Memoir

A Splash of Red

When a mystery writer moves into a new apartment that seems too good to be true, he slowly unravels its grisly history.

The summer of 2005 is the worst time in my life. My landlord decides to sell the Boerum Hill house I’ve rented an apartment in for sixteen years, and then—in the aftermath of arguments about where to move—my wife suddenly walks out on our marriage. In the midst of a ferocious heat wave and at the peak of one of New York City’s most inflated housing markets, I trudge across Brooklyn searching for a rental I can afford on my own, on a freelance writer’s budget. One tiny apartment’s only window looks out on a grimy airshaft. Another is a dark basement below the office of a doctor who practices adolescent gynecology.

The asphalt is so hot that it sticks to my shoes. The date when I have to leave my old apartment looms closer and closer. I’m panicking that I’ll end up homeless when a miracle occurs:  I stumble across a funky, eccentric Park Slope realty office where a petite, friendly French woman tells me that she has the perfect solution. She drives me to Ditmas Park, a surprising, little-known neighborhood full of grand old Victorian houses, and she shows me a large ground-floor apartment. It features a front porch, a big back patio, stained-glass windows, even a chandelier. And here’s the miracle:  the price is seven or eight hundred dollars a month below market value. She says that the landlord lives out of town and his brother manages the property. The whole thing seems too good to be true, but I follow the proverbial advice about gift horses and sign the lease.

Two days before I’m scheduled to move in, I learn why the rent is so cheap.

I ask the broker for the keys so I can clean the place up. At the house, I introduce myself to an upstairs tenant. He’s a single guy about my age at the time, 44. I ask what the landlord is like.

My neighbor gives me an odd look. “You mean you don’t know?”

“Don’t know what? All I know is that he lives out of town.”

The tenant grimaces. “Well, he does. He’s upstate. In prison.”

My heart plummets. I’ve barely managed to survive a horrendous summer and I’m desperate for a little peace and calm. “What’s he in for?”

“He killed his wife.”

I can feel myself go pale, but I manage to ask two more questions. “Where did he kill her?”

“In your apartment.”

“When?”

“Seven months ago.”

The news would be a shock for anyone, but it has special resonances for me. Not only am I in the middle of a painful divorce, but I’m the author of four novels about a Brooklyn homicide detective. I’ve just signed on to live in a crime scene.

*   *   *

Istand out on the patio under a broiling sun and wonder what the hell to do. If I had found out about this earlier I would probably have ripped up the lease and run, but I have only two days to get out of my other place and can’t face any more apartment hunting.

I only want one more detail. “What room did it happen in?”

When I learn that it was the bathroom, I’m a bit relieved; at least it wasn’t the room I’d have to sleep in every night.

My broker is as appalled to learn about the murder as I am, but even if she had known the apartment’s secret she would not have been obliged to tell. New York realtors don’t have to disclose the history of such ’stigmatized properties.’ The principle is plain:  buyer beware.

*    *    *

I move in.

I’m not superstitious, but several friends advise me to burn sage to clear away bad spirits. (Evidently, native New Yorkers have a protocol for such situations.)

The first couple of weeks are unsettling. Not only do I have to adjust to sleeping without my wife, but I lie in the dark wondering what actually transpired in that little room just five feet away. I’m still roiling with grief and resentment in the wreckage of my own marriage, and pondering such aggression doesn’t help.

Over time, I begin to grow accustomed to my new home. I set up my office in the big middle room with the stained glass windows. While I write, dreaming up fictional homicides all over south Brooklyn, I do my best not to imagine the real killing that took place a few feet from my desk. Even so, the bathroom—walled, incongruously, in black and green Art Deco tiles and silvery disco-era wallpaper—is where I shave every morning and brush my teeth every night, and it takes a while before I stop looking for bloodstains.

One night, though, I’m woken in the wee hours by a repeating clanking from the direction of the bathroom—it sounds like the chains of Jacob Marley’s ghost. Heart palpitating, I get up and tiptoe across the hall. It takes me a moment to realize that I’m only hearing the basement furnace kicking on.

The author in front of his apartment. (Photo by Jem Cohen)
The author in front of his apartment. (Photo by Jem Cohen)

Another eerie moment:  for the first time, I follow the steps down to the dark basement and one of the most desolate sights I have ever seen. I click on a dim bare bulb, which reveals that the entire space is filled with a waist-high sea of furniture, clothes, children’s toys, hair dryers, and Little Mermaid and Finding Nemo DVDs, all tossed there to clear my apartment for rental. My landlord, I will soon learn, had two daughters, aged three and fourteen when he killed their mother. They were in the house at the time.

I try to imagine how powerful a rage a person would have to be in to do such a terrible thing. I have my own reasons to think about anger. I consider myself a cheerful guy, and my wife and I got along peaceably for most of our time together, but when we hit our rough spot, tempers flared. I remember one argument during which I suddenly felt like the Incredible Hulk—I saw red, shouted, slammed a door. Yet I never came close to physical violence.

I wonder why my landlord did.

At first, I don’t want to know anything more about the murder, especially not gruesome particulars, but curiosity creeps up on me. In time, and with a little effort—a nervous Internet search, a few questions over a beer with my neighbor, a visit to a library newspaper archive—a picture inexorably emerges, detail by graphic detail, like a crime scene photographer’s print in a slow developing bath.

*    *    *

My landlord, an immigrant from Jamaica, was thirty-nine years old at the time of the killing. He and his wife, who was the same age and hailed from Barbados, bought this big house for $325,000 back in 1999. The man was not some sort of career criminal; he had a full-time job as a supervisor for a beer distributor, and his wife owned her own beauty parlor (which explains the hair dryers and salon chairs heaped in the basement).

My neighbor rarely heard our landlord raise his voice; after the killing, a coworker wrote a pre-sentencing letter of character support; and the defense lawyer was quoted as saying that “he got along well with everybody. Everybody felt he was an easy-going guy.”

And yet, the man and his wife had argued, and the police were called to their home several times. After talk of a divorce, my landlord moved to the third floor. Late on the evening of January 21, 2005, something very bad must have been going on inside his head:  he cornered his wife in the bathroom, bashed her four times with a brick, and stabbed her in the head and torso.

Right after the attack he called one of her sisters and told her what he had done, and he called the couple’s live-in nanny, who was asleep upstairs along with the children. Then he took off. By the time the paramedics arrived, it was too late to save his wife. At 2:06 a.m. she was pronounced dead.

The story of that fateful night doesn’t end there, but it isn’t until a year later, when I come across an old newspaper story, that I learn the extraordinary next installment. Distraught over what he had done, my landlord jumped into his 1998 Lexus, wearing only his underwear—I suppose he must have stripped off his bloody clothes—and sped off into the night. Six miles away, near the Belt Parkway, he saw a fuel tanker parked at a gas station and decided to end it all. Spurred, perhaps, by the thought of fireballs on TV shows, he floored his car and slammed into the truck—which didn’t explode. The tanker leaked two thousand gallons of gas and the crash just mauled the man; he ended up in the Riker’s Island jail infirmary with a shattered hip and other severe injuries.

Another part of the picture emerges when I read that my landlord has finally appeared in court. Though he was charged with second-degree murder—as well as ramming the tanker and endangering lives in the gas station—his lawyer argued that he had acted in a state of “extreme emotional disturbance.” He pled guilty to first-degree manslaughter and was sentenced to eighteen years in prison, where he now resides.

There is no question about who committed the crime, but for me, the killer’s identity remains a mystery. Was my landlord a “monster,” as his wife’s relatives testified, or a regular person who committed one sudden crime of passion?

Given certain circumstances, could anyone “just snap”?

*    *    *

Naturally, I think of writing up my wild New York apartment story, but there’s a catch:  I don’t have a lease, so I’m afraid that a published article will get me kicked out of my new home.

For five long years I sit on the story of the killing in my apartment. It’s hard to ignore the irony that the tragedy has still provided a bonus for me. I have a huge, cheap apartment, with a whole big extra room to write in. And I do—three more novels (about fictional homicides) and a nonfiction book about the hard lessons I learned from the collapse of my own marriage.

As the years pass, the house suffers a severe lack of maintenance. The roof leaks, leading to a little waterfall in my bedroom closet every time it rains; a family of raccoons moves into the crawlspace above my kitchen; the chimney begins to tilt at an alarming angle. The tenants—myself, my neighbor upstairs, and a very nice young Japanese family on the third floor—make do as best we can, but the front steps crumble, porch floorboards cave in, and an overhanging section of the roof collapses in a snowstorm. The place begins to look like what, in fact, it is:  a haunted house.

In the daytime, I work on new novels. At night, as I lie in bed, I think of my landlord, upstate in his prison bunk. In my writing life and personal life, I’m fascinated by what makes people tick. (Myself included.) I’ve spent countless hours trying to write complex, believable fictional characters, and also struggling to make sense of my divorce. How did two well-meaning people, so deep in love, manage to go so wrong?

I have to admit that I feel a strange bond with my landlord, a man I’ve never met.

*    *    *

While I’m writing my crime novels, living in that strange apartment, and recovering from the end of my marriage, I attend talks at a local Buddhist center and try meditation. Something I read by Buddhist teacher Noah Levine, who spends some of his time counseling prisoners, sticks in my mind. “Some actions may not be forgivable,” he wrote, “but all actors are. For the actor, the person whose own suffering has spilled onto other people, there is always the possibility of compassion. There is always potential for mercy toward the suffering and confused person that hurts another.”

And I do feel a little bit of compassion for my landlord, this man who, in one wild fit of jealousy and rage, managed not only to snuff out a precious human life, but to ravage the lives of many others, including his children and himself. It must have been bizarre for him to have his whole life reduced to one raw label:  killer. I presume that his suicide attempt indicated some capacity for remorse.

*    *    *

One day, a “For Sale” sign sprouts on my front lawn; some legal process has been resolved and the late wife’s family has decided—without any warning—to sell the house.

As a tenant, I’m in a weird limbo. But as a writer, all of a sudden, I’m free to publish my tale.

I realize that if I want to find out what made my landlord tick, I can simply ask him. I start thinking about arranging an interview, in hopes he might share his thoughts about what he did. A writer friend who has made such prison visits is dubious. “What do you think you’re going to get out of talking to him? He’s gonna tell you how he got religion. He’s gonna tell you how his wife’s head ‘accidentally’ hit the sink.”

I press on. It’s surprisingly easy, via the Internet, to find my landlord’s new maximum-security address. Despite a visceral repulsion, I draft a short, neutral note explaining that I’m a writer living in his former home, and asking if he might care to discuss why his life took such a drastic turn. I stand at the mailbox for a minute holding the letter, wondering if I really want to do this.

I drop it in.

Several weeks go by. I’m rather relieved to get no reply. I go out of town for a few days; when I come back, there’s an envelope waiting for me, postmarked from the Five Points Correctional Facility. I stare down at my landlord’s neat, all-capitals handwriting and I’m stunned:  all of a sudden the situation becomes shockingly real. This is no fictional bad guy I’m making up here. The hands that wrote this letter did nasty things with a brick and a knife.

dfrtYE5SYWsChSdmXLQi_white20note20from20landlord-1“No promises,” my landlord writes. “No guarantees.” He says that due to prison regulations I cannot send him stamps. He asks to see my resumé and orders “Do not discuss ‘me’ by mail.” Due to prison regulations I can’t call him, but he explains how to set up a phone account he can use to call me, and he closes with a Bible quote, a drawing of a heart, and the motto “One Love.”

