Memoir

Snapshots from the Trail of The Last Picture Show

Following a literary legend to the dusty small town that gave him his fame, three budding writers learn Texas-sized lessons on love, loss and lament.

Larry McMurtry wrote the novels “The Last Picture Show” and the Pulitzer-winning “Lonesome Dove,” along with the screenplay for “Brokeback Mountain” and numerous other books and essays. Much of his work is inspired by Archer City, his small hometown in West Texas, where, fittingly, a small group of storytellers gather for a writers’ retreat each year, hoping to establish their place in the literary world. Along the dusty trails of this forgotten hamlet, they work to find their voices, confront their fears and find home in the backyard of strangers. For the three writers below, their stories may have started at the Archer City Writers Workshop, but their experience in West Texas changed something deep within them.

‪‬‬Jumping off the Truck

By Madiha K

The chill of the winter night air cut through my thin black pashmina shawl as I walked from the car park toward the international departure terminal of the Allama Iqbal International Airport in Lahore. At the counter I handed over my passport and an admission letter from the Frank W. & Sue Mayborn School of Journalism in Denton, Texas.

The immigration officer looked at my ticket. “Aamreeka?” he asked gleefully. “Un huh” I said. Pakistanis have this fascination with America that borders on obsession. It’s America’s affluence and the attainment of “the American dream” that Pakistanis hope to achieve some day.

“Thomp! Click!” The officer banged the pre-inked stamp against my passport.

A dotted red rectangle surrounded the text:

Immigration Officer

Exit

23 Dec 2009

After a twenty-three-hour flight, I landed at the Dallas-Fort Worth International Airport. My parents had moved to America three months earlier. As members of the minority Ahmadiyya Muslim Community, they had faced years of state-sanctioned persecution. Death threats and political instability were always a looming threat. My watch was still set to Pakistani time; I didn’t have the heart to change it. It felt like the only link I had to home. Changing the time would somehow mean I had abandoned home.

*

On a dorm room door a paper cutout of my name greeted me. As I began to unpack, tears rolled down my cheeks. So this is the American dream? Downsizing from the family home? Living out of five boxes? My house in Pakistan was an old Army garrison built by the British before the partition of India and Pakistan in 1947. Vivid and painfully tender memories of my mother and home filled my empty room.

I opened the first box and picked up the mattress pad. I struggled to put it on the twin size mattress. Standing on top of the bed frame, I stretched the white mesh, tussled with the elastic but it quickly scrunched back. My hands gave way and the mattress flopped on the bed frame.

Failure.

I repeated the process.

Failure again.

Frustrated at my inability to do something as simple as putting on a mattress pad, I realized how ill prepared I was for life, how dependent I’d been on other people for my existence. It was my first understanding that life here will never be like Pakistan. No one will make the bed for me, cook for me or clean after me. I will have to leave my upper class Pakistani habits at the door.

*

On lonely evenings, the beauty of the sinking Texas sun sprinkling crimson dust into the vast skies made me think of Lahore and of all the times I had chai in the garden. We would sit barefoot in our lush side garden around a low table on white lounge chairs. The setting sun signaled the call of the Maghrib prayer. Loudspeakers punctured the serenity of dusk as nearby imams competed against each other in out-of-tune voices calling the faithful for prayers.

“Haya alas Salah.” Come to prayer.

“Haya alal falah.” Come to success.

A heifer decomposed in a mesquite thicket near a dry water tank on the Seven Bar Ranch in Archer County, Texas, on August 24, 2011. Seven Bar Ranch owner Abby Abernathy said the drought had depleted the area’s grass of nutrition and that his cattle had to walk up to five miles to eat and another five miles to drink. “They’re literally walking themselves to death,” he said.
A heifer decomposed in a mesquite thicket near a dry water tank on the Seven Bar Ranch in Archer County, Texas, on August 24, 2011. Seven Bar Ranch owner Abby Abernathy said the drought had depleted the area’s grass of nutrition and that his cattle had to walk up to five miles to eat and another five miles to drink. “They’re literally walking themselves to death,” he said.

I had not come to success. A friend told me what one of our professors thought about me: I would start projects but never finish them. I would plunge into a project with great zeal only to abandon my drafts. I always felt my work wasn’t good enough or at least not as good as my peers. Am I kidding myself? I wondered. Do I really have what it takes to be a writer?

A few days before the semester ended, a professor asked me to take a class in Archer City. “You need it,” he said. I quizzed former students on what to expect. “It’s a life-changing experience,” they told me. “It will help you find your place in the world.” I agreed with my professor. I did need it. After coming to America, I felt “my place in the world” was disappearing faster than dust in a windstorm. Would Archer City really be the life-changing experience students had assured me of? All I knew was that I had to go and find out.

*

So the journey began on a scorching July afternoon in Texas, with a full tank of gas in a 2004 butter yellow convertible Volkswagen Beetle, a roll-on hand baggage, and an empty navy blue journal bought minutes before the journey.

I had considered driving solo but had never driven alone anywhere more than half an hour from home. What if the car broke down? What if I had a punctured tire? What if I got lost and no one could find me? A part of me wanted to get lost, forcing me to take control of my life and find my way back. Taking a solo road trip had lingered in my imagination ever since I had learned to drive. In my imagination, I would drive solo in my yellow convertible on Route 66, one of the most famous roads in America that had been a symbol of freedom and independence in popular movies and songs. But a bigger part lacked the gumption and courage to make even the two-hour drive to Archer City alone.

I tuned up the radio to drown my discordant thoughts. But the radio couldn’t suppress the memories of friends I had lost contact with and dashed hopes of becoming the writer I dreamed of becoming. All my failures – as a person, as a writer – stirred in my head, competing with the voices on the radio. When the afternoon stock report blasted through my speakers “The Dow Jones…..” I abruptly turned off the radio.

My sobs punctured the silence. Somewhere along the double-lane road, I confronted my biggest fear: America might be home. My parents made an abrupt decision: to choose life over home. They chose life, and moved to America while I was still clinging to memories of home. Yet over time I began awakening to a harsh reality: my home no longer existed. Lahore, Pakistan: the flimsy brown gate of my house, the Neem tree that bent over the verandah, white chairs in the backyard, the orange wall in my room. That house was empty now. Everything packed and taped, sealed with ropes and plastic for a who-knows-when time in an uncertain future.

*

I parked my car outside the Spur Hotel in Archer City. Eight strangers had signed up for a writers workshop designed to bore deeply into the lives of the locals, unearthing the stories that spoke to them. Just before sunset, about the same time the students finished unloading their suitcases and filling the refrigerator with basic supplies for the week, my professor showed up. “We’ll go to the dirt roads tonight,” he said. “We’ll follow Crystal.”

Crystal was a tomboy and a cowgirl who lived with a pretty blond named Fonda. That made them outcasts in Archer City. As in Larry McMurtry’s screenplay, “Brokeback Mountain,” gay relationships are not accepted in the cowboy culture of Archer City. Maybe that’s why Fonda and Crystal loved hanging out with “the writers,” as they called them.

Crystal wore a big smile and a messy, wavy bob. She had no makeup and it was hard to understand her through her thick Texan twang. But she and Fonda opened their heart and home for us strangers as if we were longtime friends.

We separated into two groups: One group rode in Crystal’s truck while the other climbed into the bed of my professor’s silver Ford Ranger. No streetlights lined the roads. Only the headlights of the trucks offered limited visibility as we moved off the paved streets of Archer City onto the dusty back roads. Loose gravel crunching beneath the tires, the truck caravan navigated the chalky trails surrounding Archer City. Dust blew, making it hard to breathe.

I thought of my childhood in Lahore; a seven-year-old me, chasing lightning bugs. I wished I could see them now. But the darkness was absolute. Crickets sang their song and the night sky twinkled with constellations. We slowed down and came to a stop. In the darkness, only our silhouettes were visible.

A yearling strayed onto FM 2178 in Archer County, Texas, on May 20, 2011. Photo by Danny Fulgencio
A yearling strayed onto FM 2178 in Archer County, Texas, on May 20, 2011.

Country music floated over our conversations. Through the worn-out speakers of Crystal’s truck, the local radio station blared one song after another mythologizing the cowboy culture, cattle, and the love of the land.

I was standing next to a fellow writer when he offered me a beer.

“No, thanks. I don’t drink,” I said.

“You’ve never had a drink?”

“No, it’s forbidden in Islam,” I said. “But I’ll try it some day. Just once.”

“You should do it today. I’ll get you one,” he wandered off in the darkness towards the cooler.

A minute later he came and handed me a beer. “Here you go!”

Reluctantly, I held the bottle, giggling. “What am I supposed to do? Just chug it down?”

“No, let’s have a toast.”

“Ladies and gentlemen,” he said, raising his voice above the others. Now all eyes were on me. “We have someone here who’s never had a beer in her life.”

“How old are you?” he asked me.

“Twenty-five,” I said.

“Twenty-five and never had a drink? Get on the truck. Come on, stand up!”

I climbed onto the back of Crystal’s truck and stood, holding a bottle of Shiner.

I pressed the cold glass bottle against my lips and tilted, threw back my head and gulped the liquid. One small sip and I swallowed. All Pakistani conventions shattered, all religious dogma abandoned.

The crowd cheered.

I dedicated my toast to my professor and our tribe of writers.

I had done something no one in my family had ever done. I had done something that would embarrass them.

Yet I didn’t feel it was wrong. In defying my religion, my culture, my entire past, I felt relieved of heavy baggage I had been carrying all my life. As I jumped down from that truck, I felt a rush – of falling and scrambling to stay afloat. In that moment I decided I would rather be the writer who tried and failed and rose up again rather than the writer who never tried. That day on the dirt roads I gained my rite of passage as a writer. A member of a tribe. A writer who jumped.

*

On our second day, we met Jackie. An aging, arthritic cowgirl with a biting wit, she seemed to see right through us, as if she possessed in her head x-ray images of our minds. She was such a brutal and honest critic of our writing, such a shrewd judge of personality, that we all swore she was an oracle, possessed with amazing psychic powers. We sat in a semi-circle in her backyard, the night stars game to our confessions. The only source of light was a bright yellow bulb and each time someone read their piece, they had to sit near the bulb. In reading our raw and often emotionally-charged rough drafts aloud in Jackie’s backyard, we exposed ourselves to Jackie in a way penitents expose themselves to a priest.

To one writer, Jackie said, “You are hiding from your true self.” She correctly noted that another was raised by a single mother even though that wasn’t revealed in his draft.

To me she said, “You’ve overcome your fears. You’ll be an amazing writer.” I wanted to believe her. But I was disappointed. She didn’t see through me deep enough to see that I was not an amazing writer. I cried as I read my piece.

Jackie Lane watched her horses feed in Archer City, Texas on June 1, 2011. Larry McMurtry called her "the last real cowgirl." Photo by Danny Fulgencio
Jackie Lane watched her horses feed in Archer City, Texas on June 1, 2011. Larry McMurtry called her “the last real cowgirl.”

*

Earlier that day, gathering under a gigantic antler chandelier in the hotel lobby, my professor instructed us: “Images are doorways to your imagination,” he said. “Find an image that speaks to you and write about it.”

I didn’t know where to go. Everyone seemed to have a destination in mind. I stood still at the entrance of the lobby. Where was my image? Where was my imagination? I remembered seeing a sign pointing towards the Archer City cemetery. A low terra cotta wall marked the front boundary of the cemetery. I stood still at the gate and said a little prayer in Arabic. “Assalam-o- Alaikum ya eh lal qaboor.” Oh inmates of the graves, blessings on you. My mind went back to Pakistan.

I sat for hours on a concrete bench gazing into the scattered graves of people I didn’t know. I stared into the nothingness and slowly I could feel calm. I felt it was okay to walk alone. Mom and Dad might not always be there. I’ll be okay, I whispered to myself. I’ll be okay.

