Memoir

Tales from the Tunnels

From a teenage escape gone wrong to quarreling lovers and a missing ear, writers and illustrators remember their most unforgettable subway rides.

Crazy in Love

By Jacquelin Cangro

They squeezed their way to the middle of the car to stand directly in front of me. Within moments, they began arguing. I’ll be honest—I could only catch about every third word, what with their slurring and all, so I’ve cleaned up the conversation as best as possible.

Guy: Why are you following me? I told you to stay home.

Girl: I can go wherever I want. It’s a free country.

Guy: You better get off at the next stop. I’m not fucking kidding.

Girl: Oh. My. God. I’m going to be sick.

Me, suddenly extremely nervous she was about to unload all the munchies she ate on my new sweater: Uhm…

Guy, to me: No, she’s not. She’s just saying that to get out of it.

Girl: I am. I…am…going…sick.

Guy, shaking his head as if he and I are on the same page: She’s just fucking around. Stop fucking around!

Girl, to the elderly Asian lady sitting next to me: Can you…?

Quick as a bunny, the Asian lady grabbed her orange plastic bags and disappeared like magic. The girl sat next to me and rested her head on the wall behind us, moaning.

Guy, looking at her with disgust and then turning to me: She is such a bitch. You want to see why?

Of course not, but I hadn’t yet learned the no-eye-contact rule. If you take one thing away from this story it should be that.

The guy bent forward so I could get a good look and turned his head slightly. What was that on his earlobe? I actually leaned a little closer. Wait…part of it was missing. Wait…were those teeth marks?

Guy: Yeah, she bit it clean off.

A wittier person would have had a snappy comeback, maybe some kind of Van Gogh reference, but I did the worst thing possible. I continued to stare at him.

Illustration by Melissa Mendes
Illustration by Melissa Mendes

Girl, still moaning: Why don’t you say why I bit it? Why don’t you say why?!

Guy: That was like a week ago. But this morning…she’s crazy.

The guy turned his back toward me. I sneaked a look around, hoping someone would help a girl out, but the “Punk’d” crew from MTV was nowhere in sight. There were only my fellow commuters, snickering, either at me or the guy. Probably at me.

He lifted his shirt to reveal a small incision about an inch above his left kidney. It was still bleeding. The blood was dripping down the small of his back and pooling around his waistband. The wound was the size of a pocketknife.

Me: I think you need a Band-Aid.

The guy swiped at the cut with his grimy hand and saw the blood, maybe for the first time.

Guy, gasping: Bitch!

Girl: I’m sorry, baby. I’m so sorry. I think I’m gonna’ be sick.

Guy: I mean, this’ll leave a scar.

Girl, summoning the courage to stand up: Baby? I’m sorry.

She leaned her head on his shoulder. The train pulled into a station while she was cooing and apologizing.

Guy: All right. Just don’t do it again.

Girl: Let’s go home.

With that they got off the train, hand-in-hand. Ahh, love.

Jacquelin Cangro is the editor of The Subway Chronicles: Scenes from Life in New York, which contains 27 essays about the NYC subway system written by notable straphangers, and the author of The Subway Chronicles: More Scenes from Life in New York. She is looking forward to the publication of her first novel We Happy Few.

Melissa Mendes is a cartoonist and illustrator in western Massachusetts.

*   *   *

A Subway Runaway

By Arvind Dilawar

During my freshman year of high school, in 2002, just before spring semester concluded and summer vacation began, I ran away from home. I made the decision suddenly, at 74th Street, or maybe Junction Boulevard, or one of the stops in between on the local 7 line. My reasons were a combination of the usual suspects, generic enough to be drawn from a Lifetime made-for-TV movie—parents, friends, school, alcohol, drugs, punk rock. I ran away for the same reason all angsty teenagers run away: Because of everything and because of nothing at all.

I had, at the absolute most, maybe $10 in my wallet. But more importantly, I had a student Metrocard. From Monday to Friday, that white-and-green sliver of plastic awarded me three free rides daily. I had already spent one ride that morning to get to my high school in downtown Manhattan and another in the afternoon to bring me here, a few blocks away from my house in Jackson Heights. I hadn’t yet exited the subway station, so I still had a transfer and the third swipe remaining. I could go anywhere.

I got off of that homebound 7 local, walked down into the station and reemerged on the other side of the platform, where I caught another 7, this one heading the opposite direction and, I imagined, away from my home forever.

Illustration based on photo courtesy of Arvind Dilawar
Illustration based on photo courtesy of Arvind Dilawar

Because I had been riding the subway for less than two semesters and was therefore a woefully inexperienced straphanger, I took the 7 to the G to the F to the W (which no longer exists, replaced in 2010 by the Q and the D). That elaborate trip brought me to Bensonhurst and the apartment of a friend whose single mother was away at work. There, I announced my flight to an assembled group of friends. Many of them, despite having families and homes of their own, had spent nights on the street. They recommended the East Village or Central Park. When the host’s mother arrived and refused to let me spend the night there, I was forced to choose. I wasn’t excited about sleeping outdoors, so I got in touch with another friend who said I could crash at his place. His mother’s apartment in Park Slope had two floors, so I would be able to sneak in and out without her noticing.

From a payphone, I called my mother and told her I wasn’t coming home, at least not yet. I didn’t know how to explain myself, so I said, “I need time to think.” She chortled and said something like, “Yeah, right.” With my last allotted Metrocard swipe of the day, I got back on the subway, taking the W to the R to Union Street.

I was able to stay in Park Slope for only one night. The next day, my mother, who had somehow divined that I was with that particular friend and was also by some means able to obtain his phone number, gave him a ring. She managed to trick him into admitting I slept there the previous night by claiming I had told her that I was staying there. (My mother was both clever and tenacious; she would ultimately find me the following afternoon, walking to another friend’s house in Bensonhurst. She simply drove up beside me on Bay Parkway, slid open the back door to our forest green minivan and told me to get in, which I did because at that moment it became painfully obvious that the jig was up.)

But until then, I was on my own. After the sun had set, I decided that rather than eke out the night in the East Village or Central Park, I would take to the subway. It was early June, but that night was remarkably cold on the above-ground W train platform and even worse in the oppressively air-conditioned subway car. At times I was close to shivering, with only a hoodie that was annoyingly small. I took the W up to 34th Street-Herald Square and got off in that deep, subterranean station, where it was faintly warm. There, I sat on a wooden bench on the platform for an hour or two, trying to sleep until one of those ghostly yellow maintenance trains rolled in and planned work commenced.

I was one stop away from 42nd Street-Times Square and the crosstown course of the 7 line. Whether it was the desire for a familiar setting or a practical concern for the warmth offered by those older, poorly air-conditioned “redbird” subway cars, I spent the rest of the night riding the 7 line back and forth from Times Square to Flushing. I awoke as it climbed from the underground Main Street station to cross the Roosevelt Avenue Bridge, opening my eyes to the orange haze of morning sun streaming through the scratched windowpane I rested my head against. I felt warmer from the inside out as the 7 barreled on, through Flushing, Corona, Jackson Heights.

No matter how naive the notion, New York City’s magnitude then seemed to hold infinite unknown promise. Indeed, the city has never felt larger than it did during those few days, when it was span-able only by the number of subway lines and hours of time—when the route running away and the one coming home shared the same pair of tracks.

Arvind Dilawar writes mostly about the dumb things he’s done, but has somehow managed to have his work appear on TheAtlantic.com, The Daily Mail and, of course, Narratively. Go figure.

*   *   *

Moving, Together

By Sara B. Franklin

It was the weekend before Christmas, 2010. I was sitting on the 4 or 5 train, one of those on the green line, making the trip from Cornell Weill Hospital on the Upper East Side back to my Crown Heights apartment. I’d spent the previous two nights sleeping at my dad and stepmom’s apartment on the Upper West Side, too tired to make the long trip home, too fragile to be far from my family.

My dad was dying. Cancer. No one had said it aloud yet, but I knew. The leaden feeling I carried in my gut was proof enough, too reminiscent of the way I felt just three years previously when my mom’s oncologist had suggested she give chemo a rest, give her body a break. It was as gentle an urging to let one’s body give out as I can imagine, though at the time it ripped me straight up the middle. It was a similar sense of dread—dread on the brink of searing pain—that I carried around that afternoon as the train rumbled south. I had decided, after two days trying to carve out a sacred space in the sterility and hustle of a hospital room by reading to my dad, rubbing his cracked feet, cracking jokes that weren’t funny, that it was time to go home. Take a shower. Get some fresh clothes.

It was warm on the train, but I was too weary to pull off my red winter coat. I unzipped it and unbuttoned the cardigan below. I felt completely at odds with the bustle and cheer of the colorful shopping bags and flushed cheeks accompanying me on the train. I felt pieced-together, picked apart. Disgusting.

Illustration by Gigi Rose Gray
Illustration by Gigi Rose Gray

I took out a book, tried to fit in. I was reading The Life of Pi, gobbling down anything with a spiritual bent to it those days. Somewhere around Bowling Green, the train started to halt and lurch. Across from me sat a startling young man. A knit cap, somewhat pointed, sat just above his ears, revealing the bald sides of his head. The skin there was a deep milk chocolate, coffee with a splash of cream. His face was smooth and clean, his forehead and cheekbones strong. He wore a navy blue woolen jacket with a stiff collar turned up, gold stars emblazoned near the lapels. His coat was unfastened like mine, and a matching navy sweater with a luxurious rolled neck underneath.

He, too, was trying to read. A hardcover book without a jacket. We kept glancing up at one another as the train’s fits and starts toyed with our anticipation. After a while, though, he set his eyes on his book, focused. Maybe he knew I was watching, maybe he was just that intent on his subject. I tried hard to concentrate on my own, but could only think of catching his eye again. I wondered where he was going to get off, assuming Lower Manhattan. He seemed like a City boy. But when the train crawled under the river to Borough Hall, he was still in his seat. He remained as we passed through the bustling Atlantic/Pacific hub and began up the slope toward my neighborhood. At Franklin Avenue, we both stood up abruptly, I gathering my frayed backpack onto my shoulder. He tucked his book under one arm and raised his eyebrow at me as we moved toward the open door and nearly bumped into one another. I smiled.

It could have ended that way. Just day-to-day, life brushing up alongside millions of other souls, walking that tightrope between anonymity and desperation for connection. Communion. But it didn’t.

On the platform, I stopped him. “Excuse me, I couldn’t help but wonder what you’re reading,” I weakly offered.

He asked if I really wanted to know. I didn’t, but I nodded, and he launched into a long description, something about Eastern spiritual philosophy. We talked for a few minutes. I don’t remember much, only that he mentioned graduate school. He had studied math, had a keen interest in finance. At some point, he asked my name and we shook hands. I heard him introduce himself, a name beginning with a D, but couldn’t catch the exact word, even after he repeated it for me.

“Are you getting back on the train?” he asked. I chuckled. Of course not. Even for a beautiful man, I wouldn’t have gotten off at the wrong stop, not in my state. Together, we climbed the filthy steps to the turnstiles. He asked if he could walk with me, and I complied, trusting him implicitly, though I didn’t know why. Maybe I just needed to practice faith in something.

We walked the two and a half blocks down Franklin Avenue, barren in late December, save the garish mural on the corner of Eastern Parkway. He chatted on, pointed out a building a block from my place where he had lived until recently. When we reached my door, I told him I needed to go up, that I had things to do. The short conversation had exhausted me. I was so withdrawn from everything by then, having retreated into a world of sitting and waiting. We stood there at my door in the raw cold. He asked if there was a way to reach me. I gave him my number. He had been gentle, and I was craving softness.

One sticky afternoon the following July, we were lying in bed together, naked and languid. One of us brought up that day, our first meeting. The cold that had shrugged our shoulders up to our ears seemed an impossible memory in that heat. We argued over which of us had initiated the conversation, who started making eyes at whom. We wondered about the nature of our books that day, both of us seeking to make some sense of the senselessness of life. Two months after our subway meeting, we didn’t have a living parent between us. We talked lazily, using words like serendipity and coincidence, not caring much to parse their meanings. It was a gift of the city, we agreed, a product of the strange alchemy of the underground. Where we’re all moving through it together, really.

Sara B. Franklin is a Brooklyn-based writer, cook, and multimedia storyteller. She’s currently working toward a doctorate in food studies at NYU.

Gigi Rose Gray is an illustrator, designer and overall image maker, born, bred and working in New York City.

