The Russian Spy Who Painted Brooklyn Red

The papers called him a master spy, an identity-shifting KGB colonel dispatched to mid-century America to lead a vast network of espionage. My father called him a friend.

This is a story about a man named Rudolf Ivanovich Abel. He was a colonel in the KGB—a master spy, a mole deeply embedded in the United States, and the central hub of a massive, all-consuming espionage network that threatened all that we hold near and dear.

Well, that’s not totally true.

He was also Emil Goldfus, a kindly, unassuming, retired photofinisher and amateur painter, developing his craft with a group of fledgling Realist artists living and working in Brooklyn in the 1950’s.

Of course, that’s not entirely true either.

* * *

What is undeniable is this: At seven a.m. on the morning of June 21, 1957, a naked, sleep-deprived and bedraggled Emil Goldfus, a fifty-ish man, answered a persistent rapping on the door of his shabby room in the Hotel Latham on East 28th Street.

In marched three F.B.I. agents, who directed the target of their early-morning interrogation to find a pair of undershorts and sit on the bed. Calling him “Colonel,” they peppered him with questions about his identity and matters relating to espionage, warning him that a refusal to cooperate would result in his immediate arrest. Goldfus remained mostly silent, grunting one-word, often contradictory or false responses, and denying everything.

After about twenty minutes, the INS joined this impromptu breakfast klatch and took the subject into custody for violating immigration law. The Feds gathered up various bits of evidence that were strewn about the one-room lodging, including identification cards listing his name as “Martin Collins” and “Emil Goldfus,” hollowed-out coins, shaving materials, cufflinks and pencils containing tiny, secret compartments, a shortwave transmitter, photos of other known agents and various devices for both creating and deciphering coded materiel.

On August 7, 1957, my father, Burton Silverman—a young artist fresh out of the Army—was walking down the street on the way to his layout and graphic design job for the then-liberal New York Post when he caught a glimpse of a blaring headline at a newsstand: “RUSSIAN COLONEL IS INDICTED HERE AS TOP SPY IN U.S.” and the sub-header, “Suspect Said to Have Used Brooklyn Studio to Direct Network.” The lede further stated that he was, “The most important spy ever caught in the United States.”

For my father, it was a moment of extreme unreality. The face staring back at him from the newspaper was his good friend Emil, not some KGB spook. How could Emil be a “master spy,” or even a common, everyday spy? He was an amateur painter, a fine guitar player and a charming older gentleman. How could that man be the enemy? He was frozen in his tracks, transfixed by the image, unable to reconcile the contradiction of the man he knew (or thought he knew) with the words in print staring back at him. It was as if a hole in the fabric of his universe had suddenly opened up under his feet.

* * *

So yes, a spy. In New York City. In Brooklyn. Emil Goldfus wasn’t a daring man of mystery, furtive and dripping with enigmatic sexuality, draped in a leather trench coat, a cigarette dangling from his lips, being pursued by a tuxedoed hybrid of James Bond and Jason Bourne. He was a balding, middle-aged man with a wiry build and a sharp bony profile, who seemed to wear nothing but gray. Okay, so he did have a trench coat—or at least a bulky raincoat.

Burt Silverman met Emil Goldfus in the winter of 1954, in the elevator at Ovington Studios, a building where he and many of his friends and professional colleagues rented space on Fulton Street in Downtown Brooklyn. “I was just out of the Army at the conclusion of the Korean War,” Silverman says. “I got a space in the possibly last artist-only studio in the city, and I often slept there because I still couldn’t afford my own place and was commuting from my childhood home.”

There stood a courtly, oddly dignified stranger, in baggy pants, a rumpled raincoat and a floppy, oddly casual hat. There was a brief exchange of mumbled hellos and, even though they exited on the same floor, nothing else was said.

“He had this accent,” Silverman explained. “You just couldn’t place it. There was a strange, rolling ‘r’ sound when he said my name—Burrrrrt—as if he had a Scottish burr, though he explained it with a story about an aunt from Scotland that had raised him.”

A few weeks later, Silverman was working late at night when Goldfus knocked at his door and asked to borrow a cup of turpentine. They struck up a conversation, the older gentleman admiring the artwork he saw and referring to a nineteenth-century Russian landscape painter Silverman had never heard of named Isaac Levitan.

Over the next few months, a friendship began to form. Though Silverman was the much younger man, he was the far more talented artist. Goldfus’s paintings were earnest, but amateurish. The younger man took on the role of teacher, instructing him on how to prepare canvases, what brushes to use, the basics of color theory and how to render the human form.

Goldfus also—slowly, guardedly—shared a few bare-bones details about his life: how he’d been a student in Boston, but had traveled around the country working as an accountant, then as an electrical engineer and finally as a photo finisher, though he’d also spent some time in Pacific Northwest lumber camps. He played the guitar brilliantly (for an amateur), and made a concoction called “jungle coffee” by boiling the grounds directly in milk on the stove.

He was also a frequent visitor to Silverman’s studio, accruing a vast amount of knowledge just by spending time with him and watching him paint, saying nothing.

Self-portrait by Burton Silverman, 1959. (Image courtesy Silverman Studios Inc.)
Self-portrait by Burton Silverman, 1959. (Image courtesy Silverman Studios Inc.)

“Now, it’s a relatively normal thing for me to do to allow someone around while I work,” Silverman adds. “But Emil’s the first person that I ever did that with, and what it taught me was that two people could provide some kind of comfort, some kind of ease, but without speaking. Just existing.”

Emil Goldfus also became a part of the larger group of artists who rented space in the studio, including the famed caricaturist David Levine; the cartoonist, playwright and author, Jules Feiffer; Sheldon Fink; Danny Schwartz; and Harvey Dinnerstein, all of whom would go on to achieve success in the art world.

The men struggled with the realities of the ’50s art world: the celebration of Abstract Expressionism as expressed by Jackson Pollock, Willem de Kooning and others of their ilk, the overt hostility to the representational work that they all favored and the idea that what they were doing wasn’t “real” art or could be dismissed as mere “illustrations.”

They’d talk late into the night, arguing about their shared aesthetic concerns and the politics of the era. As a whole, these angry young men veered sharply to the left, especially within the context of the stultifying, downright paranoid atmosphere that was Joe McCarthy’s America. Some of them had in the past been members of the Communist Party USA, the largest, most influential Marxist-Leninist political party at the time.

“It’s difficult to imagine it now, but even if it never changed what we said and how we said it, there was always the nagging thought in the back of our heads that someone was listening; that we’d lose work or jobs,” says Silverman. “It was so easy to slip into self-censorship.”

Goldfus’s politics were quieter. He certainly didn’t disagree with the howls of protest about the with-us-or-against-us mentality, or the group’s belief that the all-powerful, all-pervasive, creeping Communist menace within our midst was a red herring (pun intended)—an excuse to stamp out thinking or behavior that was at odds with Coolidge’s dictum that “The business of America is business.” They were enraged by the wiretaps, committee hearings and trampling of the First Amendment, and saw them as part of a slippery slope towards Fascism.

Mainly, he sat on the periphery of the conversations, as one might expect of an older, wiser man, amused by the fiery convictions and enflamed sensibilities of youth, his ardor tempered by a certain degree of cynicism and the realities of life. He was practical, not an ideologue in any sense of the word. It’s certainly possible that his true sensibilities were kept under wraps so as not to arouse suspicion amongst the group. One story that might lend credence to that idea occurred when Silverman and Goldfus were once again in the studio late at night. They were in Goldfus’s room and his shortwave radio was on, sputtering an unfamiliar, Strauss-like tune along with an indecipherable, Central European-sounding commentator.

The phone rang in Silverman’s studio. He answered it, and the voice on the other end asked why he was working at such a late hour. Jokingly, Silverman responded, “Oh, Emil and I were just listening in on Moscow.”

When Silverman hung up the phone, Goldfus’s affable, easygoing demeanor had vanished completely, replaced by a cold, hard glare—the only one he had ever evinced in the three years they were friends. He snapped, “Don’t ever say such a thing like that on the telephone again. Not even in jest.”

Goldfus wasn’t wrong. Conspiracy charges have been built on far flimsier evidence than ill-considered jokes, especially via telephone. It’s the kind of incident that, under normal circumstances, wouldn’t be memorable. It’s only in recollection, when you discover that your friend was a spy, that it stands out.

There were other odd moments as well: nagging details and incidents that just didn’t make sense. To Silverman, Jules Feiffer said, “You know, Emil gives me the feeling of a guy who’s been on the bum. No matter how much of a fat cat they get to be, they never lose that look.”

Danny Schwartz agreed. Upon first meeting Emil Goldfus and hearing his story about working as a photofinisher, he said that Goldfus was too worldly and too educated for that particular trade, saying, “You know, the whole thing sounds fishy. This guy isn’t what Burt [Silverman] takes him to be.”

Silverman’s brother Gordon had his suspicions as well. He was an electronics engineer, and one day, while visiting Silverman’s studio, he got into a conversation about physics with Goldfus, finding that he possessed a degree of expertise that was surprising for someone that wasn’t a professional.

Of course, when he wasn’t in his studio, Goldfus was, in fact, engaged in espionage.

* * *

The man my father knew as Emil Goldfus was actually born Vilyam “Willie” Genrikhovich Fisher to Russian émigré parents in the United Kingdom. He returned to the Soviet Union in the 1920s, served in military intelligence in a variety of functions, joined the KGB after World War II, and was eventually sent to the United States as a mole.

At this point, the facts of what Goldfus may have done become a tad murkier, mainly due to the fact that the information available comes from both U.S. and Soviet government sources, all of whom had an interest in presenting Goldfus as a master spy. To clarify, there’s zero doubt that Goldfus was engaged in espionage. What’s in question is the headline on the front of the paper that Silverman saw: TOP SPY.

The many identities of Emil Goldfus.
The many identities of Emil Goldfus.

Under yet another false name—Andrew Kayotis—he arrived in New Mexico in 1949. Though the exact nature of his activities at this time remains unknown, biographies of Goldfus have stated that there are indications that he was there to assist with the process of transferring information relating to the Manhattan Project. By 1950 he was in New York City, establishing his identity as Emil Goldfus. For the most part, this simply meant going to the same store to buy the same brand of cigarettes and having a passing encounter with the shopkeeper. During this time period, using the name “Milton” and affecting an English accent, he made contact with Lona and Morris Cohen, both of whom associated with Helen and Morton Sobell, later co-defendants along with Julius and Ethel Rosenberg.

In the summer of 1954, going by the alias “MARK,” Goldfus had his first meeting with his new assistant, Reyno Hayhanen, code name “VIK,” living under the alias Eugene Nikolai Maki. Hayhanen was a miserable, incompetent drunk, living with an angry, equally drunk young wife in Peekskill, N.Y.

Goldfus would receive coded messages from Moscow via his shortwave radio transmitter. He would then translate the code via his Russian codebook into yet another code, and then make microdotted messages, photographing, shrinking and transferring those messages to the secret compartments that he had hidden inside the laundry list of everyday items that the F.B.I. discovered: the coin, the hairbrush, etc.

The vast bulk of his time was spent in this delicate, precise, ritualistic and yet ultimately tedious task. For the most part, these messages were mundane: letters from home, records of cash deliveries, changes in the times for processing and sending other orders.

Here’s a translation of microdotted messages that were left for Hayhanen by Goldfus, according to the F.B.I.’s file on the case. There are probably more sensitive, national security-type messages that aren’t freely available online, but those we can access read like inter-office memos.

1. WE CONGRATULATE YOU ON A SAFE ARRIVAL. WE CONFIRM THE RECEIPT OF YOUR LETTER TO THE ADDRESS `V REPEAT V’ AND THE READING OF LETTER NUMBER 1.

2. FOR ORGANIZATION OF COVER, WE GAVE INSTRUCTIONS TO TRANSMIT TO YOU THREE THOUSAND IN LOCAL (CURRENCY). CONSULT WITH US PRIOR TO INVESTING IT IN ANY KIND OF BUSINESS, ADVISING THE CHARACTER OF THIS BUSINESS.

3. ACCORDING TO YOUR REQUEST, WE WILL TRANSMIT THE FORMULA FOR THE PREPARATION OF SOFT FILM AND NEWS SEPARATELY, TOGETHER WITH (YOUR) MOTHER’S LETTER.

4. IT IS TOO EARLY TO SEND YOU THE GAMMAS. ENCIPHER SHORT LETTERS, BUT THE LONGER ONES MAKE WITH INSERTIONS. ALL THE DATA ABOUT YOURSELF, PLACE OF WORK, ADDRESS, ETC., MUST NOT BE TRANSMITTED IN ONE CIPHER MESSAGE. TRANSMIT INSERTIONS SEPARATELY.