*

I know why I was drawn to Archer City. In so many ways it was like Lahore. You didn’t need to call before showing up at someone’s house. You ate and sat in the garden for hours and no one was in a hurry to leave. You shared stories and everyone listened because deep down, we all have a story we are yearning to tell and hear. In Archer City, the spirit of the Old West lingers on. Men wear cowboy hats and drive their rugged Rams and Silverados. They drive slowly through the blinking red light on the square. Amid the locals of Archer City, I found home. In the backyards of strangers on moonlit nights I found my voice. It’s been two years and a lot has changed. I have graduated. I finished the piece I started in Archer City and I went back again. This time I rolled down the windows, cracked up the music, sang along to songs and laughed at my old self.

Madiha K graduated with a masters in Journalism from the Frank W. and Sue Mayborn School of Journalism at the University of North Texas. Born and raised in Pakistan, she currently calls Texas her home. She is fascinated by human stories of migration and concepts of home. Her work has been published in Warscapes.

* * *

How the Hell Did I Get Here?

By Alicia Auping

Dust swirls. It’s a staring contest, and I’m losing. My opponent’s eyes are pools of black bulging from his head. His head is the size of my entire body, and he lowers it, swinging it back and forth. Never mind the horns.

How the hell did I get here?

Even though I lived in Fort Worth, Texas, for almost ten years, astonishingly I never stepped foot into the Fort Worth Stock Show and Rodeo. The closest the annual rodeo ever came to affecting me was the overflow parking that invaded The Modern Art Museum of Fort Worth, where my dad is chief curator. That’s my world: art, poetry, literature.

I spent my formative years in Buffalo, New York. I’m a city girl. I don’t like horses. My encounters with horses have been limited to Susan Rothenberg’s abstract renderings. Horses terrify me. The biggest animal I’ve ever been comfortable around was my black lab, Amigo, and until today, my only glimpse of the inside of a rodeo is a picture sitting on the front desk of the Spur Hotel in Archer City, Texas.

Seven days ago I arrived in Archer City to attend a literary journalism class. I’ve learned a lot over the past week about writing, and about myself. I’ve bonded with an eight-year-old Archer City icon and a ten-year-old cowgirl, attended a cattle auction, won bingo at the community center and learned how to play pool at the American Legion.

Two women passed the marquee at the American Legion in Archer City, Texas, on July 26, 2009. Two years earlier, the community was rocked when one of its own, 21-year-old Marine Sgt. Gary Scott Johnston, was killed in Iraq by an improvised explosive device. Photo by Danny Fulgencio
Two women passed the marquee at the American Legion in Archer City, Texas, on July 26, 2009. Two years earlier, the community was rocked when one of its own, 21-year-old Marine Sgt. Gary Scott Johnston, was killed in Iraq by an improvised explosive device. 

Now, I’m running for my life.

I’m at the Boomtown Rodeo in Burkburnett, Texas, with my classmate Jason Yang and our teacher George Getschow. My bug-splattered Toyota RAV4 sits in a grassy lot, dwarfed by heavy-duty pickup trucks extended in length by horse trailers. We follow a chorus of whoops, hollers and whinnies toward the entrance to the rodeo grounds, and our noses are met with a rare mixture of sweet and pungent aromas: nachos, cotton candy and living, breathing animals. Young and old cowboys are walking around in worn jeans and boots with huge hats and belt buckles. Their women are wearing head-to-toe denim dripping in sparkly sequins and rhinestones. I wish I’d packed my Bedazzler.

Enormous dragonflies and beetles swoop and dive amid the festivities. Young wranglers practice their roping skills a few yards away. A small child passes by on a miniature horse, and I do a double take. It’s a country western circus.

A veteran of the rodeo circuit, Archer City resident Don Masey, explains all the events to us — barrel racing, calf roping, bull riding, and one of our favorites, the calf scramble. It’s adorable. A ribbon is tied to the tail of a calf and children chase after it to get the ribbon.

When the adult scramble is announced, George practically shoves me and Jason off the bleachers. We hesitate but then give in. Why the hell not? We can chase a calf. It’ll be fun.

We join the parade of good ole boys heading toward the entrance to the arena. I look around at the muscle-bound young men sporting wranglers, boots and cowboy hats, strutting into the ring. Their hands are calloused. I rub my hands together self-consciously; they’re as soft as peach skin.

I look at Jason’s crisply pressed button-down shirt tucked into his slacks, then at my own jeans and sneakers.

“I’m going to be the only girl out there!”

“I’m the only Asian at the entire rodeo!”

And those are the last words we exchange before we step into the ring.

I look down at my neon yellow Nikes kicking up a combination of sand, dirt and manure. They leave a foreign footprint on the ground, which is accustomed to the familiar imprint of cowboy boots.

There is a wall of cowboys in front of us. I can’t see over their Stetsons. I feel like everyone’s staring at me, a Lilliputian under the bright lights. Who are those weirdos? What the hell are they doing in our rodeo arena?

I’m ready to get this over with.

All of a sudden, the wall of bodies scatters. Jason and I stand in the middle of the mayhem as still as stones.

My heart stops.

Tina Robertson leaned on her truck before leading her herd to pasture in Archer County, Texas, on July 31, 2010. To make ends meet, Robertson worked as a rancher, maid and high-security prison guard. Photo by Danny Fulgencio
Tina Robertson leaned on her truck before leading her herd to pasture in Archer County, Texas, on July 31, 2010. To make ends meet, Robertson worked as a rancher, maid and high-security prison guard.

“Oh my God, it’s a fucking bull!” I don’t know which one of us says it before we run in opposite directions just in time for the bull to trample the ground where we were standing seconds ago.

My heart has kicked back in at double-time.

I lose sight of Jason in the commotion. I’m disoriented. I don’t know whether to run towards or away from the bull. I’m caught in a cyclone of broad shoulders and cowboy hats. My eyes sting from the dust. Where’s Jason?

Then I see him.

He runs head-on towards the bull. What is he doing? He’s so close. He reaches for the ribbon tied between the bull’s horns. Oh my God, I think, he’s either going to get that ribbon or he’s going to die.

He doesn’t get the ribbon, and he doesn’t die. His fingers are mere inches away from the delicate ribbon dancing around the horns of the snorting, heaving behemoth. Dressed in perfectly pressed business attire, facing a bull head-on, he realizes what he has gotten himself into. At the last minute, he veers out of harm’s way, and a strapping young man twice his size swoops in, easily slipping the bow off its beastly horns like a present on Christmas morning.

The winner, a seasoned cowboy, struts around the ring, grasping the ribbon in his hand like he had just won a million dollars. In reality, it was fifty dollars and bragging rights.

Jason and I meet up and walk out of the ring with the crowd. Our fellow participants pat us on the back laughing because even that bull knew we didn’t belong there. We laugh back, relieved yet proud, knowing we’ve shared an experience we’ll never forget.

Fear is a valuable emotion for a writer. Adrenaline kicks in, and our senses go on hyper-alert. When we are scared we remember every minute detail. This is what writers do to find a story. I’ve learned that being a writer is scary, and it’s normal for me to feel that way. It takes courage to write. Not just courage to translate your thoughts onto paper but courage to step outside your comfort zone, into a world that is so strange and so terrifying.

Like a rodeo ring occupied by a gigantic, ornery bull.

Alicia Auping is an alumna of the Frank W. and Sue Mayborn School of Journalism at the University of North Texas, where she also received her Bachelor of Arts in English Literature. A current contributor to the Dallas Observer’s arts and culture blog, Mixmaster, her work has been published in Denton Live, Denton-Record Chronicle and Mayborn magazine. ‬

* * *

The Bookkeeper

By Nicole Holland Pearce

There he is. A small, rumpled figure unloading books from a sea of boxes, throwing out volumes, piling others on top of themselves. It is methodic. Bookshelves surround him, stretching from floor to ceiling. He stands in the center of them, near a large table, which is also filled with books overflowing to the floor. I walk up behind him on the balls of my feet. His light gray hair tufts ungraciously on his head, and thick plastic eyeglasses lie across his nose. On a stark white strip of paper, taped on their side, it reads, “Mr. McMurtry.” I clear my throat and ask him where he found the shipment he is unloading. Stacks salvaged from the Fort Worth Library. He turns to face me.

“What’s your name?” he says.

“Nicole.”

“I’m Larry.”

“I know,” I say, smiling.

The author I’d fallen in love with, like a lot of Texans first did — with Lonesome Dove — stands in front of me. When I was about ten years old, I devoured the 945-page epic—to this day, the longest book I’ve read. I adored the story of Gus and Call and spent Sunday afternoons watching the movie next to my dad. It was those Sundays that I really got to know him — how much he liked reggae, his interest in Westerns, his talent for grilling — more than when he and my mom were married. When we were together, he spent his time making sure I learned how to use my head: we read about nature, he encouraged me to write. He even taught me how to box.

When he died a few months before my sixteenth birthday, it shook more than my foundation, but my confidence in myself. It wasn’t for another decade that I’d accept how his death had caused my esteem to plummet. I’d fail classes, misbehave and close myself off from the world. I’d protect myself with mental armor. I’d refuse to be vulnerable or expose my true feelings.

I stare at Larry. It has taken me fifteen years to get to this spot. The long journey to the dusty, bantam town of Archer City started when I knew I wanted to write more than anything in the world. And like many roads, mine up to this point had been winding.

*

When I drove into Archer City that early February day, the town was deserted. No traffic passed under the blinking stoplight, no shoppers mingled in the thrift store. I parked in front of The Spur Hotel, pulled the keys out of the ignition and walked down the town’s main artery, Center Street, heading to the rare book room in Booked Up No. 2.

Author and bookseller Larry McMurtry priced books in his bookstore, Booked Up 1, in Archer City, Texas, on February 15, 2011. McMurtry wrote dozens of novels and screenplays and won a Pulitzer Prize for Fiction in 1985 for his Western novel "Lonesome Dove." Photo by Danny Fulgencio
Author and bookseller Larry McMurtry priced books in his bookstore, Booked Up 1, in Archer City, Texas, on February 15, 2011. McMurtry wrote dozens of novels and screenplays and won a Pulitzer Prize for Fiction in 1985 for his Western novel “Lonesome Dove.”

As I maneuvered each volume off the top shelf, I felt like I was on a dig — excavating remnants of history from a forgotten place. Some of the antiquarian books were so old that touching them elicited a rust-colored chalk from their covers. Some of the spines looked like the bark of an oak. These books were about to turn back into the trees they were made from, I thought to myself. I felt as if I should be wearing gloves, as if someone should be monitoring this back room to make sure I’m delicate, to make sure I don’t steal. But it was completely empty. I sat down on the ground and scribbled on a notepad.

I walked across the street to the main bookstore, Booked Up No. 1, to see if I could find inspiration. My desires rolled around in my head like pinballs ricocheted by self-doubt. I feel like I’m running out of time to make a name for myself. To make it as a writer. My own waning confidence halted me. I found it harder and harder to write. Like many writers, the desire to perform well can often diminish the desire to perform at all. A blank page is sometimes easier to tolerate than a terrible paragraph. The pressure put on writers by deadlines and editors doesn’t even measure up to the pressure we put on ourselves.

I remember when I really loved writing. My first short story was written on my dad’s laptop — twelve typed pages about a set of twin siblings washed away in a flood. When I went to work with him the next day, he told all the office women with teased hairdos and heavy perfume that his daughter was going to write a book one day, and I believed him. Now when I sit in front of a stark computer screen, the cursor patiently blinks. I’m afraid to let go. I write, then press delete.

*

Larry stares at me.

“Can you show me your rare book room?” I ask.

We walk back across the hot stretch of highway to the rare book room in Booked Up No. 2. I pull down Dante’s classic, The Divine Comedy. “Is this the first edition?” I ask. He examines it. I can tell he may not even care to recall when or how he acquired it. “No,” he says after some thought. “It’s just a fancy edition in German.”

A stack of railway records sits next to him. In the front, a pile of British lit. A heap of random anthologies. Four bookstores filled to the brim, overflowing. I ask him: “What are you going to do with all of this?”

“I don’t rightly know,” he says. “I’m the last bookseller, and bookselling is dying. Truly dying.” He says it like a man whose passion is fading away in front of him. I understand this. Despite my effort to write, it seems my ability is slipping away.