*   *   *

Patient Zero

By Daniel E. Slotnik

I am generally pretty jaded about crazy subway stories. I’ve seen my share of car-clearing, passed out, incontinent, stink-so-bad-it-clings-to-your-clothing homeless folks; witnessed brawls in trains and on platforms; and have even been denied a seat and nearly pushed down the stairs when I had a broken ankle and shoulder. New Yorkers like to think of ourselves as a hardy, almost callous breed, unfazed by disruptions that would horrify people from more tranquil locales. I was secure in my hubris and inability to be shocked by the subway, especially after I experienced the shirtless, pantless guy swinging from bar to bar over a lumpy puddle of his own vomit on a downtown F train (I calmly made my way to another car at the next stop), and another incident involving what seemed to be  a rather large piece of human excrement lying daintily next to a corner seat on a crowded 6. (People would walk toward the seat, begin to sit down, realize what it was and recoil. The whole thing was actually kind of funny and I became suspicious that it was perhaps a practical joke or a piece of performance art.) After that, what could possibly upset me on the subway?

Then I bumped into a woman I’ll call Patient Zero.

I first made Ms. Zero’s acquaintance on a regular commute from my Spanish Harlem apartment to work in Times Square. The first leg of the journey, to 59th Street on the 6 train, was very crowded but otherwise ordinary. I was listening to music and reading The Times on my phone, but I recall hearing someone sneezing violently nearby and seeing a small space clear on the train. No matter—I rushed out the door to transfer to the N-Q-R line below. My new train was held momentarily, and I was able to press my way to an open spot next to the door between cars. I refocused on the paper and had successfully tuned out when two new passengers squeezed through the closing doors.

The first was a tall man in shabby clothes who stood near the center pole. The second was a woman wearing ratty green Syracuse Orangemen sweatpants and a long, shapeless jacket. She shuffled unsteadily onboard, dragging a two-wheeled handcart stacked high with disarrayed packages. Lank hair the color of dirty snow hung around her face, which looked wizened and wrinkled but oddly plump, and she clutched some well-worn brown paper napkins in the hand that wasn’t pulling the cart.

She pushed towards the center of the car, stopped, and, as if on command, launched a forceful, spittle-y sneeze full into the face of a man wearing a red skully cap and leaning against the door. No napkin, no hands—just pure snot all over him.

“Jesus Christ!”  He exclaimed.  “What the hell is wrong with you, lady?”

The woman, who you’ve by now realized is Patient Zero, did not reply. She started making a dry hacking sound and, doubled over from the force of the sneeze, began to shuffle towards my corner of the train. The train’s inhabitants recoiled like water from a drop of oil. Ms. Zero bumped into me, and I heard her making quiet snuffling sounds. She was shaking slightly, and seemed on the verge of sneezing again—she was clearly not well. I stepped around her and pressed towards the middle of the car. The tall guy who’d gotten on with her pushed closer to where she was standing.

Illustration by Bill O’Rourke
Illustration by Bill O’Rourke

She started to sneeze again, wracking, doubled-over and spraying in a wet circumference, splashing everyone near her. Between sneezes she hacked and spat with an audible, plosive “PUH!”—bystanders be damned.

We hadn’t even gone a stop when the murmurs that had begun after the first sneeze escalated into a full-scale evacuation. The people in the seats nearest her stayed for a second, but soon got up and pressed as far away as they could. The man who had gotten on with her sat down in the empty seats, and most people left the car at the next stop.

Patient Zero was still hacking and sneezing. I began to wonder if maybe she wasn’t exaggerating, and immediately felt guilty for the thought. She opened the door between cars and leaned out, spitting and coughing even harder. She was basically slobbering now, spraying phlegm all over the place.

Those of us who stayed in the car looked at each other, sharing a grim camaraderie. There was a lot of shrugging of shoulders, head shaking and smiling.  People looked incredulous—this was a bit much, even for New York.

“I’m going straight to the doctor,” the guy who was hit first said.

None of us went over to ask if she was alright.

Patient Zero closed the door and walked back towards the vertical pole in the center of the car. All of us shrank away like she was a leper. The sneezing stopped. And then, for no apparent reason, she started to scream.  She was shrieking with so much effort that she doubled over.

At the third stop she ceased screaming, took her cart and walked off the train matter-of-factly, as if she had reached her destination—normal commute complete, just like the rest of us. Her companion got off with her, and the two walked away calmly, as if nothing unusual had happened.

When I got into work I rubbed Purell all over my hands and arms.  I’m not usually a hypochondriac, but I felt like I’d been exposed to Ebola.

I wish I could say that was the end of it, but I’ve actually seen Patient Zero twice since. Once, I was walking in the 80s on 2nd Avenue, with headphones on, when I heard a shockingly familiar sneeze over the sound of my music. I looked to my right, and she was standing in a phone booth. Her companion was there, too. She was sneezing and spitting again, and passersby were ducking away from the booth as they realized what was happening. I sped up and think she still might have hit the back of my coat. Then I saw her once again on the same train line another morning. I hightailed it out of the car.

Every time I see her, part of me wants to ask why she was screaming on the train that morning, how she came to be doing this and how she’s connected to the man who stays with her, but I haven’t yet, and probably won’t. The incident stuck with me—as much as I love New York, it can be a hard and unforgiving place. How far is each of us from screaming nonsense at commuters on the yellow line?

I do hope that she feels better, and that whatever she has isn’t contagious.

Daniel E. Slotnik is a contributing editor for Narratively. He has worked at The New York Times since 2005, has written for several Times sections and blogs, and is a frequent contributor to the obituaries department.  Follow him on Twitter @dslotnik.

Bill O’Rourke is an artist who lives and works in the Tri-state area. He has recently finished creating cartoons about the 2012 presidential election, and despite the overflow of material, is glad it is finally over. His latest project “RESTAURANT: 101″ is a cartoon series based on his adventures working in restaurants in New York City.  You can follow Bill’s work and cartoons on Facebook and on Twitter @billartistguy.

*   *   *

Alphabet City, Alphabet Soup

By Daniel Scheffler

My sneakers peep and grind as I run down to the bottom of the smallest steps in the world at the 2nd Avenue F stop. Why are these steps so tiny? Some town planner must have forgotten that the city is not just made for kids. The hot August air clouts me straight on the nose, and then coats the rest of my body as I journey further into the bowels.

Backpack on and endowed with headphones, I have made a conscious effort to always stay stationary near train tracks. “Mr. Clumsy,” I say to myself with what I’m told is my signature eyebrow tilt. I halt and find a pillar to lean on. A heart with two sets of initials is wounded through the paint—D.S. and J.T.—one of them matching my own.

Illustration by Chelsey Pettyjohn
Illustration by Chelsey Pettyjohn

He is definitely staring. No doubt that’s a stare. But at me? Really? Just me, silly, rough-and-tumble me? Yes, definitely. He is jabbing my eyes with his darker-than-Heath-Ledger-as-Joker peepers as he leans too deeply back against the platform wall across the tracks. Moisture runs down my cheek as I fight the perspiration and struggle to ignore the subway system’s signature miasma.

But I don’t stop rubbernecking the well-over-six-foot blonde. I think out loud, “you have to be a Dutch athlete with a body like that.” I think he hears me as he smiles that Euro-trash peek-a-boo my way. He throws himself across the subway station and all over me just with his goggle. It jars me, and I feel like I’m falling through the floor.

Arriving trains bring release from the heat, and release from the stare, as simultaneous machines nearly headbutt between the platforms. I mount the machine, as my mirror does too from the other side, regaining the stare. Doors slide, lives change. Our faces are now a few feet apart but double glass prevents me from speaking, or breathing for that matter. He kisses me through the glass. A sucker punch.

My fingers look for a writing instrument, a way of giving him my number, my name, my heart, but he beats me to it. He starts to write the letter J, the letter T…the initials on the pillar I call to mind; the other set matches his. The train rattles and without warning disappears in its usual way.

Daniel Scheffler is a writer living in the West Village, Manhattan and Cape Town, South Africa. He is currently obsessing about, and totally consumed by, his first novel.

Chelsey Pettyjohn is an artist living and working in Brooklyn. You can see more of her work at hideousthings.com.

*   *   *

Making all Stressful Stops

By James Folta

I am particularly prone to vivid stress dreams, even when my life is relatively stress-free. It seems my body’s natural resting position is stress. But this one stands out as the worst my unconscious mind has yet concocted, and I think it’s no coincidence it took place in a subway station.

In the dream, I found myself in front of a turnstile, nervously watching the track, and trying to get the system to recognize my Metrocard. I am greatly ashamed when I can’t show my native status by nailing my first swipe, so I emoted with a series of can-you-even-believe-this-I-mean-come-on faces. Of course, there were lots of people waiting to get through. I estimate that there were hundreds, perhaps thousands crammed behind me. I was occupying the only turnstile and I could feel their judgmental, sharpened glares: who is this guy, with his fancy suit (I was urgently rushing to a posh event) and his bad Metrocard skills? I was trying so hard, but in a stress dream, sweat counts for nothing.

The stakes climbed higher; the station rumbled from an incoming train. I redoubled my efforts: “PLEASE SWIPE AGAIN,” again and again and again. My zeal was so great that the card slipped out of my hand and fluttered to my feet. A groan from the onlookers. I quickly bent to retrieve the card but my slick suit leaked like a dapper sieve and everything began falling out–my keys, my wallet, my phone, as well as miscellanea I didn’t even know I owned. And they didn’t merely fall out, but completely deconstructed themselves. My wallet emptied far and wide, my keys individually disentangled from the ring, and my phone exploded in a cloud of chips, springs, gears and other tiny parts that my dream mind thinks cell phones are made of.

Illustration by Andra Emilia Fenton
Illustration by Andra Emilia Fenton

Before I could even stand up to stop this rain, before I could even register the depth of the clean-up job before me, my clothing followed suit and fell from my body. Another groan from the crowd. And the final shame, as I struggled to redress myself and refill my pockets, was seeing the train’s doors open and close. I watched it leave, tangled and bound both hand and foot in a chaotic heap of turnstile, clothing and belongings.

And then I woke up, with the familiar dread of being late.

In hindsight, my dream logic perfectly chose the setting for this tale of stress. At that moment in my life, I was preparing to move across the country to San Francisco–a new coast, a new city, a new job and only a half-contact of a friend waiting for me there. Freshly graduated and leaving behind many knowns for many more unknowns, I was a teetering pile of anxieties. I never do well with change and it was pouring change that I didn’t completely want. I was caught in between, like a straphanger on the subway.

The subway is a pressure cooker, a stress accelerator. When you’re in the subway, you’re always anxious to be leaving. The subway is a state of anticipation. You occupy a space on the spectrum of missing where you left and dreading where you’re headed.

James Folta lives in Brooklyn, New York, where he work as a carpenter, comedian and writer.

Andra Emilia Fenton is a Brooklyn-based writer and illustrator. She is currently working on her second children’s book.

*   *   *

Off the 6

By Jennifer Mascia

In 1999, Jennifer Lopez named her first album “On the 6,” after the train that runs from the Bronx to Brooklyn Bridge, because it represented the artery that took her from her working class roots in the Bronx to beckoning stardom in “The City.” And it worked—I doubt JLo has seen the inside of a subway car in at least 20 years.

The next year, in 2000, I found my first apartment, a rent-stabilized one-bedroom in East Harlem, two long avenues from the 6 train. When I got the phone call from the management company accepting my lease application, I ran out of my Russian History class and jumped up and down in the hallway, howling and whooping, shocked and exhilarated that I had finally found a place in “The City” to call my own. I was moving to Manhattan from my parents’ apartment on the North Shore of Staten Island—quite the leap.

In the weeks leading up to the move I’d sit in classes I should have been paying attention to and whip out my notebook—the one emblazoned with the Manhattan portion of the MTA subway map—tracing the green line from my new apartment on 2nd Avenue and 103rd Street to Hunter College: four short stops on the 6 train. Seven minutes. My old commute had been an hour-and-a-half.

I was in heaven.

Suddenly, I was as cool as JLo, taking an iconic line every day. Even Mayor Bloomberg took the 6, making a big show of standing alongside his fellow commuters. (Of course, that image was tarnished when the Times revealed he cheated and drove partway.)

What I didn’t quite realize is that the green line is the sole artery shuttling thousands and thousands of people north and south along the East Side every day. Full-to-the-brim trains routinely skipped my local stop because service was backed up on account of the sheer mass of people. A few months later, when I graduated and entered the workforce, my seven-minute commute evaporated and I was left at the mercy of a train line that could either shuttle me to civilization or leave me stranded. Because when you live off the 6, you become a slave to it.

