curls – what more do you want?!” His moniker was “Nerdy4Music.”

After years of dating more men than I care to mention, in April 2007 I received an email from Kenneth Allen Smith. “My name is Ken, but everyone calls me KAZ,” he wrote. He was an employed, never married, childless, bald, badass, bespectacled black man, born and raised in Washington D.C. by a single mother. He had equal parts swagger, sensitivity and sweetness, had traveled the world, had real rock stars for friends, was witty, funny, charming, pragmatic, Scorpion sexy, so smart he beat his own computer at chess, and he rode a Honda RC51 sportbike. To quote a female colleague (who once yelled this at a party), Kaz was the coolest motherfucker on the planet.

At the time, I didn’t understand why such a cool guy was dating me, a somewhat neurotic, struggling filmmaker who was not thin. “I like spending time with you,” he explained. “You’re smart, funny, beautiful, good in the kitchen and good in the sack, and you’re sexy as fuck.” I still didn’t buy it.

In 2010, after two years together as a couple, during which we almost broke up once, we learned that the headaches and blurry vision he’d been experiencing were the result of a terminal brain tumor. Neither of us could believe it. Why would a healthy, physically active, forty-two-year-old man get the same disease that killed Ted Kennedy? It was too random to be true.

And yet, for me at least, it felt strangely inevitable. My mother had been ill for much of my childhood and died when she was fifty-six (I was twenty-two). Now, the man I loved more than anything, the best man I’d ever known and probably would ever know, was going to die young, too.

Within days of the diagnosis, he proposed. Kaz didn’t make rash decisions. It had taken nine months for him to say “I love you,” and after two years he was still reluctant to move in together (a source of frustration for me — at thirty-nine, dragging a backpack around every weekend was getting old). But the tumor changed things.

“I don’t know how much time I have left,” he said. “But I know I want to spend it with you.” He bent to one knee. “If you’ll have me.”

As I looked down at him, I was more afraid than I had ever been. Commit to someone with a terminal illness? “Yes,” I answered. I, too, wanted to be with him as long as possible. Deep down, I also might have thought we could beat this cancer bitch, statistics be damned.

Life moved forward. We moved in together, a huge transition for any couple but especially for one dealing with cancer. We supported each other through two resection surgeries, three clinical trials, dozens of MRI’s and doctors’ appointments. We tried to marry, but various factors kept getting in the way. He wanted to do it quick and easy at a courthouse. I wanted our friends and family around. Both of our families had money and debt concerns. Plus, I’d never planned on changing my name if/when I got married, and Kaz was old school. “You can keep your name professionally if you want, but I’d be really disappointed if you didn’t take my name,” he told me.

Then, in November 2010, he was in a motorcycle accident that left him unable to work. Even more devastating, he could no longer ride the motorcycle, or walk without assistance. He sank into a deep depression. As his illness progressed more rapidly, my caregiver responsibilities and the pressure of dwindling time intensified. We started arguing. Whereas before I had always been the one waiting for him to catch up, now he rounded the corner of acceptance before me. I still refused to accept it, like a ship captain who keeps trying to steer a sinking vessel. At one point, I thought I would surely have a nervous breakdown if I didn’t leave.

Instead, I got a cold.

One day in late March 2011, my job sent me home because I was feverish. I walked into the apartment early and was surprised to find Kaz sitting on the couch fully dressed.

“Are you okay?” I asked.

“I feel weird,” he said.

His body was shaking like a leaf. I grabbed a blanket and draped it around his shoulders. “I’m so pissed we never get to hang out anymore,” he said. “Something always happens and we can’t just hang out. It hurts, it really hurts.” His gaze drifted up to the corner of the room. “I’m sorry, babe,” he whispered. “I’m so sorry…” his voice trailed off.

The doctors later told us if I hadn’t come home early, the seizures would have killed him. They still almost killed him, but the doctors worked hard to keep him alive, while I sat by his bed and prayed. Please don’t take him right now. Please let him wake up. Please don’t let it end like this. Please give us another chance. Please let us say goodbye.

Forty-eight hours later, he finally opened his eyes. I had never been so happy in my life.

“When are you going to be Mrs. Smith?” he asked in front of his team of doctors and his mother, who had just flown in from D.C. “Are you going to hyphen or not hyphen? I’m okay with second billing,” he continued.

My face flushed as everyone turned to look at me. “Let’s talk about it later,” I said quietly.

The next day, I was sitting on his bed massaging his hands with lotion while a young nurse changed the bags on his IV drip. Kaz looked at me intensely.

