The Unbearable Loneliness of a Cubana in Miami

A successful artist in Havana, Jacqueline Zerquera risked life and limb to escape to America. Did she make a terrible mistake?

It was only six years ago that Jacqueline Zerquera was on the other side of the Florida Straits, looking toward Miami, longing for the United States. She wanted out of Cuba. She wanted to be able to travel without having to fill out a long line of forms, logs and requests. She didn’t want to have to report every move she made abroad to the authorities. She wanted to be free. Today, only a few years after leaving, she stands on the opposite shore, looking back. She’s in the place she so desired, in the place she fought to be. Yet she is still longing—this time, for the life she had back home. “I miss the air, the light; I miss Cuba like a memory,” Zerquera says.

These days, Zerquera, forty-eight, lives in southwest Miami, in her sister’s house. It’s so far south that you can see portions of the Florida Everglades seeping through the suburban paint job. Amid the large, cookie-cutter homes, the mega-Walgreens and Publix supermarkets, there are patches of wild grass and dead ends where the road’s black tar meets the liquid charcoal of the swamp.

It’s a far cry from her native Havana. You don’t see Cuba’s beaches, or its famous sea wall, the Malecón; there’s not the chatter one often hears among next-door neighbors in La Habana—the houses here are far apart and lonely. At the same time, there are echoes of the island everywhere: Cuban flags scattered throughout the neighborhood, on dashboards and in windows, and houses donning concrete mailboxes, painted green and shaped like the island of Cuba.

Inside Zerquera’s sister’s home, the square footage is so ample, there is a ricochet of sound when you speak. “Grande por gusto,” she says, laughing at her new home. “Big for nothing.” Four people live in the house: Zerquera, her sister, her sister’s husband and an elderly uncle; there is room to spare.

Zerquera seems laid back, dressed comfortably in shorts, a T-shirt and an open long-sleeved shirt; her hair is pulled back in an attempt to tame her unruly curls. The two cigarette packs she holds in hand, however, betray an underpinning of nerves. Generous from the start, she wants to make sure her guest feels comfortable: She offers cheese and crackers, olives and wine before telling a story of escape; a quest for freedom. A story of illusion, and disenchantment.

“Actually, there are many stories,” says Zerquera, as she pours red wine into two glasses. Her eyes are sad and heavy, though she is smiling.

One story begins in 2008 with a woman at the Havana airport. She has spent her life asking the government for permission: permission to purchase what she needs; permission to travel outside the island she lives on; permission, it sometimes feels like, to live and breathe. She is tired of having to fill out forms to cross the furious border of water that surrounds her, and having to deal with the erratic responses she receives—sometimes yes, sometimes no, for no specified reason. “The only thing you know in Cuba,” says Zerquera, “is that you never know.” This woman, standing in the airport in Havana, is tired of feeling trapped. Cubans living in America, including family members, have fed her full of promises. “In America,” these voices told her, “you can do anything you want. In America, you can make money, you can travel, you are free…” And so this woman makes a plan to get there—to this free place where parts of her family live and thrive, leaving behind other parts of her family—an elderly mother and father, a younger sister, nephews, nieces, a goddaughter, and many friends.

Jacqueline Zerquera in Miami.
Jacqueline Zerquera in Miami.

Which brings her to the Jose Martí Airport, about to get on a plane to visit a “friend” in Belize. A “friend” she’s actually never met, who has been arranged through the embassy of Belize. He will, in turn, arrange for someone to pick her up at the Belize airport, take her to a hotel, where she will be locked in a room with a group of Cuban immigrants she does not know. The final goal is to cross the Mexican-American border—it will take several days and cost her between $15,000 and $20,000 to achieve. From Belize, she will board a cruise ship to the Mexican island of Cozumel, where she will be locked in a house, until she is taken to Monterrey, in mainland Mexico. From the hands of one coyote, or paid guide, to another, she will move like illegal goods. “Human trafficking,” says Zerquera, “it’s more common than you think. Happens all the time.”

Zerquera tells me this story, although she does not actually say this is her story, for it is a tale of illegal immigration. And Zerquera is now a full-fledged American citizen. “I pay taxes,” she says, “I follow the law, I’m a good citizen.” All she is saying is that by the grace of one god or another, she arrived at the Mexican-American border. “Once you’re there,” she says, “the Cubans have it easy in one sense, but they also have it hard.”

The easy part is due to the Cuban Adjustment Act of 1966 and its “wet foot, dry foot” policy revision of 1995, which basically says that any Cuban refugee seeking asylum in the U.S. can pursue a green card just one year after arrival, provided they were not found at sea (“wet foot”), but were able to reach land (“dry foot”). If you are caught at sea, you are likely to be deported.