I’m shaken, and take a while to respond.

Finally, gathering my courage, I send the resumé and a couple of my newspaper clips. I apologize for the delay, saying that my elderly parents had been experiencing some medical problems (which happens to be true).

And then, because I’ve managed to make contact, I pitch the story to one of the top editors at a prominent magazine. This famous publication has featured some of journalism’s titans, and stories printed there often lead to book and movie deals. I say that I plan to include a scene of me driving upstate to interview my landlord in prison, to finally sit down across from the man so we can stare each other in the face. I can’t help thinking of Truman Capote and In Cold Blood, and what that book did for Capote’s career.

Almost immediately, I get a reply from the editor—and a lucrative contract.

I’m troubled about the fact that I’ll soon be profiting from someone else’s tragedy, yet I’m also thrilled. This could be the break that rescues me from crappy part-time jobs, and changes my life forever.

*    *    *

Fearing imminent eviction, I move out of my apartment into a new one down the street.

I don’t order a landline from the phone company, but then I learn that prisoners are not allowed to call cell phones. In order to pursue this story, I have a new line installed. I write my landlord to say that I’ve complied with his instructions and ask him to call me any day between noon and three.

*    *    *

And then something deeply frustrating happens:  nothing. As time passes, I stare at the deadline typed into my magazine contract. Once I was afraid to hear from my landlord; now I grow panicked that he won’t respond.

I have a special dedicated phone sitting on my desk that reminds me of a hotline to the Kremlin. Only one other person has the number. Day after day, I stay home so I can answer it. When I have to use the bathroom, I move it within reach so I won’t miss my landlord’s call.

It doesn’t ring.

I stare at it, and keep picking up the receiver to make sure it works. I try to keep busy with other writing—another novel about a homicide—but I grow increasingly distracted. One morning while I’m sleeping, the phone rings. I jump up, flooded with adrenalin.

A nasal woman’s voice:  “Hello, Margie? I’m calling from Dr. Wegman’s office about your appointment.”

Two days later, the phone rings again, giving me another near heart attack.

A telemarketer.

When I’m not waiting for The Call, I go to the Kings County Supreme Court and peruse the case records. The police report is eerily matter-of-fact and sparse, as in the way it describes the evidence:  “A knife, a brick, a jacket.” Looking at newspaper archives from the day after the killing, I find—under the typically subdued tabloid headline “BERSERK ‘KILLER’ HUBBY”—a stunning photo of my landlord’s crumpled car wedged under the fuel truck, and a picture of the man himself, lying prone, his face contorted in a rictus of pain as the paramedics stretchered him away.

I call the prosecutor at the Brooklyn D.A.’s office, but the man refuses to talk. Even so, I soon uncover a possible trigger for my landlord’s lethal rage. As good evidence for the six degrees of separation theory, I find out that the wife of a friend of mine knows a woman who knew one of the victim’s best friends. This woman tells me that she and the friend discussed the victim’s crumbling marriage just hours before the killing. She says that my landlord’s wife—who was then separated from him, though they still lived in the same house—had planned a date for that evening, and that the friend was concerned for her safety.

This is something I want to ask my landlord about, but he doesn’t call.

One month to deadline.

I develop insomnia, partly due to the heartburn that has begun scalding my chest. I come to a bitter realization:  if I were writing a novel, I could dream up an exciting dialogue with the killer, but my ability to finish this story is completely dependent on the whim of one bored man in a prison cell. I’ve been expecting that we might engage in a sort of cat-and-mouse game as I try to extract the truth from him. As his refusal to call me lengthens, I start wondering who the cat is.

In a perverse way, I almost admire my landlord’s resistance. Trapped in a cage and forced to surrender all personal power, he’s seized back a tiny shred of control. I want to unmask and reveal him; he’s preserving the only thing he still owns—his own mystery. I spend a lot of time staring at the telephone and cursing him, yet how can I fault him for that?

*    *    *

I turn to my more experienced journalist friend for advice, and he steers me to one of the most famous magazine pieces of all time. Hired to profile Frank Sinatra in 1966, Gay Talese did his best to interview the man, only to be stymied by excuses at every turn. Finally, he decided to write the profile around his subject, interviewing other people to create a portrait titled “Frank Sinatra Has a Cold.”

I decide to follow suit and do everything else I can to rescue my piece, in case my landlord never calls.

One thing I realize is that, while I’ve been obsessed with what went on in my landlord’s head, I’ve been completely neglecting his victim and her family. I obtain a transcript of the sentencing hearing, to which the dead woman’s relatives traveled from all over the country. I read about her sister’s scream of disbelief when she received my landlord’s late-night call, and about her elderly mother, so traumatized by the death that she had never even been able to speak of it to her surviving children. The victim’s brother, an attorney who is now raising her children, testified to a history of domestic abuse. He argued that the fact that her husband kept hitting her with the brick (not to mention the multiple stab wounds he is alleged to have inflicted) exemplified a “vicious and animalistic nature.” They all asked that my landlord be locked away for as long as possible.

The thirty-eight pages revealed a legacy of pain and nightmares, of desperately required therapy, not only for the victim’s children, but for her siblings and their kids. As one brother put it, “All the candles in the world cannot illuminate the darkness that has been thrust upon us.”

The most chilling testimony came from the victim’s teenage daughter. She talked about how her mother will never attend her wedding or bond with her future children. She called her father a monster, and said, “Somebody who is insane enough to kill the mother of two children in the same house where they are sleeping deserves to be put in jail for life.” She concluded by expressing a recurring, tormenting thought:  “If my sister and I were sleeping down there [on the first floor], what do you think would have happened to us?”

I agonize over whether I should contact the family directly. Do I have the right to stir up those raw feelings again, years later? In writing novels, I can say whatever I want about my fictional characters without risking anything more than a bad review. Here I would be impinging on real lives. The thought of calling up the woman’s relatives makes me sick.

Several friends suggest that I rethink my reluctance. What if the dead woman’s relatives see my piece and are angry that no one offered them a chance to talk? Shouldn’t they have the right to choose? The deciding moment comes when I talk with a reporter friend whose younger sister was murdered. Based on her own experience, she tells me that the family might actually welcome a chance to unburden themselves of some of the desolation in their hearts.

I’m queasy about intruding, but I use the Internet to find the victim’s cousin, an assistant professor now living in the Midwest. She tells me that she never took to her relative’s husband, and felt that he didn’t respect her. She describes the victim as a vibrant, gregarious person, devoted to her children, eager to keep in touch with her large extended family, passionate about her craft as a beautician.

Finally, she recalls the traumatic funeral:  “I wanted to remember my cousin as she was. She took great care of her skin, her face; she always encouraged me to wear make-up because she said it protects your skin. I couldn’t bear to see her lifeless, made-up by someone else, hair done by someone else, not looking like herself.”

*    *    *

It’s heartbreaking to see how many shock waves rippled out from one dark act, but my main question remains unanswered:  why would a human being commit such violence? My landlord’s own testimony at the sentencing doesn’t help. He proclaimed remorse, but did so in a crafty statement that echoed his defense that he had not even been fully conscious while committing his crime. “I took responsibility for my actions,” he said, “once I was informed by my family and my lawyer of what happened.”

I write to him again, asking him to call. I don’t mention the magazine contract. I’ve never fly-fished in my life, but I understand the basic principle:  the sport derives from the thinness of the line. If you yank too hard, the filament—that tenuous connection—snaps.

Soon, a note from him arrives, enclosed in a religious greeting card. The bulk of it, written on yellow legal paper, is his weird response to my comment about my ailing parents. “Tomorrow is not promised to any man (person). Therefore, family comes first in the here and now . . . Let the every details of ‘them’ write sweet memories upon your concious [sic] and subconcious [sic] being, that will permeate spiritually to your core. Every movement of their facial features in a smile. . .The taste of a loving kiss. The smell of love as they hold you in a warm embrace . . .” He goes on in this pseudo-mystical vein for a two full pages, but offers no comment on his own situation.

jTBO9aEuT3SoWUPdxF8y_apartment-murder-hack01-1

He requests a photograph of me and finishes with another command. “Slow D-O-W-N. Things move very slow . . . more relaxed. . .up here. (This is not N.Y.C.)” He draws a smiley face.

*    *    *

Prison must be profoundly boring, and it occurs to me that—for the sake of a little entertainment—my landlord might be willing to drag out an unrevealing correspondence for months, or even years. With my deadline rapidly approaching, I decide that I have no choice but to push him for an interview. I tell him about the magazine contract, and try to convince him that this is his chance to tell his side of the story. When I don’t hear back for a while, I think I might have pushed too hard. Just in case, I write up an interview-less version of the tale, my “My Killer Landlord Has a Cold.”

A week before the deadline, another envelope finally arrives. My landlord apologizes for the delay, explaining that he misaddressed his last letter. Drawing another smiley face, he explains this slip by saying,  “Sigmund Freud is always right.” He includes a note card of an owl in winter, in which he offers a terse, unexplained refusal to agree to the prison visit: “MY APOLOGIES. NO COMMENT.”

SNqy5ujLQymFeg3wGiC8_apartment-murder-hack02-2

*    *    *

The jig is up. Truman Capote’s legacy is under no threat from me.

Stubbornly refusing to surrender, I decide to give my piece one last shot. I reread my landlord’s final note. Intriguingly, he included a quote from Charles F. Haanel, a financial self-help author whose most famous book, The Master Key System, was published in 1912. It reads, in part, “It is the few who know that the things which they see are only effects and understand the causes by which these effects were brought into existence. When the thought has been trained to look below the surface, everything takes on a different appearance.”

It’s odd—my landlord won’t talk, but he seems to be telling me to look beyond the obvious facts of the case. I can’t help thinking of that when I stumble across a newspaper article that quotes David Adams, a Cambridge-based psychologist and the author of a book called Why Do They Kill? Men Who Murder Their Intimate Partner, for which he interviewed thirty-one killers in prison and identified several profiles. I reach for the phone.

When I speak with Adams, he describes the most common profile, and I realize that I might have fundamentally misunderstood my landlord’s crime. These men, Adams says, are not normal people who lose their heads due to one abnormal circumstance. “The media talks about crimes of passion,” he tells me. “I found that most of these guys had been possessively jealous from the beginning of the relationship—and with previous partners.”

More than half of Adams’ killers witnessed domestic violence as children. “Men who grow up with abusive fathers at first tend to be very fearful, and protective of their mothers,” he tells me. But then, around adolescence, “they tend to dissociate from the weak parent, almost as if angry at the mother who failed to protect them. They overcome their fear by taking on the persona of the person who seemed to be in control.”

Batterers often appear likeable, even charming, to everyone but the women they abuse. Surprisingly, they tend to be very emotionally dependent on their partners. In fact, they often believe that their partner has the power over them. As children, they learned that their attachments were extremely insecure; as adults, they strive to dominate and hold on. But they encounter a big problem, according to Adams:  “They push that person away, and they have to keep upping the ante.”

And they do—until one final desperate act: “Some of them said that they had in effect lost the partner that they fought to control, and the only thing left was to kill.”

For years I’ve been thinking that my landlord’s suicide attempt proved that he was capable of remorse, but Adams says that though thirty percent of domestic killers follow their homicides by taking their own lives, their suicides often just reflect their essential narcissism. They’re mourning their own losses, rather than what they did to someone else.

