The Russian Spy Who Painted Brooklyn Red

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The papers called him a master spy, an identity-shifting KGB colonel dispatched to mid-century America to lead a vast network of espionage. My father called him a friend.

This is a story about a man named Rudolf Ivanovich Abel. He was a colonel in the KGB—a master spy, a mole deeply embedded in the United States, and the central hub of a massive, all-consuming espionage network that threatened all that we hold near and dear.

Well, that’s not totally true.

He was also Emil Goldfus, a kindly, unassuming, retired photofinisher and amateur painter, developing his craft with a group of fledgling Realist artists living and working in Brooklyn in the 1950’s.

Of course, that’s not entirely true either.

* * *

What is undeniable is this: At seven a.m. on the morning of June 21, 1957, a naked, sleep-deprived and bedraggled Emil Goldfus, a fifty-ish man, answered a persistent rapping on the door of his shabby room in the Hotel Latham on East 28th Street.

In marched three F.B.I. agents, who directed the target of their early-morning interrogation to find a pair of undershorts and sit on the bed. Calling him “Colonel,” they peppered him with questions about his identity and matters relating to espionage, warning him that a refusal to cooperate would result in his immediate arrest. Goldfus remained mostly silent, grunting one-word, often contradictory or false responses, and denying everything.

After about twenty minutes, the INS joined this impromptu breakfast klatch and took the subject into custody for violating immigration law. The Feds gathered up various bits of evidence that were strewn about the one-room lodging, including identification cards listing his name as “Martin Collins” and “Emil Goldfus,” hollowed-out coins, shaving materials, cufflinks and pencils containing tiny, secret compartments, a shortwave transmitter, photos of other known agents and various devices for both creating and deciphering coded materiel.

On August 7, 1957, my father, Burton Silverman—a young artist fresh out of the Army—was walking down the street on the way to his layout and graphic design job for the then-liberal New York Post when he caught a glimpse of a blaring headline at a newsstand: “RUSSIAN COLONEL IS INDICTED HERE AS TOP SPY IN U.S.” and the sub-header, “Suspect Said to Have Used Brooklyn Studio to Direct Network.” The lede further stated that he was, “The most important spy ever caught in the United States.”

For my father, it was a moment of extreme unreality. The face staring back at him from the newspaper was his good friend Emil, not some KGB spook. How could Emil be a “master spy,” or even a common, everyday spy? He was an amateur painter, a fine guitar player and a charming older gentleman. How could that man be the enemy? He was frozen in his tracks, transfixed by the image, unable to reconcile the contradiction of the man he knew (or thought he knew) with the words in print staring back at him. It was as if a hole in the fabric of his universe had suddenly opened up under his feet.

* * *

So yes, a spy. In New York City. In Brooklyn. Emil Goldfus wasn’t a daring man of mystery, furtive and dripping with enigmatic sexuality, draped in a leather trench coat, a cigarette dangling from his lips, being pursued by a tuxedoed hybrid of James Bond and Jason Bourne. He was a balding, middle-aged man with a wiry build and a sharp bony profile, who seemed to wear nothing but gray. Okay, so he did have a trench coat—or at least a bulky raincoat.

Burt Silverman met Emil Goldfus in the winter of 1954, in the elevator at Ovington Studios, a building where he and many of his friends and professional colleagues rented space on Fulton Street in Downtown Brooklyn. “I was just out of the Army at the conclusion of the Korean War,” Silverman says. “I got a space in the possibly last artist-only studio in the city, and I often slept there because I still couldn’t afford my own place and was commuting from my childhood home.”

There stood a courtly, oddly dignified stranger, in baggy pants, a rumpled raincoat and a floppy, oddly casual hat. There was a brief exchange of mumbled hellos and, even though they exited on the same floor, nothing else was said.

“He had this accent,” Silverman explained. “You just couldn’t place it. There was a strange, rolling ‘r’ sound when he said my name—Burrrrrt—as if he had a Scottish burr, though he explained it with a story about an aunt from Scotland that had raised him.”

A few weeks later, Silverman was working late at night when Goldfus knocked at his door and asked to borrow a cup of turpentine. They struck up a conversation, the older gentleman admiring the artwork he saw and referring to a nineteenth-century Russian landscape painter Silverman had never heard of named Isaac Levitan.

Over the next few months, a friendship began to form. Though Silverman was the much younger man, he was the far more talented artist. Goldfus’s paintings were earnest, but amateurish. The younger man took on the role of teacher, instructing him on how to prepare canvases, what brushes to use, the basics of color theory and how to render the human form.

Goldfus also—slowly, guardedly—shared a few bare-bones details about his life: how he’d been a student in Boston, but had traveled around the country working as an accountant, then as an electrical engineer and finally as a photo finisher, though he’d also spent some time in Pacific Northwest lumber camps. He played the guitar brilliantly (for an amateur), and made a concoction called “jungle coffee” by boiling the grounds directly in milk on the stove.

He was also a frequent visitor to Silverman’s studio, accruing a vast amount of knowledge just by spending time with him and watching him paint, saying nothing.

Self-portrait by Burton Silverman, 1959. (Image courtesy Silverman Studios Inc.)
Self-portrait by Burton Silverman, 1959. (Image courtesy Silverman Studios Inc.)

“Now, it’s a relatively normal thing for me to do to allow someone around while I work,” Silverman adds. “But Emil’s the first person that I ever did that with, and what it taught me was that two people could provide some kind of comfort, some kind of ease, but without speaking. Just existing.”

Emil Goldfus also became a part of the larger group of artists who rented space in the studio, including the famed caricaturist David Levine; the cartoonist, playwright and author, Jules Feiffer; Sheldon Fink; Danny Schwartz; and Harvey Dinnerstein, all of whom would go on to achieve success in the art world.

The men struggled with the realities of the ’50s art world: the celebration of Abstract Expressionism as expressed by Jackson Pollock, Willem de Kooning and others of their ilk, the overt hostility to the representational work that they all favored and the idea that what they were doing wasn’t “real” art or could be dismissed as mere “illustrations.”

They’d talk late into the night, arguing about their shared aesthetic concerns and the politics of the era. As a whole, these angry young men veered sharply to the left, especially within the context of the stultifying, downright paranoid atmosphere that was Joe McCarthy’s America. Some of them had in the past been members of the Communist Party USA, the largest, most influential Marxist-Leninist political party at the time.

“It’s difficult to imagine it now, but even if it never changed what we said and how we said it, there was always the nagging thought in the back of our heads that someone was listening; that we’d lose work or jobs,” says Silverman. “It was so easy to slip into self-censorship.”

Goldfus’s politics were quieter. He certainly didn’t disagree with the howls of protest about the with-us-or-against-us mentality, or the group’s belief that the all-powerful, all-pervasive, creeping Communist menace within our midst was a red herring (pun intended)—an excuse to stamp out thinking or behavior that was at odds with Coolidge’s dictum that “The business of America is business.” They were enraged by the wiretaps, committee hearings and trampling of the First Amendment, and saw them as part of a slippery slope towards Fascism.

Mainly, he sat on the periphery of the conversations, as one might expect of an older, wiser man, amused by the fiery convictions and enflamed sensibilities of youth, his ardor tempered by a certain degree of cynicism and the realities of life. He was practical, not an ideologue in any sense of the word. It’s certainly possible that his true sensibilities were kept under wraps so as not to arouse suspicion amongst the group. One story that might lend credence to that idea occurred when Silverman and Goldfus were once again in the studio late at night. They were in Goldfus’s room and his shortwave radio was on, sputtering an unfamiliar, Strauss-like tune along with an indecipherable, Central European-sounding commentator.

The phone rang in Silverman’s studio. He answered it, and the voice on the other end asked why he was working at such a late hour. Jokingly, Silverman responded, “Oh, Emil and I were just listening in on Moscow.”

When Silverman hung up the phone, Goldfus’s affable, easygoing demeanor had vanished completely, replaced by a cold, hard glare—the only one he had ever evinced in the three years they were friends. He snapped, “Don’t ever say such a thing like that on the telephone again. Not even in jest.”

Goldfus wasn’t wrong. Conspiracy charges have been built on far flimsier evidence than ill-considered jokes, especially via telephone. It’s the kind of incident that, under normal circumstances, wouldn’t be memorable. It’s only in recollection, when you discover that your friend was a spy, that it stands out.

There were other odd moments as well: nagging details and incidents that just didn’t make sense. To Silverman, Jules Feiffer said, “You know, Emil gives me the feeling of a guy who’s been on the bum. No matter how much of a fat cat they get to be, they never lose that look.”

Danny Schwartz agreed. Upon first meeting Emil Goldfus and hearing his story about working as a photofinisher, he said that Goldfus was too worldly and too educated for that particular trade, saying, “You know, the whole thing sounds fishy. This guy isn’t what Burt [Silverman] takes him to be.”

Silverman’s brother Gordon had his suspicions as well. He was an electronics engineer, and one day, while visiting Silverman’s studio, he got into a conversation about physics with Goldfus, finding that he possessed a degree of expertise that was surprising for someone that wasn’t a professional.

Of course, when he wasn’t in his studio, Goldfus was, in fact, engaged in espionage.

* * *

The man my father knew as Emil Goldfus was actually born Vilyam “Willie” Genrikhovich Fisher to Russian émigré parents in the United Kingdom. He returned to the Soviet Union in the 1920s, served in military intelligence in a variety of functions, joined the KGB after World War II, and was eventually sent to the United States as a mole.

At this point, the facts of what Goldfus may have done become a tad murkier, mainly due to the fact that the information available comes from both U.S. and Soviet government sources, all of whom had an interest in presenting Goldfus as a master spy. To clarify, there’s zero doubt that Goldfus was engaged in espionage. What’s in question is the headline on the front of the paper that Silverman saw: TOP SPY.

The many identities of Emil Goldfus.
The many identities of Emil Goldfus.

Under yet another false name—Andrew Kayotis—he arrived in New Mexico in 1949. Though the exact nature of his activities at this time remains unknown, biographies of Goldfus have stated that there are indications that he was there to assist with the process of transferring information relating to the Manhattan Project. By 1950 he was in New York City, establishing his identity as Emil Goldfus. For the most part, this simply meant going to the same store to buy the same brand of cigarettes and having a passing encounter with the shopkeeper. During this time period, using the name “Milton” and affecting an English accent, he made contact with Lona and Morris Cohen, both of whom associated with Helen and Morton Sobell, later co-defendants along with Julius and Ethel Rosenberg.

In the summer of 1954, going by the alias “MARK,” Goldfus had his first meeting with his new assistant, Reyno Hayhanen, code name “VIK,” living under the alias Eugene Nikolai Maki. Hayhanen was a miserable, incompetent drunk, living with an angry, equally drunk young wife in Peekskill, N.Y.

Goldfus would receive coded messages from Moscow via his shortwave radio transmitter. He would then translate the code via his Russian codebook into yet another code, and then make microdotted messages, photographing, shrinking and transferring those messages to the secret compartments that he had hidden inside the laundry list of everyday items that the F.B.I. discovered: the coin, the hairbrush, etc.

The vast bulk of his time was spent in this delicate, precise, ritualistic and yet ultimately tedious task. For the most part, these messages were mundane: letters from home, records of cash deliveries, changes in the times for processing and sending other orders.

Here’s a translation of microdotted messages that were left for Hayhanen by Goldfus, according to the F.B.I.’s file on the case. There are probably more sensitive, national security-type messages that aren’t freely available online, but those we can access read like inter-office memos.

1. WE CONGRATULATE YOU ON A SAFE ARRIVAL. WE CONFIRM THE RECEIPT OF YOUR LETTER TO THE ADDRESS `V REPEAT V’ AND THE READING OF LETTER NUMBER 1.

2. FOR ORGANIZATION OF COVER, WE GAVE INSTRUCTIONS TO TRANSMIT TO YOU THREE THOUSAND IN LOCAL (CURRENCY). CONSULT WITH US PRIOR TO INVESTING IT IN ANY KIND OF BUSINESS, ADVISING THE CHARACTER OF THIS BUSINESS.

3. ACCORDING TO YOUR REQUEST, WE WILL TRANSMIT THE FORMULA FOR THE PREPARATION OF SOFT FILM AND NEWS SEPARATELY, TOGETHER WITH (YOUR) MOTHER’S LETTER.

4. IT IS TOO EARLY TO SEND YOU THE GAMMAS. ENCIPHER SHORT LETTERS, BUT THE LONGER ONES MAKE WITH INSERTIONS. ALL THE DATA ABOUT YOURSELF, PLACE OF WORK, ADDRESS, ETC., MUST NOT BE TRANSMITTED IN ONE CIPHER MESSAGE. TRANSMIT INSERTIONS SEPARATELY.

5. THE PACKAGE WAS DELIVERED TO YOUR WIFE PERSONALLY. EVERYTHING IS ALL RIGHT WITH THE FAMILY. WE WISH YOU SUCCESS. GREETINGS FROM THE COMRADES. NUMBER 1, 3RD OF DECEMBER.

The microdotted messages would be left at “dead drops.” (Concealed spots for messages where the aforementioned items could be surreptitiously left behind, until such time as another agent could receive them.) The only person that we know ever received these messages from Goldfus was Hayhanen. It’s certainly possible that there were others. The F.B.I alleges that Goldfus was in charge of a ring of spies, a massive network of agents. If that’s so, we have never learned the identity of these co-conspirators.

With Hayhanen, Goldfus set up three locations for dead drops in the city: One was in the Bronx—literally in a hole in the wall on Jerome Avenue near 165th Street—another was on a bridge in Central Park near Tavern on the Green, and a third was in the balcony of Symphony Space, the performing arts center on the Upper West Side. He also had other locations set up as signal areas, for determining if he had received a message, for notifying others that a message was ready for pickup, and for when a face-to-face meeting was necessary.

This was his life. He would paint and hang out with Silverman and the others, and he would transcribe and deliver messages, then leave signals in blue chalk on signposts and other locations to indicate the presence of and/or receipt of said messages, as well as checking and rechecking all of these locations to assure that the system was properly functioning. There were no meetings with seductive femme fatales or intricate, high-tech acts of subterfuge. It was a job, like any other, filled with repetitive, often mindless tasks, and frustrations with co-workers and bosses alike.

* * *

In 1955, Goldfus told Silverman that he had a color-printing device that he wanted to try to sell and that he’d be going to California for a few months. In reality, he’d gone back to Moscow. According to Chester Hearn’s 2006 book, Spies & Espionage: A Directory, Goldfus was crumbling under the massive pressure of running the network and was frustrated by the lack of competence of both his underlings and his superiors.