And so, when Zerquera’s dry foot reached the longed-for border, she felt a great relief. The hardest part was over, not that the following steps would be easy. “The problem,” she says, “is that a lot of the officers at the border are Mexican-American, and they, I don’t want to say hate us, but…it’s complicated. It’s understandable. Here we are, with our Cuban Adjustment law, and they, Mexicans…They try and get you to say things you don’t want to say.

“I saw grown men cry in detention, big grown men, who had been all macho throughout the rest of our journey and now were falling apart,” Zerquera continues. “We were placed in cells that were more like cubicles without bars, and the walls were thin, so you could sometimes hear the other people being questioned.” Like this, she could hear how others broke around her. She, on the other hand, was determined to remain strong. Eventually, she was paroled and allowed to travel within the U.S. legally. She made it out to Texas and then, finally, to Miami, where she reunited with her sister, who had been in the U.S. for seven years. She had finally joined her family in the American Dream.

Not quite.

“It’s not what people tell you it is,” says Zerquera. “Don’t get me wrong, I’m grateful, very grateful, it’s just that it’s layered.” In Cuba, she was a professional artist. She was able to survive while doing what she loved—painting and taking photographs. Tourists and American art dealers bought her work. “You never quite knew who you were selling to, or how much they were selling it for on their end, or who ended up with your pieces at the end of the line, but people bought what you made,” she says. “You could make a living.”

She was also a member of the UNEAC (The National Union of Writers and Artists in Cuba), which allowed her special privileges. Unlike most Cubans, she could occasionally travel abroad to places like Spain and Holland to exhibit. Still, she felt the laws could change at any moment and then she could be trapped. And it wasn’t just Cuba that changed the rules abruptly, but the U.S. as well.

“I knew I’d had enough when, in 2004, I was denied a visa to travel to the U.S. That’s the year they denied the Buena Vista Social Club and Ibrahim Ferrer a visa, too. We were called terrorists. That was it for me, that’s what finally did it.” (Ferrer, a Grammy winner, and several other artists were blocked from visiting the U.S.; officials cited their authority to block the entry of people who could be “detrimental to the interests of the United States.”) Zerquera felt she was trapped in an age-old political feud, and she wanted out. Because it’s not, she explains, just hunger that gets to you in Cuba. “There are many monsters,” says Zerquera. The biggest of these, in her view, is the instability of your freedom.

While still living in Cuba, Zerquera started a photography series called Emigrante (Emigrant). The pieces are manipulated photographs that address, at once, a deep desire to follow the American Dream, while, at the same time, demonstrating that the dream itself is a shackle. In several images, there are close-ups of arms and legs, all in handcuffs. Some of these disembodied limbs are drifting at sea, some about to launch themselves into it. “You risk imprisonment and more for the dream,” says Zerquera, who can now reflect on whether it is worth it. “If you are caught, and brought back to Cuba, your life becomes hell.” Another photographic montage, called Reposo (Repose), illustrates a man resting on Havana’s Malecón. “The Malecón is where you go to fall in love in Cuba, it’s where you get fucked over, it’s where the prostitutes look for Johns, but it’s also where you go to dream, and where you dream of leaving—the water is right there,” says Zerquera. “Everybody is preoccupied with leaving to the U.S. Everyone thinks you’ll leave the island and your problems will be over. The dream is freedom. The dream is happiness.”

"Emigrante Reposo," part of a series by Jacqueline Zerquera (2003).
“Emigrante Reposo,” part of a series by Jacqueline Zerquera (2003).

In another piece called Retorno (Return), a male angel crashes against the Malecón. But the Malecón is Photoshopped so that the seawall joins with the wall of Cuba’s most beautiful and historic cemetery, El Cementerio Colon. In the image, the ocean crashes against the seawall/cemetery. “When the water hits the wall in Cuba, it’s incredibly powerful,” says Zerquera. “Sometimes it lifts the pavement, it’s that strong. In my mind, that power is illustrative of all the people who have disappeared into the sea, trying to leave; this is them, this is their return.”

Zerquera was hoping to keep working as an artist, selling her work through galleries like the ones that used to buy it when she was still in Cuba. In the United States, however, it became impossible to live as an artist: Her work would not sell; the same dealers who once coveted her work no longer wanted it. She had lost her exoticism. “I go to galleries and they tell me they don’t want my work anymore because I’m not working from Cuba anymore. Now that I’m in Miami, they don’t care what I make.”

She looked for work outside her field, but couldn’t find any. “Miami is not good for jobs,” she says. Zerquera’s friend, the Cuban sculptor Rene Vergara Gómez, was living in Syracuse at the time, and told her New York would be better, that she should try it out. Zerquera had also heard that they paid more in the “north,” that it would be easier to find a job, so she went. “But, as it turned out, they didn’t pay that much more, and you had to spend more, on coats and jackets, and special kinds of tires, more rent, all those things. I froze, both literally and figuratively,” she remembers.