I can’t say for sure that I’ve discovered what was going on in my ex-landlord’s head when he committed his crime, but I’ve learned what can motivate men to perpetrate similar acts. They brutalize women because—caught in a terrible cycle of victimization and abuse—they’re desperate to relieve their own pain.

On deadline day, I email my story in. In a kindly worded response, the editor informs me that without the prison interview, he can’t run it. (But he mails me a kill fee.)

*    *    *

Back in 2001 when my first novel was published, I gave a reading in a mystery bookstore. I asked the owner how many of the thousands of books on the shelves contained a killing.

“Almost all.”

That’s pretty weird, if you stop and think about it. Here in the West, we want to think about death as little as possible. We worship youth and beauty, spend billions to stave off old age, and tend to finish our lives hidden away from the public eye. So why is our pop culture so rife with guns and murder?

Partly, it’s laziness. It’s easy to pump up superficial drama by having characters shoot each other. But there’s more to it. One of the most profound books I’ve ever read is The Denial of Death, anthropologist Ernest Becker’s 1973 meditation on the roots of human civilization. He argued that many of our social and cultural institutions arose in response to our awareness that we have to die. Religion and art and the accumulation of wealth enable us to believe in varieties of immortality; war-making enables us to fantasize that we’ll be spared if we project death onto others.

Crime novels and “true crime” stories play their part in this denial. Killers embody the thing we fear the most, and we get to see these agents of premature death caught and convicted—or killed themselves. Their punishment allows us the fantasy that we can win out in the end.

Essentially, like most mystery novelists, I’ve told the same tale:  a tidy world is thrown into chaos, and then some lone sleuth figures out what happened so he or she can restore order. Thriller writers jeopardize the lives of their protagonists, then allow them to triumph and survive. Within the pages of such books, we get a chance to play out a game that soothes our minds on a primitive level. The stories trigger our mortal anxiety, then deliver relief. Through this vicarious magic, we assure ourselves that we don’t have to worry—that we are, ultimately, safe.

Likewise, true crime stories are supposed to provide a sense of closure. My problem is that I can’t find any such thing. I’ve come to realize that even if I could go see my landlord in prison, even if I could grill him for months, he might never allow me an honest view into his mind. Whether his temporary insanity defense is true or not, he has a vested interest—looking ahead to his first parole hearing in 2020—in maintaining it.

*    *    *

I walk by my old house. The “For Sale” signs are gone and a new owner has brought in contractors to fix the crumbling porch and the holes in the roof, to make the place look charming again, as if nothing bad ever happened. (Human lives come and go, but real estate lasts forever.) But no one can restore the world that once existed there.

I walk on, leaving the old house behind. Compared to wrestling with a real-life killing, writing about fictional homicides now seems like a piece of cake.

This sad story will never release its terrible grip on the victim’s family, but I can already feel a loosening of its hold on me. The more time that passes since I lived in the old apartment, the more this becomes just a wild New York story for me to tell at dinner parties, the further it recedes from a real splash of red against green tiles, from a woman’s terrible cry on a cold winter night.

Memoir

Secret Life of an Autistic Stripper

I've always had trouble reading social cues, but in the strip club, where rules and roles are crystal clear, I finally learned to connect.

I walked past the stage and sat down at the bar, the neon lights illuminating my pink teddy, shadowed eyes, and crimson lips. I ordered my first drink of the night and took inventory of the club. There were a few listless customers scattered around, hunching over bar stools, and a dancer circling the pole.

I waved over a colleague, a transplant from Manchester with hair extensions that kissed her velvet garter belt. We grumbled about how slow business was until I spotted a paunchy man at the bar. He was short, with a tuft of gray hair and a slight smile that crinkled his eyes. He was also more animated than the others.

“Do you want to try?” I asked her out of a sense of politeness.

“You go,” she said, waving her hand.

I started off light, asking about his day and his job. His smile widened across his face as my eyes met his. I silently counted to 10 and reminded myself to look away for a second – best not to terrify him. After three minutes, I transitioned to more personal questions, moving steadily through the formula I’d perfected to curate conversation with customers.

He started complaining about his recent breakup, but it didn’t feel genuine, his eyes twinkling with eagerness. I switched my gaze to the top of his nose to put a boundary between us.

I could tell he was interested in spending money, but he’d be hard work. It was time to either close the sale or walk away. He’d take advantage of my time otherwise.

“Ready for fun?” I whispered in his ear to avoid his eyes.

I didn’t bother mentioning the private rooms. After two years in the industry, I knew which customers were worth investing in – not this guy. So, I led him into the corner, which opened up to the club like the bow of a ship, public and safe, for one quick dance.

* * *

Before working in strip clubs, I struggled to read people’s emotions through cues like facial expressions, postures, and tone of voice in real time. I processed events after the fact with tenuous evaluation, like peeling off layers of old wallpaper. At the time, it was not something I had words to explain, so I turned the blame on myself. Whenever I struggled to understand if someone was angry or bored, I went home and berated myself for being lazy, ditzy, and dumb as I obsessively evaluated the night. I just needed to try harder to be more present, I told myself.

One time, I went to a dinner party my sister hosted. A few of her colleagues and friends sat around her table while we snacked on hummus and bread, and someone asked about my recent trip to Europe. I rambled incessantly, illustrating the nightclubs, the hostels I stayed in, even how I bled through my powder-blue dress because I forgot to change my tampon. My voice was loud, a  pitch you use at a concert, not inside. I can see their faces now, wide-eyed and uncomfortable, but at the time they coalesced into one indistinguishable figure, Dave Matthews playing in the background taking precedent. Their distaste didn’t register until my sister pulled me aside and asked as kindly as possible to keep to “lighter” topics.

After dinner, we dispersed to the living room and I attempted to talk to my sister’s colleague, but I forgot to break eye contact, continuously staring wide-eyed while she spoke.

“You’re certainly a character,” she remarked, exiting the conversation. I didn’t realize until later that I’d made her uncomfortable.

I didn’t know what slow processing was then, but I was aware I felt embarrassed a lot, and lonely. Facial expressions, body language, and eye contact are the bones of communication and it’s quite difficult to build and maintain relationships without the ability to read them.

So, I meticulously designed a persona who nodded at the right time, rehearsed lines, smiled when appropriate, monitored personal space, spoke quietly. Before going out, I crafted notecards, scribbling how long to talk about acceptable topics and which to stay clear of altogether, like my period, in small talk. The persona was a mask that helped me appear to interact in the moment, but in reality I crept by, three paces behind everyone else.

* * *

I had just celebrated my 24th birthday in Australia when I started dancing. I settled temporarily in a bustling beach town at the edge of Melbourne and needed money to pay off my student debt. I considered a bar job, but decided to try stripping simply because it meant fewer hours.

When I walked into a club to ask for a job, to my surprise, I realized it was just a bar with the usual roles reversed: women approaching men. I was intrigued, but confused – how did they convince customers to spend money off-stage?

The manager looked at my petite frame and nervous smile, pointed her manicured hand to the dressing room and listed the rules: “Go get ready in there. You get one free drink. Don’t be late for stage. No sex. No drugs on the floor.” Simple enough, but nothing on how to monetize my time. I handed over my $40 house fee and walked into the sea of hairspray and naked bodies.

Hundreds of customers came and went during the 10-hour shift, sitting on plush couches and crowding around the bar. I approached 10 guys, mirroring my colleagues’ coy smiles, suggestive body language and light conversation starters, but I couldn’t tease out who wanted to spend. All but one dismissed me.

I sat at the bar to observe, sipping my free champagne. One dancer particularly stood out with her naturally frizzy curls and tattered black bra. She wasn’t the most glamorous, but every guy she spent more than a few minutes with agreed to get a lap dance, like she had sprinkled them with fairy dust. A few times, she walked away from customers within seconds, once even waving her hand in a man’s face to dismiss him.

From the bar, I saw her sitting alone on one of the upholstered couches that lined the back of the club. She was taking a moment’s respite after a dance to count her money before securing it around her wrist with an elastic band. I took a deep breath and approached her, brushing aside the fringe curtain separating the lap dance room from the bar. It was getting late, two hours before closing, and I was exhausted and frustrated. So far I’d brought in just $50, meaning a $10 profit after the house fee. I thought about packing up and never coming back, but I needed this to work out. My student loan wouldn’t magically go away.

She took one look at me and asked, “Your first time?”

“Yes. I’m struggling,” I said shyly.

She stared at me with a bored expression, so I got right to it.

“How do you know who wants to spend money?”

She turned around and outlined her lips with a beige pencil in the smudged mirror, advising in her Bulgarian accent: “I don’t always know, but here are a few things I’ve learned after five years in the industry: Don’t spend more than 10 minutes with them if they haven’t spent money. Five minutes if it’s busy. You’re not a free therapist. Make them pay big bucks if they want to dump their shit on you. Walk away from customers who want to get to know the ‘real you’ right away. They’re usually creeps.”

Before she left the lap dance area, she turned around and said, “And quit this nice girl bullshit. You sound like a child. Don’t try so hard to be someone you’re not, just be a hyped-up version of yourself.”

As she sauntered off, she looked back once more, “I’m Claire by the way.”

Her words wounded me, but I was impressed. She saw right through my mask. The rambling girl at my sister’s house was a distant memory, but, strangely, Claire must have seen who I was before I tried so hard to appear normal.

After we spoke, I didn’t reincarnate my older self, but I did carve another persona, Piper. I learned to showcase different parts of my persona based on the customer. It seemed practicing social skills paid off – I became a deft conversationalist, sometimes earning my night’s wage just from talking. I moved beyond the foundation I hid behind, laughing, smiling, and chatting more brazenly than before, enjoying eye contact with customers I trusted, dismissing ones I didn’t. Performing felt strangely comfortable, even though the job was foreign and challenging.

That conversation lasted minutes, but the advice made for a successful career. Slowly, Claire’s rules taught me how to read customers for signs of interest by attaching meaning to their words and actions, something most people learn unconsciously, but that I’d always struggled with.

The club gave me a controlled space to decipher the crinkle around people’s eyes for eagerness or raised eyebrow for arrogance, as if I was reading a script from a teleprompter. And when I was unsure, I had her original rules to catch me. Are they asking for my real name? Are they relaying problems in their life without buying a dance first? On the floor of the club, I spent hours practicing each weekend, and for the first time in my life, I learned how to cut through layers of language in real time, just like Claire, until it became effortless.

* * *

Eventually I moved back home to New York and started stripping full time. After two years of practicing by trial and error in the world’s most social job, the tricks I learned in the club seeped into my social life outside of work, and it got easier to notice social cues and use the same formula I used with customers to make small talk with anyone.

Most people I met outside of work told me I was a great listener, unaware of how much time I spent in my room practicing the correct reactions. I didn’t want anyone to know how much I struggled, so I let very few people get close to me – better than anyone finding out that I couldn’t really socialize, that I was a fake.

Nearly two years after I started dancing, my friend Sarah invited me to her birthday party. My least favorite social situation: a dinner party with unknown people. True, I was better at picking up more obvious cues like eagerness and anger, but group settings were strenuous – too many subtleties to keep track of. But I hadn’t seen my friend in a while and I missed her. I packed up my lace teddy and Red Bull into a discreet bag and headed over to the restaurant before work.

The hour and a half crawled by. There were six of us around a small table. I can’t remember the other people’s faces or even what anyone spoke about. I prayed no one would ask me personal questions.