“Do you have any idea how much I love you?”

“I think so,” I smiled.

“I have never loved anyone as much as I love you. I have never wanted to marry someone as much as I want to marry you. I didn’t think it was possible.”

I heard the nurse sniffle behind me.

“I want you to be Mrs. Smith,” he said, ignoring the nurse.

“Then you have to get better,” I said.

*   *   *

On Good Friday, April 22, 2011, we stood on the Griffith Observatory veranda overlooking the Hollywood Hills, surrounded by several protective rings of our closest friends (we didn’t have a location permit). I wore a sleeveless blue cotton dress that I had purchased that morning. Kaz wore a black suit, shirt and shoes, and a blue and purple-flowered tie. Our officiator and friend, Chandra, read the vows:

“Do you, Kaz, choose Niva as your wife? Do you promise to share in all life offers and suffers, to be a constant friend, a faithful partner, and true love from this day forward?”

“Hell to the yes!” Kaz said loudly. Everyone laughed.

“Do you, Niva, choose Kaz as your husband? Do you promise to share in all life offers and suffers, to be a constant friend, a faithful partner, and true love from this day forward?”

“I do.” I smiled.

Chandra pronounced us man and wife. I bent to kiss Kaz in his wheelchair, and then leaned back to look at him. We had done it. Mr. and Mrs. Smith.

“Wifey,” he whispered the next morning.

*   *   *

Three weeks later, I stood in a large warehouse, watching two men push a gurney towards me with a large cardboard casket on top. I wanted to see Kaz one more time. They wheeled the gurney before me, so I could see the word “Smith” written on top. Then they removed the cover.

I stared at him for a long time. His eyes were closed, and he was wearing the clothes I had given the men who picked him up ten days earlier, on May 3, 2011. He had all the same tattoos. Yet I couldn’t shake the feeling that I was looking at someone else. The Kaz I knew and loved was not in that box. I didn’t know where he was.

“Goodbye, babe. I love you.”

The men replaced the cover, opened the furnace door with gloved hands, and pushed him inside. The room suddenly felt warmer, and I sat down, lightheaded.

*   *   *

A month earlier, when he was in the hospital, he had told me he wanted to be cremated, with his ashes spread out on Angeles Crest Highway, the mountain road where he had ridden his motorcycle every weekend. He told me who should receive his things, how to divide his money and what songs to play at his memorials. I wrote everything down in a list, fifty words to sum up a life.

As I added the last item, he said, “I miss us.”

I looked up from the list, my heart in my throat. “I miss us too.”

“I’m so glad we stuck it out,” he said. “I know we both thought about leaving.”

“I’m honored to be here with you, babe.” I leaned forward to kiss his hands.

Afterwards, I referred to that list like a bible, using it to guide me through the memorials, the obituary notices, the giving away of possessions, the canceling of credit cards and all the other tasks that must be handled after someone dies. The day I showed up at his bank, a heavily made-up teller kept looking between the death certificate and the marriage certificate. “I don’t understand,” she said. “You married eleven days before he died?”

“Yes.”

“Why? How did he die?”

I didn’t explain it to her. It was none of her business.

“I’ll need a court order to switch over his accounts,” she said, shaking her head. “This just doesn’t make any sense.” I wanted to scream. He died at forty-three years old. Nothing made fucking sense. Instead, I looked squarely at her and tried to keep my voice steady. “I have all the proper forms, signed and notarized. If you don’t help me transfer the accounts, I’ll close them and go to another bank. Do you understand?”

“I have to speak to my manager,” she mumbled and rose from her desk. As she walked away, I stared outside at the traffic on Vine Street and thought about throwing myself in front of a double-decker tourist bus.

*   *   *

When we moved in together, Kaz and I had talked about making some changes to the apartment. After he died, I decided to go ahead with those plans. I asked Chandra, an interior decorator, to help redesign the space with Kaz in mind. We chose furniture in grey tones with chrome details and black-and-white checkered tiles for the kitchen, an ode to his old racing flags and love of chess. We hung his favorite rock posters, African masks and Chris Cooper lithographs. We put pictures of him on every bookshelf.

Several weeks later, Chandra and I sat on the patio drinking beers. “How do you feel about all the changes?” she asked.

“I don’t know,” I said. “I hope he approves.”

“I think he does. I can feel him here really strongly.”

“I thought it was only me.”

“No, dude, he’s totally here.”

I nodded. So I’m not going crazy.