"Emigrante Retorno," part of a series by Jacqueline Zerquera (2005).
“Emigrante Retorno,” part of a series by Jacqueline Zerquera (2005).

“I go to galleries and they tell me they don’t want my work anymore because I’m not working from Cuba anymore. Now that I’m in Miami, they don’t care what I make.”

One night several months after she had started working as a janitor at a department store near Syracuse, Zerquera found herself returning home from work in the middle of a snowstorm—the first one she had ever experienced. “I didn’t know how bad it was outside, I didn’t get it, and the manager didn’t bother to tell me not to come in that day,” she recalls. “I’d never even seen snow before that. The road was eerie and dark, no one was anywhere.” Suddenly, her car just stopped. There was nothing around but the white noise of deep snow. “Knee deep,” she says. “I got out of my car and I started to walk. My car was broken, my GPS was frozen—everything was frozen.”

She’s not sure how many miles she walked, improperly dressed for the weather, and completely unaware of her coordinates. “I had no idea where I was. I couldn’t see anything.” But she kept treading, lifting one leg and then another, until she saw heavenly golden arches – a bright, luminous McDonalds. It was just a roadside drive-thru. “There weren’t any regular doors, just a large metal door, sealed tight, but I started banging and banging on it. When they opened the door, they picked me up from the collar and dragged me in, helping me immediately; they gave me a hot drink, hot chocolate. I couldn’t move. I tried to tell them what had happened, but nothing came out, and what did come out was in Spanish; my fingers didn’t work, I tried to get something from my bag, to show them who I was, but nothing. A couple of days later, I almost lost my toe because of frostbite, from walking in the snow for so long.”

That’s when Zerquera decided to go back to Miami. If America was something less than the dream she had dreamed, the north was more like a nightmare. “The north turned out to be a myth,” she says. At least the heat of South Florida was familiar and, as far as she knew, less likely to kill her.

Back in Florida, she began working at Libertad Adult Day Care Center, a facility her sister had recently founded. She had to get certified in cardiopulmonary resuscitation, and take courses on nutrition in order to work there. “It takes a toll,” she says. “You take care of eight or nine elderly men and women with Alzheimer’s all in the same room at one time and it’s crazy, your life becomes as absurd as their fantasies.” Once she gets home, she says, she’s drained. And yet, it’s a job she’s lucky to have. She knows this.

"Frozen," a painting by Jacqueline Zerquera (2012).
“Frozen,” a painting by Jacqueline Zerquera (2012).

At one point, after she returned to Miami, Zerquera made a painting called Frozen, painting out of a friend’s studio out in Hialeah, another Cuban enclave in Miami-Dade County. The piece shows an androgynous figure, face up in the snow, a storm blowing all around her. The image is black and white, and the snow, at times, looks like dangerous and drowning sea foam. “In Cuba, I have one just like it,” she says of the image, “except that the one in Cuba is a desert. All that white is sand instead.” In Cuba, she explains, you feel immobilized and alone, as if in a desert. “Here there is a similar feeling, but colder,” she says of the United States. “That’s the difference.”

In Miami, Zerquera has also continued the Emigrante series: the new pieces are an American extension of what she started in Cuba. There aren’t as many handcuffs, but there are tombs and ghosts to take their place. Miami’s bridges play a big part. In one image the ocean parts, as in Moses’s biblical exodus, beneath an underpass in Downtown Miami, where monuments and gravestones from El Cementerio Colon have found their way. “As if the exodus,” says Zerquera of this image, “has brought another cemetery. A different kind of cemetery. We have lost so much. Not only people and human lives, but people that have lost their values, their principles, themselves.”

"Emigrante Exodo," part of a series by Jacqueline Zerquera (2013).
“Emigrante Exodo,” part of a series by Jacqueline Zerquera (2013).

Six years after she left Cuba, Zerquera still does not see herself as truly free. Laws regarding travel to Cuba change from administration to administration. “During the Bush years my family was only allowed to see each other every three years. That’s not right,” she says. Today, the laws have loosened under Obama, allowing her to visit family in Cuba every year, if she can pull the trip off financially—it can get expensive, considering that the plane ticket from Miami alone costs an average of $500, and Cubans now living in the U.S. usually feel obliged to bring much-needed necessities to their loved ones, such as food and medicine. “But you never know when that [law] can change,” she says.

“I am grateful for this country,” she says again, “and I admire all those Cubans of earlier waves that had to fight, fight even harder than me to get out, all the Cubans that were killed, whose family members were murdered even; I understand that they don’t want to go back. But I do. I do not want to be cut off from Cuba. I don’t want to break from Cuba. I know I’ll get hell for saying that from a lot of people here, but that’s how I feel.”