5. THE PACKAGE WAS DELIVERED TO YOUR WIFE PERSONALLY. EVERYTHING IS ALL RIGHT WITH THE FAMILY. WE WISH YOU SUCCESS. GREETINGS FROM THE COMRADES. NUMBER 1, 3RD OF DECEMBER.

The microdotted messages would be left at “dead drops.” (Concealed spots for messages where the aforementioned items could be surreptitiously left behind, until such time as another agent could receive them.) The only person that we know ever received these messages from Goldfus was Hayhanen. It’s certainly possible that there were others. The F.B.I alleges that Goldfus was in charge of a ring of spies, a massive network of agents. If that’s so, we have never learned the identity of these co-conspirators.

With Hayhanen, Goldfus set up three locations for dead drops in the city: One was in the Bronx—literally in a hole in the wall on Jerome Avenue near 165th Street—another was on a bridge in Central Park near Tavern on the Green, and a third was in the balcony of Symphony Space, the performing arts center on the Upper West Side. He also had other locations set up as signal areas, for determining if he had received a message, for notifying others that a message was ready for pickup, and for when a face-to-face meeting was necessary.

This was his life. He would paint and hang out with Silverman and the others, and he would transcribe and deliver messages, then leave signals in blue chalk on signposts and other locations to indicate the presence of and/or receipt of said messages, as well as checking and rechecking all of these locations to assure that the system was properly functioning. There were no meetings with seductive femme fatales or intricate, high-tech acts of subterfuge. It was a job, like any other, filled with repetitive, often mindless tasks, and frustrations with co-workers and bosses alike.

* * *

In 1955, Goldfus told Silverman that he had a color-printing device that he wanted to try to sell and that he’d be going to California for a few months. In reality, he’d gone back to Moscow. According to Chester Hearn’s 2006 book, Spies & Espionage: A Directory, Goldfus was crumbling under the massive pressure of running the network and was frustrated by the lack of competence of both his underlings and his superiors.

When Goldfus returned a year later, he found the system he’d set in place was in complete disarray. If Goldfus was very, very careful, Hayhanen was the opposite. Messages in the dead drop spots had never been retrieved, radio transmissions had been sent on the wrong frequency, and the money he’d left with Hayhanen had been frittered away on prostitutes and his dependence on alcohol.

While Goldfus was in Moscow, Silverman had no idea what had happened to his friend. He had no way to contact him, knowing no other family members or individuals outside of the group at Ovington who might know anything about his whereabouts. He was on the verge of calling the police and filing a missing persons report when, one night in 1956, the phone rang and once again, he heard the sound of that distinctive burr intoning: “Hello Burrrrrrrrt.”

Emil Goldfus. (Photo courtesy Silverman Studios Inc.)
Emil Goldfus. (Photo courtesy Silverman Studios Inc.)

Goldfus explained that the trip to California hadn’t worked out, that he’d had a heart attack and ended up recuperating in Texas. Silverman asked why he hadn’t called, that they were worried sick, and Goldfus brushed it off by saying it wasn’t that big a deal, and that he didn’t want to put anyone out.

After his return from Moscow, Goldfus’s engagement with the group increased. The Ovington artists were planning a group show that was intended to be a rebuke to the prevailing tastes of the art world. Entitled “A Realist View,” they wanted to make a statement that was both political and aesthetic: that representational work was just as valid as abstract imagery.

Though he himself wouldn’t have any paintings in the show, Goldfus took part in the planning, suggesting strategy and discussing what work should be a part of the exhibition.

Silverman adds: “You could tell that he wanted to be a part of something and that he was excited. I don’t know if the trip to Moscow changed him, but it seemed like he cared less and less about the idea of being ‘undercover’ or maintaining a low profile. I think when he started painting he was rediscovering a life he never could have because he was a mole. Our show brought a bit of the old revolutionary fervor back, the idea that he was fighting the establishment. The reality of the Soviet Union destroyed whatever idealism he may have had, but this made it real again, even if it was a cover. Here was a man who was very, very careful, who had avoided detection for nine years. It didn’t deter him.”

* * *

In April 1957, Goldfus once again told his friends that he’d be leaving for a while, again crafting a false story as cover. This time, it was that he’d be taking a trip to Arizona to seek out a cure for his persistent sinus issues. In reality, he never left New York City; he just needed time away from the Ovington Studios to reorganize his network. Having grown completely disenchanted with Hayhanen and wanting him removed, Goldfus passed on Moscow’s order to Hayhanen to return to the U.S.S.R. Fearing for his life, Hayhanen instead turned himself in at the U.S. Embassy in Paris, where he quickly gave up the goods on his boss. Soon after, the F.B.I. was knocking on Goldfus’s hotel room door.

For Silverman and the other artists, the story they read in the newspapers didn’t make sense. If Goldfus wanted to establish a false identity in New York City, hanging out with a group of radical painters might have been the worst spot he could have picked. And spies weren’t supposed to form attachments, to make the kind of friends who’ll worry when you’re gone. If you want to be anonymous in New York, it’s a pretty easy thing to do. If Goldfus really were the ‘master spy,’ the man behind the iron curtain who the papers were eagerly exploiting, why would he risk making friends?

On the other hand, if Goldfus was a spy, and if he had been ordered to embed himself amongst a group of artists, wouldn’t that make them somehow complicit? If so, wasn’t that the greatest betrayal of all; that their entire ‘friendship’ had been part of a cover story?

They were petrified that they too were suspects. They were all interviewed by the F.B.I., and they inevitably went back over all the details of their time with Goldfus. Had it been a trap? Was Goldfus working for the F.B.I, the KGB, or both? What conversations had been recorded? They were sure that they were still being tailed, that the guy stopping to tie his shoe next to them while they made a call on a pay phone was concealing a recording device in his pocket.

That’s the thing about espionage. The daily grind may be boring, but it does elevate the mundane. Suddenly, there are no random occurrences, no coincidences. The woman with the stroller you see twice in the same day is following you. The odd clicks on your phone are a tap.

Emil Goldfus in the studio, 1957. (Photo courtesy Silverman Studios Inc.)
Emil Goldfus in the studio, 1957. (Photo courtesy Silverman Studios Inc.)

While being questioned, the Feds asked Silverman if Goldfus had ever borrowed anything from him—a typewriter, a guitar. Of course, the answer was yes, but suddenly you find yourself thinking: “Is there a secret compartment in the guitar?”

Silverman was puzzled as to why this information was vital, and what it could possibly have to do with the case, but the answer to any and all of his queries was: “I’m sorry, but all we can say is that this a matter of the highest national security.”

The phrase was enough to send a chill down Silverman’s spine. Though he was aware of the F.B.I.’s desire to validate both the massive “national security” apparatus and the concurrent presence of “the enemy,” he was also keenly aware that siding with Goldfus could have very dangerous, real-world consequences, whether he was guilty or not.

And then came the trial.

* * *

In October 1957, Silverman was subpoenaed by the prosecution to testify in the trial of Emil Goldfus.

Imagine standing in the corridor of the federal courthouse at Cadman Plaza, waiting to be called. You’ve had no contact with your friend since his arrest. You doubt the facts of the story but you also have to protect yourself. There’s no right answer. Whatever you say in that room will be a betrayal to someone or put yourself in harm’s way. You don’t even know what questions you will be asked or if this too is part of a scheme to entrap you in this web of spies. Most of all, you’re not sure if you’ll be able to look your friend in the eye.

Silverman’s time on the stand was brief. After a few preliminary questions by the prosecuting attorney—can you identify the defendant, how did you meet him, how long did you know him, etc.—he was asked to identify his typewriter, which Goldfus had borrowed and then evidently used in the process of crafting his coded messages.

That’s it.

No questions about his political beliefs, no insinuations that he’d somehow been involved with Goldfus’s espionage, just a typewriter.

Silverman answered, “Well, it looks like my Remington Portable, but there are thousands of them out there. I can’t say for sure.”

Goldfus’s lawyer asked Silverman about Goldfus and his integrity—was he kind, generous and honest? It was possibly a foolish decision, but Silverman said that his reputation for honesty was “beyond reproach” and that he’d never heard a negative thing said about him.

As he was leaving the stand, he caught Goldfus’s eye. A smile seemed to curl around the edges of his mouth and he nodded. “He looked at me—and I remember it very specifically—I felt like he was saying ‘It’s okay,’ that he understood, and that he forgave me.”

* * *

Emil Goldfus was convicted of conspiracy to obtain and transmit U.S. defense information, and of acting as an agent of a foreign government. He was sentenced to thirty years in prison and a $3,000 fine, even though the prosecution had failed to identify any other members of the ‘ring’ that he allegedly operated. While in federal prison in Atlanta, Goldfus’s lawyer contacted Silverman, asking if he’d be willing to correspond with his client.

Silverman refused, explaining that, as much as he’d like to, the political climate of the Cold War made that impossible. In 1962, after only serving four years of his sentence, Goldfus was sent back to the Soviet Union, traded for downed U-2 Pilot Gary Powers in a truly filmic exchange on the Glienicke Bridge, known during the Cold War as the “Bridge of Spies” for the numerous transactions that occurred there.

After his return, the U.S.S.R. feted him as a national hero—an operative who had evaded and subverted the Americans for nine years without detection. Though like the F.B.I., the Soviets never overtly declared what information Goldfus had obtained and sent back to Moscow, they were just as invested as the United States in the myth that Goldfus had been a “master spy.”

For both sides in the Cold War, there was value in inflating Goldfus’s importance. That’s not to say that there wasn’t actual espionage occurring, both on Goldfus’s part and by others—there was. But in order to justify a perpetually increasing defense budget—the Military-industrial complex that Eisenhower warned against—from time to time, you need to actually produce “the enemy,” and so Goldfus’s head was triumphantly mounted on the wall.

Emil Goldfus and Burton Silverman, 1957 (Photo courtesy Silverman Studios Inc.)
Emil Goldfus and Burton Silverman, 1957 (Photo courtesy Silverman Studios Inc.)

Three years later, in 1965, Silverman met a writer named Louise Bernikow who wanted to write a book about the alleged master spy. They spent a year and a half researching the story, hoping to get permission from the Soviet Ministry of Culture to visit Moscow for an interview with Goldfus. In 1967, they got their wish. Silverman describes Moscow as such:

“The center of the city seemed vast. Crossing the street was an adventure, because they must have been at least fifty percent wider than Fifth or Madison Avenue. The buildings seemed heavy and overbearing, and even during a snow-free October, the prevailing colors were grey and brown. I remembered that Emil always had that combination of colors in his clothing and in his work; in his art he managed to find a way to bring a bit of Moscow with him.”

“The balcony of the Kremlin—probably three or four stories high—overlooked a cobble-strewn area that must have been the equivalent of about five football fields. Perched up there, the arena packed with thousands of subservient but still wildly cheering ‘admirers,’ everyone from Nicholas Romanoff to the Commissars would feel invulnerable and impervious to change or the march of history. It felt permanent and impenetrable in a way that still sticks in my mind.”

Despite that, they plunged into the heart of the Soviet colossus, Silverman toting drawing supplies and Bernikow notepads and pencils, trying to find Goldfus, to ask him… well, everything. Why he’d gone “undercover” in the worst situation a spy could possibly conceive, what had happened to him since he was sent back to the Soviet Union, and maybe just to give Burt Silverman a chance to end his friendship in a manner that wasn’t irrevocably skewed by massive, international, geopolitical stakes.

“Suddenly, I was thrust into a curious role, that of a pretend ‘arts editor’ delving into the bureaucratic bizarro-world that was the Novisti,” Silverman describes, using the name of the Soviet news bureau. “Surrounded by genuinely scary, overeager party hacks that may or may not have seen our arrival and desire to talk to Goldfus as an opportunity to strike a blow against the ‘degenerate’ United States.”

“1967 was the fiftieth anniversary of the revolution and the Politburo was not disposed to a sensational interview with their hero secret agent man. We felt—though we never really knew for sure—that we were being followed, that everything they said to us was a kind of double-speak or an attempt to determine our ‘true’ intentions.”

“I even devised a code that would indicate to someone back at [the publisher] that I might be in trouble,” Silverman explained. Assuming that their calls and letters were tapped and were being studied for some form of covert activity, they instead devised a system in which Burt would send a telegram saying he was running out of a particular color of paint to indicate danger, “So Cadmium Yellow became my S.O.S.”

After arriving in Moscow, Silverman and Bernikow found that the interview with Goldfus had fallen through. Party officials said they had not been told anything about the pair’s official, journalistic visit.

“We were stonewalled, dead in the water, no hope,” says Silverman. “But The National Hotel where we stayed had the reputation—whether that was real or a misinformation campaign—of being a sort of auction house for rumors and secret agents from all over the continent. At the bar, we met a British businessman and we talked about why we were there.”