When the system is deluged by a sudden rainfall, the train shuts down, and then what? A West Sider could simply walk from the C to the 1, but what other options are there for us, save an expensive taxi—if we can find one?  No, to access the West Side I had to take a crosstown bus, and those are notoriously slow. When I attended Columbia for graduate school, the M96 routinely took 45 minutes to chug west through Central Park, packed as tightly as sardines, a mass of humanity fogging up the windows and turning my commute into a sauna, even in the winter.

Oh, how I’d gaze enviously at the other side of the subway map, with its orange and blue and red and yellow lines, and wonder what the East Side did to be cast aside so casually. We needed a reprieve.

Illustration by Melissa Raimondi
Illustration by Melissa Raimondi

Mid-decade, rumors bubbled up that the long-abandoned 2nd Avenue subway, first proposed in 1920, would finally be resurrected. One morning in 2007 I awoke and gazed across the street to see then-governor Eliot Spitzer posing for photos atop an old subway grate with a shovel in his hand. Suddenly, it was on.

And it was loud. Five years of bone-shattering construction followed at all hours of the night. Suddenly I didn’t care about the needs of the Straphangers Association—I wanted out. So when my management company called in October and told me they had “other ideas” for my building— read: demolition—I jumped on the chance to transfer to one on 124th and Madison.

So now I’m off the 6—kind of. I still have the option of walking two blocks east and taking the 4, 5 or 6, but I can also walk two blocks west and take the 2 or 3 line, which gets me to work in 17 minutes. After a decade of longing, I finally have West Side access. I’ll take it over sardines any day. But still…

There’s something about the 6. It was the first line to get the sleek new trains that replaced the old redbirds, a concession, perhaps, for being the sole East Side line. The stations along the 6 were the first testing grounds for the countdown clocks that cities like San Francisco and London had already enjoyed for a decade. The 6 was my foolproof excuse for being late to work; “I live off the 6” was enough to elicit a nod of understanding from every restaurant manager and newspaper editor I toiled under. The 6 was where I’d doze on my way home at 4 a.m., the dependable ride home I could always count on, even if I was on tipsy autopilot and counting the stops in my sleep. The 6 was where I hid behind big black sunglasses and wept after my father, then my mother, passed away, my only comfort being Dr. Zizmor’s gentle, ageless face offering me the smiling prospect of acne treatment. When it was empty in the middle of the night I’d swing on the poles like an exotic dancer, giggling and breathless. The 6 was my constant, just as much as my little apartment was. Because of its shortcomings, it was an underdog. Perhaps only a New Yorker could romanticize that.

Jennifer Mascia is the author of Never Tell Our Business to Strangers. She works in the Op-Ed department of the New York Times.

Melissa Raimondi lives in Washington, DC, where she edits for Science magazine.

*   *   *

What’s your ultimate subway moment? Send us your own tale from the tunnel; we’ll publish the best on this week’s edition of The Park Bench.

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Secret Life of an Autistic Stripper

I've always had trouble reading social cues, but in the strip club, where rules and roles are crystal clear, I finally learned to connect.

I walked past the stage and sat down at the bar, the neon lights illuminating my pink teddy, shadowed eyes, and crimson lips. I ordered my first drink of the night and took inventory of the club. There were a few listless customers scattered around, hunching over bar stools, and a dancer circling the pole.

I waved over a colleague, a transplant from Manchester with hair extensions that kissed her velvet garter belt. We grumbled about how slow business was until I spotted a paunchy man at the bar. He was short, with a tuft of gray hair and a slight smile that crinkled his eyes. He was also more animated than the others.

“Do you want to try?” I asked her out of a sense of politeness.

“You go,” she said, waving her hand.

I started off light, asking about his day and his job. His smile widened across his face as my eyes met his. I silently counted to 10 and reminded myself to look away for a second – best not to terrify him. After three minutes, I transitioned to more personal questions, moving steadily through the formula I’d perfected to curate conversation with customers.

He started complaining about his recent breakup, but it didn’t feel genuine, his eyes twinkling with eagerness. I switched my gaze to the top of his nose to put a boundary between us.

I could tell he was interested in spending money, but he’d be hard work. It was time to either close the sale or walk away. He’d take advantage of my time otherwise.

“Ready for fun?” I whispered in his ear to avoid his eyes.

I didn’t bother mentioning the private rooms. After two years in the industry, I knew which customers were worth investing in – not this guy. So, I led him into the corner, which opened up to the club like the bow of a ship, public and safe, for one quick dance.

* * *

Before working in strip clubs, I struggled to read people’s emotions through cues like facial expressions, postures, and tone of voice in real time. I processed events after the fact with tenuous evaluation, like peeling off layers of old wallpaper. At the time, it was not something I had words to explain, so I turned the blame on myself. Whenever I struggled to understand if someone was angry or bored, I went home and berated myself for being lazy, ditzy, and dumb as I obsessively evaluated the night. I just needed to try harder to be more present, I told myself.

One time, I went to a dinner party my sister hosted. A few of her colleagues and friends sat around her table while we snacked on hummus and bread, and someone asked about my recent trip to Europe. I rambled incessantly, illustrating the nightclubs, the hostels I stayed in, even how I bled through my powder-blue dress because I forgot to change my tampon. My voice was loud, a  pitch you use at a concert, not inside. I can see their faces now, wide-eyed and uncomfortable, but at the time they coalesced into one indistinguishable figure, Dave Matthews playing in the background taking precedent. Their distaste didn’t register until my sister pulled me aside and asked as kindly as possible to keep to “lighter” topics.

After dinner, we dispersed to the living room and I attempted to talk to my sister’s colleague, but I forgot to break eye contact, continuously staring wide-eyed while she spoke.

“You’re certainly a character,” she remarked, exiting the conversation. I didn’t realize until later that I’d made her uncomfortable.

I didn’t know what slow processing was then, but I was aware I felt embarrassed a lot, and lonely. Facial expressions, body language, and eye contact are the bones of communication and it’s quite difficult to build and maintain relationships without the ability to read them.

So, I meticulously designed a persona who nodded at the right time, rehearsed lines, smiled when appropriate, monitored personal space, spoke quietly. Before going out, I crafted notecards, scribbling how long to talk about acceptable topics and which to stay clear of altogether, like my period, in small talk. The persona was a mask that helped me appear to interact in the moment, but in reality I crept by, three paces behind everyone else.

* * *

I had just celebrated my 24th birthday in Australia when I started dancing. I settled temporarily in a bustling beach town at the edge of Melbourne and needed money to pay off my student debt. I considered a bar job, but decided to try stripping simply because it meant fewer hours.

When I walked into a club to ask for a job, to my surprise, I realized it was just a bar with the usual roles reversed: women approaching men. I was intrigued, but confused – how did they convince customers to spend money off-stage?

The manager looked at my petite frame and nervous smile, pointed her manicured hand to the dressing room and listed the rules: “Go get ready in there. You get one free drink. Don’t be late for stage. No sex. No drugs on the floor.” Simple enough, but nothing on how to monetize my time. I handed over my $40 house fee and walked into the sea of hairspray and naked bodies.

Hundreds of customers came and went during the 10-hour shift, sitting on plush couches and crowding around the bar. I approached 10 guys, mirroring my colleagues’ coy smiles, suggestive body language and light conversation starters, but I couldn’t tease out who wanted to spend. All but one dismissed me.

I sat at the bar to observe, sipping my free champagne. One dancer particularly stood out with her naturally frizzy curls and tattered black bra. She wasn’t the most glamorous, but every guy she spent more than a few minutes with agreed to get a lap dance, like she had sprinkled them with fairy dust. A few times, she walked away from customers within seconds, once even waving her hand in a man’s face to dismiss him.

From the bar, I saw her sitting alone on one of the upholstered couches that lined the back of the club. She was taking a moment’s respite after a dance to count her money before securing it around her wrist with an elastic band. I took a deep breath and approached her, brushing aside the fringe curtain separating the lap dance room from the bar. It was getting late, two hours before closing, and I was exhausted and frustrated. So far I’d brought in just $50, meaning a $10 profit after the house fee. I thought about packing up and never coming back, but I needed this to work out. My student loan wouldn’t magically go away.

She took one look at me and asked, “Your first time?”

“Yes. I’m struggling,” I said shyly.

She stared at me with a bored expression, so I got right to it.

“How do you know who wants to spend money?”

She turned around and outlined her lips with a beige pencil in the smudged mirror, advising in her Bulgarian accent: “I don’t always know, but here are a few things I’ve learned after five years in the industry: Don’t spend more than 10 minutes with them if they haven’t spent money. Five minutes if it’s busy. You’re not a free therapist. Make them pay big bucks if they want to dump their shit on you. Walk away from customers who want to get to know the ‘real you’ right away. They’re usually creeps.”

Before she left the lap dance area, she turned around and said, “And quit this nice girl bullshit. You sound like a child. Don’t try so hard to be someone you’re not, just be a hyped-up version of yourself.”

As she sauntered off, she looked back once more, “I’m Claire by the way.”

Her words wounded me, but I was impressed. She saw right through my mask. The rambling girl at my sister’s house was a distant memory, but, strangely, Claire must have seen who I was before I tried so hard to appear normal.

After we spoke, I didn’t reincarnate my older self, but I did carve another persona, Piper. I learned to showcase different parts of my persona based on the customer. It seemed practicing social skills paid off – I became a deft conversationalist, sometimes earning my night’s wage just from talking. I moved beyond the foundation I hid behind, laughing, smiling, and chatting more brazenly than before, enjoying eye contact with customers I trusted, dismissing ones I didn’t. Performing felt strangely comfortable, even though the job was foreign and challenging.

That conversation lasted minutes, but the advice made for a successful career. Slowly, Claire’s rules taught me how to read customers for signs of interest by attaching meaning to their words and actions, something most people learn unconsciously, but that I’d always struggled with.

The club gave me a controlled space to decipher the crinkle around people’s eyes for eagerness or raised eyebrow for arrogance, as if I was reading a script from a teleprompter. And when I was unsure, I had her original rules to catch me. Are they asking for my real name? Are they relaying problems in their life without buying a dance first? On the floor of the club, I spent hours practicing each weekend, and for the first time in my life, I learned how to cut through layers of language in real time, just like Claire, until it became effortless.

* * *

Eventually I moved back home to New York and started stripping full time. After two years of practicing by trial and error in the world’s most social job, the tricks I learned in the club seeped into my social life outside of work, and it got easier to notice social cues and use the same formula I used with customers to make small talk with anyone.

Most people I met outside of work told me I was a great listener, unaware of how much time I spent in my room practicing the correct reactions. I didn’t want anyone to know how much I struggled, so I let very few people get close to me – better than anyone finding out that I couldn’t really socialize, that I was a fake.

Nearly two years after I started dancing, my friend Sarah invited me to her birthday party. My least favorite social situation: a dinner party with unknown people. True, I was better at picking up more obvious cues like eagerness and anger, but group settings were strenuous – too many subtleties to keep track of. But I hadn’t seen my friend in a while and I missed her. I packed up my lace teddy and Red Bull into a discreet bag and headed over to the restaurant before work.

The hour and a half crawled by. There were six of us around a small table. I can’t remember the other people’s faces or even what anyone spoke about. I prayed no one would ask me personal questions.

“Sarah tells me you just got home from Amsterdam,” my friend’s brother said politely, turning in my direction. His words mixed in with the background conversation and it sounded like another language. I broke out in sweat.

“I am sorry, what?” I asked.

He repeated himself. A second later the words clicked. I smiled and looked at his nose instead of his eyes while chewing over my words and length of speech, trying to offer the version of my trip they wanted to hear.

Sarah got up to go to the bathroom. I quickly walked over to her and asked: “Were people bored when I spoke?”

“Not at all. What’s wrong?”

“Nothing, nothing. But I have to go. I’m sorry, I have work.”

She looked confused as I hurried out the door. I didn’t really have to go to the club. I’d made enough that week to warrant a night off with my friends, but work felt easier than this social performance. I let out a sigh of relief as the taxi plowed across the Williamsburg Bridge.

I walked under the familiar lights to the dressing room. I squirted a dollop of foundation on my hand and painted the dark circles under my eyes. For a brief second, I wondered, Is something wrong? Surely work shouldn’t be more comfortable than a night out? But then I swallowed those thoughts and walked onto the floor to escape from myself.

I sat down at the bar and ordered a Hennessy on the rocks. The birthday was successfully buried, and I was buzzing from the bliss of escape.