*

When I was thirteen, I told my dad I wanted to drive a red convertible. I said I couldn’t wait to find out what it felt like to have the wind tangling my hair. The freedom of it. When he picked me up on his next visit, on Valentine’s Day, it was in a cherry-colored Chrysler LeBaron. The Red Baron, we called it. It was a rental, but it was my dream car. We drove all over Interstate 10. I’m sure, as a single man — divorced from my mother for almost five years — the car served as much to his benefit as it did as a gift for his daughter. But, I choose to remember it as my gift from Dad. He remarried a year after that, to a lighthearted woman named Cindi whom I grew to love, because he did.

I leave Archer City that evening after my short conversation with Larry. He calls me the next day. It’s a Sunday. “I’d like to show you where I grew up,” he says, and invites me back out to Archer. On Monday, a bouquet of flowers arrives. The card reads: “Happy Valentine’s Day. Larry.” All I can think is, ohmygod!

On Monday, we meet at Booked Up No. 1. Larry drives a modest four-door sedan. We stand between his front bumper and the front door to the bookstore and stare at each other for a moment before he says, “Ready for our adventure?”

As he drives down the two-lane highway, heading toward his Archer City residence, he tells me about the crew of carpenters who have momentarily taken over his home. They’re working on some updates because his niece will be married there in the spring.

I spent a lot of my adolescence in the passenger seat — all those car trips back and forth between Victoria and San Antonio. The passenger seat became my safe place. My dad would pick me up from my mom’s house, and we’d make the three-hour drive. One weekend, we pulled into our town’s small gas station. He asked me to buy some beer for him while he filled up the tank. I was eleven. I was proud to do it and had no doubt the six-pack of Budweiser would be packaged and sold to me. “You must be Gary’s daughter,” the woman behind the counter said. “Yep. Just this, please.” She wiped a piece of dry blond hair out of her thin lips, which parted into a smile. “Okay, sweetheart.” I walked out with the brown paper bag creased at the top and hopped into the passenger seat of the car. I’m not sure, but I like to think my dad was testing my courage, like he’d do from time to time. That’s the thing about losing a parent. I’m left to connect the dots, and sometimes the pictures I put together may not be accurate. But it’s what I have. He popped open a sweating can, and we drove out into the afternoon — the hot Texas sun piercing the windshield.

A sundered GMC Sierra Classic rested in a field in Archer City, Texas, on July 27, 2010. Photo by Danny Fulgencio
A sundered GMC Sierra Classic rested in a field in Archer City, Texas, on July 27, 2010.

Larry and I twist through his modest neighborhood, designed before curbs and cul-de-sacs became popular. I smile at strangers like I’m supposed to smile at them. It’s what you do in a car with a literary megastar, isn’t it? Or do you just stare out the window? Or do you stare at your feet? I look at Larry as he turns into the driveway, pulling in front of his private library, a little two-story wonderment he calls the book house. It sits a few yards behind his main house and holds some of his most prized editions. Inside, the floor looks like an old-fashioned diner — a pattern of black and white tiles. Sunlight floods the space. “Over here is popular culture,” he says pointing to a wall of colorful spines aligned on the wall. “Up there is Western Americana.” A sturdy set of white wooden stairs with apple red railings leads up to the second story, which is brimming with countless editions in sets of white shelving. Every few yards, a large naked window breaks up the walls of books. Downstairs, near the doors, sits an amassment of H.G. Wells books, for which he paid $60,000. It’s worth twice as much today. “This is the second best H.G. Wells collection in the world,” he says. He seems O.K. with that: “Book collecting isn’t a race.” His bookstores hold 400,000 volumes. So if it were a race, he’d be standing in the winners’ circle.

*

My dad called one evening to say I’d forgotten my toothbrush, and that’s the last time I ever talked to him. A few days later, he was in the hospital. He had a heart attack and died a day later. A week following, I got a letter from Cindi in the mail. It was on thick stationery with laced edges and the handwriting was ornate, written with an inky black pen: Dear Nicole, I know how much your dad meant to you…

It went on this way for three adorned pages. I never heard from her again.

For the three years that followed, missing him went in phases. Some nights I cried, others I was angry. I read about a girl whose dad died when she was young. She was in so much denial that for months she thought he was hiding in her closet. I can’t remember how many times I’ve dreamt that I’ve found him in another city, living another life.

Here on Idiot Ridge, where Larry penned “Lonesome Dove,” the grass around the front gate is overgrown. A sharp, cold wind, even in the bright sunlight, makes us pull our coats around us as we walk inside his house. A patterned couch sits with its back against the living room’s large window, facing the small dining room, which leads to a smaller kitchen. It’s filled with bookshelves stuffed with books. He tells me his son uses the house from time to time when he’s in town. I walk around on the worn wooden floors. Larry’s father and grandfather built it, a “simple shotgun house,” he calls it. His love affair with reading began in 1942, when his cousin, Robert Hilburn, stopped by the house and dropped off a small box. It held nineteen books, just standard boys’ books, but he read them through and again. “That was my library,” he says. Now, his personal collection holds more than 28,000. Book collecting makes Larry happy; writing fills in the rest.

Over lunch — sandwiches at a little cafe in Wichita Falls — I sit across from the man who has never had writer’s block. Never uses a computer. Who doesn’t wear a watch and methodically writes five pages a day, every day, his entire career. “You’ll be surprised how that adds up,” he says. “I’m seventy-four and I’ve written forty-three books.” I talk about my recent writing struggles, and he simply tells me he looks at writing as a job. He doesn’t get flustered by it, doesn’t agonize over it, doesn’t dread it.

On our way back to Archer, he talks about overcoming a severe depression that he suffered a few months back, leaving him worn and empty. Today, he looks like a much healthier man. New projects on the horizon, and what I’ll learn later — a marriage to Faye Kesey, widow of the late literary luminary, Ken Kesey. As he drives, I tell him how much I want to be a writer. Well, that I am a writer — but I’m longing to make a living by it. Write a memoir one day.

“How old are you?” he asks.

“Twenty-nine.”

“You have plenty of time to venture out into books.”

“Thanks,” I say, thinking of my dad, who gave me the same advice. Maybe this time I’ll take it.

Nicole Holland Pearce earned her master’s degree at the Frank W. and Sue Mayborn School of Journalism. She’s been writing professionally for ten years, covering everything from a fifty-mile canoe trip down the Brazos River to the national mortgage crisis. She lives in Dallas with her husband Eric and two four-legged children, Cora and Diego.

The Archer City Writers Workshop is part of the Frank W. and Sue Mayborn School of Journalism at the University of North Texas. Begun in 2005 by George Getschow, the in-residence workshop at the Spur Hotel in Archer City is a component of the Mayborn Literary Nonfiction Conference, the pre-eminent literary nonfiction conference in the country. More stories from the workshop can be found here.

Memoir

Secret Life of an Autistic Stripper

I've always had trouble reading social cues, but in the strip club, where rules and roles are crystal clear, I finally learned to connect.

I walked past the stage and sat down at the bar, the neon lights illuminating my pink teddy, shadowed eyes, and crimson lips. I ordered my first drink of the night and took inventory of the club. There were a few listless customers scattered around, hunching over bar stools, and a dancer circling the pole.

I waved over a colleague, a transplant from Manchester with hair extensions that kissed her velvet garter belt. We grumbled about how slow business was until I spotted a paunchy man at the bar. He was short, with a tuft of gray hair and a slight smile that crinkled his eyes. He was also more animated than the others.

“Do you want to try?” I asked her out of a sense of politeness.

“You go,” she said, waving her hand.

I started off light, asking about his day and his job. His smile widened across his face as my eyes met his. I silently counted to 10 and reminded myself to look away for a second – best not to terrify him. After three minutes, I transitioned to more personal questions, moving steadily through the formula I’d perfected to curate conversation with customers.

He started complaining about his recent breakup, but it didn’t feel genuine, his eyes twinkling with eagerness. I switched my gaze to the top of his nose to put a boundary between us.

I could tell he was interested in spending money, but he’d be hard work. It was time to either close the sale or walk away. He’d take advantage of my time otherwise.

“Ready for fun?” I whispered in his ear to avoid his eyes.

I didn’t bother mentioning the private rooms. After two years in the industry, I knew which customers were worth investing in – not this guy. So, I led him into the corner, which opened up to the club like the bow of a ship, public and safe, for one quick dance.

* * *

Before working in strip clubs, I struggled to read people’s emotions through cues like facial expressions, postures, and tone of voice in real time. I processed events after the fact with tenuous evaluation, like peeling off layers of old wallpaper. At the time, it was not something I had words to explain, so I turned the blame on myself. Whenever I struggled to understand if someone was angry or bored, I went home and berated myself for being lazy, ditzy, and dumb as I obsessively evaluated the night. I just needed to try harder to be more present, I told myself.

One time, I went to a dinner party my sister hosted. A few of her colleagues and friends sat around her table while we snacked on hummus and bread, and someone asked about my recent trip to Europe. I rambled incessantly, illustrating the nightclubs, the hostels I stayed in, even how I bled through my powder-blue dress because I forgot to change my tampon. My voice was loud, a  pitch you use at a concert, not inside. I can see their faces now, wide-eyed and uncomfortable, but at the time they coalesced into one indistinguishable figure, Dave Matthews playing in the background taking precedent. Their distaste didn’t register until my sister pulled me aside and asked as kindly as possible to keep to “lighter” topics.

After dinner, we dispersed to the living room and I attempted to talk to my sister’s colleague, but I forgot to break eye contact, continuously staring wide-eyed while she spoke.

“You’re certainly a character,” she remarked, exiting the conversation. I didn’t realize until later that I’d made her uncomfortable.

I didn’t know what slow processing was then, but I was aware I felt embarrassed a lot, and lonely. Facial expressions, body language, and eye contact are the bones of communication and it’s quite difficult to build and maintain relationships without the ability to read them.

So, I meticulously designed a persona who nodded at the right time, rehearsed lines, smiled when appropriate, monitored personal space, spoke quietly. Before going out, I crafted notecards, scribbling how long to talk about acceptable topics and which to stay clear of altogether, like my period, in small talk. The persona was a mask that helped me appear to interact in the moment, but in reality I crept by, three paces behind everyone else.

* * *

I had just celebrated my 24th birthday in Australia when I started dancing. I settled temporarily in a bustling beach town at the edge of Melbourne and needed money to pay off my student debt. I considered a bar job, but decided to try stripping simply because it meant fewer hours.

When I walked into a club to ask for a job, to my surprise, I realized it was just a bar with the usual roles reversed: women approaching men. I was intrigued, but confused – how did they convince customers to spend money off-stage?

The manager looked at my petite frame and nervous smile, pointed her manicured hand to the dressing room and listed the rules: “Go get ready in there. You get one free drink. Don’t be late for stage. No sex. No drugs on the floor.” Simple enough, but nothing on how to monetize my time. I handed over my $40 house fee and walked into the sea of hairspray and naked bodies.

Hundreds of customers came and went during the 10-hour shift, sitting on plush couches and crowding around the bar. I approached 10 guys, mirroring my colleagues’ coy smiles, suggestive body language and light conversation starters, but I couldn’t tease out who wanted to spend. All but one dismissed me.

I sat at the bar to observe, sipping my free champagne. One dancer particularly stood out with her naturally frizzy curls and tattered black bra. She wasn’t the most glamorous, but every guy she spent more than a few minutes with agreed to get a lap dance, like she had sprinkled them with fairy dust. A few times, she walked away from customers within seconds, once even waving her hand in a man’s face to dismiss him.

From the bar, I saw her sitting alone on one of the upholstered couches that lined the back of the club. She was taking a moment’s respite after a dance to count her money before securing it around her wrist with an elastic band. I took a deep breath and approached her, brushing aside the fringe curtain separating the lap dance room from the bar. It was getting late, two hours before closing, and I was exhausted and frustrated. So far I’d brought in just $50, meaning a $10 profit after the house fee. I thought about packing up and never coming back, but I needed this to work out. My student loan wouldn’t magically go away.