When Goldfus returned a year later, he found the system he’d set in place was in complete disarray. If Goldfus was very, very careful, Hayhanen was the opposite. Messages in the dead drop spots had never been retrieved, radio transmissions had been sent on the wrong frequency, and the money he’d left with Hayhanen had been frittered away on prostitutes and his dependence on alcohol.

While Goldfus was in Moscow, Silverman had no idea what had happened to his friend. He had no way to contact him, knowing no other family members or individuals outside of the group at Ovington who might know anything about his whereabouts. He was on the verge of calling the police and filing a missing persons report when, one night in 1956, the phone rang and once again, he heard the sound of that distinctive burr intoning: “Hello Burrrrrrrrt.”

Emil Goldfus. (Photo courtesy Silverman Studios Inc.)
Emil Goldfus. (Photo courtesy Silverman Studios Inc.)

Goldfus explained that the trip to California hadn’t worked out, that he’d had a heart attack and ended up recuperating in Texas. Silverman asked why he hadn’t called, that they were worried sick, and Goldfus brushed it off by saying it wasn’t that big a deal, and that he didn’t want to put anyone out.

After his return from Moscow, Goldfus’s engagement with the group increased. The Ovington artists were planning a group show that was intended to be a rebuke to the prevailing tastes of the art world. Entitled “A Realist View,” they wanted to make a statement that was both political and aesthetic: that representational work was just as valid as abstract imagery.

Though he himself wouldn’t have any paintings in the show, Goldfus took part in the planning, suggesting strategy and discussing what work should be a part of the exhibition.

Silverman adds: “You could tell that he wanted to be a part of something and that he was excited. I don’t know if the trip to Moscow changed him, but it seemed like he cared less and less about the idea of being ‘undercover’ or maintaining a low profile. I think when he started painting he was rediscovering a life he never could have because he was a mole. Our show brought a bit of the old revolutionary fervor back, the idea that he was fighting the establishment. The reality of the Soviet Union destroyed whatever idealism he may have had, but this made it real again, even if it was a cover. Here was a man who was very, very careful, who had avoided detection for nine years. It didn’t deter him.”

* * *

In April 1957, Goldfus once again told his friends that he’d be leaving for a while, again crafting a false story as cover. This time, it was that he’d be taking a trip to Arizona to seek out a cure for his persistent sinus issues. In reality, he never left New York City; he just needed time away from the Ovington Studios to reorganize his network. Having grown completely disenchanted with Hayhanen and wanting him removed, Goldfus passed on Moscow’s order to Hayhanen to return to the U.S.S.R. Fearing for his life, Hayhanen instead turned himself in at the U.S. Embassy in Paris, where he quickly gave up the goods on his boss. Soon after, the F.B.I. was knocking on Goldfus’s hotel room door.

For Silverman and the other artists, the story they read in the newspapers didn’t make sense. If Goldfus wanted to establish a false identity in New York City, hanging out with a group of radical painters might have been the worst spot he could have picked. And spies weren’t supposed to form attachments, to make the kind of friends who’ll worry when you’re gone. If you want to be anonymous in New York, it’s a pretty easy thing to do. If Goldfus really were the ‘master spy,’ the man behind the iron curtain who the papers were eagerly exploiting, why would he risk making friends?

On the other hand, if Goldfus was a spy, and if he had been ordered to embed himself amongst a group of artists, wouldn’t that make them somehow complicit? If so, wasn’t that the greatest betrayal of all; that their entire ‘friendship’ had been part of a cover story?

They were petrified that they too were suspects. They were all interviewed by the F.B.I., and they inevitably went back over all the details of their time with Goldfus. Had it been a trap? Was Goldfus working for the F.B.I, the KGB, or both? What conversations had been recorded? They were sure that they were still being tailed, that the guy stopping to tie his shoe next to them while they made a call on a pay phone was concealing a recording device in his pocket.

That’s the thing about espionage. The daily grind may be boring, but it does elevate the mundane. Suddenly, there are no random occurrences, no coincidences. The woman with the stroller you see twice in the same day is following you. The odd clicks on your phone are a tap.

Emil Goldfus in the studio, 1957. (Photo courtesy Silverman Studios Inc.)
Emil Goldfus in the studio, 1957. (Photo courtesy Silverman Studios Inc.)

While being questioned, the Feds asked Silverman if Goldfus had ever borrowed anything from him—a typewriter, a guitar. Of course, the answer was yes, but suddenly you find yourself thinking: “Is there a secret compartment in the guitar?”

Silverman was puzzled as to why this information was vital, and what it could possibly have to do with the case, but the answer to any and all of his queries was: “I’m sorry, but all we can say is that this a matter of the highest national security.”

The phrase was enough to send a chill down Silverman’s spine. Though he was aware of the F.B.I.’s desire to validate both the massive “national security” apparatus and the concurrent presence of “the enemy,” he was also keenly aware that siding with Goldfus could have very dangerous, real-world consequences, whether he was guilty or not.

And then came the trial.

* * *

In October 1957, Silverman was subpoenaed by the prosecution to testify in the trial of Emil Goldfus.

Imagine standing in the corridor of the federal courthouse at Cadman Plaza, waiting to be called. You’ve had no contact with your friend since his arrest. You doubt the facts of the story but you also have to protect yourself. There’s no right answer. Whatever you say in that room will be a betrayal to someone or put yourself in harm’s way. You don’t even know what questions you will be asked or if this too is part of a scheme to entrap you in this web of spies. Most of all, you’re not sure if you’ll be able to look your friend in the eye.

Silverman’s time on the stand was brief. After a few preliminary questions by the prosecuting attorney—can you identify the defendant, how did you meet him, how long did you know him, etc.—he was asked to identify his typewriter, which Goldfus had borrowed and then evidently used in the process of crafting his coded messages.

That’s it.

No questions about his political beliefs, no insinuations that he’d somehow been involved with Goldfus’s espionage, just a typewriter.

Silverman answered, “Well, it looks like my Remington Portable, but there are thousands of them out there. I can’t say for sure.”

Goldfus’s lawyer asked Silverman about Goldfus and his integrity—was he kind, generous and honest? It was possibly a foolish decision, but Silverman said that his reputation for honesty was “beyond reproach” and that he’d never heard a negative thing said about him.

As he was leaving the stand, he caught Goldfus’s eye. A smile seemed to curl around the edges of his mouth and he nodded. “He looked at me—and I remember it very specifically—I felt like he was saying ‘It’s okay,’ that he understood, and that he forgave me.”

* * *

Emil Goldfus was convicted of conspiracy to obtain and transmit U.S. defense information, and of acting as an agent of a foreign government. He was sentenced to thirty years in prison and a $3,000 fine, even though the prosecution had failed to identify any other members of the ‘ring’ that he allegedly operated. While in federal prison in Atlanta, Goldfus’s lawyer contacted Silverman, asking if he’d be willing to correspond with his client.

Silverman refused, explaining that, as much as he’d like to, the political climate of the Cold War made that impossible. In 1962, after only serving four years of his sentence, Goldfus was sent back to the Soviet Union, traded for downed U-2 Pilot Gary Powers in a truly filmic exchange on the Glienicke Bridge, known during the Cold War as the “Bridge of Spies” for the numerous transactions that occurred there.

After his return, the U.S.S.R. feted him as a national hero—an operative who had evaded and subverted the Americans for nine years without detection. Though like the F.B.I., the Soviets never overtly declared what information Goldfus had obtained and sent back to Moscow, they were just as invested as the United States in the myth that Goldfus had been a “master spy.”

For both sides in the Cold War, there was value in inflating Goldfus’s importance. That’s not to say that there wasn’t actual espionage occurring, both on Goldfus’s part and by others—there was. But in order to justify a perpetually increasing defense budget—the Military-industrial complex that Eisenhower warned against—from time to time, you need to actually produce “the enemy,” and so Goldfus’s head was triumphantly mounted on the wall.

Emil Goldfus and Burton Silverman, 1957 (Photo courtesy Silverman Studios Inc.)
Emil Goldfus and Burton Silverman, 1957 (Photo courtesy Silverman Studios Inc.)

Three years later, in 1965, Silverman met a writer named Louise Bernikow who wanted to write a book about the alleged master spy. They spent a year and a half researching the story, hoping to get permission from the Soviet Ministry of Culture to visit Moscow for an interview with Goldfus. In 1967, they got their wish. Silverman describes Moscow as such:

“The center of the city seemed vast. Crossing the street was an adventure, because they must have been at least fifty percent wider than Fifth or Madison Avenue. The buildings seemed heavy and overbearing, and even during a snow-free October, the prevailing colors were grey and brown. I remembered that Emil always had that combination of colors in his clothing and in his work; in his art he managed to find a way to bring a bit of Moscow with him.”

“The balcony of the Kremlin—probably three or four stories high—overlooked a cobble-strewn area that must have been the equivalent of about five football fields. Perched up there, the arena packed with thousands of subservient but still wildly cheering ‘admirers,’ everyone from Nicholas Romanoff to the Commissars would feel invulnerable and impervious to change or the march of history. It felt permanent and impenetrable in a way that still sticks in my mind.”

Despite that, they plunged into the heart of the Soviet colossus, Silverman toting drawing supplies and Bernikow notepads and pencils, trying to find Goldfus, to ask him… well, everything. Why he’d gone “undercover” in the worst situation a spy could possibly conceive, what had happened to him since he was sent back to the Soviet Union, and maybe just to give Burt Silverman a chance to end his friendship in a manner that wasn’t irrevocably skewed by massive, international, geopolitical stakes.

“Suddenly, I was thrust into a curious role, that of a pretend ‘arts editor’ delving into the bureaucratic bizarro-world that was the Novisti,” Silverman describes, using the name of the Soviet news bureau. “Surrounded by genuinely scary, overeager party hacks that may or may not have seen our arrival and desire to talk to Goldfus as an opportunity to strike a blow against the ‘degenerate’ United States.”

“1967 was the fiftieth anniversary of the revolution and the Politburo was not disposed to a sensational interview with their hero secret agent man. We felt—though we never really knew for sure—that we were being followed, that everything they said to us was a kind of double-speak or an attempt to determine our ‘true’ intentions.”

“I even devised a code that would indicate to someone back at [the publisher] that I might be in trouble,” Silverman explained. Assuming that their calls and letters were tapped and were being studied for some form of covert activity, they instead devised a system in which Burt would send a telegram saying he was running out of a particular color of paint to indicate danger, “So Cadmium Yellow became my S.O.S.”

After arriving in Moscow, Silverman and Bernikow found that the interview with Goldfus had fallen through. Party officials said they had not been told anything about the pair’s official, journalistic visit.

“We were stonewalled, dead in the water, no hope,” says Silverman. “But The National Hotel where we stayed had the reputation—whether that was real or a misinformation campaign—of being a sort of auction house for rumors and secret agents from all over the continent. At the bar, we met a British businessman and we talked about why we were there.”

“We were put in touch with a man called Viktor Louis, a leaker of unofficial Soviet information (a standard part of all diplomacy) that went back and forth to Great Britain constantly,” Silverman explains. Of course, this was a false identity as well. He was born Vitaly Yevgenyevich Lui, worked as journalist with the Western media, and though he was not a declared member of the KGB, “Had a dacha; a summer residence that is usually reserved for upper-echelon party bureaucrats.”

Louis promised that he could arrange a meeting with Goldfus, but after a few days of sketchy cancellations and further promises, he called the hotel and demanded to know why they had leaked a story to the Herald Tribune. Evidently, the affable gentleman they met at the National Hotel happened to be a friend of an AP reporter.

Silverman tried to explain, but they were unable to assuage Louis’s fears that he was being set up, either by the Americans—with Silverman and Bernikow in the role of undercover CIA operatives—or by the KGB itself, with the two now placed in the unlikely role of double agents, trying to expose and entrap Viktor.

Louis ended the phone conversation on a cold, ambiguously ominous note, advising him to “take a vacation.”

Whether that was some kind of code or an implicit threat, Silverman couldn’t determine, but with all their leads gone, they ended their quest. Before departing, Silverman wrote a letter to Goldfus, saving a handwritten draft and sending the final copy to Goldfus. Whether he ever got to read it remains, like so much else, a mystery.

Here is the letter in its entirety.

“Dear Emil.

I am writing to you once again, this time from Moscow, and this time with almost no expectation that we can get together. (I hope you are aware that I have been trying to arrange a meeting with no success.) This trip was a gamble. I hoped that some minor miracle would take place. Perhaps this is a measure of my naïveté. I realize the enormous difficulty of such a reunion. As I said before, however, I’m sometimes pretty stubborn. There’s some ego involved as well. I couldn’t believe that friendship and human curiosity were not stronger than practicalities. But I see now that this was not even involved.

I have been in Moscow for ten days, and will probably leave this coming Thursday. Before going, and in the hope that this letter does get to you, I should like to tell you a few things more. First, about things long past: I’m sorry I didn’t write to you in Atlanta. In defense of that, I can only say that they were different times, and I was not above fear. I was also counseled by what I thought were wiser heads. Hindsight, and a changed political climate have made those decisions and that counsel seem excessively cautious or worse. Maybe the reason I’m here now is to make up for that.

The book about you will, I think, be a truthful and honest one. It will try to explain why you are remembered so clearly by many of the people you met. Certainly all my friends have that memory and think of you affectionately.

I hope that all of this will not cause you any difficulty. I must say that at some points in the last year and a half, I’ve thought of giving up the project, but always came back to it because it seemed more pertinent than ever.

It’s almost ten years to the day since your trial started back in Brooklyn. Many things have happened to all of us since then—to me, my friends Harvey and Dave, and to you as well. I had hoped to talk to you about all of it. I had also fantasized a trip we could have made to the Hermitage to talk about art and painting once again. I also thought we could talk about your feelings about America and the people you met there. Apparently, this is not to be. Some other time perhaps—when the two of us can meet simply as old friends.

I will not say good-bye, just au revoir.

Sincerely,

Burt Silverman

Portrait of Emil Goldfus by Burton Silverman, 1958. (Image courtesy Silverman Studios Inc.)
Portrait of Emil Goldfus by Burton Silverman, 1958. (Image courtesy Silverman Studios Inc.)

Colonel Rudolf Ivanovich Abel died of a heart attack in 1971, was given an official state funeral, and interred at the Donskoy Cemetery. In 1972, a Western journalist visited his grave, and saw the name “Willie Fisher” had been added to the tombstone—the first time anyone outside of the Kremlin learned that “Abel” was an alias as well.