I spotted a man at the bar – alone, tall, bald with a kind smile and a glass of whiskey in his hand. I ran through the formula and we connected right away.

“Hennessy is a strong choice,” he commented.

“It’s an underrated drink.”

“I’ll take your word for it. Can I get you another one?”

Ten minutes passed. I suggested the private room and he agreed. The private rooms were where I connected with customers, sometimes in a way that was more intimate than my relationships outside the club.

There I massaged their shoulders, let them touch me, expressed vulnerability. I bantered for hours – something I was never able to do before. With fewer stimuli around, it was easier to focus and converse back and forth in a way that felt less strenuous than at the restaurant hours before.

“You have a strange rhythm about you,” he remarked, smiling as I cradled him. Customers who spent money like water didn’t care if I was odd; they wanted an experience. My weirdness was worth their paycheck.

After two hours, I excused myself for a moment to go to a bathroom where I got a message from Sarah: Miss you. Wish you didn’t have work. It’s not the same without you.

Below the message was a picture of the dinner crew, laughing with their arms wrapped around each other. I felt such a pang of loneliness and regret that I broke down in the doorless toilet stall, my eyeliner smearing like watercolor on canvas.

Why am I only alive at work? Why can I give so much of myself to my customers and so little to my friends? Maybe I was just being stupid because I was drunk, but I wanted to be an active participant in my life instead of walking around confused all the time, experiencing my days after they’ve happened, passive from the sidelines. I wanted connection.

Work was a temporary balm, but the interactions there were fleeting, not enough to sustain my longing for people. The force of my rotting loneliness hit like a tidal wave as the reality of how much I struggled to navigate social settings outside settled in.

I allowed myself just one sob before I fixed my face and performed for the last half hour. When I got home, I couldn’t get out of bed for days, my sheets disheveled with self-loathing.

Desperate for answers, I started scrolling through an online forum for women with ADHD, wondering if I might have an attention disorder, looking for an explanation. I started asking for advice, addressing some of my other issues first like getting lost in obsessive thought.

Within minutes, responses flooded that my symptoms resembled ASD.

“What is ASD?” I asked.

“Autism Spectrum Disorder.”

I scoffed, but after I read articles on how autism manifests in women, there wasn’t room for doubt – the evidence was clearly outlined in the bullet points on my laptop.

Central to autism is a difficulty experiencing life in real time. Many autistic people can’t filter out information, which makes it difficult to zone in and focus. All those years, I couldn’t read people’s cues because I struggled to cancel out the world around me. At my sister’s house, the background music, the forks scraping on plates, the blue walls, all swam in front of people’s facial expressions.

But in the private rooms at the club, there were no outside stimuli. The rules were clear, the distractions minimal, so I could focus and interact.

Women in the ADHD forum invited me to the group for autistic women and there I saw myself a hundred times over. Scrolling through were women like me: sex workers, performers, artists, writers, all struggling to make sense of our invisible differences in our own socially awkward, wacky, and beautiful way.

I gradually pulled the blame away from myself and labeled the things about me that were naturally different, not defective. I stopped punishing myself when I got overwhelmed in conversations, stopped beating myself up when bright lights blanched out facial expressions and background noise canceled out people’s words. I took a deep breath and resisted pretending to listen and asked: “Can you say that again?” without apology. I forgave myself when I slipped outside of social norms and said something weird.

No more being sorry for things I can’t help. People would love me or not – frankly I was okay with the risk.

* * *

A few months later, I stood outside the club with a cigarette in my hand, looking over the busy highway at the deserted factories.

“Piper, you leaving?” my bouncer nudged in his Queens accent.

“Yes. I made enough tonight. I’m going out,” I said, smiling back at him.

He waited outside with me until Sarah pulled up in a rideshare.

“This is where you work?” she asked incredulously, her mouth ajar in the window of the car.

I laughed. She knew I was a stripper but had never been to the club. From the outside, it looked grim: tattered brown building on the edge of town. But it was home to me.

“I never said stripping was glamorous.”

I kept the window open as the club disappeared, letting the cold air whip my face, feeling a mixture of relief and excitement. Forums for autistic women advised pulling off masks that many develop to pass as non-autistic. The effects of camouflaging are toxic, they warned. I wasn’t sure I could go back to who I was. The rambling autistic girl at my sister’s house was dead, buried under years of performance.

“Did you have a good night?” Sarah asked.

“Yeah. I’m ready for a night off though.”

Who could I have been if I didn’t try so hard to pass? I’ll never know, but stripping provided a portal to who I might be without fear of rejection – a rare glimpse of the affectionate, brash, and funky edges of personality. But I still had so much to learn. There was vast, dormant space to grow into beyond my work persona.

The twinkling lights opened the doors to Manhattan, my body still moving from the music of the club. The possibilities of the night unrolled in front of me and I intended to savor them.

Hidden History

The Hidden Queer History Behind “A League of Their Own”

The All-American Girls Professional Baseball League did everything it could to keep lesbians off the diamond. Seventy-five years later, its gay stars are finally opening up.

Josephine “JoJo” D’Angelo was in a hotel lobby in 1944. An outfielder for the South Bend Blue Sox — a team in the All-American Girls Professional Baseball League (A.A.G.P.B.L.), founded the year prior — she had dark, curly hair. Even if you didn’t know her last name, her looks hinted at her Italian heritage.

The hotel was likely decorated with muted colors in the modernist style of the previous decade. Thanks to World War II, there were supply shortages and rations, which put a hold on new design in the early ’40s. All available supplies needed to go toward the war effort.

The story was similar in baseball. With most of the Major League Baseball players deployed, executives decided to fill the gap with female players, paving the way for the A.A.G.P.B.L.

But in the hotel that day, D’Angelo was approached by one league executive and told that she was being released from her contract. This was devastating for the right-hander who’d batted .200 in her two seasons with the Blue Sox. She’d been playing since she was a little girl, and had spent her days working in a steel mill in her hometown of Chicago while devoting evenings to playing ball, before attending a tryout for the league at Wrigley Field. That scene was made famous by the film “A League of Their Own,” with hundreds of women traveling from around the country to the brick ballpark with the ivy-covered outfield wall.

Why was D’Angelo being cut from the thing she loved most in the world? When she told the story later in her life, she gave the reason: “a butchy haircut.” It was a haircut she says she never even wanted, one she was pressured into getting by the hairstylist who assured her she would look lovely with her dark curls trimmed into a bob.

D’Angelo had broken one of the cardinal rules of the A.A.G.P.B.L.: “Play like a man, look like a lady.” But she wasn’t the only one. Connie Wisniewski was told she’d be kicked off her team if she chose to get a close-trimmed cut. Multiple recruits were immediately handed tickets home after they showed up to spring training with bobs, and “Dottie Ferguson was warned by her chaperon against wearing girls’ Oxford shoes, because they were excessively masculine-looking,” writes Lois Browne in her book Girls of Summer: In Their Own League.

Members of the Fort Wayne Daisies baseball team, 1948. (Photo courtesy State Archives of Florida)

Players had to attend charm school and wear lipstick on the field. Their uniforms had skirts instead of pants — not great for sliding, but deemed appropriately feminine by league owner Philip K. Wrigley. All of this was chronicled in “A League of Their Own.” But there was one thing the movie left out: the reason for these requirements.

Though it was never explicitly stated, historians and players alike say the rules were in place, in part, to prevent the women from being perceived as lesbians. Many of the women actually were gay, including D’Angelo, which is another part of the story the movie didn’t tell. By not including a gay character’s story in “A League of Their Own,” the film does to the history of the league what the owners tried to do its existence — erase lesbians from the narrative.

* * *

When Terry Donahue met Pat Henschel in 1947, Donahue was a 22-year-old catcher and utility infielder in the All-American Girls Professional Baseball League. She grew up playing ball with her younger brother, Tom, on their family’s farm in Saskatchewan, Canada. “She claimed that she was five-foot-two. She was about five-foot,” Henschel tells me over the phone from the home she shares with Donahue. “She had dark hair, blue eyes, and was very attractive, and she was wonderfully liked.”

Donahue was in Nova Scotia for the winter when she met Henschel, who was 19 at the time. The two women hit it off, keeping in touch when Donahue moved back to the U.S. to play for the Peoria Red Wings. “She was a utility player, and the catcher on her team broke her thumb or her finger,” Henschel says. “The manager came up to her and said, ‘Have you ever caught?’ And Terry said, ‘no.’ He said, ‘Well, you’re going in tonight.’” The first game Donahue ever caught ended up being a 19-inning game. The next day was her birthday.

“The only things [women] can’t do, we can’t hit as far and we can’t throw as hard, but we certainly can make all the plays that you see in the Cubs’ ballpark. Or the Sox,” Donahue told the Kane County Chronicle in 2010, referring to the Cubs and White Sox, Chicago’s two major-league squads.

Left, Terry Donahue’s baseball card. Right, Peoria Redwings team photo in 1947 – the year she met Pat Henschel. Donahue played in the team from 1946 to 1949. (Photos courtesy All American Girls Professional Baseball League Players Association)

Today, Donahue, who has Parkinson’s disease, is 92. Henschel is 89. For seven decades the two told almost everyone, aside from their inner circle, that they were best friends. The Chronicle story calls Henschel Donahue’s “cousin and roommate.” But the truth was much more than that. For 70 years theirs has been a love story, originating in a time when the only love stories we were allowed to tell were those between a man and a woman. Try to ask most former players about the issue and they clam up. “I don’t think it was really even talked about, frankly,” Henschel says.

In the ’40s and ’50s, homosexuality was not discussed much; it wasn’t until 1973 that the American Psychiatric Association removed it from the list of mental illnesses. The players could have lost more than just their baseball careers if they had been open about their queerness. They could have lost their families, occupations, and reputations, too. In those days, “you had to be very discreet, and we were,” says Henschel. “No one was even aware of it because we got so careful and no one would have even imagined anything at all.”

That stigma has carried on for decades. As Ila Borders, the first woman to play for a men’s professional baseball team since the Negro Leagues, wrote in her memoir, Making My Pitch, “I remain certain that my professional career would not have been possible had I come out.” In 1994, Borders, a left-handed pitcher, became the first woman to receive a college baseball scholarship. She was the first to start an N.C.A.A. baseball game and the first woman to get a win in collegiate baseball. She then played for the independent, otherwise all-male St. Paul Saints and Duluth-Superior Dukes.

“In 1994 few in baseball — or in the country — were ready to accept a gay player, male or female,” writes Borders. Indeed, that same year, the book SportsDykes: Stories From On and Off the Field was also published. In her essay, “The Lesbian Label Haunts Women Athletes,” Lynn Rosellini writes, “To most lesbian athletes … coming out is not yet worth it.”

“If a woman plays hardball, people figure she’s likely gay,” writes Borders. It’s why, during her baseball career, she constantly had to answer questions about whether she dated men, and had to reassure the public that, despite the fact that she played ball, she was not gay. She understands today that talking about being a gay athlete is a double-edged sword, in a way. There’s the stereotype that women athletes are all lesbians, which is both inaccurate and unfair. And yet, there’s also the truth that there are many athletes who are also lesbians.

“I was deeply ignorant of my small place in the history of women athletes and the whole gay rights movement,” Borders writes of her playing days as a closeted homosexual.

But this stereotype existed long before Borders was even born. Some A.A.G.P.B.L. players cited masculine clothing or appearances as tipping them off about a woman’s sexual orientation, a stereotype that still exists today and may or may not be accurate. “The lesbians, they dressed like men with those big pants and big shoes, most of them. … [T]hey had boyish bobs,” Dottie Green, a former A.A.G.P.B.L. player and chaperone told Susan K. Cahn in her book Coming on Strong: Gender and Sexuality in Twentieth Century Sports. Or, as Dottie Ferguson Key put it, “tomboyish girls” who “wanted to go with other girls” signaled it with their “mannish” shoes and clothing.

A.A.G.P.B.L. players (left to right) Daisy Junor, 27, South Bend; Dorice Reid, 19, Chicago club member; Dodie Healy, 19, Chicago club member; (top) Gene George, 20, Peoria club member, fraternizing in a bunk room over a sports magazine, 1948. (Photo courtesy State Archives of Florida)

It was this perception of female athletes as unfeminine and unfeminine women as lesbians that led Wrigley, a chewing gum manufacturer and president of the Chicago Cubs, to insist that his players be appropriately feminine in appearance.