It’s not that she wants to return to Cuba for good, she says. “I’ll just face the same monsters there.” But she also doesn’t know how long she can sustain the American life she is living here either. She is back to square one, dreaming of freedom. “That’s what I’ve always desired,” she says. Here, in the States, she can say what she wants to say, go where she wants to go, but she still cannot be who she wants to be, she explains. Unable to make a living as an artist, her selfhood has been one of the sacrifices she’s had to make while chasing America’s other freedoms.

Zerquera considers herself both Cuban and American, but the two places she belongs are so cut off from each other, despite being only ninety miles apart, that it’s hard to reconcile her identity. What she longs for is a bridge. She knows this is a very big hope, politically speaking, but perhaps, she thinks, it can happen first through culture. She understands the paradox of her claim, considering that she cannot live off of her art in America, and that America seems not to want her art, but she still believes that cultural exchange is part of the answer. “If Cuba allows artists into the island, like the Cuban-American singers Gloria Estefan and Willy Chirino.” Then, she explains, there can begin to be an exchange of ideas between Cubans inside and outside the island. Many have attempted to bridge the political rift between Cuba and America through art, but it has not been an easy feat. Both Cuba and the U.S. have a contentious relationship with artists from the opposite shore. In Miami, Cuban musicians have been booed off stage in years past, accused of representing communism and keeping Castro in power by supporting his regime with the money they earn abroad. Back on the island, Cuban-American artists like Estefan, whose family fled Cuba when she was a child, are considered persona non grata by the state, their songs once blacklisted from the radio.

"Soledad" by Jacqueline Zerquera (2005).
“Soledad” by Jacqueline Zerquera (2005).

For now, the photographs Zerquera cobbles together quietly in the room allotted to her in her sister’s house will have to suffice. These are her bridges. One of her photographs is set in Cojimar, Hemingway’s old digs in Cuba. It depicts a piece of broken bridge, abandoned, left like a drifting, amputated limb. She has titled it Soledad, which means “Loneliness.” These ruins show faulty construction, and so Zerquera keeps trying to build a better bridge, to realize a better dream.

* * *

Gregory Castillo is a twenty-one-year-old Cuban-Nicaraguan American photojournalist from Miami, Florida. He works at the Miami Herald and is a student at Miami Dade College.

I’m Married. I’m a Woman. I’m Addicted to Porn.

Countless couples have tackled the taboo subject of racy videos and illicit orgasms. What happens when it’s the woman who can’t stop watching?

This story features explicit situations that may not be suitable for all audiences.

It’s past two a.m. and my husband’s breathing has become long and even. An opportunity presents itself. I slip my right hand down my pajama pants and move slowly, careful not to bump my elbow into his side rib, or bring my hips into it. Too much movement or sound will wake him, and to be found out for something like this is not just embarrassing but potentially destructive. He’ll think he doesn’t satisfy me, and men do not like feeling inadequate, especially when it comes to matters of the bedroom. Or maybe he’ll feel sorry for me. And who wants to fuck someone they pity?

Even worse, maybe he’ll finally say the words I’ve been waiting for him to say since I first told him that I am a sex addict. That he’s bored with it. He’s disgusted. He’s had enough.

I lift my wrist away from my body. I’m careful to keep my breath from becoming a pant, even as my pulse quickens, but this takes much concentration. The body desires the convulsion the mind denies. There is no letting go here though. This orgasm is a controlled, measured, calculated experience.

I have masturbated in this way next to the sleeping bodies of all my serious, committed partners who came before my husband. In some cases, as expected, it was because I wanted more sex than they could give me. I’ve been called “insatiable” and “demanding” one too many times. But this has not always been the story. Yes, I have an incredibly high sex drive, but even in relationships where I have great sex multiple times a week my nighttime stealth for self-pleasure has persisted.

My college boyfriend, burgundy haired and tattooed, had the high sex drive typical of most nineteen-year-old males. We fucked all the time, but even still, I wanted more, something only I could give me. One afternoon, after he’d fallen into a deep post-sex slumber, I serviced myself with my second, third, and fourth orgasm beside him. That was the first time I’d experienced such a level of both secrecy and shame.

I made a promise to my husband and to myself, long before we were even wed, to be austerely honest. He knows I’ve been a compulsive masturbator since I was twelve years old. He knows about my extensive fluency in the hardcore categories of various porn sites. He knows about the bad habit I used to have of hooking up with not-so-nice men because they were available and I was bored — and that I rarely used protection with any of them. And that I believed, for a really long time, that my addiction made me a broken person, a disgusting person, a person unworthy of love. I told him these things from the start because I met him at a time in my life where I was ready and open for change. Because I liked him so much that I wanted to love him. Because I knew that the only way to love him, and be loved by him, was to be myself.