She took one look at me and asked, “Your first time?”

“Yes. I’m struggling,” I said shyly.

She stared at me with a bored expression, so I got right to it.

“How do you know who wants to spend money?”

She turned around and outlined her lips with a beige pencil in the smudged mirror, advising in her Bulgarian accent: “I don’t always know, but here are a few things I’ve learned after five years in the industry: Don’t spend more than 10 minutes with them if they haven’t spent money. Five minutes if it’s busy. You’re not a free therapist. Make them pay big bucks if they want to dump their shit on you. Walk away from customers who want to get to know the ‘real you’ right away. They’re usually creeps.”

Before she left the lap dance area, she turned around and said, “And quit this nice girl bullshit. You sound like a child. Don’t try so hard to be someone you’re not, just be a hyped-up version of yourself.”

As she sauntered off, she looked back once more, “I’m Claire by the way.”

Her words wounded me, but I was impressed. She saw right through my mask. The rambling girl at my sister’s house was a distant memory, but, strangely, Claire must have seen who I was before I tried so hard to appear normal.

After we spoke, I didn’t reincarnate my older self, but I did carve another persona, Piper. I learned to showcase different parts of my persona based on the customer. It seemed practicing social skills paid off – I became a deft conversationalist, sometimes earning my night’s wage just from talking. I moved beyond the foundation I hid behind, laughing, smiling, and chatting more brazenly than before, enjoying eye contact with customers I trusted, dismissing ones I didn’t. Performing felt strangely comfortable, even though the job was foreign and challenging.

That conversation lasted minutes, but the advice made for a successful career. Slowly, Claire’s rules taught me how to read customers for signs of interest by attaching meaning to their words and actions, something most people learn unconsciously, but that I’d always struggled with.

The club gave me a controlled space to decipher the crinkle around people’s eyes for eagerness or raised eyebrow for arrogance, as if I was reading a script from a teleprompter. And when I was unsure, I had her original rules to catch me. Are they asking for my real name? Are they relaying problems in their life without buying a dance first? On the floor of the club, I spent hours practicing each weekend, and for the first time in my life, I learned how to cut through layers of language in real time, just like Claire, until it became effortless.

* * *

Eventually I moved back home to New York and started stripping full time. After two years of practicing by trial and error in the world’s most social job, the tricks I learned in the club seeped into my social life outside of work, and it got easier to notice social cues and use the same formula I used with customers to make small talk with anyone.

Most people I met outside of work told me I was a great listener, unaware of how much time I spent in my room practicing the correct reactions. I didn’t want anyone to know how much I struggled, so I let very few people get close to me – better than anyone finding out that I couldn’t really socialize, that I was a fake.

Nearly two years after I started dancing, my friend Sarah invited me to her birthday party. My least favorite social situation: a dinner party with unknown people. True, I was better at picking up more obvious cues like eagerness and anger, but group settings were strenuous – too many subtleties to keep track of. But I hadn’t seen my friend in a while and I missed her. I packed up my lace teddy and Red Bull into a discreet bag and headed over to the restaurant before work.

The hour and a half crawled by. There were six of us around a small table. I can’t remember the other people’s faces or even what anyone spoke about. I prayed no one would ask me personal questions.

“Sarah tells me you just got home from Amsterdam,” my friend’s brother said politely, turning in my direction. His words mixed in with the background conversation and it sounded like another language. I broke out in sweat.

“I am sorry, what?” I asked.

He repeated himself. A second later the words clicked. I smiled and looked at his nose instead of his eyes while chewing over my words and length of speech, trying to offer the version of my trip they wanted to hear.

Sarah got up to go to the bathroom. I quickly walked over to her and asked: “Were people bored when I spoke?”

“Not at all. What’s wrong?”

“Nothing, nothing. But I have to go. I’m sorry, I have work.”

She looked confused as I hurried out the door. I didn’t really have to go to the club. I’d made enough that week to warrant a night off with my friends, but work felt easier than this social performance. I let out a sigh of relief as the taxi plowed across the Williamsburg Bridge.

I walked under the familiar lights to the dressing room. I squirted a dollop of foundation on my hand and painted the dark circles under my eyes. For a brief second, I wondered, Is something wrong? Surely work shouldn’t be more comfortable than a night out? But then I swallowed those thoughts and walked onto the floor to escape from myself.

I sat down at the bar and ordered a Hennessy on the rocks. The birthday was successfully buried, and I was buzzing from the bliss of escape.

I spotted a man at the bar – alone, tall, bald with a kind smile and a glass of whiskey in his hand. I ran through the formula and we connected right away.

“Hennessy is a strong choice,” he commented.

“It’s an underrated drink.”

“I’ll take your word for it. Can I get you another one?”

Ten minutes passed. I suggested the private room and he agreed. The private rooms were where I connected with customers, sometimes in a way that was more intimate than my relationships outside the club.

There I massaged their shoulders, let them touch me, expressed vulnerability. I bantered for hours – something I was never able to do before. With fewer stimuli around, it was easier to focus and converse back and forth in a way that felt less strenuous than at the restaurant hours before.

“You have a strange rhythm about you,” he remarked, smiling as I cradled him. Customers who spent money like water didn’t care if I was odd; they wanted an experience. My weirdness was worth their paycheck.

After two hours, I excused myself for a moment to go to a bathroom where I got a message from Sarah: Miss you. Wish you didn’t have work. It’s not the same without you.

Below the message was a picture of the dinner crew, laughing with their arms wrapped around each other. I felt such a pang of loneliness and regret that I broke down in the doorless toilet stall, my eyeliner smearing like watercolor on canvas.

Why am I only alive at work? Why can I give so much of myself to my customers and so little to my friends? Maybe I was just being stupid because I was drunk, but I wanted to be an active participant in my life instead of walking around confused all the time, experiencing my days after they’ve happened, passive from the sidelines. I wanted connection.

Work was a temporary balm, but the interactions there were fleeting, not enough to sustain my longing for people. The force of my rotting loneliness hit like a tidal wave as the reality of how much I struggled to navigate social settings outside settled in.

I allowed myself just one sob before I fixed my face and performed for the last half hour. When I got home, I couldn’t get out of bed for days, my sheets disheveled with self-loathing.

Desperate for answers, I started scrolling through an online forum for women with ADHD, wondering if I might have an attention disorder, looking for an explanation. I started asking for advice, addressing some of my other issues first like getting lost in obsessive thought.

Within minutes, responses flooded that my symptoms resembled ASD.

“What is ASD?” I asked.

“Autism Spectrum Disorder.”

I scoffed, but after I read articles on how autism manifests in women, there wasn’t room for doubt – the evidence was clearly outlined in the bullet points on my laptop.

Central to autism is a difficulty experiencing life in real time. Many autistic people can’t filter out information, which makes it difficult to zone in and focus. All those years, I couldn’t read people’s cues because I struggled to cancel out the world around me. At my sister’s house, the background music, the forks scraping on plates, the blue walls, all swam in front of people’s facial expressions.

But in the private rooms at the club, there were no outside stimuli. The rules were clear, the distractions minimal, so I could focus and interact.

Women in the ADHD forum invited me to the group for autistic women and there I saw myself a hundred times over. Scrolling through were women like me: sex workers, performers, artists, writers, all struggling to make sense of our invisible differences in our own socially awkward, wacky, and beautiful way.

I gradually pulled the blame away from myself and labeled the things about me that were naturally different, not defective. I stopped punishing myself when I got overwhelmed in conversations, stopped beating myself up when bright lights blanched out facial expressions and background noise canceled out people’s words. I took a deep breath and resisted pretending to listen and asked: “Can you say that again?” without apology. I forgave myself when I slipped outside of social norms and said something weird.

No more being sorry for things I can’t help. People would love me or not – frankly I was okay with the risk.

* * *

A few months later, I stood outside the club with a cigarette in my hand, looking over the busy highway at the deserted factories.

“Piper, you leaving?” my bouncer nudged in his Queens accent.

“Yes. I made enough tonight. I’m going out,” I said, smiling back at him.

He waited outside with me until Sarah pulled up in a rideshare.

“This is where you work?” she asked incredulously, her mouth ajar in the window of the car.

I laughed. She knew I was a stripper but had never been to the club. From the outside, it looked grim: tattered brown building on the edge of town. But it was home to me.

“I never said stripping was glamorous.”

I kept the window open as the club disappeared, letting the cold air whip my face, feeling a mixture of relief and excitement. Forums for autistic women advised pulling off masks that many develop to pass as non-autistic. The effects of camouflaging are toxic, they warned. I wasn’t sure I could go back to who I was. The rambling autistic girl at my sister’s house was dead, buried under years of performance.

“Did you have a good night?” Sarah asked.

“Yeah. I’m ready for a night off though.”

Who could I have been if I didn’t try so hard to pass? I’ll never know, but stripping provided a portal to who I might be without fear of rejection – a rare glimpse of the affectionate, brash, and funky edges of personality. But I still had so much to learn. There was vast, dormant space to grow into beyond my work persona.

The twinkling lights opened the doors to Manhattan, my body still moving from the music of the club. The possibilities of the night unrolled in front of me and I intended to savor them.

Hidden History

The Hidden Queer History Behind “A League of Their Own”

The All-American Girls Professional Baseball League did everything it could to keep lesbians off the diamond. Seventy-five years later, its gay stars are finally opening up.

Josephine “JoJo” D’Angelo was in a hotel lobby in 1944. An outfielder for the South Bend Blue Sox — a team in the All-American Girls Professional Baseball League (A.A.G.P.B.L.), founded the year prior — she had dark, curly hair. Even if you didn’t know her last name, her looks hinted at her Italian heritage.

The hotel was likely decorated with muted colors in the modernist style of the previous decade. Thanks to World War II, there were supply shortages and rations, which put a hold on new design in the early ’40s. All available supplies needed to go toward the war effort.

The story was similar in baseball. With most of the Major League Baseball players deployed, executives decided to fill the gap with female players, paving the way for the A.A.G.P.B.L.

But in the hotel that day, D’Angelo was approached by one league executive and told that she was being released from her contract. This was devastating for the right-hander who’d batted .200 in her two seasons with the Blue Sox. She’d been playing since she was a little girl, and had spent her days working in a steel mill in her hometown of Chicago while devoting evenings to playing ball, before attending a tryout for the league at Wrigley Field. That scene was made famous by the film “A League of Their Own,” with hundreds of women traveling from around the country to the brick ballpark with the ivy-covered outfield wall.

Why was D’Angelo being cut from the thing she loved most in the world? When she told the story later in her life, she gave the reason: “a butchy haircut.” It was a haircut she says she never even wanted, one she was pressured into getting by the hairstylist who assured her she would look lovely with her dark curls trimmed into a bob.

D’Angelo had broken one of the cardinal rules of the A.A.G.P.B.L.: “Play like a man, look like a lady.” But she wasn’t the only one. Connie Wisniewski was told she’d be kicked off her team if she chose to get a close-trimmed cut. Multiple recruits were immediately handed tickets home after they showed up to spring training with bobs, and “Dottie Ferguson was warned by her chaperon against wearing girls’ Oxford shoes, because they were excessively masculine-looking,” writes Lois Browne in her book Girls of Summer: In Their Own League.

Members of the Fort Wayne Daisies baseball team, 1948. (Photo courtesy State Archives of Florida)

Players had to attend charm school and wear lipstick on the field. Their uniforms had skirts instead of pants — not great for sliding, but deemed appropriately feminine by league owner Philip K. Wrigley. All of this was chronicled in “A League of Their Own.” But there was one thing the movie left out: the reason for these requirements.

Though it was never explicitly stated, historians and players alike say the rules were in place, in part, to prevent the women from being perceived as lesbians. Many of the women actually were gay, including D’Angelo, which is another part of the story the movie didn’t tell. By not including a gay character’s story in “A League of Their Own,” the film does to the history of the league what the owners tried to do its existence — erase lesbians from the narrative.