But the A.A.G.P.B.L. went even further than that, instituting a policy against fraternizing with other teams. The given reason was “to sustain the complete spirit of rivalry between clubs,” but Browne writes that the real reason that teams imposed stiff fines on players who violated this rule was the fear of lesbianism. When the affair was between teammates, chaperones would refuse to let the suspected couple room together and gauge the reaction of the players to confirm their hunch. In one case, the suspected lovers were so angry about being barred from becoming roommates that team manager Johnny Gottselig considered it proof of the affair. One manager released two of his players because he thought they were gay and was worried they would “contaminate” the rest of the team.

In another case, a married player was rumored to have fallen for one of her teammates. “That player converted this young married woman in just two weeks,” said Fred Leo, who was the League’s publicity director and, later, its president. Another time, Leo said that a married player was discovered to be in a relationship with a woman who was unassociated with the league. Leo claimed he notified her husband, who came and took her home.

“Knowledge of gay women in sport ranged from a hazy, unarticulated awareness to an informed familiarity or personal involvement,” writes Cahn. “Often an athlete’s initial awareness of lesbianism developed from seeing women ‘pairing off’ or getting ‘very clannish’ with each other.”

However, many of the players came to the league quite sheltered. They often arrived from small towns or rural areas and were quite young when they left home. As a result, it was not uncommon for new or younger players to be completely blindsided by the relationships between their teammates. Dorothy Hunter entered the League in 1943, when she was 27. Hunter, who was from Winnipeg, Canada, said she had “never heard of lesbianism,” so her teammates regaled her with tales of lesbian love affairs. “They told me they had wedding ceremonies. Well, I just thought they were giving me the gears because I was a green Canadian.”

But many of the players were unattached. If straight players were married, many of their husbands were off at war or were left back at home on farms or in factories. The players’ grueling schedule and constant travel made dating difficult. It was in many ways the perfect environment for gay women to become involved with each other. But in some cases, the near-inability to date was a welcome reality. It made staying in the closet easier, because there was no time for dating and so there was no need to make excuses. This was something that Borders discovered, too, when she was playing ball in the 1990s.

“Playing baseball allowed little time for dating,” she writes. “When people tried to set me up, it was easy to say, ‘No thanks, too busy.’”

These restrictions kept some women out of the league altogether. One of those women was Dot Wilkinson, often regarded as the greatest softball player of her time — and perhaps all time. Wilkinson was a hard-playing catcher for the Phoenix Ramblers. She joined the American Softball Association (A.S.A.) team in 1933, when she was just 11 years old.

“Softball has meant more to me than I can ever tell anybody,” Wilkinson says in the documentary film “Extra Innings.” “I love that game. I never thought about anything else.”

Wilkinson was recruited to play in the A.A.G.P.B.L. “They came to Arizona to offer us some contracts,” Wilkinson said. “They wanted to give me $85 a week [equivalent to $1,240 today] to catch. I didn’t want to leave the Ramblers and I don’t like being away from home so I didn’t go.”

But it was more than that. Wilkinson didn’t want any part of the curfews, the charm school, the chaperones, or the mandatory dresses. She played in Levi’s or her shiny satin uniform shorts, and she liked it that way. She also knew that the league was actively discouraging players from being perceived as exactly what Wilkinson was — gay.

“Softball was my first love and it still is,” said Wilkinson. But she had another love, too. In 1963, Estelle “Ricki” Caito, a star second baseman, joined the Ramblers. Wilkinson and Caito played together for two seasons, until the A.S.A. disbanded. But they also began a relationship that would last 48 years, until Caito’s death in 2011.

“We were born at a time when we were all in the closet and that was just the name of the game,” Wilkinson said. “And you had to live with it and that’s what we did.”

* * *

It is the obituaries that offer the most publicly available clues to some of the players who spent their lives with other women. The most telling evidence is often in veiled language or titles that are open to interpretation. In at least one case, a player had a “special friend.” In others, their relationships are more explicitly acknowledged.

Mabel Holle played third base for the South Bend Blue Sox, and like teammate JoJo D’Angelo hailed from Illinois. Holle’s father was a semi-professional pitcher and she grew up playing ball with her siblings. She attended the mass tryout at Wrigley Field, becoming one of the original members of the league in 1943. During the season, she was traded to the Kenosha Comets. Her contract was not renewed in 1944, forcing her to try out again. This time, she didn’t make the cut. After leaving the league, she became a physical education teacher. In Holle’s 2011 obituary, written after she died at 91, there’s this: “Holle is survived by her longtime partner, Linda Hoffman.”

Babe Ruth and Millie Deegan, 1938. (Photo courtesy The Diamond Angle, via Archive Today)

Mildred “Millie” Deegan played 10 seasons with the A.A.G.P.B.L., from 1943-1952. She is rumored to have impressed Babe Ruth with how far she could hit a softball, and it is said he squeezed the biceps on her arm when he posed with her for a photo. In 1944 the Brooklyn Dodgers invited Deegan and two other women to their spring training camp. Leo Durocher, the Dodgers manager, told the Daily Oklahoma in 1946, “Deegan spent a whole week training with the Brooklyn Dodgers at their Bear Mountain, NY camp. If she were a man, she no doubt would have been a Dodger.”

Deegan died of breast cancer in 2002 at the age of 82. Her obituary in the New York Times mentions Margaret Nusse, “Ms. Deegan’s companion and her only survivor.” Nusse, known as “Toots,” was a softball legend herself. According to the now-defunct NJ Divas Fastpitch site, Deegan and Nusse were partners for almost 50 years. The two shared their passion for softball: Deegan was the coach for the Linden, New Jersey, Arians and Nusse was the manager. Nusse passed away just six months after Deegan died, at age 85.

June Peppas was a pitcher and first baseman from Fort Wayne, Indiana, who played in the A.A.G.P.B.L. from 1948-1954. The player known as “Lefty” had spunk. Fort Wayne Daisies manager Harold Greiner relates a story in Browne’s book Girls of Summer: “Once there were some men out in the street, and some smart aleck said something. I didn’t hear what it was, they’d watched till I wasn’t nearby. Anyway, all of a sudden I hear ‘Wow!’ I turned around and saw that June Peppas had decked the guy — and I mean she really decked him. He crawled away.”

The A.A.G.P.B.L. meant a lot to Peppas. She was the first chairperson of the Players Association Board and two-time A.A.G.P.B.L. All-Star. Polly Huitt was Peppas’s partner for 46 years before she passed in 2007, nine years before Peppas died at the age of 86. The two operated a printing business in Allegan, Michigan, called PJ’s Printing, from 1975-1988. They sold the business and retired to Florida where, according to Peppas’s obituary, they enjoyed “golf and an active social life.”

Fort Wayne Daisies player Marie Wegman arguing with umpire Norris Ward, 1948. (Photo courtesy State Archives of Florida)

One of the best pitchers to ever play in the A.A.G.P.B.L. was Jean Cione. The girl from Rockford, Illinois, played 10 seasons in the league. In that time she threw three no hitters, had three 20-win seasons, and had an unassisted triple play — something that has only happened 15 times in Major League Baseball since 1909. Cione spent her rookie year in 1947 with the Rockford Peaches and finished with an astonishing 1.30 ERA. “She was a lot fun to be with,” Cione’s partner Ginny Hunt told the Bozeman Daily Chronicle after her death in 2010. “If you didn’t ever experience watching a baseball game with her, you really missed something. It was a treat to watch a game with her. She analyzed every play.”

Catcher Eunice Taylor and her partner of 45 years, Diana Walega, owned and operated a pet supply store for 40 years. Outfielder Barbara Sowers was with her “loving companion” Shirley Ann Weaver for 45 years. And there are many more, players with “longtime,” “beloved companions,” whose names I have chosen not to include here out of respect for the fact that they were likely still closeted during their lives. Their obituaries, which are historical documents, offer us glimpses into their lives and are open for us to interpret.

* * *

“Our relationship is one of the best,” Pat Henschel says of her partnership with Terry Donahue. “We’re very lucky and we know it.”

Photos of the women throughout the years give a glimpse of the life they’ve had together. In their younger days, they look like they could be sisters as they pose in front of a Christmas tree in a picture that might have been taken in the 1960s. They each sport short, dark hairstyles and wear sleeveless turtleneck shirts. In another, they are perhaps in their 60s and they dance together in front of a fireplace. They are both laughing. Their hairstyles have not changed in the decades between the two photos except to turn from brown to gray.

Members of the All-American Girls Professional Baseball League and an umpire, 1948. (Photo courtesy State Archives of Florida)

They are ready to tell the world the truth about their relationship. Donahue’s great nephew, Christopher Bolan, is working on a documentary about their life together. Another photo shows the two of them doing what they had only ever done behind closed doors: they hold hands, weathered and wrinkled by the years they’ve spent together, and they kiss each other on the lips. Their eyes are closed. It is sweet. It is intimate. But they hid this truth for as long as they did because, for most of their lives, they had too much to lose by coming out.

But today, Henschel says, “They either accept it or they don’t.”

* * *

Fifty years after the All-American Girls Professional Baseball League ended, Ila Borders was making history. She had ascended to a level that no woman ever had before. She was playing — and succeeding — in men’s professional baseball. And then, she quit.

We are sitting together in the stands at JetBlue Park, the Red Sox’s spring training facility in Fort Myers, Florida. We’re watching a group of women play the championship game at the team’s Women’s Fantasy Camp, where Borders is coaching. “It got to me,” Borders says about being in the closet. “It’s why I quit. It’s the worst thing on Earth to hide who you are.”

That, Borders says, is why she ultimately came out — for the next generation of girls who want to play ball, so they can be themselves, no matter who they are, and so history doesn’t have to repeat itself.

Borders looks out onto the field of women whose uniforms are streaked with dirt. “If you are a ballplayer, it’s O.K. to play hard and just be yourself,” she says. And she’s finally at a place in her life where she truly believes it.

Memoir

The Day My Therapist Dared Me to Have Sex With Her

My analyst and I grew more intimately connected each week of treatment...but I never saw this indecent proposal coming.

It’s the waning moments of my fourth session with a new therapist. I’m holding back — and she knows it. My entire body feels tense, not ideal for the setting. I try to relax, but the plush leather couch crumples under me when I shift, making the movements extraordinary. I’ve barely looked into my therapist’s blue eyes at all, and yet I think the hour has gone very well. Of course it has. On the surface, when the patient has been highly selective of the discussion topics, therapy always resembles a friendly get-together.

“Well,” my therapist, Lori, says, the millisecond after I become certain our time is up and I might be in the clear. “I don’t think I should let you go until we’ve at least touched on what was put out there at the end of last week’s session.”

I so supremely wanted this not to come up. My eyelids tighten, my mouth puckers to the left, and my head tilts, as though I’m asking her to clarify.

“When you said you’re attracted to me,” she continues.

“Oh, yeah,” I say. “That.”

Back in session three Lori was trying to build my self-esteem, the lack of which is one of the reasons I’m in treatment. Within the confines of my family, I’ve always been the biggest target of ridicule. We all throw verbal darts around as though we’re engaged in a massive, drunken tournament at a bar, but the most poisonous ones seem to hit me the most often, admittedly somewhat a consequence of my own sensitivity. I’ve been told it was historically all part of an effort to toughen me up, but instead I was filled with towering doubts about my own worth. And since 2012, when I gave up a stable, tenured teaching career for the wildly inconsistent life of a freelance writer, I’ve had great difficulty trusting my own instincts and capabilities. I told Lori that I wish I was better at dealing with life’s daily struggles instead of constantly wondering if I’ll be able to wade through the thick.

She quickly and convincingly pointed out that I work rather hard and am, ultimately, paying my bills on time, that I have friends, an appreciation for arts and culture, and so on. In short, I am, in fact, strong, responsible and “pretty good at life.”

Then Lori heightened the discussion a bit. “I also feel that it is your sensitivity that makes you a great catch out there in the dating world,” she said, to which I involuntarily smiled, blushed and quickly buried my chin in my chest. I was too insecure and too single to handle such a compliment from a beautiful woman.

“Why are you reacting that way?” Lori asked.

I shrugged my shoulders, only half looking up.

“Is it because you’re attracted to me?”

I laughed a little, uncomfortably. “How did you know?”

She gently explained she could tell the day I walked into her office for the first time, after I flashed a bright smile and casually asked where she was from.

Now, a week after dropping that bomb, Lori asks, “So, why haven’t we talked about it?”

“I was hoping to avoid it, I suppose.” I tell her the whole notion of having the hots for a therapist is such a sizable cliché that I was embarrassed to admit it. “For Christ’s sake,” I say, throwing my hands up, “Tony Soprano even fell in love with his therapist.”