* * *

“What’s your favorite porn scene?”

The man who will become my husband in less than a year asks me this question as he lies naked and vulnerable beside me. We’ve just had sex and although I am naked too, it isn’t until this moment that I feel just as vulnerable as him. While it might seem absurd to some, I know immediately this is a moment of great significance for us. It is an opportunity to finally do things differently.

The possibilities run through my head.

I can describe something vanilla: This one where a busty blonde gets banged by her personal trainer. Or perhaps something a little more racy: These two hot teens swap their math teacher’s cum after he made them stay late in the classroom. Chances are he’ll get hard again and we’ll end up abandoning the conversation for a second round. These are harmless answers. Expected answers.

They’re also lies.

The possibility of revealing the actual truth not only makes me nervous, but also physically sick. I feel a constriction in the back of my throat, a flutter in my belly, a tremble in my extremities. After all, we’ve only been dating a couple of months and he doesn’t love me yet. If I tell him, will he ever?

“Why do you ask?” I reach for the sheet, damp with sweat, a tangle of 300-thread-count cotton across our limbs, and yank it up to cover my breasts.

“I don’t know,” he says. “Curiosity?” He turns over on his side and props his head up on his left hand. His green eyes are wide with wonder.

“Seems like a weird question.” I tuck the sheet into my armpits and scoot my body a little to the left so we’re no longer touching. The tone of my voice has become defensive and he can tell.

“It’s just that I usually pick the porn,” he explains. “Do you like what I choose?”

I see what he’s doing. He’s trying to be considerate since we just had sex while staring at the laptop screen after searching terms of his choosing: Latina, real tits, blow job, threesome.

Maybe he feels guilty for getting off to them instead of me, even though I’m the one who suggested we watch porn in the first place. Even though I’m always the one who suggests we watch porn while we have sex.

“Yeah, sure.” I look up at the ceiling. “They’re fine.”

“Are you sure?”

I wish he’d stop prying, but I realize something else is happening here. Not only is he trying to be considerate; he’s also trying to get to know me. The past couple of months has allowed us to cover most of the basics — what ended each of our most recent relationships, what our parents are like, what we hope to do with our lives in the next few years — but there’s still a longing for something deeper, and I can’t think of anything deeper than knowing a person’s favorite porn scene.

It can speak volumes. For one scene to stand out amongst the rest, when so many others are available, there has to be something below the surface. What maintains its appeal? What keeps a person returning in the deep, dark recesses of a lonely night? Perhaps the answers to these questions are a great source of shame. I never thought of revealing such answers to anybody, and especially not somebody like him, somebody I could really like. It seems far too risky, preposterous even.

It also seems necessary. Too many of my past relationships were doomed by my inability to tell the whole truth, to fully be myself. Now I have the opportunity to go there, and to say to a person, “This is who I am. Do you accept me?”

“Well, there’s this one gang bang,” I start, looking over at his face to see a reaction of surprise and interest register at once.

“Go on.”

I take a deep breath and proceed to tell him, first slowly, then progressively faster about the scene. Like a busted dam, I can hardly hold back the rush of descriptors fumbling from my mouth: “Two women in a warehouse. One dangling from a harness. The other just below her. Both are waiting to take on fifty horny men…” and on and on.

I watch his face the whole time, not pausing when his smile becomes a frown and his eyes squint as if it hurts to look at me.

“Afterward, the women exit the warehouse through a back door while the men applaud.”

For a long moment after I’ve finished talking, there is silence between us, but there is also a sense of relief on my part. I have revealed something so dark, so upsetting, so impacted in shame, and he hasn’t immediately disappeared. He is still here beside me, propped up on his left hand, naked and vulnerable, and so am I. He sees me and I see him seeing me and we are in new territory.

But then he says, “I kind of wish I hadn’t asked.” It’s all I need to hear to send me into tears. Not just tiny, embarrassed sobs, but humiliated wails. I have myself a tantrum. He is confused now as he pulls me close to him, laughing nervously at my abrupt shift in disposition. I try to pull the sheet completely over my head, but he pulls it back down and covers my face with apologetic kisses. He can’t possibly understand why I’m crying. He can’t possibly know what I’ve just revealed to him. “What’s going on? Baby, what’s wrong?”

And so I tell him.

* * *

Addiction to porn and masturbation is often grouped under general sex addiction because they all have to do with escape via titillation, pursuit and orgasm, but I’ve always felt more pathetic about my predilections. Going out and fucking — even someone you don’t really like — is wild, dangerous, but essentially social and shared. Though I had periods of promiscuity throughout my twenties, my biggest issue has always been with what I do alone.

There’s something so sad and humiliating in imagining a person locked away in a dark room, hot laptop balanced on chest, turning the volume down low, scrolling, scrolling, choosing, watching, escaping, coming.