* * *

When Terry Donahue met Pat Henschel in 1947, Donahue was a 22-year-old catcher and utility infielder in the All-American Girls Professional Baseball League. She grew up playing ball with her younger brother, Tom, on their family’s farm in Saskatchewan, Canada. “She claimed that she was five-foot-two. She was about five-foot,” Henschel tells me over the phone from the home she shares with Donahue. “She had dark hair, blue eyes, and was very attractive, and she was wonderfully liked.”

Donahue was in Nova Scotia for the winter when she met Henschel, who was 19 at the time. The two women hit it off, keeping in touch when Donahue moved back to the U.S. to play for the Peoria Red Wings. “She was a utility player, and the catcher on her team broke her thumb or her finger,” Henschel says. “The manager came up to her and said, ‘Have you ever caught?’ And Terry said, ‘no.’ He said, ‘Well, you’re going in tonight.’” The first game Donahue ever caught ended up being a 19-inning game. The next day was her birthday.

“The only things [women] can’t do, we can’t hit as far and we can’t throw as hard, but we certainly can make all the plays that you see in the Cubs’ ballpark. Or the Sox,” Donahue told the Kane County Chronicle in 2010, referring to the Cubs and White Sox, Chicago’s two major-league squads.

Left, Terry Donahue’s baseball card. Right, Peoria Redwings team photo in 1947 – the year she met Pat Henschel. Donahue played in the team from 1946 to 1949. (Photos courtesy All American Girls Professional Baseball League Players Association)

Today, Donahue, who has Parkinson’s disease, is 92. Henschel is 89. For seven decades the two told almost everyone, aside from their inner circle, that they were best friends. The Chronicle story calls Henschel Donahue’s “cousin and roommate.” But the truth was much more than that. For 70 years theirs has been a love story, originating in a time when the only love stories we were allowed to tell were those between a man and a woman. Try to ask most former players about the issue and they clam up. “I don’t think it was really even talked about, frankly,” Henschel says.

In the ’40s and ’50s, homosexuality was not discussed much; it wasn’t until 1973 that the American Psychiatric Association removed it from the list of mental illnesses. The players could have lost more than just their baseball careers if they had been open about their queerness. They could have lost their families, occupations, and reputations, too. In those days, “you had to be very discreet, and we were,” says Henschel. “No one was even aware of it because we got so careful and no one would have even imagined anything at all.”

That stigma has carried on for decades. As Ila Borders, the first woman to play for a men’s professional baseball team since the Negro Leagues, wrote in her memoir, Making My Pitch, “I remain certain that my professional career would not have been possible had I come out.” In 1994, Borders, a left-handed pitcher, became the first woman to receive a college baseball scholarship. She was the first to start an N.C.A.A. baseball game and the first woman to get a win in collegiate baseball. She then played for the independent, otherwise all-male St. Paul Saints and Duluth-Superior Dukes.

“In 1994 few in baseball — or in the country — were ready to accept a gay player, male or female,” writes Borders. Indeed, that same year, the book SportsDykes: Stories From On and Off the Field was also published. In her essay, “The Lesbian Label Haunts Women Athletes,” Lynn Rosellini writes, “To most lesbian athletes … coming out is not yet worth it.”

“If a woman plays hardball, people figure she’s likely gay,” writes Borders. It’s why, during her baseball career, she constantly had to answer questions about whether she dated men, and had to reassure the public that, despite the fact that she played ball, she was not gay. She understands today that talking about being a gay athlete is a double-edged sword, in a way. There’s the stereotype that women athletes are all lesbians, which is both inaccurate and unfair. And yet, there’s also the truth that there are many athletes who are also lesbians.

“I was deeply ignorant of my small place in the history of women athletes and the whole gay rights movement,” Borders writes of her playing days as a closeted homosexual.

But this stereotype existed long before Borders was even born. Some A.A.G.P.B.L. players cited masculine clothing or appearances as tipping them off about a woman’s sexual orientation, a stereotype that still exists today and may or may not be accurate. “The lesbians, they dressed like men with those big pants and big shoes, most of them. … [T]hey had boyish bobs,” Dottie Green, a former A.A.G.P.B.L. player and chaperone told Susan K. Cahn in her book Coming on Strong: Gender and Sexuality in Twentieth Century Sports. Or, as Dottie Ferguson Key put it, “tomboyish girls” who “wanted to go with other girls” signaled it with their “mannish” shoes and clothing.

A.A.G.P.B.L. players (left to right) Daisy Junor, 27, South Bend; Dorice Reid, 19, Chicago club member; Dodie Healy, 19, Chicago club member; (top) Gene George, 20, Peoria club member, fraternizing in a bunk room over a sports magazine, 1948. (Photo courtesy State Archives of Florida)

It was this perception of female athletes as unfeminine and unfeminine women as lesbians that led Wrigley, a chewing gum manufacturer and president of the Chicago Cubs, to insist that his players be appropriately feminine in appearance.

But the A.A.G.P.B.L. went even further than that, instituting a policy against fraternizing with other teams. The given reason was “to sustain the complete spirit of rivalry between clubs,” but Browne writes that the real reason that teams imposed stiff fines on players who violated this rule was the fear of lesbianism. When the affair was between teammates, chaperones would refuse to let the suspected couple room together and gauge the reaction of the players to confirm their hunch. In one case, the suspected lovers were so angry about being barred from becoming roommates that team manager Johnny Gottselig considered it proof of the affair. One manager released two of his players because he thought they were gay and was worried they would “contaminate” the rest of the team.

In another case, a married player was rumored to have fallen for one of her teammates. “That player converted this young married woman in just two weeks,” said Fred Leo, who was the League’s publicity director and, later, its president. Another time, Leo said that a married player was discovered to be in a relationship with a woman who was unassociated with the league. Leo claimed he notified her husband, who came and took her home.

“Knowledge of gay women in sport ranged from a hazy, unarticulated awareness to an informed familiarity or personal involvement,” writes Cahn. “Often an athlete’s initial awareness of lesbianism developed from seeing women ‘pairing off’ or getting ‘very clannish’ with each other.”

However, many of the players came to the league quite sheltered. They often arrived from small towns or rural areas and were quite young when they left home. As a result, it was not uncommon for new or younger players to be completely blindsided by the relationships between their teammates. Dorothy Hunter entered the League in 1943, when she was 27. Hunter, who was from Winnipeg, Canada, said she had “never heard of lesbianism,” so her teammates regaled her with tales of lesbian love affairs. “They told me they had wedding ceremonies. Well, I just thought they were giving me the gears because I was a green Canadian.”

But many of the players were unattached. If straight players were married, many of their husbands were off at war or were left back at home on farms or in factories. The players’ grueling schedule and constant travel made dating difficult. It was in many ways the perfect environment for gay women to become involved with each other. But in some cases, the near-inability to date was a welcome reality. It made staying in the closet easier, because there was no time for dating and so there was no need to make excuses. This was something that Borders discovered, too, when she was playing ball in the 1990s.

“Playing baseball allowed little time for dating,” she writes. “When people tried to set me up, it was easy to say, ‘No thanks, too busy.’”

These restrictions kept some women out of the league altogether. One of those women was Dot Wilkinson, often regarded as the greatest softball player of her time — and perhaps all time. Wilkinson was a hard-playing catcher for the Phoenix Ramblers. She joined the American Softball Association (A.S.A.) team in 1933, when she was just 11 years old.

“Softball has meant more to me than I can ever tell anybody,” Wilkinson says in the documentary film “Extra Innings.” “I love that game. I never thought about anything else.”

Wilkinson was recruited to play in the A.A.G.P.B.L. “They came to Arizona to offer us some contracts,” Wilkinson said. “They wanted to give me $85 a week [equivalent to $1,240 today] to catch. I didn’t want to leave the Ramblers and I don’t like being away from home so I didn’t go.”

But it was more than that. Wilkinson didn’t want any part of the curfews, the charm school, the chaperones, or the mandatory dresses. She played in Levi’s or her shiny satin uniform shorts, and she liked it that way. She also knew that the league was actively discouraging players from being perceived as exactly what Wilkinson was — gay.

“Softball was my first love and it still is,” said Wilkinson. But she had another love, too. In 1963, Estelle “Ricki” Caito, a star second baseman, joined the Ramblers. Wilkinson and Caito played together for two seasons, until the A.S.A. disbanded. But they also began a relationship that would last 48 years, until Caito’s death in 2011.

“We were born at a time when we were all in the closet and that was just the name of the game,” Wilkinson said. “And you had to live with it and that’s what we did.”

* * *

It is the obituaries that offer the most publicly available clues to some of the players who spent their lives with other women. The most telling evidence is often in veiled language or titles that are open to interpretation. In at least one case, a player had a “special friend.” In others, their relationships are more explicitly acknowledged.

Mabel Holle played third base for the South Bend Blue Sox, and like teammate JoJo D’Angelo hailed from Illinois. Holle’s father was a semi-professional pitcher and she grew up playing ball with her siblings. She attended the mass tryout at Wrigley Field, becoming one of the original members of the league in 1943. During the season, she was traded to the Kenosha Comets. Her contract was not renewed in 1944, forcing her to try out again. This time, she didn’t make the cut. After leaving the league, she became a physical education teacher. In Holle’s 2011 obituary, written after she died at 91, there’s this: “Holle is survived by her longtime partner, Linda Hoffman.”

Babe Ruth and Millie Deegan, 1938. (Photo courtesy The Diamond Angle, via Archive Today)

Mildred “Millie” Deegan played 10 seasons with the A.A.G.P.B.L., from 1943-1952. She is rumored to have impressed Babe Ruth with how far she could hit a softball, and it is said he squeezed the biceps on her arm when he posed with her for a photo. In 1944 the Brooklyn Dodgers invited Deegan and two other women to their spring training camp. Leo Durocher, the Dodgers manager, told the Daily Oklahoma in 1946, “Deegan spent a whole week training with the Brooklyn Dodgers at their Bear Mountain, NY camp. If she were a man, she no doubt would have been a Dodger.”

Deegan died of breast cancer in 2002 at the age of 82. Her obituary in the New York Times mentions Margaret Nusse, “Ms. Deegan’s companion and her only survivor.” Nusse, known as “Toots,” was a softball legend herself. According to the now-defunct NJ Divas Fastpitch site, Deegan and Nusse were partners for almost 50 years. The two shared their passion for softball: Deegan was the coach for the Linden, New Jersey, Arians and Nusse was the manager. Nusse passed away just six months after Deegan died, at age 85.

June Peppas was a pitcher and first baseman from Fort Wayne, Indiana, who played in the A.A.G.P.B.L. from 1948-1954. The player known as “Lefty” had spunk. Fort Wayne Daisies manager Harold Greiner relates a story in Browne’s book Girls of Summer: “Once there were some men out in the street, and some smart aleck said something. I didn’t hear what it was, they’d watched till I wasn’t nearby. Anyway, all of a sudden I hear ‘Wow!’ I turned around and saw that June Peppas had decked the guy — and I mean she really decked him. He crawled away.”

The A.A.G.P.B.L. meant a lot to Peppas. She was the first chairperson of the Players Association Board and two-time A.A.G.P.B.L. All-Star. Polly Huitt was Peppas’s partner for 46 years before she passed in 2007, nine years before Peppas died at the age of 86. The two operated a printing business in Allegan, Michigan, called PJ’s Printing, from 1975-1988. They sold the business and retired to Florida where, according to Peppas’s obituary, they enjoyed “golf and an active social life.”

Fort Wayne Daisies player Marie Wegman arguing with umpire Norris Ward, 1948. (Photo courtesy State Archives of Florida)

One of the best pitchers to ever play in the A.A.G.P.B.L. was Jean Cione. The girl from Rockford, Illinois, played 10 seasons in the league. In that time she threw three no hitters, had three 20-win seasons, and had an unassisted triple play — something that has only happened 15 times in Major League Baseball since 1909. Cione spent her rookie year in 1947 with the Rockford Peaches and finished with an astonishing 1.30 ERA. “She was a lot fun to be with,” Cione’s partner Ginny Hunt told the Bozeman Daily Chronicle after her death in 2010. “If you didn’t ever experience watching a baseball game with her, you really missed something. It was a treat to watch a game with her. She analyzed every play.”