Lori snorts, rolls her eyes. “I knew you were going to say that.”

I smile, shake my head and look around the room, denying acceptance of my own ridiculous reality.

“It’s OK,” Lori says, grinning. “We can talk about this in here.”

I look again at her stark blue eyes, prevalent under dark brown bangs, the rest of her hair reaching the top of her chest, which is hugged nicely by a fitted white tee under an open button-down. She jogs often, I’d come to find out, which explains her petite figure and ability to probably pull off just about any outfit of her choosing.

I still can’t speak, so she takes over.

“Do you think you’re the first client that’s been attracted to their therapist?” she asks rhetorically. “I’ve had other clients openly discuss their feelings, even their sexual fantasies involving me.”

“What?” I cackle, beginning to feel as though I’ve moseyed onto the set of a porno.

“It’s true,” she says, acknowledging her desk. “What’s yours? Do you bend me over and take me from behind?”

Nailed it.

“If that’s what you’re thinking, it’s OK,” she goes on, earnestly, explaining that she’s discussed sexual scenarios with her clients before so as to “normalize” the behavior and not have them feel their own thoughts are unnatural. By showing the patient a level of acceptance, she hopes to facilitate a more comfortable atmosphere for “the work” — her painfully accurate pseudonym for psychotherapy.

I take a second to let the red flow out of my face, and ponder what she said. I’m a little unsure about this whole technique, but the more I think about it, the more it makes sense. So I go home, incredibly turned on and completely unashamed.

* * *

One of the great breakthroughs I’ve had in the thirteen months since I began seeing Lori (who agreed to participate in this article, but requested that her full name not be published) is a new ability to accept the existence of dualities in life. For instance, I’ve always had a tremendous sense of pride that, if it doesn’t straddle the line of arrogance, certainly dives into that hemisphere from time to time. I’m great at seeing flaws in others and propping myself up above them by smugly observing my character strengths. I’ve never liked that about myself, but the harder concept to grasp is the fact that I can be so egotistical while also stricken with such vast quantities of insecurity.

In treatment I came to realize that all people have contradictions to their personalities. There’s the insanely smart guy who can’t remotely begin to navigate a common social situation, the charitable girl who devotes all her time to helping strangers, but won’t confront issues in her own personal relationships. In my case, my extreme sensitivity can make me feel fabulous about the aspects of myself that I somehow know are good (my artistic tastes) and cause deep hatred of those traits I happen to loathe (the thirty pounds I could stand to lose).

My next session with Lori is productive. We speak about relationships I’ve formed with friends and lovers, and how my family may have informed those interactions. One constant is that I put crudely high expectations on others, mirroring those thrown upon me as a kid. I’m angered when people don’t meet those expectations, and absolutely devastated when I don’t reach them. Lori points out that it must be “exhausting trying to be so perfect all the time.” I am much more comfortable than I was the week prior, and can feel myself being more candid. I’m relieved that the whole being-attracted-to-my-therapist thing doesn’t come up.

Then, a week later, Lori mentions it, and I become tense again.

“I thought I’d be able to move past it,” I say, adding, “We aired it out, and it’s fine.”

As definitive as I’m trying to sound, Lori is just as defiant.

“I’m glad you feel that way,” she begins, “but I think you owe yourself some kudos. This kind of therapy,” she shares, “isn’t something just anyone can take on.” Such honest discussion doesn’t simply happen, it takes tremendous guts, and Lori can see that I am dealing with it relatively well, so I should praise my own efforts.

“Shit, we both should be proud of ourselves,” she says. “It’s not easy on the therapist either, you know.”

“Why not?”

“Because talking openly about sex is risky at any time, much less with a client.” She explains that therapists are warned any semblance of intimacy can be easily misconstrued. “We learn in our training to not personally disclose, for example,” she says, but adds that, occasionally, transparency can be helpful.

“Still, with you,” she continues, “until I raised the question, I didn’t know for sure that you would go with it; for all I knew you’d run out of here and never come back to risk being so uncomfortable again.”

She’s building my confidence more, and I’m learning that I play a much bigger role in how my life is conducted than I often realize. My treatment wouldn’t be happening if I weren’t enabling it.

Then she says, “And don’t think it’s not nice for me to hear that a guy like you thinks I’m beautiful.”

Crippled by the eroticism of the moment, and combined with the prevailing notion that no woman this stunning could ever be romantically interested in me, I flounder through words that resemble, “Wait…what?”

“If we were somehow at a bar together, and you came over and talked to me,” she says, then flips her palms up innocently, “who knows?”

I laugh again and tell her there’d be almost no chance of me approaching her because I’d never feel like I had a shot in hell.

“Well, that’s not the circumstances we’re in,” she says. “But you might. Who knows?”

I’m confused — Is she really attracted to me or is this some psychotherapeutic ruse? I’m frustrated — I told her I didn’t really want to talk about it. Shouldn’t she be more sensitive to my wants here? I’m angry — Is she getting an ego boost out of this? Most of all, I don’t know what the next step is — Am I about to experience the hottest thing that’s ever happened to a straight male since the vagina was invented?

There were two ways to find out:

1) Discontinue the therapy, wait for her outside her office every day, follow her to a hypothetical happy hour and ask her out, or

2) Keep going to therapy.

* * *

A week later, I’m physically in the meeting room with Lori, but mentally I haven’t left the recesses of my mind.

“Where are you today?” she asks, probably noticing my eyes roving around the room.

“I don’t know.”

“Are you still grappling with the sexual tension between us?”

Here we go again.

“Yes,” I say, with a bit of an edge in my voice, “and I don’t know what to do about it.”

Lori, ever intently, peers into my eyes, wrinkles her mouth and slightly shakes her head.

“Do you want to have sex with me?” she asks.

We both know the answer to that question. All I can do is stare back.

“Let’s have sex,” she announces. “Right here, right now.”

“What?” I respond, flustered.

“Let’s go!” she says a little louder, opening up her arms and looking around as if to say the office is now our playground, and, oh, the rollicking fun we’d have mixing bodily fluids.

“No,” I tell her, “You don’t mean that.”

“What if I do?” she shoots back. “Would you have sex with me, now, in this office?”

“Of course not.”

“Why ‘of course not’? How do I know for sure that you won’t take me if I offer myself to you?”

“I wouldn’t do that.”

“That’s what I thought,” she says, and tension in the room decomposes. “Mike, I don’t feel that you would do something that you think is truly not in our best interest, which is exactly why I just gave you the choice.”

Her offer was a lesson in empowerment, helping me prove that I have an innate ability to make the right choices, even if I’d so desperately prefer to make the wrong one.

I see what she means. I’m awfully proud of myself, and it’s OK to be in this instance. I’m gaining trust in myself, and confidence to boot. But, as the dualities of life dictate, I’m successfully doing “the work” with a daring therapist, while at the same time not entirely convinced she isn’t in need of an ethical scrubbing.

* * *

I don’t have another session with Lori for nearly three months, because she took a personal leave from her place of employment. When our sessions finally resumed, I could not wait to tell her about my budding relationship with Shauna.

Ten minutes into my first date with Shauna — right about the time she got up from her bar stool and said she was “going to the can” — I knew she would, at the very least, be someone I was going to invest significant time in. She was as easy to talk to as any girl I’d ever been with, and I found myself at ease. Plans happened magically without anxiety-inducing, twenty-four-hour waits between texts. Her quick wit kept me entertained, and I could tell by the way she so seriously spoke about dancing, her chosen profession, that she is passionate about the art form and mighty talented too. Shauna is beautiful, with flawless hazel eyes and straight dark hair, spunky bangs and a bob that matches her always-upbeat character. She is a snazzy dresser and enjoys a glass of whiskey with a side of fried pickles and good conversation as much as I do.

Things escalated quickly, but very comfortably, and since we’d both been in our fair share of relationships, we knew the true power of honesty and openness. So upon the precipice of my return to therapy I told Shauna about Lori, and admitted to having mixed feelings about what I was getting back into. I told her I was at least moderately uncertain if my mental health was Lori’s number-one concern since she always seemed to find the time to mention my attraction to her.

The first two sessions of my therapeutic reboot had gone great. Lori appeared genuinely thrilled that I was dating Shauna and could see how happy I was. I wasn’t overwhelmed with sexual tension in the new meeting room, though it wasn’t actually spoken about, and in the back of my mind I knew it was just a matter of time before it would start to affect my ability to disclose my thoughts to Lori again.

Then, while attempting to ingratiate myself with my new girlfriend’s cat by spooning food onto his tiny dish on the kitchen floor, I hear my phone ding from inside the living room.

“You got a text, babe,” Shauna says. “It’s from Lori.”

“‘I’m so impressed with you and the work you’re doing…’” Shauna reads off my phone from inside the living room, inquisitively, and not happily. I stuff the cat food back into the Tupperware and toss it into the refrigerator. I make my way into the living room, angry at myself for not changing the settings on my new iPhone to disallow text previews on the locked screen. Shauna’s walking too, and we meet near the kitchen door. “What’s this?” she says, holding up the phone. “Your therapist texts you?”

I take the phone from Shauna and say the most obvious, cliché-sounding thing: “It’s not what it seems.”

As I text back a curt “thanks,” Shauna tells me she’s going to ask her sister, a therapist herself, if it’s OK to text patients.

“Don’t do that.” I say, a little more emphatically. “I promise, this is nothing to be worried about. We’re not doing anything wrong.” I explain that Lori’s just trying to build my self-esteem.

“The only reason I’m even bringing this up is because you said you weren’t sure about her in the first place,” Shauna reminds me. I can tell she regrets looking at my phone without my permission, but I completely understand her feelings.

At my next session I tell Lori that Shauna saw her text and wasn’t thrilled about it.

“She probably feels cheated on to some degree,” Lori says. “A relationship between a therapist and a patient can oftentimes seem much more intimate than the one between a romantic couple.”

Lori goes on to point out that the reason she feels we can exchange texts, blurring the lines between patient/doctor boundaries — a hot topic in the psychotherapy world these days — is because she trusts that I’ll respect her space and privacy. “You’ve proven that much to me,” she says.

On my walk home, instead of being angry at Lori, I understand her thinking behind the text. But I’m also nervous about how Lori and Shauna can ever coexist in my life.

Isn’t therapy supposed to ameliorate my anxiety?

* * *

A week later, Lori begins our session by handing me a printout explaining the psychotherapeutic term “erotic transference” written by Raymond Lloyd Richmond, PhD. It says that erotic transference is the patient’s sense that love is being exchanged between him or herself and the therapist — the exact sensation I was experiencing with Lori, of which she was astutely aware.

According to Richmond, one of the primary reasons people seek therapy is because “something was lacking in their childhood family life,” perhaps “unconditional nurturing guidance and protection.” Upon feeling “noticed” and “understood” by a qualified therapist, sometimes a patient can be “intoxicated” by their therapist’s approval of them. A patient may in turn contemplate that a love is blossoming between them, and, in fact, it sort of is.

From an ethical standpoint, Richmond argues all therapists are “bound” to love their patients, for therapists are committed to willing “the good of all clients by ensuring that all actions within psychotherapy serve the client’s need to overcome the symptoms” which brought them into treatment. This takes genuine care and acceptance on their part. However, a patient can easily confuse the love they feel with simple “desire.” They’re not quite in love with their therapist, so much as they yearn for acceptance from someone, and in those sessions they just happen to be receiving it from their doctor.

Lori tells me that, all along, she has been “working with what I gave her” and that because I flirted with her a bit, she used that to her advantage in the treatment. In employing countertransference — indicating that she had feelings for me — she was keeping me from feeling rejected and despising my own thoughts and urges.

“There’s two people alone in a room together, and if they’re two attractive people, why wouldn’t they be attracted to each other?” says Dr. Galit Atlas. A psychoanalyst who’s had her own private practice for fifteen years, Dr. Atlas has an upcoming book titled The Enigma of Desire: Sex, Longing and Belonging in Psychoanalysis, and I sought her as an independent source for this essay to help me understand Lori’s therapeutic strategies.

Dr. Atlas explains that there are certain boundaries that cannot be crossed between therapist and patient under any circumstances — like having sex with them, obviously. But many other relationship borders can be mapped out depending on the comfort level of the therapist, as long as they stay within the scope of the profession’s ethics, which complicates the discussion surrounding erotic transference.