And then realizing that person is me.

But my proclivity for solo pleasure has strong, stubborn roots. I lost my virginity to a water faucet when I was twelve years old. I have Adam Corolla and Dr. Drew to thank for this life-shaking experience; it was their late-night radio show “Loveline” on L.A.’s KROQ that served as my primary means of sex ed during my pre-teen years. This technique is one of the many things I learned, but I had a whole other kind of education going on, which had long filled my head with other ideas — sex is something that happens between a man and woman who love each other; masturbation is a sin. You know, your typical run-of-the-mill Catholic guilt stuff.

Just as oppressive as the Catholic guilt was my femininity. Girls weren’t talking about masturbation and sex. I had no company with whom to share my new activities and interests. And so this silence morphed into shame. I became a pervert, a loser, a sinner.

I tried to stop myself from taking long baths, from late-night undercover activities, from being alone too long, but the more I obsessed about stopping, the more I could not. I joined shame, secrecy and pleasure in a daily orgy, whether I was tired, bored, angry or sad. Whether I was single or coupled, it didn’t matter. Getting off required all of these components and I needed new, more extreme methods to stay engaged — more hours sucked away watching progressively harder porn like the warehouse video, complemented with dabbles in strip clubs, peep shows and shady massage parlors. It became impossible to get off during sex without fantasy, my body over-stimulated to numbness. I was irritable unless I was fucking or masturbating or planning to do either of these things. Life revolved around orgasm to the detriment of any kind of real progress in my professional or social existence.

I was out of control.

* * *

Little did I know that describing my favorite porn scene would be the first of many future admissions that would help peel back, layer by layer, a long and exhausting history of self loathing. My future husband and I quickly learned that watching porn during sex wasn’t a harmless kink for us; it was a method I’d long used to remain disconnected from my partners. It took much discipline and patience for us to expel it from our relationship altogether, though every now and then we slip up.

Talking about my habits led me to examine them, which ultimately led to my desire for change. Holding a secret for too long is like being unable to take a full breath. I didn’t want to feel this way anymore. I needed to share — often and fully — what had for too long been silenced in order to reclaim who I was underneath my addiction. I needed to breathe again.

I found relief in Sex and Love Addicts Anonymous meetings, seeing a therapist I trusted, attending personal development courses like the Hoffman Process and writing about my journey. I’ve managed to move away from porn for the most part, but when it comes to this addiction — to something I don’t have to seek out or purchase — control is like a wayward horse and my ass is always slipping off the saddle.

I constantly struggle with whether or not I should give up porn completely, but until I find a way to have some moderation with it, I avoid it as best I can. I wish I could just watch it occasionally, as some sort of supplement to my active sex life, but the whole ritual of watching porn is tangled up in too many other negative emotions. Watching porn takes me back to being that little girl alone in her bedroom, feeling ashamed and helpless to stop it. I can’t just watch one clip without needing to watch another after that, and another, until hours have passed and I’m back to binging every night.

If my husband leaves me alone all day and idleness leads me to watching porn, it’s the first thing I confess upon his return. Sometimes I don’t even have to say it. He can tell by my downturned eyes and my noticeable exhaustion. He shakes his head and takes me in his arms as I make another promise to try to leave it alone. When I visited a peep show on a recent work trip out of town, he seemed more amused than upset about the whole thing.

Unfortunately, I have yet to be as generous. If I find he’s been watching porn without me, when I’ve struggled to abstain for a stretch of time, I react with what might seem like unjustified rage. This frustration is only rooted in envy.

* * *

Masturbating beside my husband while he sleeps is the last secret I’ve kept from him. Although I’m beginning to fear that it’s actually just the latest secret. My resistance in telling him only proves how fragile recovery is. This week it’s masturbation. But maybe next week it’s back to porn binging. Or obsessive scrolling through Craigslist personals. Or lying about my whereabouts. And so forth. Abstaining from these habits, when so readily available, without abstaining from sexual pleasure completely, or the shame I’ve long bound to it, is a challenge I face daily.

That’s why I need to tell my husband.

Not because I need his permission, his forgiveness or to offer him some act of contrition. But because I need him to see me. To witness. The act of telling the truth, especially about something that makes us ache, is often the only absolution we need.

Want to know more? Check out our behind-the-scenes interview with Erica Garza on Continuing the Narrative.

The Day My Therapist Dared Me to Have Sex With Her

My analyst and I grew more intimately connected each week of treatment...but I never saw this indecent proposal coming.

It’s the waning moments of my fourth session with a new therapist. I’m holding back — and she knows it. My entire body feels tense, not ideal for the setting. I try to relax, but the plush leather couch crumples under me when I shift, making the movements extraordinary. I’ve barely looked into my therapist’s blue eyes at all, and yet I think the hour has gone very well. Of course it has. On the surface, when the patient has been highly selective of the discussion topics, therapy always resembles a friendly get-together.