Catcher Eunice Taylor and her partner of 45 years, Diana Walega, owned and operated a pet supply store for 40 years. Outfielder Barbara Sowers was with her “loving companion” Shirley Ann Weaver for 45 years. And there are many more, players with “longtime,” “beloved companions,” whose names I have chosen not to include here out of respect for the fact that they were likely still closeted during their lives. Their obituaries, which are historical documents, offer us glimpses into their lives and are open for us to interpret.

* * *

“Our relationship is one of the best,” Pat Henschel says of her partnership with Terry Donahue. “We’re very lucky and we know it.”

Photos of the women throughout the years give a glimpse of the life they’ve had together. In their younger days, they look like they could be sisters as they pose in front of a Christmas tree in a picture that might have been taken in the 1960s. They each sport short, dark hairstyles and wear sleeveless turtleneck shirts. In another, they are perhaps in their 60s and they dance together in front of a fireplace. They are both laughing. Their hairstyles have not changed in the decades between the two photos except to turn from brown to gray.

Members of the All-American Girls Professional Baseball League and an umpire, 1948. (Photo courtesy State Archives of Florida)

They are ready to tell the world the truth about their relationship. Donahue’s great nephew, Christopher Bolan, is working on a documentary about their life together. Another photo shows the two of them doing what they had only ever done behind closed doors: they hold hands, weathered and wrinkled by the years they’ve spent together, and they kiss each other on the lips. Their eyes are closed. It is sweet. It is intimate. But they hid this truth for as long as they did because, for most of their lives, they had too much to lose by coming out.

But today, Henschel says, “They either accept it or they don’t.”

* * *

Fifty years after the All-American Girls Professional Baseball League ended, Ila Borders was making history. She had ascended to a level that no woman ever had before. She was playing — and succeeding — in men’s professional baseball. And then, she quit.

We are sitting together in the stands at JetBlue Park, the Red Sox’s spring training facility in Fort Myers, Florida. We’re watching a group of women play the championship game at the team’s Women’s Fantasy Camp, where Borders is coaching. “It got to me,” Borders says about being in the closet. “It’s why I quit. It’s the worst thing on Earth to hide who you are.”

That, Borders says, is why she ultimately came out — for the next generation of girls who want to play ball, so they can be themselves, no matter who they are, and so history doesn’t have to repeat itself.

Borders looks out onto the field of women whose uniforms are streaked with dirt. “If you are a ballplayer, it’s O.K. to play hard and just be yourself,” she says. And she’s finally at a place in her life where she truly believes it.

Memoir

The Day My Therapist Dared Me to Have Sex With Her

My analyst and I grew more intimately connected each week of treatment...but I never saw this indecent proposal coming.

It’s the waning moments of my fourth session with a new therapist. I’m holding back — and she knows it. My entire body feels tense, not ideal for the setting. I try to relax, but the plush leather couch crumples under me when I shift, making the movements extraordinary. I’ve barely looked into my therapist’s blue eyes at all, and yet I think the hour has gone very well. Of course it has. On the surface, when the patient has been highly selective of the discussion topics, therapy always resembles a friendly get-together.

“Well,” my therapist, Lori, says, the millisecond after I become certain our time is up and I might be in the clear. “I don’t think I should let you go until we’ve at least touched on what was put out there at the end of last week’s session.”

I so supremely wanted this not to come up. My eyelids tighten, my mouth puckers to the left, and my head tilts, as though I’m asking her to clarify.

“When you said you’re attracted to me,” she continues.

“Oh, yeah,” I say. “That.”

Back in session three Lori was trying to build my self-esteem, the lack of which is one of the reasons I’m in treatment. Within the confines of my family, I’ve always been the biggest target of ridicule. We all throw verbal darts around as though we’re engaged in a massive, drunken tournament at a bar, but the most poisonous ones seem to hit me the most often, admittedly somewhat a consequence of my own sensitivity. I’ve been told it was historically all part of an effort to toughen me up, but instead I was filled with towering doubts about my own worth. And since 2012, when I gave up a stable, tenured teaching career for the wildly inconsistent life of a freelance writer, I’ve had great difficulty trusting my own instincts and capabilities. I told Lori that I wish I was better at dealing with life’s daily struggles instead of constantly wondering if I’ll be able to wade through the thick.

She quickly and convincingly pointed out that I work rather hard and am, ultimately, paying my bills on time, that I have friends, an appreciation for arts and culture, and so on. In short, I am, in fact, strong, responsible and “pretty good at life.”

Then Lori heightened the discussion a bit. “I also feel that it is your sensitivity that makes you a great catch out there in the dating world,” she said, to which I involuntarily smiled, blushed and quickly buried my chin in my chest. I was too insecure and too single to handle such a compliment from a beautiful woman.

“Why are you reacting that way?” Lori asked.

I shrugged my shoulders, only half looking up.

“Is it because you’re attracted to me?”

I laughed a little, uncomfortably. “How did you know?”

She gently explained she could tell the day I walked into her office for the first time, after I flashed a bright smile and casually asked where she was from.

Now, a week after dropping that bomb, Lori asks, “So, why haven’t we talked about it?”

“I was hoping to avoid it, I suppose.” I tell her the whole notion of having the hots for a therapist is such a sizable cliché that I was embarrassed to admit it. “For Christ’s sake,” I say, throwing my hands up, “Tony Soprano even fell in love with his therapist.”

Lori snorts, rolls her eyes. “I knew you were going to say that.”

I smile, shake my head and look around the room, denying acceptance of my own ridiculous reality.

“It’s OK,” Lori says, grinning. “We can talk about this in here.”

I look again at her stark blue eyes, prevalent under dark brown bangs, the rest of her hair reaching the top of her chest, which is hugged nicely by a fitted white tee under an open button-down. She jogs often, I’d come to find out, which explains her petite figure and ability to probably pull off just about any outfit of her choosing.

I still can’t speak, so she takes over.

“Do you think you’re the first client that’s been attracted to their therapist?” she asks rhetorically. “I’ve had other clients openly discuss their feelings, even their sexual fantasies involving me.”

“What?” I cackle, beginning to feel as though I’ve moseyed onto the set of a porno.

“It’s true,” she says, acknowledging her desk. “What’s yours? Do you bend me over and take me from behind?”

Nailed it.

“If that’s what you’re thinking, it’s OK,” she goes on, earnestly, explaining that she’s discussed sexual scenarios with her clients before so as to “normalize” the behavior and not have them feel their own thoughts are unnatural. By showing the patient a level of acceptance, she hopes to facilitate a more comfortable atmosphere for “the work” — her painfully accurate pseudonym for psychotherapy.

I take a second to let the red flow out of my face, and ponder what she said. I’m a little unsure about this whole technique, but the more I think about it, the more it makes sense. So I go home, incredibly turned on and completely unashamed.

* * *

One of the great breakthroughs I’ve had in the thirteen months since I began seeing Lori (who agreed to participate in this article, but requested that her full name not be published) is a new ability to accept the existence of dualities in life. For instance, I’ve always had a tremendous sense of pride that, if it doesn’t straddle the line of arrogance, certainly dives into that hemisphere from time to time. I’m great at seeing flaws in others and propping myself up above them by smugly observing my character strengths. I’ve never liked that about myself, but the harder concept to grasp is the fact that I can be so egotistical while also stricken with such vast quantities of insecurity.

In treatment I came to realize that all people have contradictions to their personalities. There’s the insanely smart guy who can’t remotely begin to navigate a common social situation, the charitable girl who devotes all her time to helping strangers, but won’t confront issues in her own personal relationships. In my case, my extreme sensitivity can make me feel fabulous about the aspects of myself that I somehow know are good (my artistic tastes) and cause deep hatred of those traits I happen to loathe (the thirty pounds I could stand to lose).

My next session with Lori is productive. We speak about relationships I’ve formed with friends and lovers, and how my family may have informed those interactions. One constant is that I put crudely high expectations on others, mirroring those thrown upon me as a kid. I’m angered when people don’t meet those expectations, and absolutely devastated when I don’t reach them. Lori points out that it must be “exhausting trying to be so perfect all the time.” I am much more comfortable than I was the week prior, and can feel myself being more candid. I’m relieved that the whole being-attracted-to-my-therapist thing doesn’t come up.

Then, a week later, Lori mentions it, and I become tense again.

“I thought I’d be able to move past it,” I say, adding, “We aired it out, and it’s fine.”

As definitive as I’m trying to sound, Lori is just as defiant.

“I’m glad you feel that way,” she begins, “but I think you owe yourself some kudos. This kind of therapy,” she shares, “isn’t something just anyone can take on.” Such honest discussion doesn’t simply happen, it takes tremendous guts, and Lori can see that I am dealing with it relatively well, so I should praise my own efforts.

“Shit, we both should be proud of ourselves,” she says. “It’s not easy on the therapist either, you know.”

“Why not?”

“Because talking openly about sex is risky at any time, much less with a client.” She explains that therapists are warned any semblance of intimacy can be easily misconstrued. “We learn in our training to not personally disclose, for example,” she says, but adds that, occasionally, transparency can be helpful.

“Still, with you,” she continues, “until I raised the question, I didn’t know for sure that you would go with it; for all I knew you’d run out of here and never come back to risk being so uncomfortable again.”

She’s building my confidence more, and I’m learning that I play a much bigger role in how my life is conducted than I often realize. My treatment wouldn’t be happening if I weren’t enabling it.

Then she says, “And don’t think it’s not nice for me to hear that a guy like you thinks I’m beautiful.”

Crippled by the eroticism of the moment, and combined with the prevailing notion that no woman this stunning could ever be romantically interested in me, I flounder through words that resemble, “Wait…what?”

“If we were somehow at a bar together, and you came over and talked to me,” she says, then flips her palms up innocently, “who knows?”

I laugh again and tell her there’d be almost no chance of me approaching her because I’d never feel like I had a shot in hell.

“Well, that’s not the circumstances we’re in,” she says. “But you might. Who knows?”

I’m confused — Is she really attracted to me or is this some psychotherapeutic ruse? I’m frustrated — I told her I didn’t really want to talk about it. Shouldn’t she be more sensitive to my wants here? I’m angry — Is she getting an ego boost out of this? Most of all, I don’t know what the next step is — Am I about to experience the hottest thing that’s ever happened to a straight male since the vagina was invented?

There were two ways to find out:

1) Discontinue the therapy, wait for her outside her office every day, follow her to a hypothetical happy hour and ask her out, or

2) Keep going to therapy.

* * *

A week later, I’m physically in the meeting room with Lori, but mentally I haven’t left the recesses of my mind.

“Where are you today?” she asks, probably noticing my eyes roving around the room.

“I don’t know.”

“Are you still grappling with the sexual tension between us?”

Here we go again.

“Yes,” I say, with a bit of an edge in my voice, “and I don’t know what to do about it.”

Lori, ever intently, peers into my eyes, wrinkles her mouth and slightly shakes her head.

“Do you want to have sex with me?” she asks.

We both know the answer to that question. All I can do is stare back.

“Let’s have sex,” she announces. “Right here, right now.”

“What?” I respond, flustered.

“Let’s go!” she says a little louder, opening up her arms and looking around as if to say the office is now our playground, and, oh, the rollicking fun we’d have mixing bodily fluids.

“No,” I tell her, “You don’t mean that.”

“What if I do?” she shoots back. “Would you have sex with me, now, in this office?”

“Of course not.”

“Why ‘of course not’? How do I know for sure that you won’t take me if I offer myself to you?”

“I wouldn’t do that.”

“That’s what I thought,” she says, and tension in the room decomposes. “Mike, I don’t feel that you would do something that you think is truly not in our best interest, which is exactly why I just gave you the choice.”

Her offer was a lesson in empowerment, helping me prove that I have an innate ability to make the right choices, even if I’d so desperately prefer to make the wrong one.