“Sarah tells me you just got home from Amsterdam,” my friend’s brother said politely, turning in my direction. His words mixed in with the background conversation and it sounded like another language. I broke out in sweat.

“I am sorry, what?” I asked.

He repeated himself. A second later the words clicked. I smiled and looked at his nose instead of his eyes while chewing over my words and length of speech, trying to offer the version of my trip they wanted to hear.

Sarah got up to go to the bathroom. I quickly walked over to her and asked: “Were people bored when I spoke?”

“Not at all. What’s wrong?”

“Nothing, nothing. But I have to go. I’m sorry, I have work.”

She looked confused as I hurried out the door. I didn’t really have to go to the club. I’d made enough that week to warrant a night off with my friends, but work felt easier than this social performance. I let out a sigh of relief as the taxi plowed across the Williamsburg Bridge.

I walked under the familiar lights to the dressing room. I squirted a dollop of foundation on my hand and painted the dark circles under my eyes. For a brief second, I wondered, Is something wrong? Surely work shouldn’t be more comfortable than a night out? But then I swallowed those thoughts and walked onto the floor to escape from myself.

I sat down at the bar and ordered a Hennessy on the rocks. The birthday was successfully buried, and I was buzzing from the bliss of escape.

I spotted a man at the bar – alone, tall, bald with a kind smile and a glass of whiskey in his hand. I ran through the formula and we connected right away.

“Hennessy is a strong choice,” he commented.

“It’s an underrated drink.”

“I’ll take your word for it. Can I get you another one?”

Ten minutes passed. I suggested the private room and he agreed. The private rooms were where I connected with customers, sometimes in a way that was more intimate than my relationships outside the club.

There I massaged their shoulders, let them touch me, expressed vulnerability. I bantered for hours – something I was never able to do before. With fewer stimuli around, it was easier to focus and converse back and forth in a way that felt less strenuous than at the restaurant hours before.

“You have a strange rhythm about you,” he remarked, smiling as I cradled him. Customers who spent money like water didn’t care if I was odd; they wanted an experience. My weirdness was worth their paycheck.

After two hours, I excused myself for a moment to go to a bathroom where I got a message from Sarah: Miss you. Wish you didn’t have work. It’s not the same without you.

Below the message was a picture of the dinner crew, laughing with their arms wrapped around each other. I felt such a pang of loneliness and regret that I broke down in the doorless toilet stall, my eyeliner smearing like watercolor on canvas.

Why am I only alive at work? Why can I give so much of myself to my customers and so little to my friends? Maybe I was just being stupid because I was drunk, but I wanted to be an active participant in my life instead of walking around confused all the time, experiencing my days after they’ve happened, passive from the sidelines. I wanted connection.

Work was a temporary balm, but the interactions there were fleeting, not enough to sustain my longing for people. The force of my rotting loneliness hit like a tidal wave as the reality of how much I struggled to navigate social settings outside settled in.

I allowed myself just one sob before I fixed my face and performed for the last half hour. When I got home, I couldn’t get out of bed for days, my sheets disheveled with self-loathing.

Desperate for answers, I started scrolling through an online forum for women with ADHD, wondering if I might have an attention disorder, looking for an explanation. I started asking for advice, addressing some of my other issues first like getting lost in obsessive thought.

Within minutes, responses flooded that my symptoms resembled ASD.

“What is ASD?” I asked.

“Autism Spectrum Disorder.”

I scoffed, but after I read articles on how autism manifests in women, there wasn’t room for doubt – the evidence was clearly outlined in the bullet points on my laptop.

Central to autism is a difficulty experiencing life in real time. Many autistic people can’t filter out information, which makes it difficult to zone in and focus. All those years, I couldn’t read people’s cues because I struggled to cancel out the world around me. At my sister’s house, the background music, the forks scraping on plates, the blue walls, all swam in front of people’s facial expressions.

But in the private rooms at the club, there were no outside stimuli. The rules were clear, the distractions minimal, so I could focus and interact.

Women in the ADHD forum invited me to the group for autistic women and there I saw myself a hundred times over. Scrolling through were women like me: sex workers, performers, artists, writers, all struggling to make sense of our invisible differences in our own socially awkward, wacky, and beautiful way.

I gradually pulled the blame away from myself and labeled the things about me that were naturally different, not defective. I stopped punishing myself when I got overwhelmed in conversations, stopped beating myself up when bright lights blanched out facial expressions and background noise canceled out people’s words. I took a deep breath and resisted pretending to listen and asked: “Can you say that again?” without apology. I forgave myself when I slipped outside of social norms and said something weird.

No more being sorry for things I can’t help. People would love me or not – frankly I was okay with the risk.

* * *

A few months later, I stood outside the club with a cigarette in my hand, looking over the busy highway at the deserted factories.

“Piper, you leaving?” my bouncer nudged in his Queens accent.

“Yes. I made enough tonight. I’m going out,” I said, smiling back at him.

He waited outside with me until Sarah pulled up in a rideshare.

“This is where you work?” she asked incredulously, her mouth ajar in the window of the car.

I laughed. She knew I was a stripper but had never been to the club. From the outside, it looked grim: tattered brown building on the edge of town. But it was home to me.

“I never said stripping was glamorous.”

I kept the window open as the club disappeared, letting the cold air whip my face, feeling a mixture of relief and excitement. Forums for autistic women advised pulling off masks that many develop to pass as non-autistic. The effects of camouflaging are toxic, they warned. I wasn’t sure I could go back to who I was. The rambling autistic girl at my sister’s house was dead, buried under years of performance.

“Did you have a good night?” Sarah asked.

“Yeah. I’m ready for a night off though.”

Who could I have been if I didn’t try so hard to pass? I’ll never know, but stripping provided a portal to who I might be without fear of rejection – a rare glimpse of the affectionate, brash, and funky edges of personality. But I still had so much to learn. There was vast, dormant space to grow into beyond my work persona.

The twinkling lights opened the doors to Manhattan, my body still moving from the music of the club. The possibilities of the night unrolled in front of me and I intended to savor them.

Hidden History

The Hidden Queer History Behind “A League of Their Own”

The All-American Girls Professional Baseball League did everything it could to keep lesbians off the diamond. Seventy-five years later, its gay stars are finally opening up.

Josephine “JoJo” D’Angelo was in a hotel lobby in 1944. An outfielder for the South Bend Blue Sox — a team in the All-American Girls Professional Baseball League (A.A.G.P.B.L.), founded the year prior — she had dark, curly hair. Even if you didn’t know her last name, her looks hinted at her Italian heritage.

The hotel was likely decorated with muted colors in the modernist style of the previous decade. Thanks to World War II, there were supply shortages and rations, which put a hold on new design in the early ’40s. All available supplies needed to go toward the war effort.

The story was similar in baseball. With most of the Major League Baseball players deployed, executives decided to fill the gap with female players, paving the way for the A.A.G.P.B.L.

But in the hotel that day, D’Angelo was approached by one league executive and told that she was being released from her contract. This was devastating for the right-hander who’d batted .200 in her two seasons with the Blue Sox. She’d been playing since she was a little girl, and had spent her days working in a steel mill in her hometown of Chicago while devoting evenings to playing ball, before attending a tryout for the league at Wrigley Field. That scene was made famous by the film “A League of Their Own,” with hundreds of women traveling from around the country to the brick ballpark with the ivy-covered outfield wall.

Why was D’Angelo being cut from the thing she loved most in the world? When she told the story later in her life, she gave the reason: “a butchy haircut.” It was a haircut she says she never even wanted, one she was pressured into getting by the hairstylist who assured her she would look lovely with her dark curls trimmed into a bob.

D’Angelo had broken one of the cardinal rules of the A.A.G.P.B.L.: “Play like a man, look like a lady.” But she wasn’t the only one. Connie Wisniewski was told she’d be kicked off her team if she chose to get a close-trimmed cut. Multiple recruits were immediately handed tickets home after they showed up to spring training with bobs, and “Dottie Ferguson was warned by her chaperon against wearing girls’ Oxford shoes, because they were excessively masculine-looking,” writes Lois Browne in her book Girls of Summer: In Their Own League.

Members of the Fort Wayne Daisies baseball team, 1948. (Photo courtesy State Archives of Florida)

Players had to attend charm school and wear lipstick on the field. Their uniforms had skirts instead of pants — not great for sliding, but deemed appropriately feminine by league owner Philip K. Wrigley. All of this was chronicled in “A League of Their Own.” But there was one thing the movie left out: the reason for these requirements.

Though it was never explicitly stated, historians and players alike say the rules were in place, in part, to prevent the women from being perceived as lesbians. Many of the women actually were gay, including D’Angelo, which is another part of the story the movie didn’t tell. By not including a gay character’s story in “A League of Their Own,” the film does to the history of the league what the owners tried to do its existence — erase lesbians from the narrative.

* * *

When Terry Donahue met Pat Henschel in 1947, Donahue was a 22-year-old catcher and utility infielder in the All-American Girls Professional Baseball League. She grew up playing ball with her younger brother, Tom, on their family’s farm in Saskatchewan, Canada. “She claimed that she was five-foot-two. She was about five-foot,” Henschel tells me over the phone from the home she shares with Donahue. “She had dark hair, blue eyes, and was very attractive, and she was wonderfully liked.”

Donahue was in Nova Scotia for the winter when she met Henschel, who was 19 at the time. The two women hit it off, keeping in touch when Donahue moved back to the U.S. to play for the Peoria Red Wings. “She was a utility player, and the catcher on her team broke her thumb or her finger,” Henschel says. “The manager came up to her and said, ‘Have you ever caught?’ And Terry said, ‘no.’ He said, ‘Well, you’re going in tonight.’” The first game Donahue ever caught ended up being a 19-inning game. The next day was her birthday.

“The only things [women] can’t do, we can’t hit as far and we can’t throw as hard, but we certainly can make all the plays that you see in the Cubs’ ballpark. Or the Sox,” Donahue told the Kane County Chronicle in 2010, referring to the Cubs and White Sox, Chicago’s two major-league squads.

Left, Terry Donahue’s baseball card. Right, Peoria Redwings team photo in 1947 – the year she met Pat Henschel. Donahue played in the team from 1946 to 1949. (Photos courtesy All American Girls Professional Baseball League Players Association)

Today, Donahue, who has Parkinson’s disease, is 92. Henschel is 89. For seven decades the two told almost everyone, aside from their inner circle, that they were best friends. The Chronicle story calls Henschel Donahue’s “cousin and roommate.” But the truth was much more than that. For 70 years theirs has been a love story, originating in a time when the only love stories we were allowed to tell were those between a man and a woman. Try to ask most former players about the issue and they clam up. “I don’t think it was really even talked about, frankly,” Henschel says.

In the ’40s and ’50s, homosexuality was not discussed much; it wasn’t until 1973 that the American Psychiatric Association removed it from the list of mental illnesses. The players could have lost more than just their baseball careers if they had been open about their queerness. They could have lost their families, occupations, and reputations, too. In those days, “you had to be very discreet, and we were,” says Henschel. “No one was even aware of it because we got so careful and no one would have even imagined anything at all.”

That stigma has carried on for decades. As Ila Borders, the first woman to play for a men’s professional baseball team since the Negro Leagues, wrote in her memoir, Making My Pitch, “I remain certain that my professional career would not have been possible had I come out.” In 1994, Borders, a left-handed pitcher, became the first woman to receive a college baseball scholarship. She was the first to start an N.C.A.A. baseball game and the first woman to get a win in collegiate baseball. She then played for the independent, otherwise all-male St. Paul Saints and Duluth-Superior Dukes.