“As a therapist, I have a role,” Dr. Atlas says. “My role is to protect you.” She says it is incumbent on the therapist to not exploit the patient for the therapist’s own good, but admits that the presence of erotic transference in therapy brings about many challenges. “[Attraction] is part of the human condition,” she observes. In therapy, “the question then is: What do you do with that? Do you deny it? Do you talk about it? How do you talk about it without seducing the patient and with keeping your professional ability to think and to reflect?”

I ask her about the benefits of exploring intimacy in therapy, and Dr. Atlas quickly points out that emotional intimacy — though not necessarily that of the sexual brand — is almost inevitable and required. “An intimate relationship with a therapist can [be] a reparative experience — repairing childhood wounds — but mostly it’s about helping the patient to experience and tolerate emotional intimacy, analyzing the client’s anxieties about being vulnerable and every mechanism one uses in order to avoid being exposed.”

Dr. Atlas says this topic speaks to every facet of the therapeutic relationship, regardless of gender or even sexual orientation, because intimacy reveals emotional baggage that both the patient and therapist carry with them into the session. But this isn’t a symmetrical relationship, and the therapist is the one who holds the responsibility.

“Freud said that a healthy person should be able to work and to love,” she says. “In some ways therapy practices both, and in order to change the patient will have to be known by the therapist. That is intimacy. In order to be able to be vulnerable, both parties have to feel safe.”

After I briefly explain all that has gone on between me and Lori, Dr. Atlas steadfastly says she does not want to judge too harshly why and how everything came to pass in my therapy. “I don’t know your therapist, and I don’t know your history,” she says. But she offers that I should “explore the possibility” that I might have created and admitted my sexual adoration of Lori because one of my fears is to be ignored, not noticed.

Then I offer: “Maybe this essay is being written for the same reason.”

“Exactly.”

Maybe I wanted to interview Lori about erotic transference in my therapy sessions for that same reason as well…to stand out as the most amazingly understanding patient ever.

* * *

“I want to be very clear that this was never about feeding my own ego,” Lori says about her approach to my treatment. “We were always doing this in your best interest.”

I’m in Lori’s office, a tape recorder rolling and a pad and pen in my hands.

“I felt I was doing a disservice to you if I didn’t ‘out’ what I felt was weighing on us, which, honestly, felt like a heavy secret,” she says, pointing out that she discussed my therapeutic process for many hours in her required supervision meetings.

In order for Lori to advance in her field as a social worker, she has to attend 3,000 conference hours with another professional to go over casework — kind of like therapy quality control.

We talk about all of this during one of my scheduled sessions, for the entire hour — and go over by a few minutes, too.

Lori says that when she began her career as a social worker, she decided she wasn’t going to shy away from any subjects. “It’s typical for a client to [have] a habitual desire to sweep things under the rug,” she observes, especially about taboo topics. It can become a cycle of behavior that Lori seeks to break.

I refer back to the time when, unprovoked, she brought up my attraction to her.

She says she mentioned it to avoid what therapists call “door-knobbing,” which is when a patient will purposely mention some huge reveal right at the end of a session so as to sidestep a lengthy conversation about it.

“My only question for you is, was I wrong for bringing it up?” she asks. “Only you can answer that.”

Lori’s great at forcing me to reflect.

“I guess when I said I was over it and could move on, that was an example of my strict black-and-white thinking,” I say, throwing back some language she’s used often to describe my challenge in accepting dualities. In my mind, I was either attracted to her and shouldn’t see her anymore, or I wasn’t attracted to her and could still have her be my therapist. There was no in between.

I realize now that she wasn’t wrong for mentioning my feelings for her, even when I didn’t want her to. Lori noticed that I was frustrated with myself and wanted me to know that an attraction to a therapist is so normal and happens so frequently that there are technical terms for it.

I turn my attention towards the presence of countertransference in our session. I’m trying to come up with an actual question here, but, really, I just want her to confirm her feelings for me are real. So I say, referring to her feelings, with a great degree of difficulty, “It’s funny that they seem genuine to this day.”

“They are genuine,” Lori says, adding a moment later: “I think it might be a good idea if we explore why our discussing it suggests a lack of authenticity.”

“It doesn’t, necessarily,” I begin, then stammer through a few sentences, worried I might offend her by implying she’s been dishonest. I finally settle on, “I guess it comes back to my self-esteem issues. Why would a beautiful woman think I’m attractive?”

Lying in bed with Shauna a few months into our relationship, I ask her what she thought about me the moment she first saw me. I’m fishing for a compliment. But we met on Tinder and I just hope that seeing me in person wasn’t some kind of letdown for her after swiping right on my hand-picked glamour shots. Obviously she isn’t going to say something so awful after having committed to me for so long. It’s a slam-dunk ego boost.

She says she liked the fact that I was wearing a blazer and a tie on a first date. She adds that I was a little shorter than she anticipated, but was content with the two of us at least being the same exact height.

“What did you think when you first saw me?” she asks, turning it around, naturally.

Staying committed to my honesty-at-all-costs policy, I say, “I thought you were really beautiful, but not to the point where I was intimidated by you, which was very important because if I was, you would have gotten a very unconfident version of me, and we probably wouldn’t have hit it off as well as we did.”

Shauna thinks about that for a second, and eventually nods “OK.”

I explain that my insecurity could often get the better of me in dating situations. It was easy to convince myself that I’d be rejected by the girl I was with, especially if I thought she was out of my league. I would then slip into a nervous and reserved state that isn’t at all reflective of my true self.

I’m essentially saying that I was so thrilled to not find Shauna so extraordinarily pretty that I couldn’t accept her being on a date with me. That thought made so much sense at the time I said it, but I’ve since come to realize it is as ridiculous as it is insulting. After ten months of being with Shauna, I’m still completely floored by her, on every level, including a physical one. It gives me great pride to walk into a room with her, and I don’t imagine that changing. Therefore, she actually did meet a confident “version of me.” The way people look doesn’t drastically change in ten months but a person’s perception of self can. It seems my emotional workouts in erotic transference were just beginning to produce results.

* * *

“People fuck up,” Lori informs me during one winter session. “Therapists have slept with clients before, just like politicians have had sex with their interns. But, so you have a full understanding of how this works, we can date.” She explains the parameters as outlined in the social worker’s code of ethics. One of the many stipulations is that we wouldn’t be able to see each other, under any circumstances, for at least two years before dating. She tells me she loves her job, and there’s no way she would ever sacrifice my safety or her career for anything, so she would strictly follow all the dictated rules. “If you truly want to date me, there is the option. But it’s ultimately up to you.”

I know what she’s doing here — putting the onus on me, just like last year when she said we could have sex. The difference this time is the answer I want to give is on par with all of my involuntary urges.

“I don’t want to stop the work we’re doing,” I say. “At this point, it’s far too valuable to me, and, really, I know very little about you.” She’s beautiful, exercises, is smart, funny, professional, enjoys good TV…and that’s about it. Aside from whether or not we’d even both be single in two years, and if we’d be in the correct mind frame to explore a relationship, there are several other things I’m considering here: Would Lori and I really be compatible in every way? Would she ever see me as a lover, a partner, an equal, and not a patient? Could I ever reveal a detail about myself, or even just a shitty day of work, without wondering if she was picking it apart and analyzing it?

Frankly, all those questions could be answered in the positive. But, even if I wasn’t in a happy relationship — Shauna makes this choice much easier, for sure — I wouldn’t go that route. I’d be out a therapist.

* * *

It’s a beautiful spring night in New York and only sidewalk seating will do. Shauna and I are out to dinner at a restaurant near her Queens apartment, and we’re both in good spirits. The weather and the alcohol consumption are partly to blame for that, but, on cue with the season’s change, I feel I’ve turned an emotional corner. Work payments that were past due are finally finding their way into my bank account. As it turns out, my short-term money troubles were not an indication that I had no business being a writer, or that my life changeup was as irresponsible as unprotected sex at fourteen years old.

I’d told Lori as much that afternoon. I took a mental step back from my current situation and realized that in spite of my recent hardships, I was succeeding. I summarize my session for Shauna, who nods in agreement, lovingly pointing out that she’s had the same challenging freelancer experiences as a dancer.

“You’re doing great, babe,” she says matter-of-factly.

“Thank you. That means a lot,” I respond. “I guess if I’m going to be a writer I just have to accept all this and have faith in myself. The way Lori put it was, ‘You just have to go all-in.’”

“Good,” Shauna says. “You should listen to the women in your life.”

* * *

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My Daughter Is Trapped Under Five Feet of Snow

In the remote mountains of Norway, a father claws himself out after an avalanche….then starts frantically searching for his daughter.

My Daughter Is Trapped Under Five Feet of Snow

In the remote mountains of Norway, a father claws himself out after an avalanche….then starts frantically searching for his daughter.

 

Narratively is thrilled to present the English-language debut of this interactive story, produced by Bergens Tidende newspaper.

Originally published in Norwegian, it was a viral hit and recently won the “Best Storytelling” prize in Scandinavia’s prestigious Schibsted Awards.

Memoir

My Roommate the Prostitute

At first, the quiet girl from Craigslist seemed like a great match—we had just the occasional tangle over cats and cleanup. And then the men started coming over.

It was late morning, and I was putting up a fresh pot of coffee when I heard the first meow. It sounded awfully close, as if from inside the apartment instead of the backyard one story down. Then I heard it again, and there was no doubt.

WTF?!! I texted my roommate. You got a cat?!

I’d made it clear when she moved in: no pets. “But I want a kitty so bad,” she said a couple weeks later. I suffer from allergies — through spring and summer I have a persistent itch in my nostrils, and the lightest bit of pollen or dander or even a freshly mowed lawn sets off sneezing spells that leave my entire body sore. I was also concerned about the smell. And besides, the landlord forbade pets.

It’s a friend’s, Jenny texted back. I’m only taking care of it for a few months.

Don’t give me that bullshit, I keyed my reply, then backspaced over it, reconsidering. I have a tendency to overreact, to exacerbate conflict. Instead I went for calm and firm, and maybe slightly paternal.

We need to talk.

Later that afternoon, in the kitchen between our bedrooms, we talked, leaning on opposite counters. Jenny (not her real name) kept her eyes downcast, and when I told her she was being inconsiderate and disrespectful and this was not the way grown-ups behaved, she said, “I know. I’m sorry.” I’d expected an argument, but her posture was one of submission, as if I was her dad, or a schoolteacher. But I wasn’t her dad, and she was an adult woman, even if I was twice her age. I was left somewhat unsettled.

In the end, I told her she could keep the cat, but she better take care of it properly.

“Thanks for not being hard on me,” she said, before disappearing back into her room. “I thought you were going to kick me out or something.”

That conversation was the longest we’d ever had. We were unlikely roommates, a Craigslist arrangement: I, a near-middle-aged man, several years divorced, with adolescent children of my own. She, a twenty-year-old recent college grad. We were living in Gravesend, an unremarkable neighborhood in a remote part of Brooklyn, where restaurants, bars and coffee shops are scarce, and when the friend I’d been living with moved out, finding a new roommate wasn’t easy.

At first, I had a parade of eccentrics, men who seemed to have something to hide, smelling of whiskey, with slurred speech, crooked teeth, telling me about jobs as investment bankers or corporate accountants, claims I found dubious. One man, a flashy young Georgian, took one look at the room and grew alarmingly aggressive as he tried to force his cash deposit into my hand, even after I explained that I wasn’t ready to make a decision just yet. He left just as I was about to call the cops.

So when Jenny showed up, I was inclined to like her. She looked like a typical post-college young woman: hair dyed reddish-blond, large earmuff headphones over her ears. She walked with a kind of childish languor, as if it hadn’t fully settled in that she was an adult. Her speech tended to the monosyllabic.

I showed her the room.

“Sweet,” she said.

I showed her the bathroom.

“Sweet.”

Then she asked what she needed for moving in, and I told her: proof of employment, credit report, rent plus security deposit.

“Sweet,” she said.

I assumed this meant she had all those things, and at first, it appeared that she did. She told me she worked two jobs, as a clerk in a stationary store in Midtown Manhattan and as an art-school model. Several days later, she brought documents attesting to her claims, and it all seemed to check out. She moved in a couple weeks later, with the help of her dad, whom I found affable in a way that put me further at ease. Some time after she moved in, I met her boyfriend, who seemed about my age. “He’s an artist,” she told me afterward, unsolicited, as if that explained something.