***

“I wrote in Bernikow’s book (and I still believe this) that he was the enemy, but he was my friend,” says Silverman.

“In the ’80s, a guy from the BBC interviewed me about Emil, and asked, ‘How can you say he was your friend? He was in the KGB, sitting calmly in some windowless room and taking notes while people were being tortured? How could you not feel betrayed? How could you be a friend to that?’”

“I said, ‘You know what I feel betrayed about? When this government carries my flag into the cauldron of dictatorships in South America; when Kissinger is involved with the death squads in Honduras—that’s what I call a betrayal.’ The journalist didn’t transcribe that part.”

“Emil’s spying produced enormous conflict. In the end, his greatest regret was that he’d betrayed the young men in Brooklyn. It wasn’t exploitative. In fact, it was the opposite. The friendships were a threat to his job, and of course to us. That’s the betrayal that haunted him—not to any country or government; to people, to us.”

It’s impossible to say for sure what led Emil Goldfus to embed himself amongst ex-Communists and radicals. In the end, that’s the mystery we’ll never be able to solve.

A cynic might say that it proves what a mastermind he really was; that by choosing to hide in a potentially dangerous place, he was engaging in a brilliant bit of misdirection. Hiding in plain sight, as it were.

A romantic might say that he was just tired of it all: the pointless, tedious, bureaucratic repetition of the job itself, the useless, incompetent co-workers, and the entire idea of countries being enemies. So, consciously or otherwise, he did the thing he really loved—painting pictures. That’s how Emil Goldfus remained true to himself in the midst of a life that was defined by deception; in which he was constantly playing a role.

Regardless of his motivations, for two and a half years, no matter what else he did in his spare time, the friendships he made, the work he did, and the life he led was real.

Yes, it was also a fiction but it was a fiction that was true in a way that the greater truth of espionage can’t alter. It was both real and a lie.

Somewhere beneath the infinite regression of all of these state-sanctioned masks lies Willie Fisher, also known as Martin Collins, and MARK, and Milton and Kayotis and Colonel Rudolf Abel of the KGB, but really just Emil Goldfus—the spy that was my father’s friend.

* * *

Robert Silverman is a Contributing Editor at KnickerBlogger.net and a freelance writer whose work has appeared at the New York Times, ESPN.com, Deadspin, The Classical, and VICE among others. He co-wrote, We’ll Always Have Linsanity: Strange Takes on the Strangest Season in Knicks History. You can follow Robert on Twitter at @BobSaietta

Zach Worton makes comics, including The Klondike for Drawn and Quarterly and Blood Visions for Oily Comics, and his forthcoming graphic novel, The Disappearance of Charley Butters, was just completed. He works as a cook and lives in Toronto, Ontario. @ZWORT.

 

 

The Cocaine Kings of the Pittsburgh Pirates

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In the early ’80s, an A/C repairman, an unemployed photographer and a Major League mascot became the dealers of choice for the city’s sports stars – and changed baseball history along the way.

Whatever the price, by whatever name, cocaine is becoming the All-American Drug. . . .  A snort in each nostril and you’re up and away for 30 minutes or so. Alert, witty, and with it. No hangover. No physical addiction. No lung cancer . . . instead drive, sparkle, energy.

Time Magazine, 1981

“The butterflies have already started,” said Rod Scurry on April 18, 1981, in anticipation of his first major league start the following day in Houston. The season was almost two weeks old, and Scurry had yet to make an appearance on the mound. In fact, he hadn’t pitched more than four innings in a single outing in two years. He was only getting the break now because Pirates ace Jim Bibby was injured; still, Scurry was excited and was hoping not just to start but also to finish his own game. “I’ll be trying to go nine,” he said.

Growing up, Rod Scurry never doubted he would play in the majors, if not as a pitcher then as a hitter. In high school he once hit a five-hundred-foot home run. But despite his batting prowess, he had always been a pitcher at heart. In the 1960s, when he was just a child, he stacked mattresses against the wooden fence in the backyard of his Nevada home and hurled fastballs at them. He had always had power. But then there was the hook. He could sweep his curveball in at such an angle the ball would bend between a batter’s legs. Frequently compared to the preeminent lefty of all time, Sandy Koufax, Scurry drove himself to live up to the compliment. This desire propelled him out of bed at 5:30 a.m. to jog to school through high mountain air and sometimes freezing temperatures just so he could get extra pitching practice in at the Hug High gym before the opening bell rang. On game days, when his teachers believed him to be studiously tending to his work in the classroom he would in fact be poring over index cards he had made that listed the tendencies of the opposing team’s big hitters.

Scurry’s aspiration to pitch a complete game nearly came to fruition. He pitched seven strong innings, shutting out the Astros on four hits, while adding seven strikeouts. Lifted for a pinch hitter in the top half of the eighth in a scoreless game, Scurry was forced to pace the clubhouse floor, listening to the final innings on the radio, anxiously rooting for his club. His teammates cooperated, as the Pirates finally picked up a pair of runs to make the score 2–0. Reliever Eddie Solomon completed the shutout, going the final two innings to secure the victory.

A Rod Scurry baseball card for sale on comc.com.

Although he didn’t close the game, Scurry had made a superlative debut start that lived up to his pedigree and reminded many of the days when he struck out eighteen or nineteen per start back at Hug High. “I’m excited,” Scurry said. “My first big league win is a big thrill. I’ve dreamed about this day. Winning my first big league game is the highlight of my career. I never complained about relieving last year, but I’ve always wanted to be a starter.”

“Last year was frustrating,” Scurry admitted. “I understood the situation. They were world champions, and they had to go with the pitchers who won. I wasn’t thrilled too much with sitting around, but I didn’t get down on myself.”

Across the diamond, the Astros took notice of what they had seen thrown against them. “The kid has an outstanding curveball,” the opposing starter, Joe Niekro, commented. “Sometimes a pitcher has to wait a long time to get his chance. I know how it feels.” A poll of scouts echoed Niekro’s assessment, declaring that Scurry’s curveball was not just good but the finest in the major leagues.

“Scurry Can’t Sleep on Major Success,” read the Pittsburgh Press sports page the day after the game, playing off Scurry’s remark that he had been “too excited to sleep” the night before his start and had in fact slept little at all in the two days leading up to the outing. Pitching coach Harvey Haddix defended the young pitcher, saying, “You don’t need sleep to pitch. I did it many times in the days we rode trains between cities. In fact, it may help. You take it out on the other team’s hitters.”

What Scurry failed to mention to Haddix was that it wasn’t merely adrenaline keeping him up at night—it was cocaine, which he also used before the game. His memorable first big league start and win were accomplished while he was high.

* * *

By this time, Rod Scurry and Pirates mascot, the Pirate Parrot, Kevin Koch, had become friends. Soon, the circle soon expanded to include Koch’s high school buddy Dale Shiffman. It was a dream come true for the local boy Shiffman, who fit right in with the baseball crowd. He had always loved the game, but as he reached high school in the 1960s he didn’t have time for baseball anymore as his interests ran to “beers, cigs, and slicked-back hair.” In the army during the early 1970s Shiffman picked up baseball again and played at a high level while based at Fort Devin, Massachusetts. By the 1980s Shiffman had become a three-sport season ticket holder in the ’Burgh. He was the type of guy whose awareness of the four seasons was determined not by the temperature outside or the leaves on the trees but by the particular sport being played in his city. Fall was all about the Steelers, in the winter he followed the Penguins, and his summers were devoted to the Pirates. So when Koch started inviting Shiffman down to the stadium to hang out with the team before games, the outgoing Shiffman was in his element. When the invitation was extended for him to take to the field for batting practice and a chance to shag a few fly balls, Shiffman was in downright heaven. “I got to stand out there in right field with my heroes,” Shiffman said. “A few would even invite me to meet after the game to have a beer. Life could not have been better.”

Shiffman’s 1969 high school yearbook describes him as “a real car buff . . . enjoys a good laugh . . . dependable pal . . . carefree.” Shiffman stayed true to his character in the ensuing years, particularly to being “carefree” as he spent much of his time bowling, golfing, and playing softball. “Dale’s not interested in working,” a friend later told the Pittsburgh Post-Gazette. “Dale doesn’t want to grow up. All he wants to do is have a good time.”

Shiffman was employed only sporadically in the photography business when he made his entrance on the major league scene. Without a full-time occupation, he felt a certain validation in being able to say he knew and spent time with prominent sports figures. Right or wrong, “hanging out with athletes made your pride go up,” Shiffman admits. Instead of being just another guy struggling to hold down a job, he now felt important. He was being invited to golf and barbecue outings with different players. When he took a date down to the ballpark, all the ushers would know his name, and a player or two might give him a shout-out following the night’s contest, which would duly impress his female companion, not to mention Shiffman himself. “It made you feel like a somebody even if you really were a nobody,” he says.

Shiffman and Koch, like so many others in the early 1980s, had recently discovered cocaine. The drug was making the rounds through their softball league, alongside the other party mainstays: beer, pot, and Percodan. “Everyone we hung out with at the bar and from our end of town—everyone was into [cocaine],” Koch says.

When Koch and Shiffman hit the city’s nightclubs and bars after Pirates’ games, they typically ran into some of the players. Inside Pittsburgh-area nightspots such as Heaven, the VIP, Sophie’s Saloon, or the Sunken Cork, things got interesting for the pair. Koch explains, “Berra or somebody would say, ‘Hey, do you guys party?’ Then one thing led to another, and the players found out that Dale [Shiffman] could get stuff, and that’s how it kind of snowballed from there.”

Kevin Koch as the Pittsburgh Pirate. (Photo via yinzster.com)

Koch says that the players, mostly Scurry and shortstop Dale Berra, began to call him prior to games to ask if he could pick some blow up from Shiffman and bring it down to the ballpark. Shiffman purchased the cocaine from various locals. He cut the coke, not to increase the weight but rather to replace the cocaine he was taking out for his own personal consumption. Shiffman says his motivation wasn’t to make money; it was to get his party favors without having to pay for them. He figured he was not only scoring free coke but also greatly expanding his social circle, now filled with local sports figures. He could have hardly asked for more.

Typically Shiffman wrapped up a gram or two, or sometimes an eight ball, then Koch swung by and picked up the drugs on his way to work. The transactions between Koch and the players usually took place deep within the corridors of the stadium, such as in the runway outside the clubhouse or sometimes in the parking lots. The men never had any run-ins with Pirates officials; in fact, as cocaine use became more prevalent, Koch even suspected that those in charge had to know what was going on.

“It seemed like no one really cared,” Koch says. “I mean, I think Major League Baseball even knew itself that it had problems, like, years before, when they had alcohol problems with a lot of guys.”

After a while Koch realized that with Shiffman frequenting the games, maybe his own role in these transactions was superfluous. Beyond that, despite the fact that he was in a drug- and alcohol-induced haze much of the time, Koch could still see the precarious position he was putting himself in. Something in the back of his mind wouldn’t let him rest. “When you’re raised by a mom and dad that care about you, you start to put one and one together,” he says.

Growing up, Koch had been described as the typical “nice, regular all-American boy.” As he grew into adulthood, local papers painted a similar portrait, albeit one with a bit more edge. As the Pittsburgh Post-Gazette put it, he was “the sort a mom would like her daughter to bring home, an earnest yes-ma’am kind of guy with a bit of the devil in him.”

Koch tried to distance himself from his middleman position, telling the guys that they had one another’s phone numbers and could set things up for themselves. A few of the players began to call Shiffman’s house directly, or Shiffman met them outside the clubhouse after the games, where they made their exchanges. These callers were usually Scurry and Berra, although Shiffman was also becoming close with the Pirates reliever Eddie “Buddy J.” Solomon. A pretty low-key guy, Solomon sometimes invited Shiffman over to his apartment, where they would do a couple lines and just hang out. Occasionally Shiffman received calls to bring some blow to a downtown hotel room for some of the visiting National League teams’ players.

“I remember some of the other teams all of a sudden started to get involved,” Koch says. “They’d say, ‘Hey, can you get your buddy to do this or that?’ And I’d call Dale, and he’d come down, and we’d party with just about everybody; it was pretty bizarre. It was pretty out of control in the eighties.”

Yet Koch insists it wasn’t all about the cocaine all the time. More often, he says, it was just a bunch of guys getting together, and if someone had some on them, then sure, they would all do a line. “Now, we would be in the clubs every night drinking and stuff,” Koch admits, “but it wasn’t like ‘Hey, let’s all get together because of cocaine.’”

Whenever there were requests made of Koch, however, he found it very hard to decline them. “Imagine guys that are making that much money, and now you’re partying with them. After a while you don’t think anything about it. You almost think you’re untouchable,” Koch says. If players were looking to hook up, and Shiffman wasn’t going down to the game that night, Shiffman called Koch. They both lived in the South Hills, so Koch could easily swing by Shiffman’s residence and pick up a couple grams for the boys that night. Other times the players would ask Koch to call Shiffman for them. Koch says he would think about the job that had opened up a whole new world to him, a job he cherished. He would think about how the people within the organization treated him so well. He had been welcomed into the family; he was well liked and appreciated.

He knew he wasn’t doing the team any favors by bringing drugs to the stadium, but in the end, he always agreed.

“I’d say all right,” Koch says. “I couldn’t say no. What are you gonna do? It’s almost impossible to say no. These were your heroes. Guys from when you were a kid. I remember sitting down with Willie [Stargell] going, ‘I remember your first game, Willie. It was in ’63 at Forbes Field. I was like nine or ten years old.’ And with other guys, we’d talk sports together, and I would tell them this or that; and they’d say, ‘Man, you were there that night?’ Like Gene Garber, I said, ‘I remember you pitching your first game against the Chicago Cubs. You had three perfect innings going at Forbes Field, then in the fourth Billy Williams jacked that ball.’ And Garber would be like, ‘Oh my God!’”

Koch wasn’t a mere fan. Baseball was a game he loved. And whether Dale Berra or Rod Scurry were stars or not, it didn’t matter to him. Or to Dale Shiffman. It was the name on the front of the jersey, not the back, that was important. For guys raised in the South Hills who grew up with baseball in their blood, anyone who donned the black and gold sat on a pedestal and was worthy of reverence, and it would be damn hard to say no to them.

Koch’s baseball memories are part of who he is, and more often than not his stories always come back to the Pirates previous home at Forbes Field in Pittsburgh, otherwise known as the House of Thrills. “What a ballpark to go to. Ah, that was the park. That was heaven to me. When that ball was hit at Forbes Field in a night game, it would literally disappear into the darkness. There were no stands to see it bounce around in or people to grab it. It went straight into Schenley Park. You would see it going, and then once it went past the lights, it was gone; it was into the night.”