“We were put in touch with a man called Viktor Louis, a leaker of unofficial Soviet information (a standard part of all diplomacy) that went back and forth to Great Britain constantly,” Silverman explains. Of course, this was a false identity as well. He was born Vitaly Yevgenyevich Lui, worked as journalist with the Western media, and though he was not a declared member of the KGB, “Had a dacha; a summer residence that is usually reserved for upper-echelon party bureaucrats.”

Louis promised that he could arrange a meeting with Goldfus, but after a few days of sketchy cancellations and further promises, he called the hotel and demanded to know why they had leaked a story to the Herald Tribune. Evidently, the affable gentleman they met at the National Hotel happened to be a friend of an AP reporter.

Silverman tried to explain, but they were unable to assuage Louis’s fears that he was being set up, either by the Americans—with Silverman and Bernikow in the role of undercover CIA operatives—or by the KGB itself, with the two now placed in the unlikely role of double agents, trying to expose and entrap Viktor.

Louis ended the phone conversation on a cold, ambiguously ominous note, advising him to “take a vacation.”

Whether that was some kind of code or an implicit threat, Silverman couldn’t determine, but with all their leads gone, they ended their quest. Before departing, Silverman wrote a letter to Goldfus, saving a handwritten draft and sending the final copy to Goldfus. Whether he ever got to read it remains, like so much else, a mystery.

Here is the letter in its entirety.

“Dear Emil.

I am writing to you once again, this time from Moscow, and this time with almost no expectation that we can get together. (I hope you are aware that I have been trying to arrange a meeting with no success.) This trip was a gamble. I hoped that some minor miracle would take place. Perhaps this is a measure of my naïveté. I realize the enormous difficulty of such a reunion. As I said before, however, I’m sometimes pretty stubborn. There’s some ego involved as well. I couldn’t believe that friendship and human curiosity were not stronger than practicalities. But I see now that this was not even involved.

I have been in Moscow for ten days, and will probably leave this coming Thursday. Before going, and in the hope that this letter does get to you, I should like to tell you a few things more. First, about things long past: I’m sorry I didn’t write to you in Atlanta. In defense of that, I can only say that they were different times, and I was not above fear. I was also counseled by what I thought were wiser heads. Hindsight, and a changed political climate have made those decisions and that counsel seem excessively cautious or worse. Maybe the reason I’m here now is to make up for that.

The book about you will, I think, be a truthful and honest one. It will try to explain why you are remembered so clearly by many of the people you met. Certainly all my friends have that memory and think of you affectionately.

I hope that all of this will not cause you any difficulty. I must say that at some points in the last year and a half, I’ve thought of giving up the project, but always came back to it because it seemed more pertinent than ever.

It’s almost ten years to the day since your trial started back in Brooklyn. Many things have happened to all of us since then—to me, my friends Harvey and Dave, and to you as well. I had hoped to talk to you about all of it. I had also fantasized a trip we could have made to the Hermitage to talk about art and painting once again. I also thought we could talk about your feelings about America and the people you met there. Apparently, this is not to be. Some other time perhaps—when the two of us can meet simply as old friends.

I will not say good-bye, just au revoir.

Sincerely,

Burt Silverman

Portrait of Emil Goldfus by Burton Silverman, 1958. (Image courtesy Silverman Studios Inc.)
Portrait of Emil Goldfus by Burton Silverman, 1958. (Image courtesy Silverman Studios Inc.)

Colonel Rudolf Ivanovich Abel died of a heart attack in 1971, was given an official state funeral, and interred at the Donskoy Cemetery. In 1972, a Western journalist visited his grave, and saw the name “Willie Fisher” had been added to the tombstone—the first time anyone outside of the Kremlin learned that “Abel” was an alias as well.

***

“I wrote in Bernikow’s book (and I still believe this) that he was the enemy, but he was my friend,” says Silverman.

“In the ’80s, a guy from the BBC interviewed me about Emil, and asked, ‘How can you say he was your friend? He was in the KGB, sitting calmly in some windowless room and taking notes while people were being tortured? How could you not feel betrayed? How could you be a friend to that?’”

“I said, ‘You know what I feel betrayed about? When this government carries my flag into the cauldron of dictatorships in South America; when Kissinger is involved with the death squads in Honduras—that’s what I call a betrayal.’ The journalist didn’t transcribe that part.”

“Emil’s spying produced enormous conflict. In the end, his greatest regret was that he’d betrayed the young men in Brooklyn. It wasn’t exploitative. In fact, it was the opposite. The friendships were a threat to his job, and of course to us. That’s the betrayal that haunted him—not to any country or government; to people, to us.”

It’s impossible to say for sure what led Emil Goldfus to embed himself amongst ex-Communists and radicals. In the end, that’s the mystery we’ll never be able to solve.

A cynic might say that it proves what a mastermind he really was; that by choosing to hide in a potentially dangerous place, he was engaging in a brilliant bit of misdirection. Hiding in plain sight, as it were.

A romantic might say that he was just tired of it all: the pointless, tedious, bureaucratic repetition of the job itself, the useless, incompetent co-workers, and the entire idea of countries being enemies. So, consciously or otherwise, he did the thing he really loved—painting pictures. That’s how Emil Goldfus remained true to himself in the midst of a life that was defined by deception; in which he was constantly playing a role.

Regardless of his motivations, for two and a half years, no matter what else he did in his spare time, the friendships he made, the work he did, and the life he led was real.

Yes, it was also a fiction but it was a fiction that was true in a way that the greater truth of espionage can’t alter. It was both real and a lie.

Somewhere beneath the infinite regression of all of these state-sanctioned masks lies Willie Fisher, also known as Martin Collins, and MARK, and Milton and Kayotis and Colonel Rudolf Abel of the KGB, but really just Emil Goldfus—the spy that was my father’s friend.

* * *

Robert Silverman is a Contributing Editor at KnickerBlogger.net and a freelance writer whose work has appeared at the New York Times, ESPN.com, Deadspin, The Classical, and VICE among others. He co-wrote, We’ll Always Have Linsanity: Strange Takes on the Strangest Season in Knicks History. You can follow Robert on Twitter at @BobSaietta

Zach Worton makes comics, including The Klondike for Drawn and Quarterly and Blood Visions for Oily Comics, and his forthcoming graphic novel, The Disappearance of Charley Butters, was just completed. He works as a cook and lives in Toronto, Ontario. @ZWORT.

Meet the Merciless Champ of Congo’s Mystical Wrestling League

Even as he approaches old age and his sport falls into decline, this intestines-eating, sorcery-conjuring “Man of Great Power” still dominates the ring.

With a slow and assured swagger that defies his aging body, Edingwe Moto na Ngenge, the most decorated Congolese wrestler of all time, steps into the ring. At about six-foot-six and more than 220 pounds, with a prominent brow, deep-set eyes, a mohawk and a large dragon tattoo across the left side of his chest, he cuts an imposing figure. Edingwe, whose moniker, Moto na Ngenge, translates to Man of Great Power, struts back and forth across the ring with his shoulders thrown back, stamping his feet and contorting his face into grotesque expressions, toying with his opponent and whipping his loyal fans into a frenzy.

It’s January 2016 in Kinshasa, the pulsating capital city in the far west of the vast and volatile Democratic Republic of Congo. Just a year earlier, the radio-trottoir, or pavement radio, as the city’s incessant gossip mill is known, spread word that Edingwe was near death’s door, broke and unable to cover the hefty cost of his prolonged hospital stay, finally turning to God in a last-ditch effort to be saved.

Now, with thousands of spectators filling the lower-level stands of the Tata Raphaël stadium and local television crews set up around the wrestling ring erected in the middle of the soccer field, Edingwe’s got something to prove.

However, it’s his challenger, Mal à l’aise, which translates to Ill at Ease, who attacks first. He takes a dead snake from his trainer at the edge of the ring, wraps it around his neck for a moment, then holds it tight with one hand close to its head and the other at the end of its tail, thrusting it repeatedly and exaggeratedly in the direction of Edingwe. The great champion is momentarily stunned by this act of sorcery, and with his eyes wide in surprise he becomes rooted to the spot, rocking back and forth like a tall tree in the wind.

But Edingwe soon grows tired of this impetuous display, breaks the spell, and with a swift extension of his right arm and a raised, open palm, calls on the spirits of his ancestors. The magical powers they have so long bestowed on him send Mal à l’aise tumbling backward onto the mat, where he lies paralyzed. Edingwe kneels beside his hapless opponent, grasps at his midriff and appears to extract his intestines like long pieces of pink elastic. He holds them aloft and then lowers them into his gaping mouth; as he eats them, blood pours from the corners of his lips onto his chest. A government minister sitting near the ring faints. Mal à l’aise, also unconscious, is covered and carried away.

Edingwe is swiftly escorted from the arena by his entourage before his opponent’s angry supporters seek revenge for such a merciless performance. After just a few minutes, it’s all over.

* * *

The unique and wildly popular Congolese variety of wrestling, which bears some similarities to American professional wrestling, took off in the late 1960s and early ’70s. Around this time, a handsome young man named Kele Kele Lituka became Congo’s first professional wrestler and a household name, defeating European champion Claude Leron and celebrated American wrestler El Greco.

Lituka beat his Western opponents by drawing on wrestling techniques that in fact long preceded the influence of the American school. He incorporated elements of a traditional Congolese fighting style called libanda, which is said to have traveled to Brazil with slaves from the ancient Kingdom of Kongo centuries earlier and served as the genesis for the Brazilian martial art of capoeira. (While elements of the matches are clearly played up for dramatic effect, organizers here, like their American counterparts for a time, have long insisted that nothing is staged.)

Edingwe holds aloft what are ostensibly the intestines of his opponent at the Tata Raphael Stadium in Kinshasa in January 2016. (Photo courtesy Edingwe)

“Since the early days of urbanization, there have been public fights in Kinshasa,” says Katrien Pype, Ph.D., a professor of African cultural anthropology at the University of Birmingham in the United Kingdom and at KU Leuven University in Belgium. In the 1950s, when this sizable swath of Central Africa was still a Belgian colony, a style of fighting called mukumbusu emerged. Inspired by the movements of gorillas and incorporating both foreign and African fighting styles, mukumbusu was a “reaction to the other martial arts that were brought in by the colonialists,” Pype says.

In the late 1970s, a young, cocksure fighter from a poor family in Kinshasa’s ramshackle Matete neighborhood stepped into the ring for the first time. A notorious brawler at school who sometimes even came to blows with his teachers, Edingwe, whose real name is Edmond Ngwe Mapima, had already shown promise in the boxing ring. He would quickly leave an indelible mark on Congolese wrestling, introducing the sport to the aspect of magic and sorcery, known locally as fétiche, with its practitioners referred to as féticheurs.

Fétiche is the foundation on which the Congolese manifestation of contemporary wrestling has been built. Tapping into local superstitions and the widespread Congolese belief in traditional magic, mysticism and the spirit world, Edingwe’s mastery of fétiche gave him an insurmountable advantage over his opponents. As Caroline Six wrote in a 2015 article in the French press: “The success of a wrestler in Congo is often not founded on strength, technique or style, but on his capacity to make people believe in his powers of sorcery.” Edingwe is the perfect embodiment of this claim.

Mobutu Sese Seko, the flamboyant, corrupt and ruthless dictator who ruled Congo — which he renamed Zaire — for more than 30 years until his death in 1997, was a great wrestling aficionado. He used the sport as a focal point for what Pype calls his “authenticity politics,” whereby he shunned and in some cases banned cultural practices deemed to be Western and instead promoted a new, African vision of Congolese national belonging.

“During Mobutu’s time, wrestling was promoted as the national sport. There was a lot of financial support and massive state-organized and sponsored events and tournaments,” Pype says. For the first time, Congolese wrestling was also widely televised across the country. This helped Edingwe become the sport’s greatest icon, equal parts feared and revered. But those days were long ago.

* * *

When it rains hard in Matete, as it does most days during Congo’s wet season, the labyrinthine streets and alleyways — many of which are unpaved and untraversable by car — quickly become fast-flowing red-brown rivulets carrying trash and human waste between the buildings. At such times, this overcrowded and notoriously crime-ridden area is unusually quiet; small groups of young boys huddle outside kiosks that sell cigarettes, soft drinks and basic household essentials, seeking shelter beneath the jagged metal overhangs that jut out over the front stoops. Otherwise, the streets are deserted.