“Well,” my therapist, Lori, says, the millisecond after I become certain our time is up and I might be in the clear. “I don’t think I should let you go until we’ve at least touched on what was put out there at the end of last week’s session.”

I so supremely wanted this not to come up. My eyelids tighten, my mouth puckers to the left, and my head tilts, as though I’m asking her to clarify.

“When you said you’re attracted to me,” she continues.

“Oh, yeah,” I say. “That.”

Back in session three Lori was trying to build my self-esteem, the lack of which is one of the reasons I’m in treatment. Within the confines of my family, I’ve always been the biggest target of ridicule. We all throw verbal darts around as though we’re engaged in a massive, drunken tournament at a bar, but the most poisonous ones seem to hit me the most often, admittedly somewhat a consequence of my own sensitivity. I’ve been told it was historically all part of an effort to toughen me up, but instead I was filled with towering doubts about my own worth. And since 2012, when I gave up a stable, tenured teaching career for the wildly inconsistent life of a freelance writer, I’ve had great difficulty trusting my own instincts and capabilities. I told Lori that I wish I was better at dealing with life’s daily struggles instead of constantly wondering if I’ll be able to wade through the thick.

She quickly and convincingly pointed out that I work rather hard and am, ultimately, paying my bills on time, that I have friends, an appreciation for arts and culture, and so on. In short, I am, in fact, strong, responsible and “pretty good at life.”

Then Lori heightened the discussion a bit. “I also feel that it is your sensitivity that makes you a great catch out there in the dating world,” she said, to which I involuntarily smiled, blushed and quickly buried my chin in my chest. I was too insecure and too single to handle such a compliment from a beautiful woman.

“Why are you reacting that way?” Lori asked.

I shrugged my shoulders, only half looking up.

“Is it because you’re attracted to me?”

I laughed a little, uncomfortably. “How did you know?”

She gently explained she could tell the day I walked into her office for the first time, after I flashed a bright smile and casually asked where she was from.

Now, a week after dropping that bomb, Lori asks, “So, why haven’t we talked about it?”

“I was hoping to avoid it, I suppose.” I tell her the whole notion of having the hots for a therapist is such a sizable cliché that I was embarrassed to admit it. “For Christ’s sake,” I say, throwing my hands up, “Tony Soprano even fell in love with his therapist.”

Lori snorts, rolls her eyes. “I knew you were going to say that.”

I smile, shake my head and look around the room, denying acceptance of my own ridiculous reality.

“It’s OK,” Lori says, grinning. “We can talk about this in here.”

I look again at her stark blue eyes, prevalent under dark brown bangs, the rest of her hair reaching the top of her chest, which is hugged nicely by a fitted white tee under an open button-down. She jogs often, I’d come to find out, which explains her petite figure and ability to probably pull off just about any outfit of her choosing.

I still can’t speak, so she takes over.

“Do you think you’re the first client that’s been attracted to their therapist?” she asks rhetorically. “I’ve had other clients openly discuss their feelings, even their sexual fantasies involving me.”

“What?” I cackle, beginning to feel as though I’ve moseyed onto the set of a porno.

“It’s true,” she says, acknowledging her desk. “What’s yours? Do you bend me over and take me from behind?”

Nailed it.

“If that’s what you’re thinking, it’s OK,” she goes on, earnestly, explaining that she’s discussed sexual scenarios with her clients before so as to “normalize” the behavior and not have them feel their own thoughts are unnatural. By showing the patient a level of acceptance, she hopes to facilitate a more comfortable atmosphere for “the work” — her painfully accurate pseudonym for psychotherapy.

I take a second to let the red flow out of my face, and ponder what she said. I’m a little unsure about this whole technique, but the more I think about it, the more it makes sense. So I go home, incredibly turned on and completely unashamed.

* * *

One of the great breakthroughs I’ve had in the thirteen months since I began seeing Lori (who agreed to participate in this article, but requested that her full name not be published) is a new ability to accept the existence of dualities in life. For instance, I’ve always had a tremendous sense of pride that, if it doesn’t straddle the line of arrogance, certainly dives into that hemisphere from time to time. I’m great at seeing flaws in others and propping myself up above them by smugly observing my character strengths. I’ve never liked that about myself, but the harder concept to grasp is the fact that I can be so egotistical while also stricken with such vast quantities of insecurity.

In treatment I came to realize that all people have contradictions to their personalities. There’s the insanely smart guy who can’t remotely begin to navigate a common social situation, the charitable girl who devotes all her time to helping strangers, but won’t confront issues in her own personal relationships. In my case, my extreme sensitivity can make me feel fabulous about the aspects of myself that I somehow know are good (my artistic tastes) and cause deep hatred of those traits I happen to loathe (the thirty pounds I could stand to lose).