I see what she means. I’m awfully proud of myself, and it’s OK to be in this instance. I’m gaining trust in myself, and confidence to boot. But, as the dualities of life dictate, I’m successfully doing “the work” with a daring therapist, while at the same time not entirely convinced she isn’t in need of an ethical scrubbing.

* * *

I don’t have another session with Lori for nearly three months, because she took a personal leave from her place of employment. When our sessions finally resumed, I could not wait to tell her about my budding relationship with Shauna.

Ten minutes into my first date with Shauna — right about the time she got up from her bar stool and said she was “going to the can” — I knew she would, at the very least, be someone I was going to invest significant time in. She was as easy to talk to as any girl I’d ever been with, and I found myself at ease. Plans happened magically without anxiety-inducing, twenty-four-hour waits between texts. Her quick wit kept me entertained, and I could tell by the way she so seriously spoke about dancing, her chosen profession, that she is passionate about the art form and mighty talented too. Shauna is beautiful, with flawless hazel eyes and straight dark hair, spunky bangs and a bob that matches her always-upbeat character. She is a snazzy dresser and enjoys a glass of whiskey with a side of fried pickles and good conversation as much as I do.

Things escalated quickly, but very comfortably, and since we’d both been in our fair share of relationships, we knew the true power of honesty and openness. So upon the precipice of my return to therapy I told Shauna about Lori, and admitted to having mixed feelings about what I was getting back into. I told her I was at least moderately uncertain if my mental health was Lori’s number-one concern since she always seemed to find the time to mention my attraction to her.

The first two sessions of my therapeutic reboot had gone great. Lori appeared genuinely thrilled that I was dating Shauna and could see how happy I was. I wasn’t overwhelmed with sexual tension in the new meeting room, though it wasn’t actually spoken about, and in the back of my mind I knew it was just a matter of time before it would start to affect my ability to disclose my thoughts to Lori again.

Then, while attempting to ingratiate myself with my new girlfriend’s cat by spooning food onto his tiny dish on the kitchen floor, I hear my phone ding from inside the living room.

“You got a text, babe,” Shauna says. “It’s from Lori.”

“‘I’m so impressed with you and the work you’re doing…’” Shauna reads off my phone from inside the living room, inquisitively, and not happily. I stuff the cat food back into the Tupperware and toss it into the refrigerator. I make my way into the living room, angry at myself for not changing the settings on my new iPhone to disallow text previews on the locked screen. Shauna’s walking too, and we meet near the kitchen door. “What’s this?” she says, holding up the phone. “Your therapist texts you?”

I take the phone from Shauna and say the most obvious, cliché-sounding thing: “It’s not what it seems.”

As I text back a curt “thanks,” Shauna tells me she’s going to ask her sister, a therapist herself, if it’s OK to text patients.

“Don’t do that.” I say, a little more emphatically. “I promise, this is nothing to be worried about. We’re not doing anything wrong.” I explain that Lori’s just trying to build my self-esteem.

“The only reason I’m even bringing this up is because you said you weren’t sure about her in the first place,” Shauna reminds me. I can tell she regrets looking at my phone without my permission, but I completely understand her feelings.

At my next session I tell Lori that Shauna saw her text and wasn’t thrilled about it.

“She probably feels cheated on to some degree,” Lori says. “A relationship between a therapist and a patient can oftentimes seem much more intimate than the one between a romantic couple.”

Lori goes on to point out that the reason she feels we can exchange texts, blurring the lines between patient/doctor boundaries — a hot topic in the psychotherapy world these days — is because she trusts that I’ll respect her space and privacy. “You’ve proven that much to me,” she says.

On my walk home, instead of being angry at Lori, I understand her thinking behind the text. But I’m also nervous about how Lori and Shauna can ever coexist in my life.

Isn’t therapy supposed to ameliorate my anxiety?

* * *

A week later, Lori begins our session by handing me a printout explaining the psychotherapeutic term “erotic transference” written by Raymond Lloyd Richmond, PhD. It says that erotic transference is the patient’s sense that love is being exchanged between him or herself and the therapist — the exact sensation I was experiencing with Lori, of which she was astutely aware.

According to Richmond, one of the primary reasons people seek therapy is because “something was lacking in their childhood family life,” perhaps “unconditional nurturing guidance and protection.” Upon feeling “noticed” and “understood” by a qualified therapist, sometimes a patient can be “intoxicated” by their therapist’s approval of them. A patient may in turn contemplate that a love is blossoming between them, and, in fact, it sort of is.

From an ethical standpoint, Richmond argues all therapists are “bound” to love their patients, for therapists are committed to willing “the good of all clients by ensuring that all actions within psychotherapy serve the client’s need to overcome the symptoms” which brought them into treatment. This takes genuine care and acceptance on their part. However, a patient can easily confuse the love they feel with simple “desire.” They’re not quite in love with their therapist, so much as they yearn for acceptance from someone, and in those sessions they just happen to be receiving it from their doctor.

Lori tells me that, all along, she has been “working with what I gave her” and that because I flirted with her a bit, she used that to her advantage in the treatment. In employing countertransference — indicating that she had feelings for me — she was keeping me from feeling rejected and despising my own thoughts and urges.

“There’s two people alone in a room together, and if they’re two attractive people, why wouldn’t they be attracted to each other?” says Dr. Galit Atlas. A psychoanalyst who’s had her own private practice for fifteen years, Dr. Atlas has an upcoming book titled The Enigma of Desire: Sex, Longing and Belonging in Psychoanalysis, and I sought her as an independent source for this essay to help me understand Lori’s therapeutic strategies.

Dr. Atlas explains that there are certain boundaries that cannot be crossed between therapist and patient under any circumstances — like having sex with them, obviously. But many other relationship borders can be mapped out depending on the comfort level of the therapist, as long as they stay within the scope of the profession’s ethics, which complicates the discussion surrounding erotic transference.

“As a therapist, I have a role,” Dr. Atlas says. “My role is to protect you.” She says it is incumbent on the therapist to not exploit the patient for the therapist’s own good, but admits that the presence of erotic transference in therapy brings about many challenges. “[Attraction] is part of the human condition,” she observes. In therapy, “the question then is: What do you do with that? Do you deny it? Do you talk about it? How do you talk about it without seducing the patient and with keeping your professional ability to think and to reflect?”

I ask her about the benefits of exploring intimacy in therapy, and Dr. Atlas quickly points out that emotional intimacy — though not necessarily that of the sexual brand — is almost inevitable and required. “An intimate relationship with a therapist can [be] a reparative experience — repairing childhood wounds — but mostly it’s about helping the patient to experience and tolerate emotional intimacy, analyzing the client’s anxieties about being vulnerable and every mechanism one uses in order to avoid being exposed.”

Dr. Atlas says this topic speaks to every facet of the therapeutic relationship, regardless of gender or even sexual orientation, because intimacy reveals emotional baggage that both the patient and therapist carry with them into the session. But this isn’t a symmetrical relationship, and the therapist is the one who holds the responsibility.

“Freud said that a healthy person should be able to work and to love,” she says. “In some ways therapy practices both, and in order to change the patient will have to be known by the therapist. That is intimacy. In order to be able to be vulnerable, both parties have to feel safe.”

After I briefly explain all that has gone on between me and Lori, Dr. Atlas steadfastly says she does not want to judge too harshly why and how everything came to pass in my therapy. “I don’t know your therapist, and I don’t know your history,” she says. But she offers that I should “explore the possibility” that I might have created and admitted my sexual adoration of Lori because one of my fears is to be ignored, not noticed.

Then I offer: “Maybe this essay is being written for the same reason.”

“Exactly.”

Maybe I wanted to interview Lori about erotic transference in my therapy sessions for that same reason as well…to stand out as the most amazingly understanding patient ever.

* * *

“I want to be very clear that this was never about feeding my own ego,” Lori says about her approach to my treatment. “We were always doing this in your best interest.”

I’m in Lori’s office, a tape recorder rolling and a pad and pen in my hands.

“I felt I was doing a disservice to you if I didn’t ‘out’ what I felt was weighing on us, which, honestly, felt like a heavy secret,” she says, pointing out that she discussed my therapeutic process for many hours in her required supervision meetings.

In order for Lori to advance in her field as a social worker, she has to attend 3,000 conference hours with another professional to go over casework — kind of like therapy quality control.

We talk about all of this during one of my scheduled sessions, for the entire hour — and go over by a few minutes, too.

Lori says that when she began her career as a social worker, she decided she wasn’t going to shy away from any subjects. “It’s typical for a client to [have] a habitual desire to sweep things under the rug,” she observes, especially about taboo topics. It can become a cycle of behavior that Lori seeks to break.

I refer back to the time when, unprovoked, she brought up my attraction to her.

She says she mentioned it to avoid what therapists call “door-knobbing,” which is when a patient will purposely mention some huge reveal right at the end of a session so as to sidestep a lengthy conversation about it.

“My only question for you is, was I wrong for bringing it up?” she asks. “Only you can answer that.”

Lori’s great at forcing me to reflect.

“I guess when I said I was over it and could move on, that was an example of my strict black-and-white thinking,” I say, throwing back some language she’s used often to describe my challenge in accepting dualities. In my mind, I was either attracted to her and shouldn’t see her anymore, or I wasn’t attracted to her and could still have her be my therapist. There was no in between.

I realize now that she wasn’t wrong for mentioning my feelings for her, even when I didn’t want her to. Lori noticed that I was frustrated with myself and wanted me to know that an attraction to a therapist is so normal and happens so frequently that there are technical terms for it.

I turn my attention towards the presence of countertransference in our session. I’m trying to come up with an actual question here, but, really, I just want her to confirm her feelings for me are real. So I say, referring to her feelings, with a great degree of difficulty, “It’s funny that they seem genuine to this day.”

“They are genuine,” Lori says, adding a moment later: “I think it might be a good idea if we explore why our discussing it suggests a lack of authenticity.”

“It doesn’t, necessarily,” I begin, then stammer through a few sentences, worried I might offend her by implying she’s been dishonest. I finally settle on, “I guess it comes back to my self-esteem issues. Why would a beautiful woman think I’m attractive?”

Lying in bed with Shauna a few months into our relationship, I ask her what she thought about me the moment she first saw me. I’m fishing for a compliment. But we met on Tinder and I just hope that seeing me in person wasn’t some kind of letdown for her after swiping right on my hand-picked glamour shots. Obviously she isn’t going to say something so awful after having committed to me for so long. It’s a slam-dunk ego boost.

She says she liked the fact that I was wearing a blazer and a tie on a first date. She adds that I was a little shorter than she anticipated, but was content with the two of us at least being the same exact height.

“What did you think when you first saw me?” she asks, turning it around, naturally.

Staying committed to my honesty-at-all-costs policy, I say, “I thought you were really beautiful, but not to the point where I was intimidated by you, which was very important because if I was, you would have gotten a very unconfident version of me, and we probably wouldn’t have hit it off as well as we did.”

Shauna thinks about that for a second, and eventually nods “OK.”

I explain that my insecurity could often get the better of me in dating situations. It was easy to convince myself that I’d be rejected by the girl I was with, especially if I thought she was out of my league. I would then slip into a nervous and reserved state that isn’t at all reflective of my true self.

I’m essentially saying that I was so thrilled to not find Shauna so extraordinarily pretty that I couldn’t accept her being on a date with me. That thought made so much sense at the time I said it, but I’ve since come to realize it is as ridiculous as it is insulting. After ten months of being with Shauna, I’m still completely floored by her, on every level, including a physical one. It gives me great pride to walk into a room with her, and I don’t imagine that changing. Therefore, she actually did meet a confident “version of me.” The way people look doesn’t drastically change in ten months but a person’s perception of self can. It seems my emotional workouts in erotic transference were just beginning to produce results.

* * *

“People fuck up,” Lori informs me during one winter session. “Therapists have slept with clients before, just like politicians have had sex with their interns. But, so you have a full understanding of how this works, we can date.” She explains the parameters as outlined in the social worker’s code of ethics. One of the many stipulations is that we wouldn’t be able to see each other, under any circumstances, for at least two years before dating. She tells me she loves her job, and there’s no way she would ever sacrifice my safety or her career for anything, so she would strictly follow all the dictated rules. “If you truly want to date me, there is the option. But it’s ultimately up to you.”