I did have some mild concerns. I wondered why she would choose to live here — a part of town where she had no friends or family — and with me, a man twice her age. But I needed a roommate, and for the most part, she matched my criteria: stable enough to pay rent, normal enough not to stab me with a kitchen knife or steal my meager possessions. She wanted to be a writer and filmmaker, she said, and was hoping to get into NYU’s film school for graduate studies. There was something familiar about her, almost bland, like an unremarkable extra who might appear repeatedly in so many movies, which meant she was safe and normal and predictable — exactly what I needed if I was to share my home with a stranger.

It was soon after the cat incident that I began to notice she was home more. In fact, she rarely seemed to leave her room. On days I worked from home, I’d hear her throughout the day, in short bursts of action — the turning of the microwave at ten, the fridge opening and closing at eleven, the doorbell with her lunch order at noon. It didn’t bother me; I barely caught glimpses of her. If she’d lost her jobs, it didn’t show so far: She was always on time with rent, and she appeared to have enough money to buy groceries and order in meals. But I wondered, if she wasn’t going to work, how was she supporting herself?

One afternoon, a couple weeks after Jenny took in the cat, I heard her voice and then a male voice I did not recognize. It was definitely not her boyfriend, whose voice was high-pitched; this one was deep, almost gruff. I was in my room, working, and I heard someone enter the bathroom, and then the toilet flush, and so I opened my door a crack for a glance. In the hallway, emerging from the bathroom, was a short, squat man, gray-haired with a bald temple. The man disappeared into Jenny’s room across the hall, and I felt a rush in my brain and gave an involuntary gasp.

There weren’t too many scenarios for why a young woman would be entertaining a vaguely Soviet-looking gentleman who looked to be about her father’s age. I felt a kind of indescribable rage, almost like a personal affront.

How dare she — in my home?!

An hour later, I watched her escort the man to the door. She was wearing blue suede pumps and a very short, ivory-colored dress, somewhat crumpled, as if she’d just removed it from under a pile of laundry. She appeared to be going for a sultry, long-legged look, but she looked instead like a little girl wearing her mother’s discarded clothes. I felt instantly sad for her, and part of me wondered if I shouldn’t offer to help her somehow. Another part of me was so angry I wanted to evict her immediately. The rest of the day, I wrestled with my thoughts, my mind feverish with indecision: Should I say something? Should I tell her boyfriend? Should I call her dad? Was it any of my business anyway?

I decided to wait, see if it happened again, and just a few days later, it did. This time, it was a tall black man wearing an ill-fitting suit and tie, like thrift-shop formalwear. He, too, emerged from the bathroom and disappeared into her room, and after an hour or so she escorted him to the door, again in the blue pumps and rumpled ivory dress.

I took to Google: What to do if my roommate is a prostitute?

More than what to do, I was seeking clarity on why it bothered me. Who was I to judge if Jenny chose an unorthodox profession? Why would I care if she used her room to ply her trade? Still, I couldn’t stomach the thought, and the Internet validated my discomfort. On Yahoo Answers and in Google Groups and various other forums people wrote about similar experiences, and the consensus was: Don’t let your roommate turn tricks within your home. It’s dangerous, it’s illegal, and it can bring nothing but trouble.

I wondered about the practical aspects of her work: Does she have a Backpage ad? Did she use Craigslist? Could I find her on The Erotic Review?

I imagined the conversation we’d have. “This isn’t a brothel!” I wanted to yell at her. “Where do you even find these guys?” Then I reconsidered, thinking I might speak to her in a more caring way. Sit her down for a talk. Maybe get some women’s organization involved. Point her in the right direction. Rescue her.

* * *

I didn’t do any of that. Instead, when we met in the kitchen the next afternoon, passing between the refrigerator and the trashcan by the sink, I decided to bring it up. I was washing a dish, the water running lightly, and she was behind me, waiting for something in the microwave.

“I’ve been seeing some strange men around here,” I said.

She turned slowly to face me, nonchalant, with a thin smile. “What?” she asked. I was certain she’d heard me.

“I’ve been seeing strange men around here,” I said again.

“Oh, yeah.” She had a self-satisfied look, as if she was taunting me: What are you going to do about it? This was not what I’d expected. She’d been remorseful about the cat, and so I’d imagined a repeat.

“Friends of yours?” I asked, hiding my indignation, though I hoped she’d pick up on my mocking tone.

“Yeah,” she said. After a pause, as if realizing something, she added, “I’m friends with some older guys.” She took a sip of water from a glass in her hand, without breaking eye contact. “They’re harmless.”

Harmless. Was that an acknowledgment that they were not, in fact, “friends?”

She offered no further explanations, and we both retreated to our rooms. If at first I’d thought to treat her kindly, I was no longer inclined to. I’d given her the chance to explain. I had offered: Let us, as adults, discuss this situation. In return, she took me for a fool. I’m friends with some older guys. The words infuriated me, and I began to plot her eviction.

Several days passed, however, and still I did nothing. Then, one evening, I was out with a woman I’d recently begun dating. We had just finished dinner at a SoHo restaurant, paid the check, and were about to head to her place when my phone rang. It was my landlord.

“Somebody call 911,” she said. “Police, ambulance. I don’t know what’s happen.” My landlord is Chinese, and I often have a hard time understanding her, but her tone told me all I needed to know. There was trouble at the apartment. “You come home now,” she commanded.

Was Jenny hurt? My thoughts went to the men. I knew this couldn’t end well.

My date raised an eyebrow to me. “Give me a sec,” I said. We were outside the restaurant, in the cool night air on a quiet street, a jittery yellow cab passing over the uneven cobblestone.

I texted Jenny: Everything ok? Landlord says someone called 911.

The response came a few seconds later.

this is kaylee shes dead

I stared at that text, uncomprehending. I didn’t know anyone named Kaylee.

Who’s dead? Who are you? Call me.

A few minutes later, my phone rang with Jenny’s number, and a young woman told me she was Jenny’s best friend. Jenny was dead. She had been dead, in fact, for the past twenty-four hours, in her bed, in our apartment. Kaylee, whose tone was so completely lacking in inflection she sounded almost robotic, told me she’d grown alarmed when Jenny didn’t respond to her texts and phone calls, and so she came by the apartment and convinced the landlord to let her in.

“Probably an overdose,” she said.

My thoughts in those moments would later seem incongruous with the event itself, but at the time they were automatic, a cascading stream of impolitic ponderings. Mostly I was relieved that I’d been spared the task of evicting her, and was now desperately hoping that my evening would not be spoiled any further.

I hung up the phone and looked at my date, who was gripping my arm and staring.

“My roommate’s dead,” I said.

My date reacted as I expected. “Oh, my god! Are you O.K.?”

Of course I was O.K. The fact that my roommate was dead was unsettling, and I was somewhat shaken, but I wasn’t sad, or feeling any grief-related emotions. Mostly I was just annoyed that her death was getting in the way of my evening plans. Jenny and I had lived together for four months, but I barely knew her. Kaylee? A friend? I didn’t know Jenny had friends. An overdose? An overdose of what?

I called my landlord, and told her what I had learned: roommate’s dead, body is still in the house. No, she need not worry about a thing. The police will take care of it all. I was out of town, I said — not a lie, although not entirely the truth either. I’d be back in the morning, and get a new roommate in the coming days. There’d be no problem with the rent.

My date gripped my arm tighter, as if the news of death created some erotic charge, at once frightening and gripping, and we went off together to her apartment a few blocks away.

* * *

In the morning I took the subway home, and remembered: My roommate was dead. It felt surreal, and I found myself ruminating on the nature of death, and youth, and the way we often know so little about the people living just several feet away from us. I thought back to what I’d done the day before: got myself breakfast, worked, then lunch, then anticipated my date in the evening. I’d been annoyed that Jenny had left dirty dishes in the sink and a half-eaten chocolate bar on the kitchen counter for two days straight.

When I got home, the door to Jenny’s room was sealed with a strip of police tape. I also discovered that in addition to the cat, she’d had two large white rats, which I found sitting in tall mesh cages in another room, probably moved there by the cops. It appeared that someone had taken the cat.

Later in the afternoon, my phone rang.

“Hi Shulem, it’s Steve.” There was a pause. “Jenny’s dad.”

I felt momentarily caught off balance. Until that moment, I had imagined that Jenny’s death would affect very few people. She had seemed like a rootless child, unattached, unaffected. I knew she had parents, a little sister, extended family somewhere, but I knew so little about them they were almost unreal to me. Her entire life seemed confined to her room across the hallway, as if she mattered to no one but herself.

“I am so sorry, I am so terribly sorry.” The words tumbled out clumsily, lame and ineffectual. “I was so shocked. I can’t imagine what it’s like for you. I am so, so terribly sorry. This must be so devastating.”

I could hear him sniffling on the other end of the line. “She was a sad girl, Shulem.”

A sad girl? There were the signs, of course. And yet, she’d always seemed vaguely chipper, even after I’d started seeing the men come by.

It was heroin, Steve told me. Her boyfriend, who was an addict, had introduced it to her. Steve thought she must’ve been using for only a couple weeks. He asked if I’d noticed any changes recently, and I told him that I hadn’t.

“Jenny’s aunt will come by to collect some of her things,” he said. “We know Jenny wrote some poetry, so maybe we can find it on her computer.” He paused, then said: “I’m really sorry you have to deal with this.”

When I hung up, I felt guilty for feeling as unmoved as I did. I sat at the desk in my room, a blast of cold air from the air conditioning hitting my face, and thought about Jenny’s death, disturbed that I didn’t feel something more. This was a young woman, just beginning adult life, who’d lived with me for four months, and when I had heard she was dead, my strongest emotion was annoyance. Her father, at the same time, seemed to expect exactly that. I’m sorry you have to deal with this. As if he knew that someone like me would be affected only by the trouble of it all.

* * *

Over the next few days, I checked Jenny’s Facebook page, and was surprised by the outpouring of grief from friends — dozens and dozens of them — who’d tagged her name and wrote messages on her “wall,” in the language of tweeting, text-messaging millennials.

rip jenny (tear-face smiley)

cant believe shes gone i loved that girl

omg why???????

Here were people reminiscing about her, friends writing about the time she helped someone with a college essay, or about high school adventures, or that time they got passed-out drunk and high on that crazy spring break trip.

Two days later, her aunt came.

“This is the biggest nightmare of our lives,” she said, and then she, too, apologized that I’ve had to deal with it all. The aunt packed up some of Jenny’s things — her computer and a handful of personal items. She packed some of her clothes into a few large trash bags. “I think I’ll take these to the Salvation Army,” she said.

Still, out of the entire collection of Jenny’s possessions, she left most of it, a room full of belongings, and told me to throw it all in the trash. I stood in the room afterward, looking around at the things that make up a person’s life, but now no longer mattered. The bed that was ordered online just four months ago. The easy chair Jenny had brought from her childhood home in Westchester. A bunch of keys on a key ring, a bracelet of blue beads, a MetroCard, a bag of cosmetics. Things that, just three days ago, Jenny might’ve thought important, but now, poof — so inconsequential.

Later, I stood in the middle of her empty room, after I’d emptied the closets, swept and mopped the floor, and cleared out all her things. It looked just like it had before she moved in: bare, clean, uninhabited but inviting. I closed the door to look behind it, and noticed a taped-up card, from HashtagThePlanet.com: it hurts now. but it will get better. i promise.

It amazed me how quickly a person’s life could be dismantled, all these concrete physical objects discarded or recycled. I thought about how our physical possessions are like phantom lives: You can go into a person’s room and look at her bed, her desk, the flip-flops in the corner, the little trashcan with the empty coffee cup and dirty tissues, and almost see a living being, by the effects of one. But then, these things are collected, dispersed, in a kind of parallel death — three days, and a healthy young woman’s presence is scraped clean off the planet.

I left the note on the door, and kept a few of Jenny’s things for myself: a small hammer, a pack of AAA batteries. A lamp. Her easy chair. It made me sad, but I had little use for the rest, and ended up putting most of it out with the trash. There it all lay, right by the curb, plastic storage bins and large trash bags filled with the effects of Jenny’s everyday life; the contents of her drawers and closets, whatever her aunt had left — bed linen, hair accessories, underwear, a blanket and some pillows, a bright red blow dryer. The stuff sat on the edge of the sidewalk for a day or two, and through the window I watched as people passed, glancing at the items. Some stopped to pick through them, holding up items for inspection, taking what they pleased, until the pile was about half the original size. Then the trash collectors came and tossed it all into the monster-mouth of their truck, until nothing was left but a shattered light bulb that slipped out of one of the bags, now spread in tiny bits of glass among the fallen leaves of a nearby honeysuckle tree.

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