Behind a large red metal gate opposite one such kiosk, Edingwe sits silently with a few friends and family members on pink plastic chairs, while a few laborers in tattered overalls work noisily to cover exposed rafters on the roof with sheets of metal. A light breeze gusts through the empty window frame beside them. One day, Edingwe, who says he does not know his age but is likely somewhere in his late 50s, hopes this building will serve as both a new house for his family and a fitting testament to his long and illustrious wrestling career. In his deep, slow drawl, the great champion says, “My only regret is that my parents died poor while I was still too young. I wish they had still been alive to see this when it is complete.”

Left: Edingwe suddenly transforms once he is dressed in his wrestling attire, striking macho poses for the camera at his home in Matete, Kinshasa. Right: Edingwe demonstrates some of the grotesque facial expressions that he uses in the ring to strike fear into his opponents and whip his adoring fans into a frenzy. (All photos by Christopher Clark)

Edingwe has not had a fight since his famous disembowelment of Mal à l’aise more than a year ago. A few days after the fight, a wildly sensationalist Congolese news site reported that, thanks to a quick visit to both the clinic and a local temple, Mal à l’aise had miraculously survived. However, he complained that he was still experiencing some discomfort in his stomach. 

The pavement radio is buzzing with news that despite Edingwe’s now infamous comeback, he is still barely scraping by financially, paying his bills by doing occasional work as an informant for the police in Matete, where he uses his magical powers to pinpoint the location of alleged criminals.

Local journalist Francis Mbala says that wrestling has been hit hard by the political impasse that engulfed the Congolese capital when beleaguered president Joseph Kabila failed to step down at the end of his two-term presidential limit in December 2016. The impasse has thrust the city, and the country, into a new period of uncertainty, crippling the local economy. Sporadic political protests have been met by an increasingly violent state response, leaving scores of protesters dead. Meanwhile, rebel militias have resurfaced in the long-afflicted Kivu provinces in the east of the country, while a bloody guerilla war between the army and anti-government rebels has claimed at least 3,000 lives — with gross human rights abuses alleged on both sides — and forced more than a million people to flee their homes.

“With the current political and economic crisis, there is a severe lack of sponsors for wrestling,” Mbala says. Official wrestling institutions and federations “almost don’t exist in Kinshasa anymore,” he adds, and big wrestling events have inevitably become much less frequent.

But Pype says that the trials and tribulations of Congolese wrestling precede the current political impasse. “During Mobutu’s time, wrestling was the national sport,” she reiterates, “but unfortunately for the wrestlers, the current government hasn’t recognized what the sport and its practitioners could mean to them and to the creation of national cohesion and unity. Mobutu invested a lot more in the promotion of Congolese culture in general.”

Pype insists that wrestling remains an important part of daily life for the Kinois, as Kinshasa’s residents are known, especially for young men in working-class neighborhoods like Matete. For many of these men, wrestlers represent an ideal body image — and they are also emblematic of the possibility of transcending one’s impoverished circumstances.

Edingwe has a more straightforward take on why he hasn’t had a fight in so long: He says that no one is currently up to the challenge. He is not announcing his retirement just yet, but he is already pinning great hope on his eldest son, a 33-year-old who lives and fights in Belgium — and is known as Little Edingwe.

“The powers that I inherited from my grandfather, who was also a wrestler, will gradually be transferred to my son,” Edingwe says. “God has not given these powers to anyone else, so this is what I am counting on. When my son is strong enough, I will stop fighting.”

Other champions of Edingwe’s era agree that the next generation of greats is yet to announce itself in Kinshasa. Mwimba Makiese, who goes by the nickname Texas, shares the sense that the increasing lack of financial incentives has played a role, pushing young working-class men into Kinshasa’s violent street-fighting scene — where they can at least achieve a level of localized fame and notoriety — rather than the official wrestling circuit.

Like Edingwe, Makiese, who claims to have won an impressive 646 out 650 matches in his career, is looking to retire soon, potentially adding to the vacuum. Makiese has long been the leading proponent in Congo of the so-called “classical” American style of wrestling. He has often publicly denounced fétiche wrestling, which he claims has fueled a growing negative narrative that dismisses wrestlers as “brigands.” Makiese is currently training two young wrestlers in the hope that they will fill his considerable shoes and continue to build on his legacy of “clean, technical wrestling,” as he calls it.

Widely known both for his success in the ring and for being the first albino wrestler in Congo, Makiese is also a renowned philanthropist, having created a foundation for Kinshasa’s routinely persecuted and ostracized albino population. Money that Makiese earned from wrestling helped build the foundation, but in recent years he has had to find other means of sustaining it. To that end, he now runs a small shop with his wife.

“Before, I could live solely from wrestling. I built my house with money from wrestling. I educated my kids with money from wrestling. Now, things have changed,” Makiese says. “But I’m like a chameleon — I’ll always find a way to adapt,” he adds.

Back in Matete, Edingwe seems less willing to adapt. Wrestling, after all, is his calling. He believes it was preordained. He believes that only he can save Congolese wrestling from the slump it is currently experiencing.

As if to show his readiness to shoulder this considerable burden, Edingwe goes to get his wrestling attire — high socks, lace-up boots and tight black spandex shorts — from the small main house behind the unfinished outbuilding. When he returns, the short walk seems to have put considerable strain on his body. He struggles to get up the single step back into the outbuilding and has to use the wall for support. He breathes heavily as he slowly and laboriously lowers himself back into his chair, where a young male relative helps him lace up his boots. It’s hard to imagine that just over a year ago, Edingwe was proudly strutting back and forth across the ring like a peacock, in front of his adoring fans, as he prepared to disembowel Mal à l’aise.

A young relative of Edingwe helps the champion wrestler, who appears to be in ill health, lace up his boots before he poses for pictures at his home in Matete, Kinshasa.

But as soon as he is dressed, Edingwe transforms. His back straightens, his shoulders rise; legs slightly akimbo, he throws a few slow-motion air punches left and then right across his body while contorting his face into grimaces, the veins in his neck bulging. 

Two of Edingwe’s daughters can’t help giggling at this spectacle. In a mock-aggressive tone, he commands them to come and stand beside him, where he loops an arm over each of their shoulders. The girls grow suddenly shy beside Edingwe’s enormous frame and will not meet his eyes. Imperceptible to them, a slight smile crosses their father’s lips.

For the briefest of moments, he is defeated.

Edingwe smiles down on two of his daughters at home in Matete, Kinshasa.

“Coming Out” as Face Blind

What it’s like to live with a disorder that means sometimes I can’t even recognize my own family members—and why I’m not keeping it a secret any longer.

When there was a familiar knock on our front door around eight at night on a Friday, I knew it was my dad. But then my mom, in her oversized cat sweater and baggy jeans, removed the door chain from its lock and opened the door, revealing a tall, slender bald man with no facial hair.

Who’s that?” I asked, in my blunt six-year-old way.

“It’s Daddy?” My mom’s voice sounded uncertain for a minute, but then she laughed. “He shaved his head!”

I had never seen my dad without his full, wavy dark brown locks before. They were unlike my mom’s pin-straight light brown long bob with face framing bangs. I looked him over. My dad was still wearing a long-sleeved red plaid shirt, blue jeans with a belt, and heavy black boots. He had a pair of sunglasses sticking out of his pocket.

“Pumpkin, I shaved my hair.” That was my dad’s voice and he always called me pumpkin, so I started laughing, equal parts nervous and relieved. “Are you excited to spend the weekend together?” It took me a few moments to warm up to the idea that this was my dad, but then I launched into a list of things I wanted to do with him for the next two days, and watching both my parents smile at me reassured me that everything would be okay. My parents didn’t notice that my panic was unusual at the time, because it’s common for young kids to learn about permanence when someone drastically changes their hair. But although the panic subsided in the moment, I knew the feeling was probably related to how unsettled I felt when I was looking for my mom at the grocery store or when a neighborhood kid waved at me from the playground.

When I was around seven or eight, we learned that I have mild prosopagnosia, also known as “face blindness.” Prosopagnosia appears to be different from other neurological memory problems because it doesn’t cause any other issues with memory and isn’t always caused by brain damage — as in my case, it can be developmental and genetic. I’ve had difficulty recognizing almost everyone in my life from time to time, whether it’s someone famous, like Harrison Ford or Taylor Swift, or someone I know intimately, like my best friend or my own dad.

My face blindness comes with a set of challenges, including the surge of panic I feel when I have to search for someone I know in a large crowd. There’s a deep social stigma attached to not recognizing someone that you’re supposed to know, so I’m often too afraid to admit that I struggle with this, which leaves me vulnerable every time I’m not positive whether or not I recognize someone. 

Brad Duchaine, an associate professor in the department of psychological and brain sciences at Dartmouth College who is on staff at the Prosopagnosia Research Centers, says that face blindness can cause social difficulty, particularly because people are often offended when you don’t recognize them. He adds, “It also causes workplace difficulties. If you fail to recognize your boss in the elevator, it’s not going to be good for your career.” When I worked in a mid-sized office with about 150 coworkers, daily interactions like mornings, meetings, and passing people when I stood up from my desk in our open office were hell. When I was preparing my ahi tuna salad at lunchtime in the kitchen, trying not to stare at the redhead man next to me, a flash of panic washed over me when he looked my way. Did I know him? He wasn’t in the small social media and publicity department with me; I’d already memorized the clothing, hair, body language, posture, and voices of everyone on our team. When in doubt, I never explicitly introduce myself or say, “Hey, it’s nice to meet you.” Instead, I opened with, “That looks delicious,” when he removed his croissant from the microwave, searching for signs that he recognized me on his face. Other people’s eyes lit up and their expressions became more trusting when they recognized me, even more so when we were intimately familiar, and I look for those cues during interactions where I can’t recognize someone.

I silently begged that I hadn’t said the wrong thing, that he wasn’t a complete stranger who would find my comment off-putting. I never knew how conversational to be with people if I couldn’t recognize them. Asking someone about their weekend felt reserved for coworkers I had interacted with more than a handful of times, but I often wasn’t aware when I’d crossed that threshold.

Thanks, I got it from South End Buttery down the street. If you haven’t been yet, you should check it out,” he said. Sounds like we haven’t talked before, but he knows I’m fairly new here, I thought, trying to push away my fear. He wouldn’t realize I didn’t recognize him if I didn’t make it obvious.

I know how hard it can be to be open about your differences, both inside and outside the workplace. So I’ve kept my face blindness a secret with the help of some adaptive strategies I keep up my sleeve for moments of awkward interaction, like carefully picking my opening lines, and memorizing hairstyles. Technology has saved me on a regular basis since social media became popular in the mid-2000s, and even more so with smartphones. Before I meet up with someone, especially if I’m likely not to recognize them because they don’t have a unique identifier (like a red beard, a wheelchair, pink hair, or a mohawk), I can study photos of them saved to my phone or posted to their Facebook. I can look for the kind of clothes they might be wearing, how their hair is currently styled, if they tend to smile without teeth.

Duchaine says that most prosopagnosics have alternate systems for recognition. Many study Facebook and photos, while some are even hoping facial recognition apps like the one developed for Google Glass will become widespread. A common tactic (which I also use) is making sure to arrive at a meeting spot before anyone else so we won’t be the one picking out a singular face. People also tend to specialize in particular features. “One guy I worked with focused on people’s jeans,” says Duchaine. “In the town he grew up in, everyone wore the same jeans every day.”

I often rely on hair as my main recognition cue, which is why I’ve mistaken other tall, bald men wearing sunglasses for my own father (never enough to actually say, “Hey, Dad!” to them, thankfully, but I’ve walked up to quite a few bald strangers), and why I didn’t recognize him when he first went bald.

Hair, clothing, and other cues are also central to how I identify myself. I don’t always instantly recognize myself in a passing mirror or a photo, particularly if I’m wearing gym clothing or I’m wearing my hair up, since those are so far removed from my daily look. During my senior year of high school, when I cut eight inches off my hair to donate to Locks of Love, and chopped the rest into a pixie cut, seeing myself in the mirror or a selfie actually made me do a double-take. I hadn’t realized that my signature face-framing hair and blunt bangs were how I recognized myself, and I couldn’t see my reflection as me without them. And more than that, my hair is central to my identity. My mom, who died when I was a kid, wore her hair the same way I do — and without that hairstyle, when I look in the mirror, I don’t see what other people are always saying: “You look just like your mom.” I can’t remember my mom’s face, because I don’t remember anyone’s, but I don’t want to lose the little details I do remember about her, like her refusal to wear makeup, her jean jacket, her oversized green Melrose firefighters’ T-shirt, or her blunt brown bangs hanging above her light blue eyes.

I disliked the change so much that I eventually bought a wig and extensions, and resolved to never change my hair again.