I know what she’s doing here — putting the onus on me, just like last year when she said we could have sex. The difference this time is the answer I want to give is on par with all of my involuntary urges.

“I don’t want to stop the work we’re doing,” I say. “At this point, it’s far too valuable to me, and, really, I know very little about you.” She’s beautiful, exercises, is smart, funny, professional, enjoys good TV…and that’s about it. Aside from whether or not we’d even both be single in two years, and if we’d be in the correct mind frame to explore a relationship, there are several other things I’m considering here: Would Lori and I really be compatible in every way? Would she ever see me as a lover, a partner, an equal, and not a patient? Could I ever reveal a detail about myself, or even just a shitty day of work, without wondering if she was picking it apart and analyzing it?

Frankly, all those questions could be answered in the positive. But, even if I wasn’t in a happy relationship — Shauna makes this choice much easier, for sure — I wouldn’t go that route. I’d be out a therapist.

* * *

It’s a beautiful spring night in New York and only sidewalk seating will do. Shauna and I are out to dinner at a restaurant near her Queens apartment, and we’re both in good spirits. The weather and the alcohol consumption are partly to blame for that, but, on cue with the season’s change, I feel I’ve turned an emotional corner. Work payments that were past due are finally finding their way into my bank account. As it turns out, my short-term money troubles were not an indication that I had no business being a writer, or that my life changeup was as irresponsible as unprotected sex at fourteen years old.

I’d told Lori as much that afternoon. I took a mental step back from my current situation and realized that in spite of my recent hardships, I was succeeding. I summarize my session for Shauna, who nods in agreement, lovingly pointing out that she’s had the same challenging freelancer experiences as a dancer.

“You’re doing great, babe,” she says matter-of-factly.

“Thank you. That means a lot,” I respond. “I guess if I’m going to be a writer I just have to accept all this and have faith in myself. The way Lori put it was, ‘You just have to go all-in.’”

“Good,” Shauna says. “You should listen to the women in your life.”

* * *

Liked this story? Our editors did too, voting it one of our 20 best untold tales!

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My Daughter Is Trapped Under Five Feet of Snow

In the remote mountains of Norway, a father claws himself out after an avalanche….then starts frantically searching for his daughter.

My Daughter Is Trapped Under Five Feet of Snow

In the remote mountains of Norway, a father claws himself out after an avalanche….then starts frantically searching for his daughter.

 

Narratively is thrilled to present the English-language debut of this interactive story, produced by Bergens Tidende newspaper.

Originally published in Norwegian, it was a viral hit and recently won the “Best Storytelling” prize in Scandinavia’s prestigious Schibsted Awards.

Memoir

That Time I Tried Topless House Cleaning

After years getting paid to bare my breasts at more clubs than I can count, when my funds hit an all-time low I pioneered a cleaner brand of sex work.

Topless Housecleaning + Lapdance
Gentlemen, do you need a good, clean tease after a hard day’s work? I’ll clean your house and give you a (1) lapdance
$100/hr – have your own cleaning supplies – no blocked numbers.

When I arrive at the house of the first viable person to respond to my Craigslist ad, I knock on the door and take a step back. He opens it right away. Jim or John, suddenly I can’t remember. He’s young to have such a nice mini-mansion with a swimming pool and younger than I normally like to deal with. I like his work jeans and dirty white t-shirt, though. They feel kind of homey.

I step in, a little flirty, but all-business to begin with. I get him to show me the whole house, which serves the double purpose of planning ahead for cleaning and making sure there’s no one else hiding, ready to pop out for a gang rape later. Just when the tour is complete my phone rings. It’s my security detail — Possum, the hillbilly witchdoctor I’ve befriended, following instructions to wait for me to clear the house and call to be sure everything’s okay.

“Hey,” I say. “It’s all good in here. Call me in like an hour.”

Ayep,” Possum replies in his drawl.

I turn to JimJohn and start to pull my shirt off, then stop. “Business before pleasure, babe,” I say, making the little money sign with my fingers.

“Oh, of course.” He pulls a hundred out of his pocket and presses it into my hand. I shove it down one of my stockings as I take my pants off, because I have always believed that the safest place for my money is right against my skin.

* * *

I’d had eighty dollars left to my name when I drove into Greenville, South Carolina. Half a tank of gas and two blueberry smoothies later, it dwindled to sixteen dollars folded together in the bottom of my pocket. For some people, this might have been a problem, but not for me. I have the magical ability to walk into a strip club just about anywhere there is one and make a few hundred bucks just because I’m willing to get naked and smile at people.

Sex work is my trust fund. When I’ve been broke down on the side of the road with no money, when I’ve been a homeless teenager, when I’ve wanted to buy a house, a car, an education — sex work has always been there for me. I’ve done almost all the sex work: everything from street hustling to dancing in bejeweled gowns to foot fetish parties and erotic hypnosis. Whenever I discover a new form of sex work — the weirder or more interesting the better — I try to experience it.

I’m staying, with my dog, Spot, in my van down by the river next to Possum, who lives in a van that’s much bigger and nicer than mine. Possum drew me a map showing how to get to the two strip clubs he knows of: a big one, and a little one. Big strip clubs sometimes have things like rules and schedules and lots of competition and high house fees, which I don’t like. I decided to try the small one first.

The small one turned out to be a brothel with very little business, where I met some very beautiful, very southern women, including a 300-pound dancer named Hamhock who I wish I could introduce to every teenager worrying about their weight ever.

I was too fat for the big one, or the door guy was having a bad day.

I started to feel a little panic. That’s when the idea of topless housecleaning came to me — purely formed, rising sweetly out of my desperation — so I put up a Craigslist ad and here I am at Jim or John or whatever his name is’ house.

* * *

I do the kitchen first, like my friend Tania who actually grew up in a mansion and knows how to clean explained to me last night on the phone. I keep up a steady stream of flirting while I put his dishes in the dishwasher and move everything on the counter to one end so I can clean it. While I’m stacking his mail neatly I check out his name. Jim. The counter is dirty, covered in stains and puddles of dried-up food and glue and who knows what else. Scrubbing while bending over a counter in six-inch heels, back arched so that your ass sticks up pretty, is hard work. Especially while flirting the whole time with a man you hope is staring at your ass and not your sweaty face.

He asks about me, how I came to be a topless housecleaner. I don’t tell him that he’s my first, or that I’m broke, or that I live in a van. If you watch television you know what happens to broke homeless women: They give $20 blow jobs, not $100 counter scrubbings. Instead I make up a prissy story about finishing my Master’s degree and taking a year to drive around the country in an R.V. dancing. Of course I tried dancing here, I explain, but the clubs are just so dirty, and I’m way too classy to expose myself to such an environment. The crazy thing I’ve discovered is that the snobbier you seem, the more they will pay you.

Jim is amazingly empathetic about the nastiness of the local clubs. A classy woman like me obviously doesn’t belong in places like those. He follows me from kitchen to bathroom to bedroom to living room, staring while I wipe, mop, scrub and vacuum, all while trying to look like I’m not sweaty from doing this work in humid 90-degree weather. His story is interesting. All his time goes to his race-car business, which is like a dream, but lots of hard work. He bought this house two years ago, but hasn’t had the time or taste to furnish it yet, though he does find the time to indulge in the tradition of illicit hooch brewing down in the basement. Steely grey eyes and his young tough look contrast with his docile nature as he tamely follows me around his house. I’m beginning to think all men in the South must be gentlemen.

When I’m done cleaning I settle him on his couch, set my iPod to Depeche Mode, and tell him that he gets one free lap dance with his housecleaning and after that they are twenty dollars, just like in the club. He opens his wallet and peels off another hundred, right away, and tells me to just dance until that runs out.

“No touching,” I remind him as the song starts and I move in front of him. Soon I’m crawling all over him, undulating, brushing my ass across his hard penis through his jeans. He is begging me to let him touch me, and I’m reminding him that I’m not that kind of girl, although I make sure to sound a little confused.

“Come on,” he says, getting his wallet out. “What about for another hundred?”

I pretend to think hard, then: “Okay.” I take his hands and guide them over my body. “You can touch here — my ass, my thighs, my stomach, but no titties or pussy.”

“Two hundred?” he pulls two crisp $100 bills out of his wallet.

It’s not really a question for me. I’ve given this much contact for thirty dollars a song. I pretend to think long and hard, though. If I let on that I have no principles, I can’t pretend to sell them.

“Okay,” I finally say, pushing the bills down my stockings, “but keep your hands off the kitty! That is not for sale!”

He has gentle, well-practiced hands that he swirls around my nipples and brushes softly over my ass. I arch my back and gasp in pretend ecstasy. Soon he wants more again — a hand job, a hundred dollars.

I insist that I’m not that kind of dancer while I consider this through to its logical conclusion. A couple hundred more for a hand job, a couple hundred more for a blow job, a lot more for sex. It could be a grand, easily. But do I want to have sex with this guy? The thing is, I’m a lesbian. The other thing is, sometimes I think I could be bisexual, and every year or two I have a man sex experiment. I can get into men, and right now on this guy’s lap, I’m turned on.

My phone rings again. It’s Possum. “It’s been an hour,” he says, “are you okay in there?”

“Yeah,” I giggle, “I’m having a great time. I’ll be just another fifteen minutes or so.”

Awright.” He hangs up.

“Will you touch it?” Jim asks.

Do I look like that kind of girl? I’m a very classy stripper, I remind him.

“Oh, of course, of course. I’m sorry,” he says. “I hope you’re not offended.”

“No…” I cock my head. “Actually… I’ve always kind of wondered what it would be like to do something like that for money.”

“Well, here’s your chance to find out.”

“Hmm…I dunno. I couldn’t. Well…how much?”

“A hundred?”

“Oh, no. I couldn’t.”

“Two hundred?” He’s got his wallet out, two crisp hundreds in his hand.

“Okay.” I grab them and shove them into my stocking. In my mind I’m counting and calculating miles. This makes 600, or is it 800? That’s, like, 5,000 miles of gas money! Or 2,000 miles and a month or two of groceries and stuff while I explore desert canyons and sky islands. What more could a girl need?

I slide down between his legs and he unzips his jeans eagerly. It is small, with a nice curve and for a second I love it and want to fuck him. Smiling, I bring my face close, admiring it like I’m about to lick it. He gasps and wiggles a little, and I take his cock in my hand. It’s already throbbing, and I just run my hand up it lightly, swirl some of the pre-cum back down it, run my fingers over the whole thing. He moans and half thrusts his hips. I love this. When I finally grab his cock, two-handed, and give it a couple strong, twisting strokes, he explodes right away. Perfect.

“Oh my god,” he says.

I giggle. “No, goddess.”

“Oh my goddess.” He smiles.

“Stay right there, I’m going to get you a washcloth.” I run to the bathroom.

While he cleans up, I pull my jeans and tank top back on over my fishnets and thong. I’m ecstatic and high from the rush of going from six dollars to 800 dollars in an hour with my hustling skills, but I know I won’t have really pulled it off until I’m in the van, driving away. I make myself look totally calm while I throw my iPod and cleaning stuff in the bag I came with, give him a goodbye hug, and tell him he should really call me again to clean the rest of the house.

I don’t start laughing until I’m in the van and Possum is driving us away. Then I fold over in my seat, laughing and clapping my hands with excitement.

“Possum,” I exclaim, “I love having a vagina!

Leaning back, I push my hips up to pull my jeans down and start fishing the hundreds out of my fishnets.

Possum looks over at me with my legs up on the bed, pulling eight $100 bills out of my thigh highs. “Holy shit,” he says, “I do believe I wish I had a vagina too.”

Checking “topless housecleaning” off my to-try list of sex-work gigs makes me enough money to get back on the road. The next day Spot and I get in the van and drive across the country until I find a beautiful desert-sky island in northern Arizona. I stay for a couple weeks, playing in a creek and tracking coyote, before I get low on money again and start over.

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