“In 1994 few in baseball — or in the country — were ready to accept a gay player, male or female,” writes Borders. Indeed, that same year, the book SportsDykes: Stories From On and Off the Field was also published. In her essay, “The Lesbian Label Haunts Women Athletes,” Lynn Rosellini writes, “To most lesbian athletes … coming out is not yet worth it.”

“If a woman plays hardball, people figure she’s likely gay,” writes Borders. It’s why, during her baseball career, she constantly had to answer questions about whether she dated men, and had to reassure the public that, despite the fact that she played ball, she was not gay. She understands today that talking about being a gay athlete is a double-edged sword, in a way. There’s the stereotype that women athletes are all lesbians, which is both inaccurate and unfair. And yet, there’s also the truth that there are many athletes who are also lesbians.

“I was deeply ignorant of my small place in the history of women athletes and the whole gay rights movement,” Borders writes of her playing days as a closeted homosexual.

But this stereotype existed long before Borders was even born. Some A.A.G.P.B.L. players cited masculine clothing or appearances as tipping them off about a woman’s sexual orientation, a stereotype that still exists today and may or may not be accurate. “The lesbians, they dressed like men with those big pants and big shoes, most of them. … [T]hey had boyish bobs,” Dottie Green, a former A.A.G.P.B.L. player and chaperone told Susan K. Cahn in her book Coming on Strong: Gender and Sexuality in Twentieth Century Sports. Or, as Dottie Ferguson Key put it, “tomboyish girls” who “wanted to go with other girls” signaled it with their “mannish” shoes and clothing.

A.A.G.P.B.L. players (left to right) Daisy Junor, 27, South Bend; Dorice Reid, 19, Chicago club member; Dodie Healy, 19, Chicago club member; (top) Gene George, 20, Peoria club member, fraternizing in a bunk room over a sports magazine, 1948. (Photo courtesy State Archives of Florida)

It was this perception of female athletes as unfeminine and unfeminine women as lesbians that led Wrigley, a chewing gum manufacturer and president of the Chicago Cubs, to insist that his players be appropriately feminine in appearance.

But the A.A.G.P.B.L. went even further than that, instituting a policy against fraternizing with other teams. The given reason was “to sustain the complete spirit of rivalry between clubs,” but Browne writes that the real reason that teams imposed stiff fines on players who violated this rule was the fear of lesbianism. When the affair was between teammates, chaperones would refuse to let the suspected couple room together and gauge the reaction of the players to confirm their hunch. In one case, the suspected lovers were so angry about being barred from becoming roommates that team manager Johnny Gottselig considered it proof of the affair. One manager released two of his players because he thought they were gay and was worried they would “contaminate” the rest of the team.

In another case, a married player was rumored to have fallen for one of her teammates. “That player converted this young married woman in just two weeks,” said Fred Leo, who was the League’s publicity director and, later, its president. Another time, Leo said that a married player was discovered to be in a relationship with a woman who was unassociated with the league. Leo claimed he notified her husband, who came and took her home.

“Knowledge of gay women in sport ranged from a hazy, unarticulated awareness to an informed familiarity or personal involvement,” writes Cahn. “Often an athlete’s initial awareness of lesbianism developed from seeing women ‘pairing off’ or getting ‘very clannish’ with each other.”

However, many of the players came to the league quite sheltered. They often arrived from small towns or rural areas and were quite young when they left home. As a result, it was not uncommon for new or younger players to be completely blindsided by the relationships between their teammates. Dorothy Hunter entered the League in 1943, when she was 27. Hunter, who was from Winnipeg, Canada, said she had “never heard of lesbianism,” so her teammates regaled her with tales of lesbian love affairs. “They told me they had wedding ceremonies. Well, I just thought they were giving me the gears because I was a green Canadian.”

But many of the players were unattached. If straight players were married, many of their husbands were off at war or were left back at home on farms or in factories. The players’ grueling schedule and constant travel made dating difficult. It was in many ways the perfect environment for gay women to become involved with each other. But in some cases, the near-inability to date was a welcome reality. It made staying in the closet easier, because there was no time for dating and so there was no need to make excuses. This was something that Borders discovered, too, when she was playing ball in the 1990s.

“Playing baseball allowed little time for dating,” she writes. “When people tried to set me up, it was easy to say, ‘No thanks, too busy.’”

These restrictions kept some women out of the league altogether. One of those women was Dot Wilkinson, often regarded as the greatest softball player of her time — and perhaps all time. Wilkinson was a hard-playing catcher for the Phoenix Ramblers. She joined the American Softball Association (A.S.A.) team in 1933, when she was just 11 years old.

“Softball has meant more to me than I can ever tell anybody,” Wilkinson says in the documentary film “Extra Innings.” “I love that game. I never thought about anything else.”

Wilkinson was recruited to play in the A.A.G.P.B.L. “They came to Arizona to offer us some contracts,” Wilkinson said. “They wanted to give me $85 a week [equivalent to $1,240 today] to catch. I didn’t want to leave the Ramblers and I don’t like being away from home so I didn’t go.”

But it was more than that. Wilkinson didn’t want any part of the curfews, the charm school, the chaperones, or the mandatory dresses. She played in Levi’s or her shiny satin uniform shorts, and she liked it that way. She also knew that the league was actively discouraging players from being perceived as exactly what Wilkinson was — gay.

“Softball was my first love and it still is,” said Wilkinson. But she had another love, too. In 1963, Estelle “Ricki” Caito, a star second baseman, joined the Ramblers. Wilkinson and Caito played together for two seasons, until the A.S.A. disbanded. But they also began a relationship that would last 48 years, until Caito’s death in 2011.

“We were born at a time when we were all in the closet and that was just the name of the game,” Wilkinson said. “And you had to live with it and that’s what we did.”

* * *

It is the obituaries that offer the most publicly available clues to some of the players who spent their lives with other women. The most telling evidence is often in veiled language or titles that are open to interpretation. In at least one case, a player had a “special friend.” In others, their relationships are more explicitly acknowledged.

Mabel Holle played third base for the South Bend Blue Sox, and like teammate JoJo D’Angelo hailed from Illinois. Holle’s father was a semi-professional pitcher and she grew up playing ball with her siblings. She attended the mass tryout at Wrigley Field, becoming one of the original members of the league in 1943. During the season, she was traded to the Kenosha Comets. Her contract was not renewed in 1944, forcing her to try out again. This time, she didn’t make the cut. After leaving the league, she became a physical education teacher. In Holle’s 2011 obituary, written after she died at 91, there’s this: “Holle is survived by her longtime partner, Linda Hoffman.”

Babe Ruth and Millie Deegan, 1938. (Photo courtesy The Diamond Angle, via Archive Today)

Mildred “Millie” Deegan played 10 seasons with the A.A.G.P.B.L., from 1943-1952. She is rumored to have impressed Babe Ruth with how far she could hit a softball, and it is said he squeezed the biceps on her arm when he posed with her for a photo. In 1944 the Brooklyn Dodgers invited Deegan and two other women to their spring training camp. Leo Durocher, the Dodgers manager, told the Daily Oklahoma in 1946, “Deegan spent a whole week training with the Brooklyn Dodgers at their Bear Mountain, NY camp. If she were a man, she no doubt would have been a Dodger.”

Deegan died of breast cancer in 2002 at the age of 82. Her obituary in the New York Times mentions Margaret Nusse, “Ms. Deegan’s companion and her only survivor.” Nusse, known as “Toots,” was a softball legend herself. According to the now-defunct NJ Divas Fastpitch site, Deegan and Nusse were partners for almost 50 years. The two shared their passion for softball: Deegan was the coach for the Linden, New Jersey, Arians and Nusse was the manager. Nusse passed away just six months after Deegan died, at age 85.

June Peppas was a pitcher and first baseman from Fort Wayne, Indiana, who played in the A.A.G.P.B.L. from 1948-1954. The player known as “Lefty” had spunk. Fort Wayne Daisies manager Harold Greiner relates a story in Browne’s book Girls of Summer: “Once there were some men out in the street, and some smart aleck said something. I didn’t hear what it was, they’d watched till I wasn’t nearby. Anyway, all of a sudden I hear ‘Wow!’ I turned around and saw that June Peppas had decked the guy — and I mean she really decked him. He crawled away.”

The A.A.G.P.B.L. meant a lot to Peppas. She was the first chairperson of the Players Association Board and two-time A.A.G.P.B.L. All-Star. Polly Huitt was Peppas’s partner for 46 years before she passed in 2007, nine years before Peppas died at the age of 86. The two operated a printing business in Allegan, Michigan, called PJ’s Printing, from 1975-1988. They sold the business and retired to Florida where, according to Peppas’s obituary, they enjoyed “golf and an active social life.”

Fort Wayne Daisies player Marie Wegman arguing with umpire Norris Ward, 1948. (Photo courtesy State Archives of Florida)

One of the best pitchers to ever play in the A.A.G.P.B.L. was Jean Cione. The girl from Rockford, Illinois, played 10 seasons in the league. In that time she threw three no hitters, had three 20-win seasons, and had an unassisted triple play — something that has only happened 15 times in Major League Baseball since 1909. Cione spent her rookie year in 1947 with the Rockford Peaches and finished with an astonishing 1.30 ERA. “She was a lot fun to be with,” Cione’s partner Ginny Hunt told the Bozeman Daily Chronicle after her death in 2010. “If you didn’t ever experience watching a baseball game with her, you really missed something. It was a treat to watch a game with her. She analyzed every play.”

Catcher Eunice Taylor and her partner of 45 years, Diana Walega, owned and operated a pet supply store for 40 years. Outfielder Barbara Sowers was with her “loving companion” Shirley Ann Weaver for 45 years. And there are many more, players with “longtime,” “beloved companions,” whose names I have chosen not to include here out of respect for the fact that they were likely still closeted during their lives. Their obituaries, which are historical documents, offer us glimpses into their lives and are open for us to interpret.

* * *

“Our relationship is one of the best,” Pat Henschel says of her partnership with Terry Donahue. “We’re very lucky and we know it.”

Photos of the women throughout the years give a glimpse of the life they’ve had together. In their younger days, they look like they could be sisters as they pose in front of a Christmas tree in a picture that might have been taken in the 1960s. They each sport short, dark hairstyles and wear sleeveless turtleneck shirts. In another, they are perhaps in their 60s and they dance together in front of a fireplace. They are both laughing. Their hairstyles have not changed in the decades between the two photos except to turn from brown to gray.

Members of the All-American Girls Professional Baseball League and an umpire, 1948. (Photo courtesy State Archives of Florida)

They are ready to tell the world the truth about their relationship. Donahue’s great nephew, Christopher Bolan, is working on a documentary about their life together. Another photo shows the two of them doing what they had only ever done behind closed doors: they hold hands, weathered and wrinkled by the years they’ve spent together, and they kiss each other on the lips. Their eyes are closed. It is sweet. It is intimate. But they hid this truth for as long as they did because, for most of their lives, they had too much to lose by coming out.

But today, Henschel says, “They either accept it or they don’t.”

* * *

Fifty years after the All-American Girls Professional Baseball League ended, Ila Borders was making history. She had ascended to a level that no woman ever had before. She was playing — and succeeding — in men’s professional baseball. And then, she quit.