* * *

When I was an undergrad in college, I met the only other person who has ever admitted to me that they have face blindness. We were talking about horror movies when my friend, who spends more time during our regular movie marathons making mile-a-minute jokes than analyzing the plot, said, “I can’t watch movies with a lot of characters because I can’t tell anyone apart. The villain will come on screen and I’ll be like, ‘Who’s that?’ and everyone else will be like, ‘That’s the killer, Jon!’” He and I laughed for almost 15 minutes until we had tears streaming down our cheeks.

A few years later, I came across Holding Up the Universe, by Jennifer Niven, and Bone Gap, by Laura Ruby, both novels with prosopagnosic main characters. After reading Holding Up the Universe, I told my girlfriend — who has never heard the inner monologues of panic whenever we’re out at a mall and I lose track of her — how close to reality the protagonist’s daily life is, with the exception that his face blindness is more severe than mine.

Bone Gap was a book club pick at my workplace, and when a coworker brought up how interesting the condition was and that she’d never heard of it, I was itching to say, “Actually, I have it. I wouldn’t recognize any of you outside this office.” I was dying to tell someone that the reason I avoid office jobs with a large staff is how stressful it is trying to figure out if I’ve introduced myself to someone (unless it’s the one guy with a long black pony tail or the woman who wears printed hijabs). But as my coworkers talked about how hard it must be for someone to live with face blindness, I clammed up and kept my mouth shut, not wanting to cross the line from professional into too personal and risk alienating myself.

I sat alone at lunch for half of eighth grade after the school circulated that I was bisexual, and what I love most about my adult life is that it seems I’ve finally escaped that. Every time I’ve revealed something that makes me different — my queerness, the physical disability that I use a lavender cane for — people use it as grounds to harass and ostracize me, or turn me into a sideshow with deeply personal questions aimed at their own consumption and not my comfort. How do I have sex with my partner? What were some ways I was left out as a kid with a disability? Could I play with other kids on the playground? I know people would ask these kinds of questions about my face blindness; they would poke and prod it until they were satisfied. So I’ve always kept it to myself.

I hit my breaking point a couple of weeks ago when my cousin visited from Texas. We’re closely related, since her mom was my mom’s sister and her dad was my dad’s brother, and we look alike. But when she asked me to get dinner with her friends and her at Hooters, I panicked. I got to the restaurant right at seven, wondering: Was she inside yet? Would I see her if I walked around the restaurant, or would I be caught stopping at each individual table, studying its occupants as they awkwardly chowed down on chicken wings? I called her three times to no avail before finally asking my girlfriend if she could take a quick walk around inside, where she quickly spotted Nicole.

“You didn’t answer your phone,” I said to my cousin with a slight hard edge to my voice, looking around the noisy, packed restaurant. There was no way I would have spotted her in this crowd. I thought that I had plans for every contingency, like calling someone on the phone to discern their location — but I had failed. What if my girlfriend wasn’t there to check for Nicole for me? Would I have gotten in my car and driven home, hungry and missing out on a night of her company? Would I, as an adult, have gone to the wait staff and asked them to announce Nicole’s name over the loudspeaker like she was my five-year-old child, embarrassing myself in the process? “I’m not mad at you, but you should have at least told me you were here.”

“I’m so sorry, my phone is in my bag.” Nicole pulled it out to demonstrate and waved in the direction of her other friends at the table. “We were talking and I didn’t hear it ringing. It’s loud in here. You could have just come in and looked for me. I’ve been here since seven.” This wasn’t a big deal to her. She couldn’t see how frantic I felt at the thought of scanning faces to try and determine if I knew someone. That was how the world looked in my eyes, like a sea of blank faces, each ready to condemn me if I couldn’t distinguish them from what looked like an identical face next to theirs.

“You should have just texted me at least once to say, ‘I’m here.’” I was frustrated; not at Nicole, although I wished she’d had the forethought to realize it was past seven and check to see if I’d called her.

As we were moving to a bigger table to accommodate our late arrival, Nicole continued apologizing for not checking her phone. She shouldn’t apologize without knowing what the real problem was, I thought.

“I have face blindness,” I admitted to her, and this was the first she’d heard of it. My heart raced in my chest. I was still afraid she would ask me detailed personal questions or simply not believe me. I was also born without a sense of smell, and throughout my life, I’ve been met with immediate disbelief when I tell people; they think it’s impossible that I can taste and enjoy food but I can’t smell anything at all, whether it’s savory or disarming.

As I explained what face blindness is to my cousin, my heart stopped pumping so fast. She was asking polite follow-up questions because she wanted to understand, not to mock me or put me on trial for experiencing life differently. “I don’t think I would have found you in here unless you texted me to say, ‘I’m in the back of the restaurant, booth near the window.’” I recounted all the times I’d asked her where she was sitting if we were meeting in public, and she instantly remembered telling me exactly what table number she was sitting at so I could approach wait staff and be directed to her.

“I had no idea,” Nicole said. “I swear I’ll check my phone next time so you won’t have to worry.” She’ll never know what it feels like to wander through the tables and booths at a restaurant, searching for a familiar face and making eye contact with parties who want to remain undisturbed, but she’s willing to accept that I know that feeling.   

The next day, she wore a bright lime green skirt and printed shirt with swans on it when we met at the Boston seaport. “My phone is going to die,” she texted me thoughtfully, as she described her outfit in detail. “I’ll be at the docks around 6:30.”

Sure enough, as soon as I noticed a flash of lime green among the crowd, I screamed her name and she turned.

I had admitted my biggest weakness, and the world didn’t fall apart. My cousin accommodated me. She wore something noticeable and made sure to meet me somewhere visible. She didn’t prod me for a diagnosis or medical details, and it was obvious she believed me, even though our abilities differ.

Her lime green tennis skirt told me something I should have known years ago: It’s okay to “come out” as face blind. So what if I thought Daenerys from “Game of Thrones” and Legolas from “The Lord of the Rings” were the same character? That just gives me dozens of inside jokes with the people who know I have a facial recognition deficit, but love me anyway.

That Time I Tried Topless House Cleaning

After years getting paid to bare my breasts at more clubs than I can count, when my funds hit an all-time low I pioneered a cleaner brand of sex work.

Topless Housecleaning + Lapdance
Gentlemen, do you need a good, clean tease after a hard day’s work? I’ll clean your house and give you a (1) lapdance
$100/hr – have your own cleaning supplies – no blocked numbers.

When I arrive at the house of the first viable person to respond to my Craigslist ad, I knock on the door and take a step back. He opens it right away. Jim or John, suddenly I can’t remember. He’s young to have such a nice mini-mansion with a swimming pool and younger than I normally like to deal with. I like his work jeans and dirty white t-shirt, though. They feel kind of homey.

I step in, a little flirty, but all-business to begin with. I get him to show me the whole house, which serves the double purpose of planning ahead for cleaning and making sure there’s no one else hiding, ready to pop out for a gang rape later. Just when the tour is complete my phone rings. It’s my security detail — Possum, the hillbilly witchdoctor I’ve befriended, following instructions to wait for me to clear the house and call to be sure everything’s okay.

“Hey,” I say. “It’s all good in here. Call me in like an hour.”

Ayep,” Possum replies in his drawl.

I turn to JimJohn and start to pull my shirt off, then stop. “Business before pleasure, babe,” I say, making the little money sign with my fingers.

“Oh, of course.” He pulls a hundred out of his pocket and presses it into my hand. I shove it down one of my stockings as I take my pants off, because I have always believed that the safest place for my money is right against my skin.

* * *

I’d had eighty dollars left to my name when I drove into Greenville, South Carolina. Half a tank of gas and two blueberry smoothies later, it dwindled to sixteen dollars folded together in the bottom of my pocket. For some people, this might have been a problem, but not for me. I have the magical ability to walk into a strip club just about anywhere there is one and make a few hundred bucks just because I’m willing to get naked and smile at people.

Sex work is my trust fund. When I’ve been broke down on the side of the road with no money, when I’ve been a homeless teenager, when I’ve wanted to buy a house, a car, an education — sex work has always been there for me. I’ve done almost all the sex work: everything from street hustling to dancing in bejeweled gowns to foot fetish parties and erotic hypnosis. Whenever I discover a new form of sex work — the weirder or more interesting the better — I try to experience it.

I’m staying, with my dog, Spot, in my van down by the river next to Possum, who lives in a van that’s much bigger and nicer than mine. Possum drew me a map showing how to get to the two strip clubs he knows of: a big one, and a little one. Big strip clubs sometimes have things like rules and schedules and lots of competition and high house fees, which I don’t like. I decided to try the small one first.

The small one turned out to be a brothel with very little business, where I met some very beautiful, very southern women, including a 300-pound dancer named Hamhock who I wish I could introduce to every teenager worrying about their weight ever.

I was too fat for the big one, or the door guy was having a bad day.

I started to feel a little panic. That’s when the idea of topless housecleaning came to me — purely formed, rising sweetly out of my desperation — so I put up a Craigslist ad and here I am at Jim or John or whatever his name is’ house.

* * *

I do the kitchen first, like my friend Tania who actually grew up in a mansion and knows how to clean explained to me last night on the phone. I keep up a steady stream of flirting while I put his dishes in the dishwasher and move everything on the counter to one end so I can clean it. While I’m stacking his mail neatly I check out his name. Jim. The counter is dirty, covered in stains and puddles of dried-up food and glue and who knows what else. Scrubbing while bending over a counter in six-inch heels, back arched so that your ass sticks up pretty, is hard work. Especially while flirting the whole time with a man you hope is staring at your ass and not your sweaty face.

He asks about me, how I came to be a topless housecleaner. I don’t tell him that he’s my first, or that I’m broke, or that I live in a van. If you watch television you know what happens to broke homeless women: They give $20 blow jobs, not $100 counter scrubbings. Instead I make up a prissy story about finishing my Master’s degree and taking a year to drive around the country in an R.V. dancing. Of course I tried dancing here, I explain, but the clubs are just so dirty, and I’m way too classy to expose myself to such an environment. The crazy thing I’ve discovered is that the snobbier you seem, the more they will pay you.

Jim is amazingly empathetic about the nastiness of the local clubs. A classy woman like me obviously doesn’t belong in places like those. He follows me from kitchen to bathroom to bedroom to living room, staring while I wipe, mop, scrub and vacuum, all while trying to look like I’m not sweaty from doing this work in humid 90-degree weather. His story is interesting. All his time goes to his race-car business, which is like a dream, but lots of hard work. He bought this house two years ago, but hasn’t had the time or taste to furnish it yet, though he does find the time to indulge in the tradition of illicit hooch brewing down in the basement. Steely grey eyes and his young tough look contrast with his docile nature as he tamely follows me around his house. I’m beginning to think all men in the South must be gentlemen.

When I’m done cleaning I settle him on his couch, set my iPod to Depeche Mode, and tell him that he gets one free lap dance with his housecleaning and after that they are twenty dollars, just like in the club. He opens his wallet and peels off another hundred, right away, and tells me to just dance until that runs out.

“No touching,” I remind him as the song starts and I move in front of him. Soon I’m crawling all over him, undulating, brushing my ass across his hard penis through his jeans. He is begging me to let him touch me, and I’m reminding him that I’m not that kind of girl, although I make sure to sound a little confused.

“Come on,” he says, getting his wallet out. “What about for another hundred?”

I pretend to think hard, then: “Okay.” I take his hands and guide them over my body. “You can touch here — my ass, my thighs, my stomach, but no titties or pussy.”

“Two hundred?” he pulls two crisp $100 bills out of his wallet.

It’s not really a question for me. I’ve given this much contact for thirty dollars a song. I pretend to think long and hard, though. If I let on that I have no principles, I can’t pretend to sell them.

“Okay,” I finally say, pushing the bills down my stockings, “but keep your hands off the kitty! That is not for sale!”

He has gentle, well-practiced hands that he swirls around my nipples and brushes softly over my ass. I arch my back and gasp in pretend ecstasy. Soon he wants more again — a hand job, a hundred dollars.

I insist that I’m not that kind of dancer while I consider this through to its logical conclusion. A couple hundred more for a hand job, a couple hundred more for a blow job, a lot more for sex. It could be a grand, easily. But do I want to have sex with this guy? The thing is, I’m a lesbian. The other thing is, sometimes I think I could be bisexual, and every year or two I have a man sex experiment. I can get into men, and right now on this guy’s lap, I’m turned on.

My phone rings again. It’s Possum. “It’s been an hour,” he says, “are you okay in there?”

“Yeah,” I giggle, “I’m having a great time. I’ll be just another fifteen minutes or so.”

Awright.” He hangs up.

“Will you touch it?” Jim asks.

Do I look like that kind of girl? I’m a very classy stripper, I remind him.

“Oh, of course, of course. I’m sorry,” he says. “I hope you’re not offended.”

“No…” I cock my head. “Actually… I’ve always kind of wondered what it would be like to do something like that for money.”