I often felt his body pressed against my backside and his arms around my waist when I was in bed. Other times, I felt his hands cupping my breasts from behind. Sometimes the lights would dim, and I felt him as a breeze against my face. Most cherished were the times he visited me in dreams. In one dream, as we were getting undressed, he said, “I’m afraid if I keep coming to you like this, you won’t be able to move on.”

“That’s okay,” I said, already half naked. “I don’t want to move on.”

When he was alive we used to write each other emails throughout the day. Now I wrote him letters. I told him about the long process of legally changing my name, first going to the Social Security office, then the DMV, my bank, and human resources. I told him how I was still getting used to being called “Mrs. Smith” and saying “my husband,” let alone saying “my late husband.”

During the day, I left the television on the channel that broadcasts the AMA, MotoGP and World Superbike races. After work, I watched all the same shows we used to watch together, still sitting on my side of the couch and directing my comments, jokes and questions to him. I got used to having one-sided conversations. I started telling close friends that Kaz was actually still in the apartment; he was just invisible.

One night, a former lover came to visit. I started crying and the man held me, which felt good. It had been so long since real arms held me. But as the man’s hands moved down my back, and his lips found my neck, I went limp. I didn’t have the energy to refuse him, but didn’t fully engage either. I kept looking over his shoulder, wondering if Kaz was in the room, or if this made him leave. Afterward, I couldn’t sleep.

I wrote to Kaz: “I don’t know if you saw what happened the other night, but I’m sorry. It won’t happen again. Honestly, being with him just made me miss you more.”

*   *   *

Around our first wedding anniversary, I took my wedding ring off at the gym and forgot to put it back on. When I realized my finger was bare the next day, I felt naked. I spent the rest of the day praying that the ring was where I thought it was, and that I hadn’t somehow lost it. I rushed into the bathroom when I got home and found it in the side pocket of my gym bag, which I had left on the counter. I slipped it back on and vowed to never take it off again.

But as time went on, Kaz’s presence seemed to recede, like an echo, and the emotional limbo between newlywed and widow in which I’d been living began to fade as well. One day I did take the ring off. At first I wore it around my neck along with his ring. Then I started leaving both rings at home in a jewelry case, a decision fraught with angst and guilt. I recognized that losing the feeling of being married was part of the healing process, but it was also painful, like we were “breaking up” on some cosmic level.

Then I realized that it wasn’t as much of a break-up as it was a shift. I still felt him inside and around me, but in a different way than before. I could feel him encouraging me to move forward with my dreams and desires.

When he was in the hospital, we once had a conversation about my career. For years, I had bounced between writing and directing small projects and working all kinds of day jobs. “What do you think I should focus on?” I asked him.

He thought about it for a moment. “I think you should focus on writing.”

“How would you feel if I wrote about us?”

“I hope you do write about us,” he smiled.

Today, three years later, I am starting to envision my future. I see film festivals and book signings; a house with land, animals and a fireplace; African plains, Parisian boulevards and Jerusalem sunsets; and a community of artists dedicated to the pursuit of personal expression.

A while back, I spent time in Vermont on a writer’s residency and was drawn to the quiet, open sky and the no-nonsense atmosphere of the rural Northeast. Shortly after the third anniversary of his death on May 3, I felt an overwhelming urge to leave Los Angeles, to breathe fresh air, meet new people and experience seasons again. A few weeks later, I gave notice at my day job. Soon, I’ll be driving across the country with my dog to live and write in the Catskills, about two and half hours outside of New York City.

What I’m less clear about is who (if anyone) will be with me in the future. I’ve been on a few dates in the past couple of years, but nothing major. As I told a friend recently, my current love life is “an empty beach.” The truth is, I’m not the same person I was when I married Kaz, nor am I the same person I was after he died. At some point, I became bi-curious, something I would never have had the courage to admit if it weren’t for Kaz and everything we went through together. I don’t know when I’ll be ready to love again, but I credit Kaz for teaching me how to love and be loved. I know he would want me to be happy.

*   *   *

Niva Dorell Smith is a filmmaker and freelance writer currently based in Los Angeles. She is working on a memoir titled The History of Us and writes regularly about grief, writing and her dog at www.ridingbitchblog.com

Sophie Goldstein is a 2013 graduate of the Center for Cartoon Studies. Her work has appeared various publications including The Pitchfork Review, Seven Days, Irene 3, Sleep of Reason, Suspect Device 3 and Best American Comics 2013. Check out more of her illustration and comics at redinkradio.com