We are sitting together in the stands at JetBlue Park, the Red Sox’s spring training facility in Fort Myers, Florida. We’re watching a group of women play the championship game at the team’s Women’s Fantasy Camp, where Borders is coaching. “It got to me,” Borders says about being in the closet. “It’s why I quit. It’s the worst thing on Earth to hide who you are.”

That, Borders says, is why she ultimately came out — for the next generation of girls who want to play ball, so they can be themselves, no matter who they are, and so history doesn’t have to repeat itself.

Borders looks out onto the field of women whose uniforms are streaked with dirt. “If you are a ballplayer, it’s O.K. to play hard and just be yourself,” she says. And she’s finally at a place in her life where she truly believes it.

Memoir

The Day My Therapist Dared Me to Have Sex With Her

My analyst and I grew more intimately connected each week of treatment...but I never saw this indecent proposal coming.

It’s the waning moments of my fourth session with a new therapist. I’m holding back — and she knows it. My entire body feels tense, not ideal for the setting. I try to relax, but the plush leather couch crumples under me when I shift, making the movements extraordinary. I’ve barely looked into my therapist’s blue eyes at all, and yet I think the hour has gone very well. Of course it has. On the surface, when the patient has been highly selective of the discussion topics, therapy always resembles a friendly get-together.

“Well,” my therapist, Lori, says, the millisecond after I become certain our time is up and I might be in the clear. “I don’t think I should let you go until we’ve at least touched on what was put out there at the end of last week’s session.”

I so supremely wanted this not to come up. My eyelids tighten, my mouth puckers to the left, and my head tilts, as though I’m asking her to clarify.

“When you said you’re attracted to me,” she continues.

“Oh, yeah,” I say. “That.”

Back in session three Lori was trying to build my self-esteem, the lack of which is one of the reasons I’m in treatment. Within the confines of my family, I’ve always been the biggest target of ridicule. We all throw verbal darts around as though we’re engaged in a massive, drunken tournament at a bar, but the most poisonous ones seem to hit me the most often, admittedly somewhat a consequence of my own sensitivity. I’ve been told it was historically all part of an effort to toughen me up, but instead I was filled with towering doubts about my own worth. And since 2012, when I gave up a stable, tenured teaching career for the wildly inconsistent life of a freelance writer, I’ve had great difficulty trusting my own instincts and capabilities. I told Lori that I wish I was better at dealing with life’s daily struggles instead of constantly wondering if I’ll be able to wade through the thick.

She quickly and convincingly pointed out that I work rather hard and am, ultimately, paying my bills on time, that I have friends, an appreciation for arts and culture, and so on. In short, I am, in fact, strong, responsible and “pretty good at life.”

Then Lori heightened the discussion a bit. “I also feel that it is your sensitivity that makes you a great catch out there in the dating world,” she said, to which I involuntarily smiled, blushed and quickly buried my chin in my chest. I was too insecure and too single to handle such a compliment from a beautiful woman.

“Why are you reacting that way?” Lori asked.

I shrugged my shoulders, only half looking up.

“Is it because you’re attracted to me?”

I laughed a little, uncomfortably. “How did you know?”

She gently explained she could tell the day I walked into her office for the first time, after I flashed a bright smile and casually asked where she was from.

Now, a week after dropping that bomb, Lori asks, “So, why haven’t we talked about it?”

“I was hoping to avoid it, I suppose.” I tell her the whole notion of having the hots for a therapist is such a sizable cliché that I was embarrassed to admit it. “For Christ’s sake,” I say, throwing my hands up, “Tony Soprano even fell in love with his therapist.”

Lori snorts, rolls her eyes. “I knew you were going to say that.”

I smile, shake my head and look around the room, denying acceptance of my own ridiculous reality.

“It’s OK,” Lori says, grinning. “We can talk about this in here.”

I look again at her stark blue eyes, prevalent under dark brown bangs, the rest of her hair reaching the top of her chest, which is hugged nicely by a fitted white tee under an open button-down. She jogs often, I’d come to find out, which explains her petite figure and ability to probably pull off just about any outfit of her choosing.

I still can’t speak, so she takes over.

“Do you think you’re the first client that’s been attracted to their therapist?” she asks rhetorically. “I’ve had other clients openly discuss their feelings, even their sexual fantasies involving me.”

“What?” I cackle, beginning to feel as though I’ve moseyed onto the set of a porno.

“It’s true,” she says, acknowledging her desk. “What’s yours? Do you bend me over and take me from behind?”

Nailed it.

“If that’s what you’re thinking, it’s OK,” she goes on, earnestly, explaining that she’s discussed sexual scenarios with her clients before so as to “normalize” the behavior and not have them feel their own thoughts are unnatural. By showing the patient a level of acceptance, she hopes to facilitate a more comfortable atmosphere for “the work” — her painfully accurate pseudonym for psychotherapy.

I take a second to let the red flow out of my face, and ponder what she said. I’m a little unsure about this whole technique, but the more I think about it, the more it makes sense. So I go home, incredibly turned on and completely unashamed.

* * *

One of the great breakthroughs I’ve had in the thirteen months since I began seeing Lori (who agreed to participate in this article, but requested that her full name not be published) is a new ability to accept the existence of dualities in life. For instance, I’ve always had a tremendous sense of pride that, if it doesn’t straddle the line of arrogance, certainly dives into that hemisphere from time to time. I’m great at seeing flaws in others and propping myself up above them by smugly observing my character strengths. I’ve never liked that about myself, but the harder concept to grasp is the fact that I can be so egotistical while also stricken with such vast quantities of insecurity.

In treatment I came to realize that all people have contradictions to their personalities. There’s the insanely smart guy who can’t remotely begin to navigate a common social situation, the charitable girl who devotes all her time to helping strangers, but won’t confront issues in her own personal relationships. In my case, my extreme sensitivity can make me feel fabulous about the aspects of myself that I somehow know are good (my artistic tastes) and cause deep hatred of those traits I happen to loathe (the thirty pounds I could stand to lose).

My next session with Lori is productive. We speak about relationships I’ve formed with friends and lovers, and how my family may have informed those interactions. One constant is that I put crudely high expectations on others, mirroring those thrown upon me as a kid. I’m angered when people don’t meet those expectations, and absolutely devastated when I don’t reach them. Lori points out that it must be “exhausting trying to be so perfect all the time.” I am much more comfortable than I was the week prior, and can feel myself being more candid. I’m relieved that the whole being-attracted-to-my-therapist thing doesn’t come up.

Then, a week later, Lori mentions it, and I become tense again.

“I thought I’d be able to move past it,” I say, adding, “We aired it out, and it’s fine.”

As definitive as I’m trying to sound, Lori is just as defiant.

“I’m glad you feel that way,” she begins, “but I think you owe yourself some kudos. This kind of therapy,” she shares, “isn’t something just anyone can take on.” Such honest discussion doesn’t simply happen, it takes tremendous guts, and Lori can see that I am dealing with it relatively well, so I should praise my own efforts.

“Shit, we both should be proud of ourselves,” she says. “It’s not easy on the therapist either, you know.”

“Why not?”

“Because talking openly about sex is risky at any time, much less with a client.” She explains that therapists are warned any semblance of intimacy can be easily misconstrued. “We learn in our training to not personally disclose, for example,” she says, but adds that, occasionally, transparency can be helpful.

“Still, with you,” she continues, “until I raised the question, I didn’t know for sure that you would go with it; for all I knew you’d run out of here and never come back to risk being so uncomfortable again.”

She’s building my confidence more, and I’m learning that I play a much bigger role in how my life is conducted than I often realize. My treatment wouldn’t be happening if I weren’t enabling it.

Then she says, “And don’t think it’s not nice for me to hear that a guy like you thinks I’m beautiful.”

Crippled by the eroticism of the moment, and combined with the prevailing notion that no woman this stunning could ever be romantically interested in me, I flounder through words that resemble, “Wait…what?”

“If we were somehow at a bar together, and you came over and talked to me,” she says, then flips her palms up innocently, “who knows?”

I laugh again and tell her there’d be almost no chance of me approaching her because I’d never feel like I had a shot in hell.

“Well, that’s not the circumstances we’re in,” she says. “But you might. Who knows?”

I’m confused — Is she really attracted to me or is this some psychotherapeutic ruse? I’m frustrated — I told her I didn’t really want to talk about it. Shouldn’t she be more sensitive to my wants here? I’m angry — Is she getting an ego boost out of this? Most of all, I don’t know what the next step is — Am I about to experience the hottest thing that’s ever happened to a straight male since the vagina was invented?

There were two ways to find out:

1) Discontinue the therapy, wait for her outside her office every day, follow her to a hypothetical happy hour and ask her out, or

2) Keep going to therapy.

* * *

A week later, I’m physically in the meeting room with Lori, but mentally I haven’t left the recesses of my mind.

“Where are you today?” she asks, probably noticing my eyes roving around the room.

“I don’t know.”

“Are you still grappling with the sexual tension between us?”

Here we go again.

“Yes,” I say, with a bit of an edge in my voice, “and I don’t know what to do about it.”

Lori, ever intently, peers into my eyes, wrinkles her mouth and slightly shakes her head.

“Do you want to have sex with me?” she asks.

We both know the answer to that question. All I can do is stare back.

“Let’s have sex,” she announces. “Right here, right now.”

“What?” I respond, flustered.

“Let’s go!” she says a little louder, opening up her arms and looking around as if to say the office is now our playground, and, oh, the rollicking fun we’d have mixing bodily fluids.

“No,” I tell her, “You don’t mean that.”

“What if I do?” she shoots back. “Would you have sex with me, now, in this office?”

“Of course not.”

“Why ‘of course not’? How do I know for sure that you won’t take me if I offer myself to you?”

“I wouldn’t do that.”

“That’s what I thought,” she says, and tension in the room decomposes. “Mike, I don’t feel that you would do something that you think is truly not in our best interest, which is exactly why I just gave you the choice.”

Her offer was a lesson in empowerment, helping me prove that I have an innate ability to make the right choices, even if I’d so desperately prefer to make the wrong one.

I see what she means. I’m awfully proud of myself, and it’s OK to be in this instance. I’m gaining trust in myself, and confidence to boot. But, as the dualities of life dictate, I’m successfully doing “the work” with a daring therapist, while at the same time not entirely convinced she isn’t in need of an ethical scrubbing.

* * *

I don’t have another session with Lori for nearly three months, because she took a personal leave from her place of employment. When our sessions finally resumed, I could not wait to tell her about my budding relationship with Shauna.

Ten minutes into my first date with Shauna — right about the time she got up from her bar stool and said she was “going to the can” — I knew she would, at the very least, be someone I was going to invest significant time in. She was as easy to talk to as any girl I’d ever been with, and I found myself at ease. Plans happened magically without anxiety-inducing, twenty-four-hour waits between texts. Her quick wit kept me entertained, and I could tell by the way she so seriously spoke about dancing, her chosen profession, that she is passionate about the art form and mighty talented too. Shauna is beautiful, with flawless hazel eyes and straight dark hair, spunky bangs and a bob that matches her always-upbeat character. She is a snazzy dresser and enjoys a glass of whiskey with a side of fried pickles and good conversation as much as I do.

Things escalated quickly, but very comfortably, and since we’d both been in our fair share of relationships, we knew the true power of honesty and openness. So upon the precipice of my return to therapy I told Shauna about Lori, and admitted to having mixed feelings about what I was getting back into. I told her I was at least moderately uncertain if my mental health was Lori’s number-one concern since she always seemed to find the time to mention my attraction to her.