* * *

Scurry made six subsequent starts following his debut victory. The youngster pitched well, but as a member of the pitching-heavy Pirates, it wasn’t long before he was back in the bullpen. By 1982 his role as a full-time member of the Pirates bullpen was cemented. His starting days were behind him.

For somebody who was quiet to begin with, Scurry talked even less when using cocaine at the ballpark. He feared his mouth would betray him. He had begun living his life in secret. By his own account he became a con artist of sorts and “got to be pretty good at it.” He couldn’t let the outside world know that his life was now controlled by cocaine, and he became even more introverted. His future wife, Laura, later described to the Associated Press how tough it was for Scurry to deal with stress. “He had a hard time with pressure, and I think that’s why he started doing what he was doing,” she said. “It was the pressure of waiting and not knowing. The drugs made him quiet, shy, and scared. When he wasn’t on them, he was normal and fun and happy.”

In 1982 cocaine use had become routine for many major league ballplayers. The Pirates’ John Milner would later say that he, Parker, Scurry, Berra, and outfielder Lee Lacy shared up to seven grams a week with one another during this time. “If I had it, I shared it; if they had it, they shared it,” he said. In fact, it was so common that the first thing Scurry and Berra thought about prior to the season’s home opener was making sure someone had called Shiffman for easy home game delivery. Nothing said opening day like the sound of Pirates organist Vince Lascheid banging out a few notes of “Let’s Go Bucs,” the smell of hot dogs wafting through the stadium, or the prospect of an eight ball of cocaine to take it all up a notch.

* * *

The neighborhood of Garfield was settled on the hills above the Allegheny River in Pittsburgh’s East End. Up until the 1960s Garfield was home to predominately Catholic, working-class families. Its earliest inhabitants worked the mills along the Allegheny River and shopped locally from the merchants along Penn Avenue. Neighborhood activist Aggie Brose recalled to the Post-Gazette that Garfield was once a place where “you sponsored each other’s kids, you went to all the weddings and funerals, you never wanted for a babysitter…. When you put the kids to bed, the women went out on the stoops.”

In the latter half of the 1960s and early 1970s, Garfield’s citizens moved to nearby suburbs. Soon, the small businesses in the community were boarded up, and public housing projects sprouted up in the area. As more and more residents continued to flee, twenty-four-year-old heating and cooling repairman Kevin Connolly and his family remained.

Connolly was an all-state baseball player at the sports powerhouse Central Catholic High School, the alma mater of Hall of Fame quarterback Dan Marino. Connolly himself later played semipro football as a member of the Pittsburgh Tri-Ward Rebels.

If anyone could attest to what a slippery slope cocaine use could be, it was Connolly. Early during the 1982 baseball season, he was introduced to Pittsburgh Pirates pitcher Rod Scurry on a double date arranged by the pair’s girlfriends. During the evening the talk turned to cocaine. Up until this point Connolly had only tried the drug a few times. “That night we all pitched in and got some,” Connolly says. “Then we went out again the next Friday.”

Before long the foursome was hitting the town three nights a week, when Scurry wasn’t out of town with the Pirates. Doing coke became an integral part of the evenings, with Connolly struggling to match funds with the well-to-do pitcher. From fifty dollars on the first occasion, the price of admission seemed to grow with each ensuing outing as the group’s drug consumption increased. After a month or two the evenings were costing the young repairman a minimum of $100 or $150. “I couldn’t afford that,” he says. “After going out three nights a week and pitching in every time, I couldn’t do it, you know. Then I got this brilliant idea.”

Connolly was having the time of his life hanging out with Scurry and the girls, and he had to find a way to make things work. He had to “find somebody that had [cocaine], get it at cost, then sell it.” That was the key to staying in the game.

Initially, he didn’t know exactly how or where to go about enacting his plan, but it didn’t take him long to figure out. The East End was Connolly’s turf. His business, Budget Air Conditioning and Heating, was located on Penn Avenue. He also played softball in the neighborhood. He knew people there, and he knew people who knew people. If he was going to find cocaine, the East End would be where he would find it.

Connolly began to regularly buy a quarter ounce of cocaine, which he would usually split, keeping half for himself and selling the other half to Scurry or sometimes a few other acquaintances or contacts. His new enterprise yielded hardly enough to make a profit. But he was doing free cocaine, and that was the whole point, anyway. On top of that, he was introduced to another Pirates ballplayer, shortstop Dale Berra, around this time, which was even cooler to the young sports fan. “Early on we didn’t hang out that much,” Connolly says, but he remembers it being a big deal whenever Berra did come around.

Connolly soon realized that his quarter-ounce purchase wasn’t sufficient to keep up with the group’s growing appetite for cocaine. It was time to up the ante. His next purchase was for a quarter kilogram. However, once initiated into the world of cocaine, it didn’t take him long to realize the extent of the money-making opportunities now open to him. A quarter kilogram wasn’t going to cut it either. The demand around him necessitated yet another increase in weight.

* * *

Nineteen eighty-two was Rod Scurry’s career year. If the switch to the bullpen bothered Scurry, he didn’t let it show on the mound. He had the season of his life, saving fourteen games as a reliever and posting a minuscule 1.74 earned run average, the lowest in the league of anyone with at least twenty appearances. The Pirates finished the season in fourth place, eight games off the pace.

Despite the fact that Connolly was emerging as a new supplier for Scurry, Dale Shiffman continued to receive calls from the pitcher throughout the season. Even on the road Scurry managed to hook up. He had a connection in Philadelphia and elsewhere it was far from a challenge to score. He snorted a gram before a game against Houston, and then went on to hold the Astros scoreless. From that point on, he figured drug use wouldn’t hurt him when he pitched. Scurry’s career ascent brought him an abundance of money and with it an abundance of cocaine. “Finally,” he would later tell the Pittsburgh Press, “it got to the point where I couldn’t quit.”

Come opening day 1983, scoring coke had become paramount to Scurry. Personal matters were arranged first, before any baseball would be played. Once more the season began with a call to Shiffman.

A year after meeting Rod Scurry for the first time, Kevin Connolly came to a realization: This shit is everywhere. Going out to clubs or parties with his new Pirates buddies, he saw cocaine use so out in the open, so common, that he looked around and quipped, “Cocaine is legal, isn’t it?” This pervasiveness made him feel like he wasn’t doing anything wrong by partaking, but now he was going to get in on the real action. By 1983, Garfield’s Kevin Connolly was heading to Miami to trade forty thousand dollars for two kilos of cocaine.

The deal was arranged through a girl he knew from the Pittsburgh area who was dating a supplier in Florida. From there a regular hook-up would be cemented. The suppliers taught Connolly the ropes, including how to pack his product for safe airline travel. The cocaine, which came in a large chunk, was placed in a plastic bag. The bag was then placed inside another bag and dipped in mustard. This package was placed into “another bag that had coffee grinds in it,” Connolly explains. “So we had three bags going. . . . Then we just sewed it into my jacket, and I’d walk through the airport.”

The experience tested Connolly’s mettle as his heart raced with fear; oddly enough, he found it to be an enjoyable fear. Transporting drugs gave him a rush he would come to love more than using the drug itself. He always stayed straight for the transactions and the transport. But that didn’t stop him from getting high. These deals became Connolly’s new source of adrenaline, and physiologically they took him places cocaine never did. If, for instance, a group of police dogs stood ahead of him, Connolly would not change his course; instead, he would walk straight toward the dogs, pushing the thrill as far as it could take him.

The scene in South Florida was like something out of a movie for the novice drug trader. Deals went down anywhere, from inside beautiful yet bullet hole-riddled houses to aboard Miami Vice-style cigarette boats. Other times, if his connection happened to fall through, he could score kilos in the parking lots of Miami’s or Ft. Lauderdale’s after-hours clubs.

“There was like ten or twelve people there who all had kilos in their car,” he recalls, “and they’d say ‘Try my stuff.’” One person’s loss was another man’s gain, and somebody was always more than happy to help out an out-of-towner.

“It was just a joke,” Connolly says. “There was just so much down there. I’d go out to the car, and they’d open up the trunk and they’d have like five keys [kilos] in it. Then another guy would say, ‘Hey, look at my stuff, man; I’ll give it to you for a hundred cheaper.’… It was like how you could get ounces in Pittsburgh, you could buy keys down there.” He could walk into a bar “knowing nobody,” and kilogram transactions were still guaranteed. “What a joke,” Connolly repeats.

Back home up north, Connolly couldn’t help but walk with a bit more of a strut. When darkness fell Connolly felt like the king of Pittsburgh. When he walked into a club and hung out with his new Pirates buddies, people turned to look. But it wasn’t just to check out their local sports heroes anymore. Connolly was making his own mark. He could hear the whispers—Hey that’s Kevin Connolly—and see the patrons gawk. Connolly says the club Heaven was where the in-crowd gathered. It was Pittsburgh’s answer to Studio 54 or the like—the club everyone talked about and went to be seen. Known for its grand marble staircase and white interior, Heaven also had private lounges and held events such as beach night or hot tub night. Connolly often joined a number of the Pirates and Steelers there. “[Lynn] Swann was there all the time, Mel Blount, Franco [Harris] too. It was the only place in Pittsburgh where everyone went,” Connolly says.

Despite making his own name for himself, Connolly could not deny the benefits that came with hanging out with athletes. Rod Scurry, for example, was known to attract a particular crowd. “Yeah, all the girls would know who he was,” Connolly says. This was a definite bonus for the lighthearted and good-natured Connolly, who was also not dumb to the allure that the little white powder he carried possessed. Right or wrong, he employed this magnetism to his advantage. Let me buy you a drink, he would say while reaching into the “wrong” pocket for his money. He religiously kept his coke in one pocket and his money in the other, always the same ones so that he would never make a mistake in front of the wrong people, such as law enforcement. Pulling out his abundant supply of blow, which was obviously much larger than most, he would make his female companions weak in the knees. Whoops, he would innocently declare, finger on his lip like a schoolboy. Needless to say, Connolly and his buddies were not short of company most evenings.

An Associated Press story after Scurry’s time in rehab.

One thing Connolly’s baseball acquaintances weren’t doing for him was making him any richer. Ballplayers are notoriously slow to their wallets. While some of them had voracious appetites for cocaine, this hunger did not translate to much money for those supplying it. There was a sense of privilege embedded in the athletes, as if they thought it should be enough for others to merely be around them. Other times they would adopt the stance, What’s the problem? You know I’m good for it! I’ll get you later.

“We never got paid,” Connolly remarks. Berra always seemed to be broke and even had his own particular excuse at the ready. “I get my check next week,” he would say.

“His checks were like $6,200, and he couldn’t even pay me,” says Connolly. Nor did Scurry. “You couldn’t get it off him, either.” Particularly if Scurry happened to already be holding; then it was an absolute certainty “you’d never see your money.”

It was inside Pittsburgh’s after-hours clubs, selling to patrons rather than ballplayers, where Connolly was truly making his money.

“We had a nice little round,” Connolly explains. “There was like five of them, and we’d hit them all starting at 2:30 a.m. The Allegheny Club was our first hit. Then we’d go dahntahn to Joyce’s, or JJ’s. After that we’d go up to Brookline, to the BYM Club [Brookline Young Men’s Club], a little higher class, nicer place. From there we’d go to the Perry Social in East Liberty, and our last stop would be at the BBC down in Bloomfield.”

All told the late-night rounds brought in around $2,800 on both Fridays and Saturdays. Add another thousand dollars or so during the day, and the weekends netted Connolly over seven thousand dollars. He puts his weekly gross profit at an estimated $13,000 at its peak. He would store the twenties and hundred-dollar bills in a shoe box and spend the rest. He blew through cash on women and partying as well as by charging the players less than he should have. For instance, many times he asked only two hundred dollars for five hundred dollars worth of coke. Connolly wasn’t exactly maximizing his profits. He knew the money was dirty, that it wasn’t really earned, so he felt no obligation to hold on to it. Still, he was having a damn good time.

Likewise, Dale Shiffman, the self-described “nobody,” was now living the high life as well. His life revolved around the Pittsburgh sports scene, from the green diamond of summer with the Pirates to the white ice of winter with the Penguins. “Dale’s a great guy. He was always at the games,” Penguins forward Kevin McClelland said. Added team captain Mike Bullard, “I think he more or less knew a bunch of us—ten of us. He probably knew everybody on the team to say hi.”

Shiffman wasn’t getting rich as a result of his role as a supplier. But it wasn’t about the money for him anyway; it was about hanging out with his heroes and having fun. He didn’t need much. He split his rent with a roommate or two, and when he needed money he found a freelance photography gig. Whatever money he was making from blow tended to go right back up his nose.

While there were some in the medical community who were still arguing in the 1980s that cocaine was “a safe, nonaddicting euphoriant,” Shiffman probably should have known he was headed for trouble the first time he tried the drug, an experience he describes as “love at first sight.” He slowly became addicted. The days of a little fun, in-control partying were long gone. He was now firmly in cocaine’s grip and wanting more, more, more.

* * *

This story is an excerpt from The Pittsburgh Cocaine Seven, now out in paperback.

 

 

How I Fell Face First for an Epic IRS Scam

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As an Ivy League-educated journalist who has reported on scams and their victims, I certainly never thought I’d fall for one myself. I couldn’t have been more wrong.

I received a call on my home phone recently from someone who identified himself as Officer Jason Dean with the Investigative Bureau of the Department of Treasury. He said an arrest warrant had been issued in my name for failure to respond to IRS Notice CP503 — a third reminder — informing me that I owed $5,347 in back taxes. He said my home and cell phones were being traced and I should not attempt to leave the city.

“That’s ridiculous,” I said, “I never received any notices.”

“That is not my concern,” he replied. “We’re only calling you as a courtesy to inform you that you will be arrested and charged with failure to meet federal taxation requirements, malicious conduct, and theft by deception. You will be arrested within the next two hours and held in custody for six months pending an investigation.”

And just like that, I was caught in what has become the biggest tax scam in American history.

I called upstairs to my teenage son and told him to call his other mother and tell her to come home. Then I got back on the phone and asked for more details, trying to prove to myself I could dismiss this as a hoax. I asked for the address they had for me. (He had it right.) I asked for the tax year this issue allegedly stemmed from. (2011.) I asked for my Social Security number. (He said he was not permitted to give this over the phone.)