“Well, here’s your chance to find out.”

“Hmm…I dunno. I couldn’t. Well…how much?”

“A hundred?”

“Oh, no. I couldn’t.”

“Two hundred?” He’s got his wallet out, two crisp hundreds in his hand.

“Okay.” I grab them and shove them into my stocking. In my mind I’m counting and calculating miles. This makes 600, or is it 800? That’s, like, 5,000 miles of gas money! Or 2,000 miles and a month or two of groceries and stuff while I explore desert canyons and sky islands. What more could a girl need?

I slide down between his legs and he unzips his jeans eagerly. It is small, with a nice curve and for a second I love it and want to fuck him. Smiling, I bring my face close, admiring it like I’m about to lick it. He gasps and wiggles a little, and I take his cock in my hand. It’s already throbbing, and I just run my hand up it lightly, swirl some of the pre-cum back down it, run my fingers over the whole thing. He moans and half thrusts his hips. I love this. When I finally grab his cock, two-handed, and give it a couple strong, twisting strokes, he explodes right away. Perfect.

“Oh my god,” he says.

I giggle. “No, goddess.”

“Oh my goddess.” He smiles.

“Stay right there, I’m going to get you a washcloth.” I run to the bathroom.

While he cleans up, I pull my jeans and tank top back on over my fishnets and thong. I’m ecstatic and high from the rush of going from six dollars to 800 dollars in an hour with my hustling skills, but I know I won’t have really pulled it off until I’m in the van, driving away. I make myself look totally calm while I throw my iPod and cleaning stuff in the bag I came with, give him a goodbye hug, and tell him he should really call me again to clean the rest of the house.

I don’t start laughing until I’m in the van and Possum is driving us away. Then I fold over in my seat, laughing and clapping my hands with excitement.

“Possum,” I exclaim, “I love having a vagina!

Leaning back, I push my hips up to pull my jeans down and start fishing the hundreds out of my fishnets.

Possum looks over at me with my legs up on the bed, pulling eight $100 bills out of my thigh highs. “Holy shit,” he says, “I do believe I wish I had a vagina too.”

Checking “topless housecleaning” off my to-try list of sex-work gigs makes me enough money to get back on the road. The next day Spot and I get in the van and drive across the country until I find a beautiful desert-sky island in northern Arizona. I stay for a couple weeks, playing in a creek and tracking coyote, before I get low on money again and start over.

* * *

Tara Burns is the author of the Whore Diaries series. She lives in a little cabin in a big boreal forest and she is working on a memoir. Follow her @THEecowhore

The Day My Therapist Dared Me to Have Sex With Her

My analyst and I grew more intimately connected each week of treatment...but I never saw this indecent proposal coming.

It’s the waning moments of my fourth session with a new therapist. I’m holding back — and she knows it. My entire body feels tense, not ideal for the setting. I try to relax, but the plush leather couch crumples under me when I shift, making the movements extraordinary. I’ve barely looked into my therapist’s blue eyes at all, and yet I think the hour has gone very well. Of course it has. On the surface, when the patient has been highly selective of the discussion topics, therapy always resembles a friendly get-together.

“Well,” my therapist, Lori, says, the millisecond after I become certain our time is up and I might be in the clear. “I don’t think I should let you go until we’ve at least touched on what was put out there at the end of last week’s session.”

I so supremely wanted this not to come up. My eyelids tighten, my mouth puckers to the left, and my head tilts, as though I’m asking her to clarify.

“When you said you’re attracted to me,” she continues.

“Oh, yeah,” I say. “That.”

Back in session three Lori was trying to build my self-esteem, the lack of which is one of the reasons I’m in treatment. Within the confines of my family, I’ve always been the biggest target of ridicule. We all throw verbal darts around as though we’re engaged in a massive, drunken tournament at a bar, but the most poisonous ones seem to hit me the most often, admittedly somewhat a consequence of my own sensitivity. I’ve been told it was historically all part of an effort to toughen me up, but instead I was filled with towering doubts about my own worth. And since 2012, when I gave up a stable, tenured teaching career for the wildly inconsistent life of a freelance writer, I’ve had great difficulty trusting my own instincts and capabilities. I told Lori that I wish I was better at dealing with life’s daily struggles instead of constantly wondering if I’ll be able to wade through the thick.

She quickly and convincingly pointed out that I work rather hard and am, ultimately, paying my bills on time, that I have friends, an appreciation for arts and culture, and so on. In short, I am, in fact, strong, responsible and “pretty good at life.”

Then Lori heightened the discussion a bit. “I also feel that it is your sensitivity that makes you a great catch out there in the dating world,” she said, to which I involuntarily smiled, blushed and quickly buried my chin in my chest. I was too insecure and too single to handle such a compliment from a beautiful woman.

“Why are you reacting that way?” Lori asked.

I shrugged my shoulders, only half looking up.

“Is it because you’re attracted to me?”

I laughed a little, uncomfortably. “How did you know?”

She gently explained she could tell the day I walked into her office for the first time, after I flashed a bright smile and casually asked where she was from.

Now, a week after dropping that bomb, Lori asks, “So, why haven’t we talked about it?”

“I was hoping to avoid it, I suppose.” I tell her the whole notion of having the hots for a therapist is such a sizable cliché that I was embarrassed to admit it. “For Christ’s sake,” I say, throwing my hands up, “Tony Soprano even fell in love with his therapist.”

Lori snorts, rolls her eyes. “I knew you were going to say that.”

I smile, shake my head and look around the room, denying acceptance of my own ridiculous reality.

“It’s OK,” Lori says, grinning. “We can talk about this in here.”

I look again at her stark blue eyes, prevalent under dark brown bangs, the rest of her hair reaching the top of her chest, which is hugged nicely by a fitted white tee under an open button-down. She jogs often, I’d come to find out, which explains her petite figure and ability to probably pull off just about any outfit of her choosing.

I still can’t speak, so she takes over.

“Do you think you’re the first client that’s been attracted to their therapist?” she asks rhetorically. “I’ve had other clients openly discuss their feelings, even their sexual fantasies involving me.”

“What?” I cackle, beginning to feel as though I’ve moseyed onto the set of a porno.

“It’s true,” she says, acknowledging her desk. “What’s yours? Do you bend me over and take me from behind?”

Nailed it.

“If that’s what you’re thinking, it’s OK,” she goes on, earnestly, explaining that she’s discussed sexual scenarios with her clients before so as to “normalize” the behavior and not have them feel their own thoughts are unnatural. By showing the patient a level of acceptance, she hopes to facilitate a more comfortable atmosphere for “the work” — her painfully accurate pseudonym for psychotherapy.

I take a second to let the red flow out of my face, and ponder what she said. I’m a little unsure about this whole technique, but the more I think about it, the more it makes sense. So I go home, incredibly turned on and completely unashamed.

* * *

One of the great breakthroughs I’ve had in the thirteen months since I began seeing Lori (who agreed to participate in this article, but requested that her full name not be published) is a new ability to accept the existence of dualities in life. For instance, I’ve always had a tremendous sense of pride that, if it doesn’t straddle the line of arrogance, certainly dives into that hemisphere from time to time. I’m great at seeing flaws in others and propping myself up above them by smugly observing my character strengths. I’ve never liked that about myself, but the harder concept to grasp is the fact that I can be so egotistical while also stricken with such vast quantities of insecurity.

In treatment I came to realize that all people have contradictions to their personalities. There’s the insanely smart guy who can’t remotely begin to navigate a common social situation, the charitable girl who devotes all her time to helping strangers, but won’t confront issues in her own personal relationships. In my case, my extreme sensitivity can make me feel fabulous about the aspects of myself that I somehow know are good (my artistic tastes) and cause deep hatred of those traits I happen to loathe (the thirty pounds I could stand to lose).

My next session with Lori is productive. We speak about relationships I’ve formed with friends and lovers, and how my family may have informed those interactions. One constant is that I put crudely high expectations on others, mirroring those thrown upon me as a kid. I’m angered when people don’t meet those expectations, and absolutely devastated when I don’t reach them. Lori points out that it must be “exhausting trying to be so perfect all the time.” I am much more comfortable than I was the week prior, and can feel myself being more candid. I’m relieved that the whole being-attracted-to-my-therapist thing doesn’t come up.

Then, a week later, Lori mentions it, and I become tense again.

“I thought I’d be able to move past it,” I say, adding, “We aired it out, and it’s fine.”

As definitive as I’m trying to sound, Lori is just as defiant.

“I’m glad you feel that way,” she begins, “but I think you owe yourself some kudos. This kind of therapy,” she shares, “isn’t something just anyone can take on.” Such honest discussion doesn’t simply happen, it takes tremendous guts, and Lori can see that I am dealing with it relatively well, so I should praise my own efforts.

“Shit, we both should be proud of ourselves,” she says. “It’s not easy on the therapist either, you know.”

“Why not?”

“Because talking openly about sex is risky at any time, much less with a client.” She explains that therapists are warned any semblance of intimacy can be easily misconstrued. “We learn in our training to not personally disclose, for example,” she says, but adds that, occasionally, transparency can be helpful.

“Still, with you,” she continues, “until I raised the question, I didn’t know for sure that you would go with it; for all I knew you’d run out of here and never come back to risk being so uncomfortable again.”

She’s building my confidence more, and I’m learning that I play a much bigger role in how my life is conducted than I often realize. My treatment wouldn’t be happening if I weren’t enabling it.

Then she says, “And don’t think it’s not nice for me to hear that a guy like you thinks I’m beautiful.”

Crippled by the eroticism of the moment, and combined with the prevailing notion that no woman this stunning could ever be romantically interested in me, I flounder through words that resemble, “Wait…what?”

“If we were somehow at a bar together, and you came over and talked to me,” she says, then flips her palms up innocently, “who knows?”

I laugh again and tell her there’d be almost no chance of me approaching her because I’d never feel like I had a shot in hell.

“Well, that’s not the circumstances we’re in,” she says. “But you might. Who knows?”

I’m confused — Is she really attracted to me or is this some psychotherapeutic ruse? I’m frustrated — I told her I didn’t really want to talk about it. Shouldn’t she be more sensitive to my wants here? I’m angry — Is she getting an ego boost out of this? Most of all, I don’t know what the next step is — Am I about to experience the hottest thing that’s ever happened to a straight male since the vagina was invented?

There were two ways to find out:

1) Discontinue the therapy, wait for her outside her office every day, follow her to a hypothetical happy hour and ask her out, or

2) Keep going to therapy.

* * *

A week later, I’m physically in the meeting room with Lori, but mentally I haven’t left the recesses of my mind.

“Where are you today?” she asks, probably noticing my eyes roving around the room.

“I don’t know.”

“Are you still grappling with the sexual tension between us?”

Here we go again.

“Yes,” I say, with a bit of an edge in my voice, “and I don’t know what to do about it.”

Lori, ever intently, peers into my eyes, wrinkles her mouth and slightly shakes her head.

“Do you want to have sex with me?” she asks.

We both know the answer to that question. All I can do is stare back.

“Let’s have sex,” she announces. “Right here, right now.”

“What?” I respond, flustered.

“Let’s go!” she says a little louder, opening up her arms and looking around as if to say the office is now our playground, and, oh, the rollicking fun we’d have mixing bodily fluids.

“No,” I tell her, “You don’t mean that.”

“What if I do?” she shoots back. “Would you have sex with me, now, in this office?”

“Of course not.”

“Why ‘of course not’? How do I know for sure that you won’t take me if I offer myself to you?”

“I wouldn’t do that.”

“That’s what I thought,” she says, and tension in the room decomposes. “Mike, I don’t feel that you would do something that you think is truly not in our best interest, which is exactly why I just gave you the choice.”

Her offer was a lesson in empowerment, helping me prove that I have an innate ability to make the right choices, even if I’d so desperately prefer to make the wrong one.

I see what she means. I’m awfully proud of myself, and it’s OK to be in this instance. I’m gaining trust in myself, and confidence to boot. But, as the dualities of life dictate, I’m successfully doing “the work” with a daring therapist, while at the same time not entirely convinced she isn’t in need of an ethical scrubbing.

* * *

I don’t have another session with Lori for nearly three months, because she took a personal leave from her place of employment. When our sessions finally resumed, I could not wait to tell her about my budding relationship with Shauna.

Ten minutes into my first date with Shauna — right about the time she got up from her bar stool and said she was “going to the can” — I knew she would, at the very least, be someone I was going to invest significant time in. She was as easy to talk to as any girl I’d ever been with, and I found myself at ease. Plans happened magically without anxiety-inducing, twenty-four-hour waits between texts. Her quick wit kept me entertained, and I could tell by the way she so seriously spoke about dancing, her chosen profession, that she is passionate about the art form and mighty talented too. Shauna is beautiful, with flawless hazel eyes and straight dark hair, spunky bangs and a bob that matches her always-upbeat character. She is a snazzy dresser and enjoys a glass of whiskey with a side of fried pickles and good conversation as much as I do.