The first two sessions of my therapeutic reboot had gone great. Lori appeared genuinely thrilled that I was dating Shauna and could see how happy I was. I wasn’t overwhelmed with sexual tension in the new meeting room, though it wasn’t actually spoken about, and in the back of my mind I knew it was just a matter of time before it would start to affect my ability to disclose my thoughts to Lori again.

Then, while attempting to ingratiate myself with my new girlfriend’s cat by spooning food onto his tiny dish on the kitchen floor, I hear my phone ding from inside the living room.

“You got a text, babe,” Shauna says. “It’s from Lori.”

“‘I’m so impressed with you and the work you’re doing…’” Shauna reads off my phone from inside the living room, inquisitively, and not happily. I stuff the cat food back into the Tupperware and toss it into the refrigerator. I make my way into the living room, angry at myself for not changing the settings on my new iPhone to disallow text previews on the locked screen. Shauna’s walking too, and we meet near the kitchen door. “What’s this?” she says, holding up the phone. “Your therapist texts you?”

I take the phone from Shauna and say the most obvious, cliché-sounding thing: “It’s not what it seems.”

As I text back a curt “thanks,” Shauna tells me she’s going to ask her sister, a therapist herself, if it’s OK to text patients.

“Don’t do that.” I say, a little more emphatically. “I promise, this is nothing to be worried about. We’re not doing anything wrong.” I explain that Lori’s just trying to build my self-esteem.

“The only reason I’m even bringing this up is because you said you weren’t sure about her in the first place,” Shauna reminds me. I can tell she regrets looking at my phone without my permission, but I completely understand her feelings.

At my next session I tell Lori that Shauna saw her text and wasn’t thrilled about it.

“She probably feels cheated on to some degree,” Lori says. “A relationship between a therapist and a patient can oftentimes seem much more intimate than the one between a romantic couple.”

Lori goes on to point out that the reason she feels we can exchange texts, blurring the lines between patient/doctor boundaries — a hot topic in the psychotherapy world these days — is because she trusts that I’ll respect her space and privacy. “You’ve proven that much to me,” she says.

On my walk home, instead of being angry at Lori, I understand her thinking behind the text. But I’m also nervous about how Lori and Shauna can ever coexist in my life.

Isn’t therapy supposed to ameliorate my anxiety?

* * *

A week later, Lori begins our session by handing me a printout explaining the psychotherapeutic term “erotic transference” written by Raymond Lloyd Richmond, PhD. It says that erotic transference is the patient’s sense that love is being exchanged between him or herself and the therapist — the exact sensation I was experiencing with Lori, of which she was astutely aware.

According to Richmond, one of the primary reasons people seek therapy is because “something was lacking in their childhood family life,” perhaps “unconditional nurturing guidance and protection.” Upon feeling “noticed” and “understood” by a qualified therapist, sometimes a patient can be “intoxicated” by their therapist’s approval of them. A patient may in turn contemplate that a love is blossoming between them, and, in fact, it sort of is.

From an ethical standpoint, Richmond argues all therapists are “bound” to love their patients, for therapists are committed to willing “the good of all clients by ensuring that all actions within psychotherapy serve the client’s need to overcome the symptoms” which brought them into treatment. This takes genuine care and acceptance on their part. However, a patient can easily confuse the love they feel with simple “desire.” They’re not quite in love with their therapist, so much as they yearn for acceptance from someone, and in those sessions they just happen to be receiving it from their doctor.

Lori tells me that, all along, she has been “working with what I gave her” and that because I flirted with her a bit, she used that to her advantage in the treatment. In employing countertransference — indicating that she had feelings for me — she was keeping me from feeling rejected and despising my own thoughts and urges.

“There’s two people alone in a room together, and if they’re two attractive people, why wouldn’t they be attracted to each other?” says Dr. Galit Atlas. A psychoanalyst who’s had her own private practice for fifteen years, Dr. Atlas has an upcoming book titled The Enigma of Desire: Sex, Longing and Belonging in Psychoanalysis, and I sought her as an independent source for this essay to help me understand Lori’s therapeutic strategies.

Dr. Atlas explains that there are certain boundaries that cannot be crossed between therapist and patient under any circumstances — like having sex with them, obviously. But many other relationship borders can be mapped out depending on the comfort level of the therapist, as long as they stay within the scope of the profession’s ethics, which complicates the discussion surrounding erotic transference.

“As a therapist, I have a role,” Dr. Atlas says. “My role is to protect you.” She says it is incumbent on the therapist to not exploit the patient for the therapist’s own good, but admits that the presence of erotic transference in therapy brings about many challenges. “[Attraction] is part of the human condition,” she observes. In therapy, “the question then is: What do you do with that? Do you deny it? Do you talk about it? How do you talk about it without seducing the patient and with keeping your professional ability to think and to reflect?”

I ask her about the benefits of exploring intimacy in therapy, and Dr. Atlas quickly points out that emotional intimacy — though not necessarily that of the sexual brand — is almost inevitable and required. “An intimate relationship with a therapist can [be] a reparative experience — repairing childhood wounds — but mostly it’s about helping the patient to experience and tolerate emotional intimacy, analyzing the client’s anxieties about being vulnerable and every mechanism one uses in order to avoid being exposed.”

Dr. Atlas says this topic speaks to every facet of the therapeutic relationship, regardless of gender or even sexual orientation, because intimacy reveals emotional baggage that both the patient and therapist carry with them into the session. But this isn’t a symmetrical relationship, and the therapist is the one who holds the responsibility.

“Freud said that a healthy person should be able to work and to love,” she says. “In some ways therapy practices both, and in order to change the patient will have to be known by the therapist. That is intimacy. In order to be able to be vulnerable, both parties have to feel safe.”

After I briefly explain all that has gone on between me and Lori, Dr. Atlas steadfastly says she does not want to judge too harshly why and how everything came to pass in my therapy. “I don’t know your therapist, and I don’t know your history,” she says. But she offers that I should “explore the possibility” that I might have created and admitted my sexual adoration of Lori because one of my fears is to be ignored, not noticed.

Then I offer: “Maybe this essay is being written for the same reason.”

“Exactly.”

Maybe I wanted to interview Lori about erotic transference in my therapy sessions for that same reason as well…to stand out as the most amazingly understanding patient ever.

* * *

“I want to be very clear that this was never about feeding my own ego,” Lori says about her approach to my treatment. “We were always doing this in your best interest.”

I’m in Lori’s office, a tape recorder rolling and a pad and pen in my hands.

“I felt I was doing a disservice to you if I didn’t ‘out’ what I felt was weighing on us, which, honestly, felt like a heavy secret,” she says, pointing out that she discussed my therapeutic process for many hours in her required supervision meetings.

In order for Lori to advance in her field as a social worker, she has to attend 3,000 conference hours with another professional to go over casework — kind of like therapy quality control.

We talk about all of this during one of my scheduled sessions, for the entire hour — and go over by a few minutes, too.

Lori says that when she began her career as a social worker, she decided she wasn’t going to shy away from any subjects. “It’s typical for a client to [have] a habitual desire to sweep things under the rug,” she observes, especially about taboo topics. It can become a cycle of behavior that Lori seeks to break.

I refer back to the time when, unprovoked, she brought up my attraction to her.

She says she mentioned it to avoid what therapists call “door-knobbing,” which is when a patient will purposely mention some huge reveal right at the end of a session so as to sidestep a lengthy conversation about it.

“My only question for you is, was I wrong for bringing it up?” she asks. “Only you can answer that.”

Lori’s great at forcing me to reflect.

“I guess when I said I was over it and could move on, that was an example of my strict black-and-white thinking,” I say, throwing back some language she’s used often to describe my challenge in accepting dualities. In my mind, I was either attracted to her and shouldn’t see her anymore, or I wasn’t attracted to her and could still have her be my therapist. There was no in between.

I realize now that she wasn’t wrong for mentioning my feelings for her, even when I didn’t want her to. Lori noticed that I was frustrated with myself and wanted me to know that an attraction to a therapist is so normal and happens so frequently that there are technical terms for it.

I turn my attention towards the presence of countertransference in our session. I’m trying to come up with an actual question here, but, really, I just want her to confirm her feelings for me are real. So I say, referring to her feelings, with a great degree of difficulty, “It’s funny that they seem genuine to this day.”

“They are genuine,” Lori says, adding a moment later: “I think it might be a good idea if we explore why our discussing it suggests a lack of authenticity.”

“It doesn’t, necessarily,” I begin, then stammer through a few sentences, worried I might offend her by implying she’s been dishonest. I finally settle on, “I guess it comes back to my self-esteem issues. Why would a beautiful woman think I’m attractive?”

Lying in bed with Shauna a few months into our relationship, I ask her what she thought about me the moment she first saw me. I’m fishing for a compliment. But we met on Tinder and I just hope that seeing me in person wasn’t some kind of letdown for her after swiping right on my hand-picked glamour shots. Obviously she isn’t going to say something so awful after having committed to me for so long. It’s a slam-dunk ego boost.

She says she liked the fact that I was wearing a blazer and a tie on a first date. She adds that I was a little shorter than she anticipated, but was content with the two of us at least being the same exact height.

“What did you think when you first saw me?” she asks, turning it around, naturally.

Staying committed to my honesty-at-all-costs policy, I say, “I thought you were really beautiful, but not to the point where I was intimidated by you, which was very important because if I was, you would have gotten a very unconfident version of me, and we probably wouldn’t have hit it off as well as we did.”

Shauna thinks about that for a second, and eventually nods “OK.”

I explain that my insecurity could often get the better of me in dating situations. It was easy to convince myself that I’d be rejected by the girl I was with, especially if I thought she was out of my league. I would then slip into a nervous and reserved state that isn’t at all reflective of my true self.

I’m essentially saying that I was so thrilled to not find Shauna so extraordinarily pretty that I couldn’t accept her being on a date with me. That thought made so much sense at the time I said it, but I’ve since come to realize it is as ridiculous as it is insulting. After ten months of being with Shauna, I’m still completely floored by her, on every level, including a physical one. It gives me great pride to walk into a room with her, and I don’t imagine that changing. Therefore, she actually did meet a confident “version of me.” The way people look doesn’t drastically change in ten months but a person’s perception of self can. It seems my emotional workouts in erotic transference were just beginning to produce results.

* * *

“People fuck up,” Lori informs me during one winter session. “Therapists have slept with clients before, just like politicians have had sex with their interns. But, so you have a full understanding of how this works, we can date.” She explains the parameters as outlined in the social worker’s code of ethics. One of the many stipulations is that we wouldn’t be able to see each other, under any circumstances, for at least two years before dating. She tells me she loves her job, and there’s no way she would ever sacrifice my safety or her career for anything, so she would strictly follow all the dictated rules. “If you truly want to date me, there is the option. But it’s ultimately up to you.”

I know what she’s doing here — putting the onus on me, just like last year when she said we could have sex. The difference this time is the answer I want to give is on par with all of my involuntary urges.

“I don’t want to stop the work we’re doing,” I say. “At this point, it’s far too valuable to me, and, really, I know very little about you.” She’s beautiful, exercises, is smart, funny, professional, enjoys good TV…and that’s about it. Aside from whether or not we’d even both be single in two years, and if we’d be in the correct mind frame to explore a relationship, there are several other things I’m considering here: Would Lori and I really be compatible in every way? Would she ever see me as a lover, a partner, an equal, and not a patient? Could I ever reveal a detail about myself, or even just a shitty day of work, without wondering if she was picking it apart and analyzing it?