I usually do my own taxes, and I am never completely confident that I get it right. Just a few months ago, I had received notice that I owed about $700 in back taxes for income I’d forgotten to include on my 2013 return. More recently, I filed my 2014 taxes, hoping I’d done them right. But 2011? I couldn’t even remember what I’d reported.

But the man on the phone was done talking. He repeated that I must not leave the area, or I would be charged with evading the police. Then he prepared to hang up.

“Wait,” I said. “This has to be a mistake. If I owed back taxes, I would pay back taxes.”

He paused and asked, “Can you tell me truthfully you have the intention to pay any taxes you owe?”

“Yes, of course,” I said.

He said he could transfer me to another unit that might be able to help. But, he warned, they don’t have to. (It sounded ridiculous but I wasn’t quibbling.)

A moment later, another man came on the line, identifying himself as Investigator Duane Maguire. He repeated that I would be held in custody for six months while a lien was put on my property.

Thinking this all bizarre but also thinking that things do go terribly wrong for people every day, I asked what I could do.

“The payment options are closed,” he said. “This is a criminal tax fraud case.”

“There must be something,” I said, adding, “Look, I have children.”

“Let me ask you,” he said, “Have you ever been arrested before?”

Assured I had not been, he said there was one possibility — if he could obtain a 1099C form for out-of-court restitution for cancellation of debt. But this would be difficult to secure, and there was not much time.

Just then, my cell phone rang. The caller ID read 911.

I told the man on the phone the police were calling me. “911? Already?” he said. “Don’t pick it up. They are trying to trace your location to make the arrest. I will try to call them off. Just don’t pick it up.”

He then explained what I would have to do to avoid being arrested. “I cannot take any personal information from you,” he said. “But if you obtain an Instant Tax Payment voucher at the bank and give me the code on it, I can obtain the 1099C form.” This, he said, would give me 48 hours to visit an IRS office and clear things up. But, he insisted, you must stay on the phone with me at all times until the process is completed. This made no sense. But I didn’t question it.

I looked at the kitchen clock. It was 5:10 p.m. I told him I had to pick up my son from baseball practice.

“I can call you on your cell phone but you have to stay on with me while you pick up your son and go to the bank,” he said, adding: “This is a federally monitored and recorded line, and you must not discuss what is happening with anyone or you will be in violation of federal law.” I raced upstairs and told my son what was happening and that he should relay it all to his other mother, Kate.

My cell phone rang. It was 911. It rang again. It was Kate. It rang again. It was 911. It rang again. It was the alleged Investigator Maguire. Bringing the phone with me, I rushed out of the house, telling my son to come with me to drive and refusing him a moment to change out of his pajamas.

In the car, the call came over the speaker, and when the caller put me on hold a few minutes later, I used my son’s cell to call Kate.

Within twenty seconds, he came back on and asked, “Who are you talking to? I told you this is a federally monitored phone, and you cannot speak about this with anyone. You are breaking federal law.”

I kept my son’s cell line open so Kate could hear.

“Is anyone else with you?” he asked.

“No,” I said, signaling my son not to say anything.

When we arrived at the ball field, I found my eleven-year-old in the dugout and told him something had happened and there would be a voice on the car phone as we drove home but he was not to say anything. He complied until the man asked how far I was from the bank.

“What did you do?” my younger son asked. “Rob a bank or something?”

I signaled for him to be quiet, dropped my kids off at home, and drove to Wells Fargo. It was 5:40 p.m. and the bank closed at six.

I had made no decision to withdraw the $5,347. But I was definitely operating on the premise that I needed to get to the bank before it closed to keep my options open. If it was a scam, I thought, they would tell me. If it was real, I would have to access the funds that would keep me out of jail.

At a stoplight, I glanced at the texts that had come in from Kate:

“Do not take money from the bank!!! Pls call the police instead.”

“Pls speak with Marcus at the Wells Fargo before withdrawing any money.”

A moment later, I was standing before Marcus. The IRS, presumably, was still on hold.

“Kate talked to the police and is 100 percent sure this is a scam,” Marcus said. “So is my manager.”

“100 percent?” I asked.

“100 percent,” he repeated.

He walked me over to the bank manager who explained: It used to be about lottery winnings. Now it is about alleged threats from the IRS.

As I sipped a glass of water, and my rushing adrenalin began to subside, the whole thing suddenly seemed so obviously ridiculous. And it was no surprise that when I got back on the phone, the alleged Investigator Maguire, who must have sensed this fish getting away, was no longer there.

Throughout my hour-long ordeal I was very aware that it could be a scam, and that there were many things that didn’t make sense. Yet I was also deeply afraid that it could be true — that I could have made a mistake on my tax forms; that IRS forms could have been sent but never arrived; and that events could get out of control and go terribly wrong. And this combination of plausibility, fear and confusion soon drove most rational thoughts from my head.

Since the IRS-Impersonation Telephone Scam began in 2013, it has targeted more than 400,000 Americans. More than 3,000 have been successfully conned out of thousands of dollars and more, according to Congressional testimony by Timothy P. Camus, Deputy Inspector General for Investigations and Treasury Inspector General for Tax Administration. The total take: approximately $15.5 million.

If anyone should have known better, it was me. I’m a somewhat experienced adult, with more than one degree from an Ivy League university. In my career as a journalist, I’ve researched the ways our minds fall for tricks like this. I’ve even reported on scams that cheated people out of big down payments on houses and tricked others into buying previously wrecked cars. But the truth is that I fell for this scam — almost completely.

And if you think that you wouldn’t, you might consider what Stanford University scam expert Martha Deevy, Director of the Financial Security Division at the University’s Center on Longevity, has to say. Contrary to popular opinion, Deevy and her colleagues have found that no one type of person tends to be vulnerable to a financial scam but, rather, certain types of people are vulnerable to certain types of scams.

For example, older women who live alone tend to be more vulnerable to confidence scams in which someone promises a large sum of money for a small fee (a fee that grows as the target is drawn in). Educated middle-aged Caucasian men who identify as financially literate tend to be vulnerable to investment frauds. And while the IRS scam is too new for researchers to have identified a typical victim profile, Deevy suggests that it is likely to be “law-abiding citizens who are confused by the IRS” — which, she adds, represents a very large number of us. In fact, when Deevy received a voicemail from an IRS scammer herself, she said she had to listen to it four times before concluding it was not real.

“These guys,” she says, “are very good.”

Unlike most scams that attempt to trigger the desire for gain, the IRS scam rests on something more deeply hardwired in the brain — the fear of loss, which Nobel Laureate Daniel Kahneman and others have found, is a twice as powerful motivator. And fear of the loss of personal freedom is one of the most powerful fears there is. For me, it made the chance of losing $5,347 seem a trivial risk in comparison to the possibility that I had unwittingly brought trouble on myself that could land me in jail. So I kept taking this call seriously until it was absolutely clear to me it was not.

This quality of uncertainty, says Stanford’s Deevy, is precisely what these scammers prey on. “The IRS, in particular, even in a law-abiding person, is such a mystery. You think, ‘Did I miss something? Did I screw something up? They have seven years to come after me.’ It’s not indisputable that you could have done something incorrect. It’s plausible — and that’s why people get hooked. You might know it doesn’t sound right but you also think if you are wrong about that, the stakes are so high.”

Couple all this with the seeming urgency of the threat (the police will be there in two hours), the creation of isolation (you must not talk to anyone about this), and the apparent external affirmation (repeated 911 calls), and you have the ingredients for a scam that can get to people who should know better. Indeed, for me, it almost entirely stopped me from doing what is second nature: Google it. Talk to other people. And think.

If I had done any of those things, I would have known that the IRS never calls to demand immediate payment without giving you the opportunity to question it or discuss an appeal. Nor does it threaten law enforcement. Nor does a call from 911 appear as 911 on your phone. But fear put me in an altered space that, by the following day, made the whole experience feel like a dream.

Once back to my senses, I hesitated to share my story because it is embarrassing to say one fell, or almost fell, for a scam. People are quick to judge in these situations — if only because one does not want to imagine oneself being similarly vulnerable. But in the end, I decided to swallow my pride in the hope that sharing the story might help someone else recognize this scam for what it is, before their fear triggers are similarly activated, at the risk of overwhelming usually more rational minds.

* * *

Lisa Bennett is coauthor of Ecoliterate and a contributor to The Compassionate Instinct and other books. She is currently writing a memoir about how the most challenging issues of our times help teach us the most important things about being human. She is on Twitter @LisaPBennett.

Marley Allen-Ash is an illustrator from Toronto creating work through printmaking and digital media. Follow her on Instagram at @marleyallenash and see more of her work on her website www.marleyallenash.com.

 

 

The Day My Therapist Dared Me to Have Sex With Her

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My analyst and I grew more intimately connected each week of treatment...but I never saw this indecent proposal coming.

It’s the waning moments of my fourth session with a new therapist. I’m holding back — and she knows it. My entire body feels tense, not ideal for the setting. I try to relax, but the plush leather couch crumples under me when I shift, making the movements extraordinary. I’ve barely looked into my therapist’s blue eyes at all, and yet I think the hour has gone very well. Of course it has. On the surface, when the patient has been highly selective of the discussion topics, therapy always resembles a friendly get-together.

“Well,” my therapist, Lori, says, the millisecond after I become certain our time is up and I might be in the clear. “I don’t think I should let you go until we’ve at least touched on what was put out there at the end of last week’s session.”

I so supremely wanted this not to come up. My eyelids tighten, my mouth puckers to the left, and my head tilts, as though I’m asking her to clarify.

“When you said you’re attracted to me,” she continues.

“Oh, yeah,” I say. “That.”

Back in session three Lori was trying to build my self-esteem, the lack of which is one of the reasons I’m in treatment. Within the confines of my family, I’ve always been the biggest target of ridicule. We all throw verbal darts around as though we’re engaged in a massive, drunken tournament at a bar, but the most poisonous ones seem to hit me the most often, admittedly somewhat a consequence of my own sensitivity. I’ve been told it was historically all part of an effort to toughen me up, but instead I was filled with towering doubts about my own worth. And since 2012, when I gave up a stable, tenured teaching career for the wildly inconsistent life of a freelance writer, I’ve had great difficulty trusting my own instincts and capabilities. I told Lori that I wish I was better at dealing with life’s daily struggles instead of constantly wondering if I’ll be able to wade through the thick.

She quickly and convincingly pointed out that I work rather hard and am, ultimately, paying my bills on time, that I have friends, an appreciation for arts and culture, and so on. In short, I am, in fact, strong, responsible and “pretty good at life.”

Then Lori heightened the discussion a bit. “I also feel that it is your sensitivity that makes you a great catch out there in the dating world,” she said, to which I involuntarily smiled, blushed and quickly buried my chin in my chest. I was too insecure and too single to handle such a compliment from a beautiful woman.

“Why are you reacting that way?” Lori asked.

I shrugged my shoulders, only half looking up.

“Is it because you’re attracted to me?”

I laughed a little, uncomfortably. “How did you know?”

She gently explained she could tell the day I walked into her office for the first time, after I flashed a bright smile and casually asked where she was from.

Now, a week after dropping that bomb, Lori asks, “So, why haven’t we talked about it?”

“I was hoping to avoid it, I suppose.” I tell her the whole notion of having the hots for a therapist is such a sizable cliché that I was embarrassed to admit it. “For Christ’s sake,” I say, throwing my hands up, “Tony Soprano even fell in love with his therapist.”

Lori snorts, rolls her eyes. “I knew you were going to say that.”

I smile, shake my head and look around the room, denying acceptance of my own ridiculous reality.

“It’s OK,” Lori says, grinning. “We can talk about this in here.”

I look again at her stark blue eyes, prevalent under dark brown bangs, the rest of her hair reaching the top of her chest, which is hugged nicely by a fitted white tee under an open button-down. She jogs often, I’d come to find out, which explains her petite figure and ability to probably pull off just about any outfit of her choosing.

I still can’t speak, so she takes over.

“Do you think you’re the first client that’s been attracted to their therapist?” she asks rhetorically. “I’ve had other clients openly discuss their feelings, even their sexual fantasies involving me.”

“What?” I cackle, beginning to feel as though I’ve moseyed onto the set of a porno.

“It’s true,” she says, acknowledging her desk. “What’s yours? Do you bend me over and take me from behind?”

Nailed it.

“If that’s what you’re thinking, it’s OK,” she goes on, earnestly, explaining that she’s discussed sexual scenarios with her clients before so as to “normalize” the behavior and not have them feel their own thoughts are unnatural. By showing the patient a level of acceptance, she hopes to facilitate a more comfortable atmosphere for “the work” — her painfully accurate pseudonym for psychotherapy.

I take a second to let the red flow out of my face, and ponder what she said. I’m a little unsure about this whole technique, but the more I think about it, the more it makes sense. So I go home, incredibly turned on and completely unashamed.

* * *

One of the great breakthroughs I’ve had in the thirteen months since I began seeing Lori (who agreed to participate in this article, but requested that her full name not be published) is a new ability to accept the existence of dualities in life. For instance, I’ve always had a tremendous sense of pride that, if it doesn’t straddle the line of arrogance, certainly dives into that hemisphere from time to time. I’m great at seeing flaws in others and propping myself up above them by smugly observing my character strengths. I’ve never liked that about myself, but the harder concept to grasp is the fact that I can be so egotistical while also stricken with such vast quantities of insecurity.

In treatment I came to realize that all people have contradictions to their personalities. There’s the insanely smart guy who can’t remotely begin to navigate a common social situation, the charitable girl who devotes all her time to helping strangers, but won’t confront issues in her own personal relationships. In my case, my extreme sensitivity can make me feel fabulous about the aspects of myself that I somehow know are good (my artistic tastes) and cause deep hatred of those traits I happen to loathe (the thirty pounds I could stand to lose).

My next session with Lori is productive. We speak about relationships I’ve formed with friends and lovers, and how my family may have informed those interactions. One constant is that I put crudely high expectations on others, mirroring those thrown upon me as a kid. I’m angered when people don’t meet those expectations, and absolutely devastated when I don’t reach them. Lori points out that it must be “exhausting trying to be so perfect all the time.” I am much more comfortable than I was the week prior, and can feel myself being more candid. I’m relieved that the whole being-attracted-to-my-therapist thing doesn’t come up.

Then, a week later, Lori mentions it, and I become tense again.

“I thought I’d be able to move past it,” I say, adding, “We aired it out, and it’s fine.”

As definitive as I’m trying to sound, Lori is just as defiant.