Things escalated quickly, but very comfortably, and since we’d both been in our fair share of relationships, we knew the true power of honesty and openness. So upon the precipice of my return to therapy I told Shauna about Lori, and admitted to having mixed feelings about what I was getting back into. I told her I was at least moderately uncertain if my mental health was Lori’s number-one concern since she always seemed to find the time to mention my attraction to her.

The first two sessions of my therapeutic reboot had gone great. Lori appeared genuinely thrilled that I was dating Shauna and could see how happy I was. I wasn’t overwhelmed with sexual tension in the new meeting room, though it wasn’t actually spoken about, and in the back of my mind I knew it was just a matter of time before it would start to affect my ability to disclose my thoughts to Lori again.

Then, while attempting to ingratiate myself with my new girlfriend’s cat by spooning food onto his tiny dish on the kitchen floor, I hear my phone ding from inside the living room.

“You got a text, babe,” Shauna says. “It’s from Lori.”

“‘I’m so impressed with you and the work you’re doing…’” Shauna reads off my phone from inside the living room, inquisitively, and not happily. I stuff the cat food back into the Tupperware and toss it into the refrigerator. I make my way into the living room, angry at myself for not changing the settings on my new iPhone to disallow text previews on the locked screen. Shauna’s walking too, and we meet near the kitchen door. “What’s this?” she says, holding up the phone. “Your therapist texts you?”

I take the phone from Shauna and say the most obvious, cliché-sounding thing: “It’s not what it seems.”

As I text back a curt “thanks,” Shauna tells me she’s going to ask her sister, a therapist herself, if it’s OK to text patients.

“Don’t do that.” I say, a little more emphatically. “I promise, this is nothing to be worried about. We’re not doing anything wrong.” I explain that Lori’s just trying to build my self-esteem.

“The only reason I’m even bringing this up is because you said you weren’t sure about her in the first place,” Shauna reminds me. I can tell she regrets looking at my phone without my permission, but I completely understand her feelings.

At my next session I tell Lori that Shauna saw her text and wasn’t thrilled about it.

“She probably feels cheated on to some degree,” Lori says. “A relationship between a therapist and a patient can oftentimes seem much more intimate than the one between a romantic couple.”

Lori goes on to point out that the reason she feels we can exchange texts, blurring the lines between patient/doctor boundaries — a hot topic in the psychotherapy world these days — is because she trusts that I’ll respect her space and privacy. “You’ve proven that much to me,” she says.

On my walk home, instead of being angry at Lori, I understand her thinking behind the text. But I’m also nervous about how Lori and Shauna can ever coexist in my life.

Isn’t therapy supposed to ameliorate my anxiety?

* * *

A week later, Lori begins our session by handing me a printout explaining the psychotherapeutic term “erotic transference” written by Raymond Lloyd Richmond, PhD. It says that erotic transference is the patient’s sense that love is being exchanged between him or herself and the therapist — the exact sensation I was experiencing with Lori, of which she was astutely aware.

According to Richmond, one of the primary reasons people seek therapy is because “something was lacking in their childhood family life,” perhaps “unconditional nurturing guidance and protection.” Upon feeling “noticed” and “understood” by a qualified therapist, sometimes a patient can be “intoxicated” by their therapist’s approval of them. A patient may in turn contemplate that a love is blossoming between them, and, in fact, it sort of is.

From an ethical standpoint, Richmond argues all therapists are “bound” to love their patients, for therapists are committed to willing “the good of all clients by ensuring that all actions within psychotherapy serve the client’s need to overcome the symptoms” which brought them into treatment. This takes genuine care and acceptance on their part. However, a patient can easily confuse the love they feel with simple “desire.” They’re not quite in love with their therapist, so much as they yearn for acceptance from someone, and in those sessions they just happen to be receiving it from their doctor.

Lori tells me that, all along, she has been “working with what I gave her” and that because I flirted with her a bit, she used that to her advantage in the treatment. In employing countertransference — indicating that she had feelings for me — she was keeping me from feeling rejected and despising my own thoughts and urges.

“There’s two people alone in a room together, and if they’re two attractive people, why wouldn’t they be attracted to each other?” says Dr. Galit Atlas. A psychoanalyst who’s had her own private practice for fifteen years, Dr. Atlas has an upcoming book titled The Enigma of Desire: Sex, Longing and Belonging in Psychoanalysis, and I sought her as an independent source for this essay to help me understand Lori’s therapeutic strategies.

Dr. Atlas explains that there are certain boundaries that cannot be crossed between therapist and patient under any circumstances — like having sex with them, obviously. But many other relationship borders can be mapped out depending on the comfort level of the therapist, as long as they stay within the scope of the profession’s ethics, which complicates the discussion surrounding erotic transference.

“As a therapist, I have a role,” Dr. Atlas says. “My role is to protect you.” She says it is incumbent on the therapist to not exploit the patient for the therapist’s own good, but admits that the presence of erotic transference in therapy brings about many challenges. “[Attraction] is part of the human condition,” she observes. In therapy, “the question then is: What do you do with that? Do you deny it? Do you talk about it? How do you talk about it without seducing the patient and with keeping your professional ability to think and to reflect?”

I ask her about the benefits of exploring intimacy in therapy, and Dr. Atlas quickly points out that emotional intimacy — though not necessarily that of the sexual brand — is almost inevitable and required. “An intimate relationship with a therapist can [be] a reparative experience — repairing childhood wounds — but mostly it’s about helping the patient to experience and tolerate emotional intimacy, analyzing the client’s anxieties about being vulnerable and every mechanism one uses in order to avoid being exposed.”

Dr. Atlas says this topic speaks to every facet of the therapeutic relationship, regardless of gender or even sexual orientation, because intimacy reveals emotional baggage that both the patient and therapist carry with them into the session. But this isn’t a symmetrical relationship, and the therapist is the one who holds the responsibility.

“Freud said that a healthy person should be able to work and to love,” she says. “In some ways therapy practices both, and in order to change the patient will have to be known by the therapist. That is intimacy. In order to be able to be vulnerable, both parties have to feel safe.”

After I briefly explain all that has gone on between me and Lori, Dr. Atlas steadfastly says she does not want to judge too harshly why and how everything came to pass in my therapy. “I don’t know your therapist, and I don’t know your history,” she says. But she offers that I should “explore the possibility” that I might have created and admitted my sexual adoration of Lori because one of my fears is to be ignored, not noticed.

Then I offer: “Maybe this essay is being written for the same reason.”

“Exactly.”

Maybe I wanted to interview Lori about erotic transference in my therapy sessions for that same reason as well…to stand out as the most amazingly understanding patient ever.

* * *

“I want to be very clear that this was never about feeding my own ego,” Lori says about her approach to my treatment. “We were always doing this in your best interest.”

I’m in Lori’s office, a tape recorder rolling and a pad and pen in my hands.

“I felt I was doing a disservice to you if I didn’t ‘out’ what I felt was weighing on us, which, honestly, felt like a heavy secret,” she says, pointing out that she discussed my therapeutic process for many hours in her required supervision meetings.

In order for Lori to advance in her field as a social worker, she has to attend 3,000 conference hours with another professional to go over casework — kind of like therapy quality control.

We talk about all of this during one of my scheduled sessions, for the entire hour — and go over by a few minutes, too.

Lori says that when she began her career as a social worker, she decided she wasn’t going to shy away from any subjects. “It’s typical for a client to [have] a habitual desire to sweep things under the rug,” she observes, especially about taboo topics. It can become a cycle of behavior that Lori seeks to break.

I refer back to the time when, unprovoked, she brought up my attraction to her.

She says she mentioned it to avoid what therapists call “door-knobbing,” which is when a patient will purposely mention some huge reveal right at the end of a session so as to sidestep a lengthy conversation about it.

“My only question for you is, was I wrong for bringing it up?” she asks. “Only you can answer that.”

Lori’s great at forcing me to reflect.

“I guess when I said I was over it and could move on, that was an example of my strict black-and-white thinking,” I say, throwing back some language she’s used often to describe my challenge in accepting dualities. In my mind, I was either attracted to her and shouldn’t see her anymore, or I wasn’t attracted to her and could still have her be my therapist. There was no in between.

I realize now that she wasn’t wrong for mentioning my feelings for her, even when I didn’t want her to. Lori noticed that I was frustrated with myself and wanted me to know that an attraction to a therapist is so normal and happens so frequently that there are technical terms for it.

I turn my attention towards the presence of countertransference in our session. I’m trying to come up with an actual question here, but, really, I just want her to confirm her feelings for me are real. So I say, referring to her feelings, with a great degree of difficulty, “It’s funny that they seem genuine to this day.”

“They are genuine,” Lori says, adding a moment later: “I think it might be a good idea if we explore why our discussing it suggests a lack of authenticity.”

“It doesn’t, necessarily,” I begin, then stammer through a few sentences, worried I might offend her by implying she’s been dishonest. I finally settle on, “I guess it comes back to my self-esteem issues. Why would a beautiful woman think I’m attractive?”

Lying in bed with Shauna a few months into our relationship, I ask her what she thought about me the moment she first saw me. I’m fishing for a compliment. But we met on Tinder and I just hope that seeing me in person wasn’t some kind of letdown for her after swiping right on my hand-picked glamour shots. Obviously she isn’t going to say something so awful after having committed to me for so long. It’s a slam-dunk ego boost.

She says she liked the fact that I was wearing a blazer and a tie on a first date. She adds that I was a little shorter than she anticipated, but was content with the two of us at least being the same exact height.

“What did you think when you first saw me?” she asks, turning it around, naturally.

Staying committed to my honesty-at-all-costs policy, I say, “I thought you were really beautiful, but not to the point where I was intimidated by you, which was very important because if I was, you would have gotten a very unconfident version of me, and we probably wouldn’t have hit it off as well as we did.”

Shauna thinks about that for a second, and eventually nods “OK.”

I explain that my insecurity could often get the better of me in dating situations. It was easy to convince myself that I’d be rejected by the girl I was with, especially if I thought she was out of my league. I would then slip into a nervous and reserved state that isn’t at all reflective of my true self.

I’m essentially saying that I was so thrilled to not find Shauna so extraordinarily pretty that I couldn’t accept her being on a date with me. That thought made so much sense at the time I said it, but I’ve since come to realize it is as ridiculous as it is insulting. After ten months of being with Shauna, I’m still completely floored by her, on every level, including a physical one. It gives me great pride to walk into a room with her, and I don’t imagine that changing. Therefore, she actually did meet a confident “version of me.” The way people look doesn’t drastically change in ten months but a person’s perception of self can. It seems my emotional workouts in erotic transference were just beginning to produce results.

* * *

“People fuck up,” Lori informs me during one winter session. “Therapists have slept with clients before, just like politicians have had sex with their interns. But, so you have a full understanding of how this works, we can date.” She explains the parameters as outlined in the social worker’s code of ethics. One of the many stipulations is that we wouldn’t be able to see each other, under any circumstances, for at least two years before dating. She tells me she loves her job, and there’s no way she would ever sacrifice my safety or her career for anything, so she would strictly follow all the dictated rules. “If you truly want to date me, there is the option. But it’s ultimately up to you.”

I know what she’s doing here — putting the onus on me, just like last year when she said we could have sex. The difference this time is the answer I want to give is on par with all of my involuntary urges.

“I don’t want to stop the work we’re doing,” I say. “At this point, it’s far too valuable to me, and, really, I know very little about you.” She’s beautiful, exercises, is smart, funny, professional, enjoys good TV…and that’s about it. Aside from whether or not we’d even both be single in two years, and if we’d be in the correct mind frame to explore a relationship, there are several other things I’m considering here: Would Lori and I really be compatible in every way? Would she ever see me as a lover, a partner, an equal, and not a patient? Could I ever reveal a detail about myself, or even just a shitty day of work, without wondering if she was picking it apart and analyzing it?

Frankly, all those questions could be answered in the positive. But, even if I wasn’t in a happy relationship — Shauna makes this choice much easier, for sure — I wouldn’t go that route. I’d be out a therapist.

* * *

It’s a beautiful spring night in New York and only sidewalk seating will do. Shauna and I are out to dinner at a restaurant near her Queens apartment, and we’re both in good spirits. The weather and the alcohol consumption are partly to blame for that, but, on cue with the season’s change, I feel I’ve turned an emotional corner. Work payments that were past due are finally finding their way into my bank account. As it turns out, my short-term money troubles were not an indication that I had no business being a writer, or that my life changeup was as irresponsible as unprotected sex at fourteen years old.