Frankly, all those questions could be answered in the positive. But, even if I wasn’t in a happy relationship — Shauna makes this choice much easier, for sure — I wouldn’t go that route. I’d be out a therapist.

* * *

It’s a beautiful spring night in New York and only sidewalk seating will do. Shauna and I are out to dinner at a restaurant near her Queens apartment, and we’re both in good spirits. The weather and the alcohol consumption are partly to blame for that, but, on cue with the season’s change, I feel I’ve turned an emotional corner. Work payments that were past due are finally finding their way into my bank account. As it turns out, my short-term money troubles were not an indication that I had no business being a writer, or that my life changeup was as irresponsible as unprotected sex at fourteen years old.

I’d told Lori as much that afternoon. I took a mental step back from my current situation and realized that in spite of my recent hardships, I was succeeding. I summarize my session for Shauna, who nods in agreement, lovingly pointing out that she’s had the same challenging freelancer experiences as a dancer.

“You’re doing great, babe,” she says matter-of-factly.

“Thank you. That means a lot,” I respond. “I guess if I’m going to be a writer I just have to accept all this and have faith in myself. The way Lori put it was, ‘You just have to go all-in.’”

“Good,” Shauna says. “You should listen to the women in your life.”

* * *

Liked this story? Our editors did too, voting it one of our 20 best untold tales!

See the complete list of Editors’ Picks here. 

My Daughter Is Trapped Under Five Feet of Snow

In the remote mountains of Norway, a father claws himself out after an avalanche….then starts frantically searching for his daughter.

My Daughter Is Trapped Under Five Feet of Snow

In the remote mountains of Norway, a father claws himself out after an avalanche….then starts frantically searching for his daughter.

 

Narratively is thrilled to present the English-language debut of this interactive story, produced by Bergens Tidende newspaper.

Originally published in Norwegian, it was a viral hit and recently won the “Best Storytelling” prize in Scandinavia’s prestigious Schibsted Awards.

Memoir

That Time I Tried Topless House Cleaning

After years getting paid to bare my breasts at more clubs than I can count, when my funds hit an all-time low I pioneered a cleaner brand of sex work.

Topless Housecleaning + Lapdance
Gentlemen, do you need a good, clean tease after a hard day’s work? I’ll clean your house and give you a (1) lapdance
$100/hr – have your own cleaning supplies – no blocked numbers.

When I arrive at the house of the first viable person to respond to my Craigslist ad, I knock on the door and take a step back. He opens it right away. Jim or John, suddenly I can’t remember. He’s young to have such a nice mini-mansion with a swimming pool and younger than I normally like to deal with. I like his work jeans and dirty white t-shirt, though. They feel kind of homey.

I step in, a little flirty, but all-business to begin with. I get him to show me the whole house, which serves the double purpose of planning ahead for cleaning and making sure there’s no one else hiding, ready to pop out for a gang rape later. Just when the tour is complete my phone rings. It’s my security detail — Possum, the hillbilly witchdoctor I’ve befriended, following instructions to wait for me to clear the house and call to be sure everything’s okay.

“Hey,” I say. “It’s all good in here. Call me in like an hour.”

Ayep,” Possum replies in his drawl.

I turn to JimJohn and start to pull my shirt off, then stop. “Business before pleasure, babe,” I say, making the little money sign with my fingers.

“Oh, of course.” He pulls a hundred out of his pocket and presses it into my hand. I shove it down one of my stockings as I take my pants off, because I have always believed that the safest place for my money is right against my skin.

* * *

I’d had eighty dollars left to my name when I drove into Greenville, South Carolina. Half a tank of gas and two blueberry smoothies later, it dwindled to sixteen dollars folded together in the bottom of my pocket. For some people, this might have been a problem, but not for me. I have the magical ability to walk into a strip club just about anywhere there is one and make a few hundred bucks just because I’m willing to get naked and smile at people.

Sex work is my trust fund. When I’ve been broke down on the side of the road with no money, when I’ve been a homeless teenager, when I’ve wanted to buy a house, a car, an education — sex work has always been there for me. I’ve done almost all the sex work: everything from street hustling to dancing in bejeweled gowns to foot fetish parties and erotic hypnosis. Whenever I discover a new form of sex work — the weirder or more interesting the better — I try to experience it.

I’m staying, with my dog, Spot, in my van down by the river next to Possum, who lives in a van that’s much bigger and nicer than mine. Possum drew me a map showing how to get to the two strip clubs he knows of: a big one, and a little one. Big strip clubs sometimes have things like rules and schedules and lots of competition and high house fees, which I don’t like. I decided to try the small one first.

The small one turned out to be a brothel with very little business, where I met some very beautiful, very southern women, including a 300-pound dancer named Hamhock who I wish I could introduce to every teenager worrying about their weight ever.

I was too fat for the big one, or the door guy was having a bad day.

I started to feel a little panic. That’s when the idea of topless housecleaning came to me — purely formed, rising sweetly out of my desperation — so I put up a Craigslist ad and here I am at Jim or John or whatever his name is’ house.

* * *

I do the kitchen first, like my friend Tania who actually grew up in a mansion and knows how to clean explained to me last night on the phone. I keep up a steady stream of flirting while I put his dishes in the dishwasher and move everything on the counter to one end so I can clean it. While I’m stacking his mail neatly I check out his name. Jim. The counter is dirty, covered in stains and puddles of dried-up food and glue and who knows what else. Scrubbing while bending over a counter in six-inch heels, back arched so that your ass sticks up pretty, is hard work. Especially while flirting the whole time with a man you hope is staring at your ass and not your sweaty face.

He asks about me, how I came to be a topless housecleaner. I don’t tell him that he’s my first, or that I’m broke, or that I live in a van. If you watch television you know what happens to broke homeless women: They give $20 blow jobs, not $100 counter scrubbings. Instead I make up a prissy story about finishing my Master’s degree and taking a year to drive around the country in an R.V. dancing. Of course I tried dancing here, I explain, but the clubs are just so dirty, and I’m way too classy to expose myself to such an environment. The crazy thing I’ve discovered is that the snobbier you seem, the more they will pay you.

Jim is amazingly empathetic about the nastiness of the local clubs. A classy woman like me obviously doesn’t belong in places like those. He follows me from kitchen to bathroom to bedroom to living room, staring while I wipe, mop, scrub and vacuum, all while trying to look like I’m not sweaty from doing this work in humid 90-degree weather. His story is interesting. All his time goes to his race-car business, which is like a dream, but lots of hard work. He bought this house two years ago, but hasn’t had the time or taste to furnish it yet, though he does find the time to indulge in the tradition of illicit hooch brewing down in the basement. Steely grey eyes and his young tough look contrast with his docile nature as he tamely follows me around his house. I’m beginning to think all men in the South must be gentlemen.

When I’m done cleaning I settle him on his couch, set my iPod to Depeche Mode, and tell him that he gets one free lap dance with his housecleaning and after that they are twenty dollars, just like in the club. He opens his wallet and peels off another hundred, right away, and tells me to just dance until that runs out.

“No touching,” I remind him as the song starts and I move in front of him. Soon I’m crawling all over him, undulating, brushing my ass across his hard penis through his jeans. He is begging me to let him touch me, and I’m reminding him that I’m not that kind of girl, although I make sure to sound a little confused.

“Come on,” he says, getting his wallet out. “What about for another hundred?”

I pretend to think hard, then: “Okay.” I take his hands and guide them over my body. “You can touch here — my ass, my thighs, my stomach, but no titties or pussy.”

“Two hundred?” he pulls two crisp $100 bills out of his wallet.

It’s not really a question for me. I’ve given this much contact for thirty dollars a song. I pretend to think long and hard, though. If I let on that I have no principles, I can’t pretend to sell them.

“Okay,” I finally say, pushing the bills down my stockings, “but keep your hands off the kitty! That is not for sale!”

He has gentle, well-practiced hands that he swirls around my nipples and brushes softly over my ass. I arch my back and gasp in pretend ecstasy. Soon he wants more again — a hand job, a hundred dollars.

I insist that I’m not that kind of dancer while I consider this through to its logical conclusion. A couple hundred more for a hand job, a couple hundred more for a blow job, a lot more for sex. It could be a grand, easily. But do I want to have sex with this guy? The thing is, I’m a lesbian. The other thing is, sometimes I think I could be bisexual, and every year or two I have a man sex experiment. I can get into men, and right now on this guy’s lap, I’m turned on.

My phone rings again. It’s Possum. “It’s been an hour,” he says, “are you okay in there?”

“Yeah,” I giggle, “I’m having a great time. I’ll be just another fifteen minutes or so.”

Awright.” He hangs up.

“Will you touch it?” Jim asks.

Do I look like that kind of girl? I’m a very classy stripper, I remind him.

“Oh, of course, of course. I’m sorry,” he says. “I hope you’re not offended.”

“No…” I cock my head. “Actually… I’ve always kind of wondered what it would be like to do something like that for money.”

“Well, here’s your chance to find out.”

“Hmm…I dunno. I couldn’t. Well…how much?”

“A hundred?”

“Oh, no. I couldn’t.”

“Two hundred?” He’s got his wallet out, two crisp hundreds in his hand.

“Okay.” I grab them and shove them into my stocking. In my mind I’m counting and calculating miles. This makes 600, or is it 800? That’s, like, 5,000 miles of gas money! Or 2,000 miles and a month or two of groceries and stuff while I explore desert canyons and sky islands. What more could a girl need?

I slide down between his legs and he unzips his jeans eagerly. It is small, with a nice curve and for a second I love it and want to fuck him. Smiling, I bring my face close, admiring it like I’m about to lick it. He gasps and wiggles a little, and I take his cock in my hand. It’s already throbbing, and I just run my hand up it lightly, swirl some of the pre-cum back down it, run my fingers over the whole thing. He moans and half thrusts his hips. I love this. When I finally grab his cock, two-handed, and give it a couple strong, twisting strokes, he explodes right away. Perfect.

“Oh my god,” he says.

I giggle. “No, goddess.”

“Oh my goddess.” He smiles.

“Stay right there, I’m going to get you a washcloth.” I run to the bathroom.

While he cleans up, I pull my jeans and tank top back on over my fishnets and thong. I’m ecstatic and high from the rush of going from six dollars to 800 dollars in an hour with my hustling skills, but I know I won’t have really pulled it off until I’m in the van, driving away. I make myself look totally calm while I throw my iPod and cleaning stuff in the bag I came with, give him a goodbye hug, and tell him he should really call me again to clean the rest of the house.

I don’t start laughing until I’m in the van and Possum is driving us away. Then I fold over in my seat, laughing and clapping my hands with excitement.

“Possum,” I exclaim, “I love having a vagina!

Leaning back, I push my hips up to pull my jeans down and start fishing the hundreds out of my fishnets.

Possum looks over at me with my legs up on the bed, pulling eight $100 bills out of my thigh highs. “Holy shit,” he says, “I do believe I wish I had a vagina too.”

Checking “topless housecleaning” off my to-try list of sex-work gigs makes me enough money to get back on the road. The next day Spot and I get in the van and drive across the country until I find a beautiful desert-sky island in northern Arizona. I stay for a couple weeks, playing in a creek and tracking coyote, before I get low on money again and start over.

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