“I’m glad you feel that way,” she begins, “but I think you owe yourself some kudos. This kind of therapy,” she shares, “isn’t something just anyone can take on.” Such honest discussion doesn’t simply happen, it takes tremendous guts, and Lori can see that I am dealing with it relatively well, so I should praise my own efforts.

“Shit, we both should be proud of ourselves,” she says. “It’s not easy on the therapist either, you know.”

“Why not?”

“Because talking openly about sex is risky at any time, much less with a client.” She explains that therapists are warned any semblance of intimacy can be easily misconstrued. “We learn in our training to not personally disclose, for example,” she says, but adds that, occasionally, transparency can be helpful.

“Still, with you,” she continues, “until I raised the question, I didn’t know for sure that you would go with it; for all I knew you’d run out of here and never come back to risk being so uncomfortable again.”

She’s building my confidence more, and I’m learning that I play a much bigger role in how my life is conducted than I often realize. My treatment wouldn’t be happening if I weren’t enabling it.

Then she says, “And don’t think it’s not nice for me to hear that a guy like you thinks I’m beautiful.”

Crippled by the eroticism of the moment, and combined with the prevailing notion that no woman this stunning could ever be romantically interested in me, I flounder through words that resemble, “Wait…what?”

“If we were somehow at a bar together, and you came over and talked to me,” she says, then flips her palms up innocently, “who knows?”

I laugh again and tell her there’d be almost no chance of me approaching her because I’d never feel like I had a shot in hell.

“Well, that’s not the circumstances we’re in,” she says. “But you might. Who knows?”

I’m confused — Is she really attracted to me or is this some psychotherapeutic ruse? I’m frustrated — I told her I didn’t really want to talk about it. Shouldn’t she be more sensitive to my wants here? I’m angry — Is she getting an ego boost out of this? Most of all, I don’t know what the next step is — Am I about to experience the hottest thing that’s ever happened to a straight male since the vagina was invented?

There were two ways to find out:

1) Discontinue the therapy, wait for her outside her office every day, follow her to a hypothetical happy hour and ask her out, or

2) Keep going to therapy.

* * *

A week later, I’m physically in the meeting room with Lori, but mentally I haven’t left the recesses of my mind.

“Where are you today?” she asks, probably noticing my eyes roving around the room.

“I don’t know.”

“Are you still grappling with the sexual tension between us?”

Here we go again.

“Yes,” I say, with a bit of an edge in my voice, “and I don’t know what to do about it.”

Lori, ever intently, peers into my eyes, wrinkles her mouth and slightly shakes her head.

“Do you want to have sex with me?” she asks.

We both know the answer to that question. All I can do is stare back.

“Let’s have sex,” she announces. “Right here, right now.”

“What?” I respond, flustered.

“Let’s go!” she says a little louder, opening up her arms and looking around as if to say the office is now our playground, and, oh, the rollicking fun we’d have mixing bodily fluids.

“No,” I tell her, “You don’t mean that.”

“What if I do?” she shoots back. “Would you have sex with me, now, in this office?”

“Of course not.”

“Why ‘of course not’? How do I know for sure that you won’t take me if I offer myself to you?”

“I wouldn’t do that.”

“That’s what I thought,” she says, and tension in the room decomposes. “Mike, I don’t feel that you would do something that you think is truly not in our best interest, which is exactly why I just gave you the choice.”

Her offer was a lesson in empowerment, helping me prove that I have an innate ability to make the right choices, even if I’d so desperately prefer to make the wrong one.

I see what she means. I’m awfully proud of myself, and it’s OK to be in this instance. I’m gaining trust in myself, and confidence to boot. But, as the dualities of life dictate, I’m successfully doing “the work” with a daring therapist, while at the same time not entirely convinced she isn’t in need of an ethical scrubbing.

* * *

I don’t have another session with Lori for nearly three months, because she took a personal leave from her place of employment. When our sessions finally resumed, I could not wait to tell her about my budding relationship with Shauna.

Ten minutes into my first date with Shauna — right about the time she got up from her bar stool and said she was “going to the can” — I knew she would, at the very least, be someone I was going to invest significant time in. She was as easy to talk to as any girl I’d ever been with, and I found myself at ease. Plans happened magically without anxiety-inducing, twenty-four-hour waits between texts. Her quick wit kept me entertained, and I could tell by the way she so seriously spoke about dancing, her chosen profession, that she is passionate about the art form and mighty talented too. Shauna is beautiful, with flawless hazel eyes and straight dark hair, spunky bangs and a bob that matches her always-upbeat character. She is a snazzy dresser and enjoys a glass of whiskey with a side of fried pickles and good conversation as much as I do.

Things escalated quickly, but very comfortably, and since we’d both been in our fair share of relationships, we knew the true power of honesty and openness. So upon the precipice of my return to therapy I told Shauna about Lori, and admitted to having mixed feelings about what I was getting back into. I told her I was at least moderately uncertain if my mental health was Lori’s number-one concern since she always seemed to find the time to mention my attraction to her.

The first two sessions of my therapeutic reboot had gone great. Lori appeared genuinely thrilled that I was dating Shauna and could see how happy I was. I wasn’t overwhelmed with sexual tension in the new meeting room, though it wasn’t actually spoken about, and in the back of my mind I knew it was just a matter of time before it would start to affect my ability to disclose my thoughts to Lori again.

Then, while attempting to ingratiate myself with my new girlfriend’s cat by spooning food onto his tiny dish on the kitchen floor, I hear my phone ding from inside the living room.

“You got a text, babe,” Shauna says. “It’s from Lori.”

“‘I’m so impressed with you and the work you’re doing…’” Shauna reads off my phone from inside the living room, inquisitively, and not happily. I stuff the cat food back into the Tupperware and toss it into the refrigerator. I make my way into the living room, angry at myself for not changing the settings on my new iPhone to disallow text previews on the locked screen. Shauna’s walking too, and we meet near the kitchen door. “What’s this?” she says, holding up the phone. “Your therapist texts you?”

I take the phone from Shauna and say the most obvious, cliché-sounding thing: “It’s not what it seems.”

As I text back a curt “thanks,” Shauna tells me she’s going to ask her sister, a therapist herself, if it’s OK to text patients.

“Don’t do that.” I say, a little more emphatically. “I promise, this is nothing to be worried about. We’re not doing anything wrong.” I explain that Lori’s just trying to build my self-esteem.

“The only reason I’m even bringing this up is because you said you weren’t sure about her in the first place,” Shauna reminds me. I can tell she regrets looking at my phone without my permission, but I completely understand her feelings.

At my next session I tell Lori that Shauna saw her text and wasn’t thrilled about it.

“She probably feels cheated on to some degree,” Lori says. “A relationship between a therapist and a patient can oftentimes seem much more intimate than the one between a romantic couple.”

Lori goes on to point out that the reason she feels we can exchange texts, blurring the lines between patient/doctor boundaries — a hot topic in the psychotherapy world these days — is because she trusts that I’ll respect her space and privacy. “You’ve proven that much to me,” she says.

On my walk home, instead of being angry at Lori, I understand her thinking behind the text. But I’m also nervous about how Lori and Shauna can ever coexist in my life.

Isn’t therapy supposed to ameliorate my anxiety?

* * *

A week later, Lori begins our session by handing me a printout explaining the psychotherapeutic term “erotic transference” written by Raymond Lloyd Richmond, PhD. It says that erotic transference is the patient’s sense that love is being exchanged between him or herself and the therapist — the exact sensation I was experiencing with Lori, of which she was astutely aware.

According to Richmond, one of the primary reasons people seek therapy is because “something was lacking in their childhood family life,” perhaps “unconditional nurturing guidance and protection.” Upon feeling “noticed” and “understood” by a qualified therapist, sometimes a patient can be “intoxicated” by their therapist’s approval of them. A patient may in turn contemplate that a love is blossoming between them, and, in fact, it sort of is.

From an ethical standpoint, Richmond argues all therapists are “bound” to love their patients, for therapists are committed to willing “the good of all clients by ensuring that all actions within psychotherapy serve the client’s need to overcome the symptoms” which brought them into treatment. This takes genuine care and acceptance on their part. However, a patient can easily confuse the love they feel with simple “desire.” They’re not quite in love with their therapist, so much as they yearn for acceptance from someone, and in those sessions they just happen to be receiving it from their doctor.

Lori tells me that, all along, she has been “working with what I gave her” and that because I flirted with her a bit, she used that to her advantage in the treatment. In employing countertransference — indicating that she had feelings for me — she was keeping me from feeling rejected and despising my own thoughts and urges.

“There’s two people alone in a room together, and if they’re two attractive people, why wouldn’t they be attracted to each other?” says Dr. Galit Atlas. A psychoanalyst who’s had her own private practice for fifteen years, Dr. Atlas has an upcoming book titled The Enigma of Desire: Sex, Longing and Belonging in Psychoanalysis, and I sought her as an independent source for this essay to help me understand Lori’s therapeutic strategies.

Dr. Atlas explains that there are certain boundaries that cannot be crossed between therapist and patient under any circumstances — like having sex with them, obviously. But many other relationship borders can be mapped out depending on the comfort level of the therapist, as long as they stay within the scope of the profession’s ethics, which complicates the discussion surrounding erotic transference.

“As a therapist, I have a role,” Dr. Atlas says. “My role is to protect you.” She says it is incumbent on the therapist to not exploit the patient for the therapist’s own good, but admits that the presence of erotic transference in therapy brings about many challenges. “[Attraction] is part of the human condition,” she observes. In therapy, “the question then is: What do you do with that? Do you deny it? Do you talk about it? How do you talk about it without seducing the patient and with keeping your professional ability to think and to reflect?”

I ask her about the benefits of exploring intimacy in therapy, and Dr. Atlas quickly points out that emotional intimacy — though not necessarily that of the sexual brand — is almost inevitable and required. “An intimate relationship with a therapist can [be] a reparative experience — repairing childhood wounds — but mostly it’s about helping the patient to experience and tolerate emotional intimacy, analyzing the client’s anxieties about being vulnerable and every mechanism one uses in order to avoid being exposed.”

Dr. Atlas says this topic speaks to every facet of the therapeutic relationship, regardless of gender or even sexual orientation, because intimacy reveals emotional baggage that both the patient and therapist carry with them into the session. But this isn’t a symmetrical relationship, and the therapist is the one who holds the responsibility.

“Freud said that a healthy person should be able to work and to love,” she says. “In some ways therapy practices both, and in order to change the patient will have to be known by the therapist. That is intimacy. In order to be able to be vulnerable, both parties have to feel safe.”

After I briefly explain all that has gone on between me and Lori, Dr. Atlas steadfastly says she does not want to judge too harshly why and how everything came to pass in my therapy. “I don’t know your therapist, and I don’t know your history,” she says. But she offers that I should “explore the possibility” that I might have created and admitted my sexual adoration of Lori because one of my fears is to be ignored, not noticed.

Then I offer: “Maybe this essay is being written for the same reason.”

“Exactly.”

Maybe I wanted to interview Lori about erotic transference in my therapy sessions for that same reason as well…to stand out as the most amazingly understanding patient ever.

* * *

“I want to be very clear that this was never about feeding my own ego,” Lori says about her approach to my treatment. “We were always doing this in your best interest.”

I’m in Lori’s office, a tape recorder rolling and a pad and pen in my hands.

“I felt I was doing a disservice to you if I didn’t ‘out’ what I felt was weighing on us, which, honestly, felt like a heavy secret,” she says, pointing out that she discussed my therapeutic process for many hours in her required supervision meetings.

In order for Lori to advance in her field as a social worker, she has to attend 3,000 conference hours with another professional to go over casework — kind of like therapy quality control.

We talk about all of this during one of my scheduled sessions, for the entire hour — and go over by a few minutes, too.

Lori says that when she began her career as a social worker, she decided she wasn’t going to shy away from any subjects. “It’s typical for a client to [have] a habitual desire to sweep things under the rug,” she observes, especially about taboo topics. It can become a cycle of behavior that Lori seeks to break.

I refer back to the time when, unprovoked, she brought up my attraction to her.

She says she mentioned it to avoid what therapists call “door-knobbing,” which is when a patient will purposely mention some huge reveal right at the end of a session so as to sidestep a lengthy conversation about it.

“My only question for you is, was I wrong for bringing it up?” she asks. “Only you can answer that.”

Lori’s great at forcing me to reflect.

“I guess when I said I was over it and could move on, that was an example of my strict black-and-white thinking,” I say, throwing back some language she’s used often to describe my challenge in accepting dualities. In my mind, I was either attracted to her and shouldn’t see her anymore, or I wasn’t attracted to her and could still have her be my therapist. There was no in between.

I realize now that she wasn’t wrong for mentioning my feelings for her, even when I didn’t want her to. Lori noticed that I was frustrated with myself and wanted me to know that an attraction to a therapist is so normal and happens so frequently that there are technical terms for it.

I turn my attention towards the presence of countertransference in our session. I’m trying to come up with an actual question here, but, really, I just want her to confirm her feelings for me are real. So I say, referring to her feelings, with a great degree of difficulty, “It’s funny that they seem genuine to this day.”

“They are genuine,” Lori says, adding a moment later: “I think it might be a good idea if we explore why our discussing it suggests a lack of authenticity.”

“It doesn’t, necessarily,” I begin, then stammer through a few sentences, worried I might offend her by implying she’s been dishonest. I finally settle on, “I guess it comes back to my self-esteem issues. Why would a beautiful woman think I’m attractive?”

Lying in bed with Shauna a few months into our relationship, I ask her what she thought about me the moment she first saw me. I’m fishing for a compliment. But we met on Tinder and I just hope that seeing me in person wasn’t some kind of letdown for her after swiping right on my hand-picked glamour shots. Obviously she isn’t going to say something so awful after having committed to me for so long. It’s a slam-dunk ego boost.

She says she liked the fact that I was wearing a blazer and a tie on a first date. She adds that I was a little shorter than she anticipated, but was content with the two of us at least being the same exact height.

“What did you think when you first saw me?” she asks, turning it around, naturally.

Staying committed to my honesty-at-all-costs policy, I say, “I thought you were really beautiful, but not to the point where I was intimidated by you, which was very important because if I was, you would have gotten a very unconfident version of me, and we probably wouldn’t have hit it off as well as we did.”

Shauna thinks about that for a second, and eventually nods “OK.”

I explain that my insecurity could often get the better of me in dating situations. It was easy to convince myself that I’d be rejected by the girl I was with, especially if I thought she was out of my league. I would then slip into a nervous and reserved state that isn’t at all reflective of my true self.