I’d told Lori as much that afternoon. I took a mental step back from my current situation and realized that in spite of my recent hardships, I was succeeding. I summarize my session for Shauna, who nods in agreement, lovingly pointing out that she’s had the same challenging freelancer experiences as a dancer.

“You’re doing great, babe,” she says matter-of-factly.

“Thank you. That means a lot,” I respond. “I guess if I’m going to be a writer I just have to accept all this and have faith in myself. The way Lori put it was, ‘You just have to go all-in.’”

“Good,” Shauna says. “You should listen to the women in your life.”

* * *

Liked this story? Our editors did too, voting it one of our 20 best untold tales!

See the complete list of Editors’ Picks here. 

* *

Michael Stahl is a freelance writer, journalist and editor living in Astoria, New York. He serves as a Narratively features editor as well. Follow him on Twitter @MichaelRStahl.

Casey Roonan is a cartoonist and cat person from Connecticut. Follow Casey on Instagram: @caseyroonan

I’m Married. I’m a Woman. I’m Addicted to Porn.

Countless couples have tackled the taboo subject of racy videos and illicit orgasms. What happens when it’s the woman who can’t stop watching?

This story features explicit situations that may not be suitable for all audiences.

It’s past two a.m. and my husband’s breathing has become long and even. An opportunity presents itself. I slip my right hand down my pajama pants and move slowly, careful not to bump my elbow into his side rib, or bring my hips into it. Too much movement or sound will wake him, and to be found out for something like this is not just embarrassing but potentially destructive. He’ll think he doesn’t satisfy me, and men do not like feeling inadequate, especially when it comes to matters of the bedroom. Or maybe he’ll feel sorry for me. And who wants to fuck someone they pity?

Even worse, maybe he’ll finally say the words I’ve been waiting for him to say since I first told him that I am a sex addict. That he’s bored with it. He’s disgusted. He’s had enough.

I lift my wrist away from my body. I’m careful to keep my breath from becoming a pant, even as my pulse quickens, but this takes much concentration. The body desires the convulsion the mind denies. There is no letting go here though. This orgasm is a controlled, measured, calculated experience.

I have masturbated in this way next to the sleeping bodies of all my serious, committed partners who came before my husband. In some cases, as expected, it was because I wanted more sex than they could give me. I’ve been called “insatiable” and “demanding” one too many times. But this has not always been the story. Yes, I have an incredibly high sex drive, but even in relationships where I have great sex multiple times a week my nighttime stealth for self-pleasure has persisted.

My college boyfriend, burgundy haired and tattooed, had the high sex drive typical of most nineteen-year-old males. We fucked all the time, but even still, I wanted more, something only I could give me. One afternoon, after he’d fallen into a deep post-sex slumber, I serviced myself with my second, third, and fourth orgasm beside him. That was the first time I’d experienced such a level of both secrecy and shame.

I made a promise to my husband and to myself, long before we were even wed, to be austerely honest. He knows I’ve been a compulsive masturbator since I was twelve years old. He knows about my extensive fluency in the hardcore categories of various porn sites. He knows about the bad habit I used to have of hooking up with not-so-nice men because they were available and I was bored — and that I rarely used protection with any of them. And that I believed, for a really long time, that my addiction made me a broken person, a disgusting person, a person unworthy of love. I told him these things from the start because I met him at a time in my life where I was ready and open for change. Because I liked him so much that I wanted to love him. Because I knew that the only way to love him, and be loved by him, was to be myself.

* * *

“What’s your favorite porn scene?”

The man who will become my husband in less than a year asks me this question as he lies naked and vulnerable beside me. We’ve just had sex and although I am naked too, it isn’t until this moment that I feel just as vulnerable as him. While it might seem absurd to some, I know immediately this is a moment of great significance for us. It is an opportunity to finally do things differently.

The possibilities run through my head.

I can describe something vanilla: This one where a busty blonde gets banged by her personal trainer. Or perhaps something a little more racy: These two hot teens swap their math teacher’s cum after he made them stay late in the classroom. Chances are he’ll get hard again and we’ll end up abandoning the conversation for a second round. These are harmless answers. Expected answers.

They’re also lies.

The possibility of revealing the actual truth not only makes me nervous, but also physically sick. I feel a constriction in the back of my throat, a flutter in my belly, a tremble in my extremities. After all, we’ve only been dating a couple of months and he doesn’t love me yet. If I tell him, will he ever?

“Why do you ask?” I reach for the sheet, damp with sweat, a tangle of 300-thread-count cotton across our limbs, and yank it up to cover my breasts.

“I don’t know,” he says. “Curiosity?” He turns over on his side and props his head up on his left hand. His green eyes are wide with wonder.

“Seems like a weird question.” I tuck the sheet into my armpits and scoot my body a little to the left so we’re no longer touching. The tone of my voice has become defensive and he can tell.

“It’s just that I usually pick the porn,” he explains. “Do you like what I choose?”

I see what he’s doing. He’s trying to be considerate since we just had sex while staring at the laptop screen after searching terms of his choosing: Latina, real tits, blow job, threesome.

Maybe he feels guilty for getting off to them instead of me, even though I’m the one who suggested we watch porn in the first place. Even though I’m always the one who suggests we watch porn while we have sex.

“Yeah, sure.” I look up at the ceiling. “They’re fine.”

“Are you sure?”

I wish he’d stop prying, but I realize something else is happening here. Not only is he trying to be considerate; he’s also trying to get to know me. The past couple of months has allowed us to cover most of the basics — what ended each of our most recent relationships, what our parents are like, what we hope to do with our lives in the next few years — but there’s still a longing for something deeper, and I can’t think of anything deeper than knowing a person’s favorite porn scene.

It can speak volumes. For one scene to stand out amongst the rest, when so many others are available, there has to be something below the surface. What maintains its appeal? What keeps a person returning in the deep, dark recesses of a lonely night? Perhaps the answers to these questions are a great source of shame. I never thought of revealing such answers to anybody, and especially not somebody like him, somebody I could really like. It seems far too risky, preposterous even.

It also seems necessary. Too many of my past relationships were doomed by my inability to tell the whole truth, to fully be myself. Now I have the opportunity to go there, and to say to a person, “This is who I am. Do you accept me?”

“Well, there’s this one gang bang,” I start, looking over at his face to see a reaction of surprise and interest register at once.

“Go on.”

I take a deep breath and proceed to tell him, first slowly, then progressively faster about the scene. Like a busted dam, I can hardly hold back the rush of descriptors fumbling from my mouth: “Two women in a warehouse. One dangling from a harness. The other just below her. Both are waiting to take on fifty horny men…” and on and on.

I watch his face the whole time, not pausing when his smile becomes a frown and his eyes squint as if it hurts to look at me.

“Afterward, the women exit the warehouse through a back door while the men applaud.”

For a long moment after I’ve finished talking, there is silence between us, but there is also a sense of relief on my part. I have revealed something so dark, so upsetting, so impacted in shame, and he hasn’t immediately disappeared. He is still here beside me, propped up on his left hand, naked and vulnerable, and so am I. He sees me and I see him seeing me and we are in new territory.

But then he says, “I kind of wish I hadn’t asked.” It’s all I need to hear to send me into tears. Not just tiny, embarrassed sobs, but humiliated wails. I have myself a tantrum. He is confused now as he pulls me close to him, laughing nervously at my abrupt shift in disposition. I try to pull the sheet completely over my head, but he pulls it back down and covers my face with apologetic kisses. He can’t possibly understand why I’m crying. He can’t possibly know what I’ve just revealed to him. “What’s going on? Baby, what’s wrong?”

And so I tell him.

* * *

Addiction to porn and masturbation is often grouped under general sex addiction because they all have to do with escape via titillation, pursuit and orgasm, but I’ve always felt more pathetic about my predilections. Going out and fucking — even someone you don’t really like — is wild, dangerous, but essentially social and shared. Though I had periods of promiscuity throughout my twenties, my biggest issue has always been with what I do alone.

There’s something so sad and humiliating in imagining a person locked away in a dark room, hot laptop balanced on chest, turning the volume down low, scrolling, scrolling, choosing, watching, escaping, coming.

And then realizing that person is me.

But my proclivity for solo pleasure has strong, stubborn roots. I lost my virginity to a water faucet when I was twelve years old. I have Adam Corolla and Dr. Drew to thank for this life-shaking experience; it was their late-night radio show “Loveline” on L.A.’s KROQ that served as my primary means of sex ed during my pre-teen years. This technique is one of the many things I learned, but I had a whole other kind of education going on, which had long filled my head with other ideas — sex is something that happens between a man and woman who love each other; masturbation is a sin. You know, your typical run-of-the-mill Catholic guilt stuff.

Just as oppressive as the Catholic guilt was my femininity. Girls weren’t talking about masturbation and sex. I had no company with whom to share my new activities and interests. And so this silence morphed into shame. I became a pervert, a loser, a sinner.

I tried to stop myself from taking long baths, from late-night undercover activities, from being alone too long, but the more I obsessed about stopping, the more I could not. I joined shame, secrecy and pleasure in a daily orgy, whether I was tired, bored, angry or sad. Whether I was single or coupled, it didn’t matter. Getting off required all of these components and I needed new, more extreme methods to stay engaged — more hours sucked away watching progressively harder porn like the warehouse video, complemented with dabbles in strip clubs, peep shows and shady massage parlors. It became impossible to get off during sex without fantasy, my body over-stimulated to numbness. I was irritable unless I was fucking or masturbating or planning to do either of these things. Life revolved around orgasm to the detriment of any kind of real progress in my professional or social existence.

I was out of control.

* * *

Little did I know that describing my favorite porn scene would be the first of many future admissions that would help peel back, layer by layer, a long and exhausting history of self loathing. My future husband and I quickly learned that watching porn during sex wasn’t a harmless kink for us; it was a method I’d long used to remain disconnected from my partners. It took much discipline and patience for us to expel it from our relationship altogether, though every now and then we slip up.

Talking about my habits led me to examine them, which ultimately led to my desire for change. Holding a secret for too long is like being unable to take a full breath. I didn’t want to feel this way anymore. I needed to share — often and fully — what had for too long been silenced in order to reclaim who I was underneath my addiction. I needed to breathe again.

I found relief in Sex and Love Addicts Anonymous meetings, seeing a therapist I trusted, attending personal development courses like the Hoffman Process and writing about my journey. I’ve managed to move away from porn for the most part, but when it comes to this addiction — to something I don’t have to seek out or purchase — control is like a wayward horse and my ass is always slipping off the saddle.

I constantly struggle with whether or not I should give up porn completely, but until I find a way to have some moderation with it, I avoid it as best I can. I wish I could just watch it occasionally, as some sort of supplement to my active sex life, but the whole ritual of watching porn is tangled up in too many other negative emotions. Watching porn takes me back to being that little girl alone in her bedroom, feeling ashamed and helpless to stop it. I can’t just watch one clip without needing to watch another after that, and another, until hours have passed and I’m back to binging every night.

If my husband leaves me alone all day and idleness leads me to watching porn, it’s the first thing I confess upon his return. Sometimes I don’t even have to say it. He can tell by my downturned eyes and my noticeable exhaustion. He shakes his head and takes me in his arms as I make another promise to try to leave it alone. When I visited a peep show on a recent work trip out of town, he seemed more amused than upset about the whole thing.

Unfortunately, I have yet to be as generous. If I find he’s been watching porn without me, when I’ve struggled to abstain for a stretch of time, I react with what might seem like unjustified rage. This frustration is only rooted in envy.

* * *

Masturbating beside my husband while he sleeps is the last secret I’ve kept from him. Although I’m beginning to fear that it’s actually just the latest secret. My resistance in telling him only proves how fragile recovery is. This week it’s masturbation. But maybe next week it’s back to porn binging. Or obsessive scrolling through Craigslist personals. Or lying about my whereabouts. And so forth. Abstaining from these habits, when so readily available, without abstaining from sexual pleasure completely, or the shame I’ve long bound to it, is a challenge I face daily.

That’s why I need to tell my husband.

Not because I need his permission, his forgiveness or to offer him some act of contrition. But because I need him to see me. To witness. The act of telling the truth, especially about something that makes us ache, is often the only absolution we need.

* * *

Erica Garza is a writer from Los Angeles. Her essays have appeared in Salon, Substance, LA Observed, The Manifest Station and HelloGiggles. She is also a staff writer at Luna Luna Mag. Read more at ericagarza.com and follow her on Twitter @ericadgarza.

Iris Yan is a Brazilian-born Chinese cartoonist who completed a one-year certificate at The Center for Cartoon Studies in Vermont.