I’m essentially saying that I was so thrilled to not find Shauna so extraordinarily pretty that I couldn’t accept her being on a date with me. That thought made so much sense at the time I said it, but I’ve since come to realize it is as ridiculous as it is insulting. After ten months of being with Shauna, I’m still completely floored by her, on every level, including a physical one. It gives me great pride to walk into a room with her, and I don’t imagine that changing. Therefore, she actually did meet a confident “version of me.” The way people look doesn’t drastically change in ten months but a person’s perception of self can. It seems my emotional workouts in erotic transference were just beginning to produce results.

* * *

“People fuck up,” Lori informs me during one winter session. “Therapists have slept with clients before, just like politicians have had sex with their interns. But, so you have a full understanding of how this works, we can date.” She explains the parameters as outlined in the social worker’s code of ethics. One of the many stipulations is that we wouldn’t be able to see each other, under any circumstances, for at least two years before dating. She tells me she loves her job, and there’s no way she would ever sacrifice my safety or her career for anything, so she would strictly follow all the dictated rules. “If you truly want to date me, there is the option. But it’s ultimately up to you.”

I know what she’s doing here — putting the onus on me, just like last year when she said we could have sex. The difference this time is the answer I want to give is on par with all of my involuntary urges.

“I don’t want to stop the work we’re doing,” I say. “At this point, it’s far too valuable to me, and, really, I know very little about you.” She’s beautiful, exercises, is smart, funny, professional, enjoys good TV…and that’s about it. Aside from whether or not we’d even both be single in two years, and if we’d be in the correct mind frame to explore a relationship, there are several other things I’m considering here: Would Lori and I really be compatible in every way? Would she ever see me as a lover, a partner, an equal, and not a patient? Could I ever reveal a detail about myself, or even just a shitty day of work, without wondering if she was picking it apart and analyzing it?

Frankly, all those questions could be answered in the positive. But, even if I wasn’t in a happy relationship — Shauna makes this choice much easier, for sure — I wouldn’t go that route. I’d be out a therapist.

* * *

It’s a beautiful spring night in New York and only sidewalk seating will do. Shauna and I are out to dinner at a restaurant near her Queens apartment, and we’re both in good spirits. The weather and the alcohol consumption are partly to blame for that, but, on cue with the season’s change, I feel I’ve turned an emotional corner. Work payments that were past due are finally finding their way into my bank account. As it turns out, my short-term money troubles were not an indication that I had no business being a writer, or that my life changeup was as irresponsible as unprotected sex at fourteen years old.

I’d told Lori as much that afternoon. I took a mental step back from my current situation and realized that in spite of my recent hardships, I was succeeding. I summarize my session for Shauna, who nods in agreement, lovingly pointing out that she’s had the same challenging freelancer experiences as a dancer.

“You’re doing great, babe,” she says matter-of-factly.

“Thank you. That means a lot,” I respond. “I guess if I’m going to be a writer I just have to accept all this and have faith in myself. The way Lori put it was, ‘You just have to go all-in.’”

“Good,” Shauna says. “You should listen to the women in your life.”

* * *

Liked this story? Our editors did too, voting it one of our 20 best untold tales!

See the complete list of Editors’ Picks here. 

* *

Michael Stahl is a freelance writer, journalist and editor living in Astoria, New York. He serves as a Narratively features editor as well. Follow him on Twitter @MichaelRStahl.

Casey Roonan is a cartoonist and cat person from Connecticut. Follow Casey on Instagram: @caseyroonan

 

 

I’m Married. I’m a Woman. I’m Addicted to Porn.

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Countless couples have tackled the taboo subject of racy videos and illicit orgasms. What happens when it’s the woman who can’t stop watching?

This story features explicit situations that may not be suitable for all audiences.

It’s past two a.m. and my husband’s breathing has become long and even. An opportunity presents itself. I slip my right hand down my pajama pants and move slowly, careful not to bump my elbow into his side rib, or bring my hips into it. Too much movement or sound will wake him, and to be found out for something like this is not just embarrassing but potentially destructive. He’ll think he doesn’t satisfy me, and men do not like feeling inadequate, especially when it comes to matters of the bedroom. Or maybe he’ll feel sorry for me. And who wants to fuck someone they pity?

Even worse, maybe he’ll finally say the words I’ve been waiting for him to say since I first told him that I am a sex addict. That he’s bored with it. He’s disgusted. He’s had enough.

I lift my wrist away from my body. I’m careful to keep my breath from becoming a pant, even as my pulse quickens, but this takes much concentration. The body desires the convulsion the mind denies. There is no letting go here though. This orgasm is a controlled, measured, calculated experience.

I have masturbated in this way next to the sleeping bodies of all my serious, committed partners who came before my husband. In some cases, as expected, it was because I wanted more sex than they could give me. I’ve been called “insatiable” and “demanding” one too many times. But this has not always been the story. Yes, I have an incredibly high sex drive, but even in relationships where I have great sex multiple times a week my nighttime stealth for self-pleasure has persisted.

My college boyfriend, burgundy haired and tattooed, had the high sex drive typical of most nineteen-year-old males. We fucked all the time, but even still, I wanted more, something only I could give me. One afternoon, after he’d fallen into a deep post-sex slumber, I serviced myself with my second, third, and fourth orgasm beside him. That was the first time I’d experienced such a level of both secrecy and shame.

I made a promise to my husband and to myself, long before we were even wed, to be austerely honest. He knows I’ve been a compulsive masturbator since I was twelve years old. He knows about my extensive fluency in the hardcore categories of various porn sites. He knows about the bad habit I used to have of hooking up with not-so-nice men because they were available and I was bored — and that I rarely used protection with any of them. And that I believed, for a really long time, that my addiction made me a broken person, a disgusting person, a person unworthy of love. I told him these things from the start because I met him at a time in my life where I was ready and open for change. Because I liked him so much that I wanted to love him. Because I knew that the only way to love him, and be loved by him, was to be myself.

* * *

“What’s your favorite porn scene?”

The man who will become my husband in less than a year asks me this question as he lies naked and vulnerable beside me. We’ve just had sex and although I am naked too, it isn’t until this moment that I feel just as vulnerable as him. While it might seem absurd to some, I know immediately this is a moment of great significance for us. It is an opportunity to finally do things differently.

The possibilities run through my head.

I can describe something vanilla: This one where a busty blonde gets banged by her personal trainer. Or perhaps something a little more racy: These two hot teens swap their math teacher’s cum after he made them stay late in the classroom. Chances are he’ll get hard again and we’ll end up abandoning the conversation for a second round. These are harmless answers. Expected answers.

They’re also lies.

The possibility of revealing the actual truth not only makes me nervous, but also physically sick. I feel a constriction in the back of my throat, a flutter in my belly, a tremble in my extremities. After all, we’ve only been dating a couple of months and he doesn’t love me yet. If I tell him, will he ever?

“Why do you ask?” I reach for the sheet, damp with sweat, a tangle of 300-thread-count cotton across our limbs, and yank it up to cover my breasts.

“I don’t know,” he says. “Curiosity?” He turns over on his side and props his head up on his left hand. His green eyes are wide with wonder.

“Seems like a weird question.” I tuck the sheet into my armpits and scoot my body a little to the left so we’re no longer touching. The tone of my voice has become defensive and he can tell.

“It’s just that I usually pick the porn,” he explains. “Do you like what I choose?”

I see what he’s doing. He’s trying to be considerate since we just had sex while staring at the laptop screen after searching terms of his choosing: Latina, real tits, blow job, threesome.

Maybe he feels guilty for getting off to them instead of me, even though I’m the one who suggested we watch porn in the first place. Even though I’m always the one who suggests we watch porn while we have sex.

“Yeah, sure.” I look up at the ceiling. “They’re fine.”

“Are you sure?”

I wish he’d stop prying, but I realize something else is happening here. Not only is he trying to be considerate; he’s also trying to get to know me. The past couple of months has allowed us to cover most of the basics — what ended each of our most recent relationships, what our parents are like, what we hope to do with our lives in the next few years — but there’s still a longing for something deeper, and I can’t think of anything deeper than knowing a person’s favorite porn scene.

It can speak volumes. For one scene to stand out amongst the rest, when so many others are available, there has to be something below the surface. What maintains its appeal? What keeps a person returning in the deep, dark recesses of a lonely night? Perhaps the answers to these questions are a great source of shame. I never thought of revealing such answers to anybody, and especially not somebody like him, somebody I could really like. It seems far too risky, preposterous even.

It also seems necessary. Too many of my past relationships were doomed by my inability to tell the whole truth, to fully be myself. Now I have the opportunity to go there, and to say to a person, “This is who I am. Do you accept me?”

“Well, there’s this one gang bang,” I start, looking over at his face to see a reaction of surprise and interest register at once.

“Go on.”

I take a deep breath and proceed to tell him, first slowly, then progressively faster about the scene. Like a busted dam, I can hardly hold back the rush of descriptors fumbling from my mouth: “Two women in a warehouse. One dangling from a harness. The other just below her. Both are waiting to take on fifty horny men…” and on and on.

I watch his face the whole time, not pausing when his smile becomes a frown and his eyes squint as if it hurts to look at me.

“Afterward, the women exit the warehouse through a back door while the men applaud.”

For a long moment after I’ve finished talking, there is silence between us, but there is also a sense of relief on my part. I have revealed something so dark, so upsetting, so impacted in shame, and he hasn’t immediately disappeared. He is still here beside me, propped up on his left hand, naked and vulnerable, and so am I. He sees me and I see him seeing me and we are in new territory.

But then he says, “I kind of wish I hadn’t asked.” It’s all I need to hear to send me into tears. Not just tiny, embarrassed sobs, but humiliated wails. I have myself a tantrum. He is confused now as he pulls me close to him, laughing nervously at my abrupt shift in disposition. I try to pull the sheet completely over my head, but he pulls it back down and covers my face with apologetic kisses. He can’t possibly understand why I’m crying. He can’t possibly know what I’ve just revealed to him. “What’s going on? Baby, what’s wrong?”

And so I tell him.

* * *

Addiction to porn and masturbation is often grouped under general sex addiction because they all have to do with escape via titillation, pursuit and orgasm, but I’ve always felt more pathetic about my predilections. Going out and fucking — even someone you don’t really like — is wild, dangerous, but essentially social and shared. Though I had periods of promiscuity throughout my twenties, my biggest issue has always been with what I do alone.

There’s something so sad and humiliating in imagining a person locked away in a dark room, hot laptop balanced on chest, turning the volume down low, scrolling, scrolling, choosing, watching, escaping, coming.

And then realizing that person is me.

But my proclivity for solo pleasure has strong, stubborn roots. I lost my virginity to a water faucet when I was twelve years old. I have Adam Corolla and Dr. Drew to thank for this life-shaking experience; it was their late-night radio show “Loveline” on L.A.’s KROQ that served as my primary means of sex ed during my pre-teen years. This technique is one of the many things I learned, but I had a whole other kind of education going on, which had long filled my head with other ideas — sex is something that happens between a man and woman who love each other; masturbation is a sin. You know, your typical run-of-the-mill Catholic guilt stuff.

Just as oppressive as the Catholic guilt was my femininity. Girls weren’t talking about masturbation and sex. I had no company with whom to share my new activities and interests. And so this silence morphed into shame. I became a pervert, a loser, a sinner.

I tried to stop myself from taking long baths, from late-night undercover activities, from being alone too long, but the more I obsessed about stopping, the more I could not. I joined shame, secrecy and pleasure in a daily orgy, whether I was tired, bored, angry or sad. Whether I was single or coupled, it didn’t matter. Getting off required all of these components and I needed new, more extreme methods to stay engaged — more hours sucked away watching progressively harder porn like the warehouse video, complemented with dabbles in strip clubs, peep shows and shady massage parlors. It became impossible to get off during sex without fantasy, my body over-stimulated to numbness. I was irritable unless I was fucking or masturbating or planning to do either of these things. Life revolved around orgasm to the detriment of any kind of real progress in my professional or social existence.

I was out of control.

* * *

Little did I know that describing my favorite porn scene would be the first of many future admissions that would help peel back, layer by layer, a long and exhausting history of self loathing. My future husband and I quickly learned that watching porn during sex wasn’t a harmless kink for us; it was a method I’d long used to remain disconnected from my partners. It took much discipline and patience for us to expel it from our relationship altogether, though every now and then we slip up.

Talking about my habits led me to examine them, which ultimately led to my desire for change. Holding a secret for too long is like being unable to take a full breath. I didn’t want to feel this way anymore. I needed to share — often and fully — what had for too long been silenced in order to reclaim who I was underneath my addiction. I needed to breathe again.

I found relief in Sex and Love Addicts Anonymous meetings, seeing a therapist I trusted, attending personal development courses like the Hoffman Process and writing about my journey. I’ve managed to move away from porn for the most part, but when it comes to this addiction — to something I don’t have to seek out or purchase — control is like a wayward horse and my ass is always slipping off the saddle.

I constantly struggle with whether or not I should give up porn completely, but until I find a way to have some moderation with it, I avoid it as best I can. I wish I could just watch it occasionally, as some sort of supplement to my active sex life, but the whole ritual of watching porn is tangled up in too many other negative emotions. Watching porn takes me back to being that little girl alone in her bedroom, feeling ashamed and helpless to stop it. I can’t just watch one clip without needing to watch another after that, and another, until hours have passed and I’m back to binging every night.

If my husband leaves me alone all day and idleness leads me to watching porn, it’s the first thing I confess upon his return. Sometimes I don’t even have to say it. He can tell by my downturned eyes and my noticeable exhaustion. He shakes his head and takes me in his arms as I make another promise to try to leave it alone. When I visited a peep show on a recent work trip out of town, he seemed more amused than upset about the whole thing.

Unfortunately, I have yet to be as generous. If I find he’s been watching porn without me, when I’ve struggled to abstain for a stretch of time, I react with what might seem like unjustified rage. This frustration is only rooted in envy.

* * *

Masturbating beside my husband while he sleeps is the last secret I’ve kept from him. Although I’m beginning to fear that it’s actually just the latest secret. My resistance in telling him only proves how fragile recovery is. This week it’s masturbation. But maybe next week it’s back to porn binging. Or obsessive scrolling through Craigslist personals. Or lying about my whereabouts. And so forth. Abstaining from these habits, when so readily available, without abstaining from sexual pleasure completely, or the shame I’ve long bound to it, is a challenge I face daily.

That’s why I need to tell my husband.

Not because I need his permission, his forgiveness or to offer him some act of contrition. But because I need him to see me. To witness. The act of telling the truth, especially about something that makes us ache, is often the only absolution we need.

* * *

Erica Garza is a writer from Los Angeles. Her essays have appeared in Salon, Substance, LA Observed, The Manifest Station and HelloGiggles. She is also a staff writer at Luna Luna Mag. Read more at ericagarza.com and follow her on Twitter @ericadgarza.

Iris Yan is a Brazilian-born Chinese cartoonist who completed a one-year certificate at The Center for Cartoon Studies in Vermont.

 

 

Saying I Do, And Saying Farewell

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Eleven days after marrying the love of my life, I stared at his lifeless body and said goodbye.

Eleven days after my wedding, two men from the crematorium arrived to take my husband’s body away.

“Do you want his ring?” they asked, pointing to the black titanium band on his left hand.

“No, he should wear his ring,” I said. He should wear it into the afterlife.

A quick look passed between them. “Are you sure?”

“Yes,” I replied, and turned to my mother-in-law Linda for approval.

“Honey, you should keep his ring,” Linda said gently.

I gave the crematorium men a slight nod. They slipped the ring off his finger and handed it to me.

*   *   *

Kaz and I once made up a story of how we met. “You fell on your bike and I stopped to help you,” he said in his baritone voice. This actually happened on our second date. “Sounds good to me,” I said. But we never told the made-up version. Whenever people asked us how we met, we would look at each other, shrug and tell the truth: we met on Match.com. My profile advertised “Curves and Curls – what more do you want?!” His moniker was “Nerdy4Music.”

After years of dating more men than I care to mention, in April 2007 I received an email from Kenneth Allen Smith. “My name is Ken, but everyone calls me KAZ,” he wrote. He was an employed, never married, childless, bald, badass, bespectacled black man, born and raised in Washington D.C. by a single mother. He had equal parts swagger, sensitivity and sweetness, had traveled the world, had real rock stars for friends, was witty, funny, charming, pragmatic, Scorpion sexy, so smart he beat his own computer at chess, and he rode a Honda RC51 sportbike. To quote a female colleague (who once yelled this at a party), Kaz was the coolest motherfucker on the planet.

At the time, I didn’t understand why such a cool guy was dating me, a somewhat neurotic, struggling filmmaker who was not thin. “I like spending time with you,” he explained. “You’re smart, funny, beautiful, good in the kitchen and good in the sack, and you’re sexy as fuck.” I still didn’t buy it.

In 2010, after two years together as a couple, during which we almost broke up once, we learned that the headaches and blurry vision he’d been experiencing were the result of a terminal brain tumor. Neither of us could believe it. Why would a healthy, physically active, forty-two-year-old man get the same disease that killed Ted Kennedy? It was too random to be true.

And yet, for me at least, it felt strangely inevitable. My mother had been ill for much of my childhood and died when she was fifty-six (I was twenty-two). Now, the man I loved more than anything, the best man I’d ever known and probably would ever know, was going to die young, too.

Within days of the diagnosis, he proposed. Kaz didn’t make rash decisions. It had taken nine months for him to say “I love you,” and after two years he was still reluctant to move in together (a source of frustration for me — at thirty-nine, dragging a backpack around every weekend was getting old). But the tumor changed things.

“I don’t know how much time I have left,” he said. “But I know I want to spend it with you.” He bent to one knee. “If you’ll have me.”

As I looked down at him, I was more afraid than I had ever been. Commit to someone with a terminal illness? “Yes,” I answered. I, too, wanted to be with him as long as possible. Deep down, I also might have thought we could beat this cancer bitch, statistics be damned.

Life moved forward. We moved in together, a huge transition for any couple but especially for one dealing with cancer. We supported each other through two resection surgeries, three clinical trials, dozens of MRI’s and doctors’ appointments. We tried to marry, but various factors kept getting in the way. He wanted to do it quick and easy at a courthouse. I wanted our friends and family around. Both of our families had money and debt concerns. Plus, I’d never planned on changing my name if/when I got married, and Kaz was old school. “You can keep your name professionally if you want, but I’d be really disappointed if you didn’t take my name,” he told me.

Then, in November 2010, he was in a motorcycle accident that left him unable to work. Even more devastating, he could no longer ride the motorcycle, or walk without assistance. He sank into a deep depression. As his illness progressed more rapidly, my caregiver responsibilities and the pressure of dwindling time intensified. We started arguing. Whereas before I had always been the one waiting for him to catch up, now he rounded the corner of acceptance before me. I still refused to accept it, like a ship captain who keeps trying to steer a sinking vessel. At one point, I thought I would surely have a nervous breakdown if I didn’t leave.

Instead, I got a cold.

One day in late March 2011, my job sent me home because I was feverish. I walked into the apartment early and was surprised to find Kaz sitting on the couch fully dressed.

“Are you okay?” I asked.

“I feel weird,” he said.

His body was shaking like a leaf. I grabbed a blanket and draped it around his shoulders. “I’m so pissed we never get to hang out anymore,” he said. “Something always happens and we can’t just hang out. It hurts, it really hurts.” His gaze drifted up to the corner of the room. “I’m sorry, babe,” he whispered. “I’m so sorry…” his voice trailed off.

The doctors later told us if I hadn’t come home early, the seizures would have killed him. They still almost killed him, but the doctors worked hard to keep him alive, while I sat by his bed and prayed. Please don’t take him right now. Please let him wake up. Please don’t let it end like this. Please give us another chance. Please let us say goodbye.

Forty-eight hours later, he finally opened his eyes. I had never been so happy in my life.

“When are you going to be Mrs. Smith?” he asked in front of his team of doctors and his mother, who had just flown in from D.C. “Are you going to hyphen or not hyphen? I’m okay with second billing,” he continued.

My face flushed as everyone turned to look at me. “Let’s talk about it later,” I said quietly.

The next day, I was sitting on his bed massaging his hands with lotion while a young nurse changed the bags on his IV drip. Kaz looked at me intensely.

“Do you have any idea how much I love you?”

“I think so,” I smiled.

“I have never loved anyone as much as I love you. I have never wanted to marry someone as much as I want to marry you. I didn’t think it was possible.”

I heard the nurse sniffle behind me.

“I want you to be Mrs. Smith,” he said, ignoring the nurse.

“Then you have to get better,” I said.

*   *   *

On Good Friday, April 22, 2011, we stood on the Griffith Observatory veranda overlooking the Hollywood Hills, surrounded by several protective rings of our closest friends (we didn’t have a location permit). I wore a sleeveless blue cotton dress that I had purchased that morning. Kaz wore a black suit, shirt and shoes, and a blue and purple-flowered tie. Our officiator and friend, Chandra, read the vows:

“Do you, Kaz, choose Niva as your wife? Do you promise to share in all life offers and suffers, to be a constant friend, a faithful partner, and true love from this day forward?”

“Hell to the yes!” Kaz said loudly. Everyone laughed.

“Do you, Niva, choose Kaz as your husband? Do you promise to share in all life offers and suffers, to be a constant friend, a faithful partner, and true love from this day forward?”

“I do.” I smiled.

Chandra pronounced us man and wife. I bent to kiss Kaz in his wheelchair, and then leaned back to look at him. We had done it. Mr. and Mrs. Smith.

“Wifey,” he whispered the next morning.

*   *   *

Three weeks later, I stood in a large warehouse, watching two men push a gurney towards me with a large cardboard casket on top. I wanted to see Kaz one more time. They wheeled the gurney before me, so I could see the word “Smith” written on top. Then they removed the cover.

I stared at him for a long time. His eyes were closed, and he was wearing the clothes I had given the men who picked him up ten days earlier, on May 3, 2011. He had all the same tattoos. Yet I couldn’t shake the feeling that I was looking at someone else. The Kaz I knew and loved was not in that box. I didn’t know where he was.

“Goodbye, babe. I love you.”

The men replaced the cover, opened the furnace door with gloved hands, and pushed him inside. The room suddenly felt warmer, and I sat down, lightheaded.

*   *   *

A month earlier, when he was in the hospital, he had told me he wanted to be cremated, with his ashes spread out on Angeles Crest Highway, the mountain road where he had ridden his motorcycle every weekend. He told me who should receive his things, how to divide his money and what songs to play at his memorials. I wrote everything down in a list, fifty words to sum up a life.

As I added the last item, he said, “I miss us.”

I looked up from the list, my heart in my throat. “I miss us too.”

“I’m so glad we stuck it out,” he said. “I know we both thought about leaving.”

“I’m honored to be here with you, babe.” I leaned forward to kiss his hands.

Afterwards, I referred to that list like a bible, using it to guide me through the memorials, the obituary notices, the giving away of possessions, the canceling of credit cards and all the other tasks that must be handled after someone dies. The day I showed up at his bank, a heavily made-up teller kept looking between the death certificate and the marriage certificate. “I don’t understand,” she said. “You married eleven days before he died?”

“Yes.”

“Why? How did he die?”

I didn’t explain it to her. It was none of her business.

“I’ll need a court order to switch over his accounts,” she said, shaking her head. “This just doesn’t make any sense.” I wanted to scream. He died at forty-three years old. Nothing made fucking sense. Instead, I looked squarely at her and tried to keep my voice steady. “I have all the proper forms, signed and notarized. If you don’t help me transfer the accounts, I’ll close them and go to another bank. Do you understand?”

“I have to speak to my manager,” she mumbled and rose from her desk. As she walked away, I stared outside at the traffic on Vine Street and thought about throwing myself in front of a double-decker tourist bus.

*   *   *

When we moved in together, Kaz and I had talked about making some changes to the apartment. After he died, I decided to go ahead with those plans. I asked Chandra, an interior decorator, to help redesign the space with Kaz in mind. We chose furniture in grey tones with chrome details and black-and-white checkered tiles for the kitchen, an ode to his old racing flags and love of chess. We hung his favorite rock posters, African masks and Chris Cooper lithographs. We put pictures of him on every bookshelf.

Several weeks later, Chandra and I sat on the patio drinking beers. “How do you feel about all the changes?” she asked.

“I don’t know,” I said. “I hope he approves.”

“I think he does. I can feel him here really strongly.”

“I thought it was only me.”

“No, dude, he’s totally here.”

I nodded. So I’m not going crazy.

I often felt his body pressed against my backside and his arms around my waist when I was in bed. Other times, I felt his hands cupping my breasts from behind. Sometimes the lights would dim, and I felt him as a breeze against my face. Most cherished were the times he visited me in dreams. In one dream, as we were getting undressed, he said, “I’m afraid if I keep coming to you like this, you won’t be able to move on.”

“That’s okay,” I said, already half naked. “I don’t want to move on.”

When he was alive we used to write each other emails throughout the day. Now I wrote him letters. I told him about the long process of legally changing my name, first going to the Social Security office, then the DMV, my bank, and human resources. I told him how I was still getting used to being called “Mrs. Smith” and saying “my husband,” let alone saying “my late husband.”

During the day, I left the television on the channel that broadcasts the AMA, MotoGP and World Superbike races. After work, I watched all the same shows we used to watch together, still sitting on my side of the couch and directing my comments, jokes and questions to him. I got used to having one-sided conversations. I started telling close friends that Kaz was actually still in the apartment; he was just invisible.

One night, a former lover came to visit. I started crying and the man held me, which felt good. It had been so long since real arms held me. But as the man’s hands moved down my back, and his lips found my neck, I went limp. I didn’t have the energy to refuse him, but didn’t fully engage either. I kept looking over his shoulder, wondering if Kaz was in the room, or if this made him leave. Afterward, I couldn’t sleep.

I wrote to Kaz: “I don’t know if you saw what happened the other night, but I’m sorry. It won’t happen again. Honestly, being with him just made me miss you more.”

*   *   *

Around our first wedding anniversary, I took my wedding ring off at the gym and forgot to put it back on. When I realized my finger was bare the next day, I felt naked. I spent the rest of the day praying that the ring was where I thought it was, and that I hadn’t somehow lost it. I rushed into the bathroom when I got home and found it in the side pocket of my gym bag, which I had left on the counter. I slipped it back on and vowed to never take it off again.

But as time went on, Kaz’s presence seemed to recede, like an echo, and the emotional limbo between newlywed and widow in which I’d been living began to fade as well. One day I did take the ring off. At first I wore it around my neck along with his ring. Then I started leaving both rings at home in a jewelry case, a decision fraught with angst and guilt. I recognized that losing the feeling of being married was part of the healing process, but it was also painful, like we were “breaking up” on some cosmic level.

Then I realized that it wasn’t as much of a break-up as it was a shift. I still felt him inside and around me, but in a different way than before. I could feel him encouraging me to move forward with my dreams and desires.

When he was in the hospital, we once had a conversation about my career. For years, I had bounced between writing and directing small projects and working all kinds of day jobs. “What do you think I should focus on?” I asked him.

He thought about it for a moment. “I think you should focus on writing.”

“How would you feel if I wrote about us?”

“I hope you do write about us,” he smiled.

Today, three years later, I am starting to envision my future. I see film festivals and book signings; a house with land, animals and a fireplace; African plains, Parisian boulevards and Jerusalem sunsets; and a community of artists dedicated to the pursuit of personal expression.

A while back, I spent time in Vermont on a writer’s residency and was drawn to the quiet, open sky and the no-nonsense atmosphere of the rural Northeast. Shortly after the third anniversary of his death on May 3, I felt an overwhelming urge to leave Los Angeles, to breathe fresh air, meet new people and experience seasons again. A few weeks later, I gave notice at my day job. Soon, I’ll be driving across the country with my dog to live and write in the Catskills, about two and half hours outside of New York City.

What I’m less clear about is who (if anyone) will be with me in the future. I’ve been on a few dates in the past couple of years, but nothing major. As I told a friend recently, my current love life is “an empty beach.” The truth is, I’m not the same person I was when I married Kaz, nor am I the same person I was after he died. At some point, I became bi-curious, something I would never have had the courage to admit if it weren’t for Kaz and everything we went through together. I don’t know when I’ll be ready to love again, but I credit Kaz for teaching me how to love and be loved. I know he would want me to be happy.

*   *   *

Niva Dorell Smith is a filmmaker and freelance writer currently based in Los Angeles. She is working on a memoir titled The History of Us and writes regularly about grief, writing and her dog at www.ridingbitchblog.com

Sophie Goldstein is a 2013 graduate of the Center for Cartoon Studies. Her work has appeared various publications including The Pitchfork Review, Seven Days, Irene 3, Sleep of Reason, Suspect Device 3 and Best American Comics 2013. Check out more of her illustration and comics at redinkradio.com