My next session with Lori is productive. We speak about relationships I’ve formed with friends and lovers, and how my family may have informed those interactions. One constant is that I put crudely high expectations on others, mirroring those thrown upon me as a kid. I’m angered when people don’t meet those expectations, and absolutely devastated when I don’t reach them. Lori points out that it must be “exhausting trying to be so perfect all the time.” I am much more comfortable than I was the week prior, and can feel myself being more candid. I’m relieved that the whole being-attracted-to-my-therapist thing doesn’t come up.

Then, a week later, Lori mentions it, and I become tense again.

“I thought I’d be able to move past it,” I say, adding, “We aired it out, and it’s fine.”

As definitive as I’m trying to sound, Lori is just as defiant.

“I’m glad you feel that way,” she begins, “but I think you owe yourself some kudos. This kind of therapy,” she shares, “isn’t something just anyone can take on.” Such honest discussion doesn’t simply happen, it takes tremendous guts, and Lori can see that I am dealing with it relatively well, so I should praise my own efforts.

“Shit, we both should be proud of ourselves,” she says. “It’s not easy on the therapist either, you know.”

“Why not?”

“Because talking openly about sex is risky at any time, much less with a client.” She explains that therapists are warned any semblance of intimacy can be easily misconstrued. “We learn in our training to not personally disclose, for example,” she says, but adds that, occasionally, transparency can be helpful.

“Still, with you,” she continues, “until I raised the question, I didn’t know for sure that you would go with it; for all I knew you’d run out of here and never come back to risk being so uncomfortable again.”

She’s building my confidence more, and I’m learning that I play a much bigger role in how my life is conducted than I often realize. My treatment wouldn’t be happening if I weren’t enabling it.

Then she says, “And don’t think it’s not nice for me to hear that a guy like you thinks I’m beautiful.”

Crippled by the eroticism of the moment, and combined with the prevailing notion that no woman this stunning could ever be romantically interested in me, I flounder through words that resemble, “Wait…what?”

“If we were somehow at a bar together, and you came over and talked to me,” she says, then flips her palms up innocently, “who knows?”

I laugh again and tell her there’d be almost no chance of me approaching her because I’d never feel like I had a shot in hell.

“Well, that’s not the circumstances we’re in,” she says. “But you might. Who knows?”

I’m confused — Is she really attracted to me or is this some psychotherapeutic ruse? I’m frustrated — I told her I didn’t really want to talk about it. Shouldn’t she be more sensitive to my wants here? I’m angry — Is she getting an ego boost out of this? Most of all, I don’t know what the next step is — Am I about to experience the hottest thing that’s ever happened to a straight male since the vagina was invented?

There were two ways to find out:

1) Discontinue the therapy, wait for her outside her office every day, follow her to a hypothetical happy hour and ask her out, or

2) Keep going to therapy.

* * *

A week later, I’m physically in the meeting room with Lori, but mentally I haven’t left the recesses of my mind.

“Where are you today?” she asks, probably noticing my eyes roving around the room.

“I don’t know.”

“Are you still grappling with the sexual tension between us?”

Here we go again.

“Yes,” I say, with a bit of an edge in my voice, “and I don’t know what to do about it.”

Lori, ever intently, peers into my eyes, wrinkles her mouth and slightly shakes her head.

“Do you want to have sex with me?” she asks.

We both know the answer to that question. All I can do is stare back.

“Let’s have sex,” she announces. “Right here, right now.”

“What?” I respond, flustered.

“Let’s go!” she says a little louder, opening up her arms and looking around as if to say the office is now our playground, and, oh, the rollicking fun we’d have mixing bodily fluids.

“No,” I tell her, “You don’t mean that.”

“What if I do?” she shoots back. “Would you have sex with me, now, in this office?”

“Of course not.”

“Why ‘of course not’? How do I know for sure that you won’t take me if I offer myself to you?”

“I wouldn’t do that.”

“That’s what I thought,” she says, and tension in the room decomposes. “Mike, I don’t feel that you would do something that you think is truly not in our best interest, which is exactly why I just gave you the choice.”

Her offer was a lesson in empowerment, helping me prove that I have an innate ability to make the right choices, even if I’d so desperately prefer to make the wrong one.

I see what she means. I’m awfully proud of myself, and it’s OK to be in this instance. I’m gaining trust in myself, and confidence to boot. But, as the dualities of life dictate, I’m successfully doing “the work” with a daring therapist, while at the same time not entirely convinced she isn’t in need of an ethical scrubbing.

* * *

I don’t have another session with Lori for nearly three months, because she took a personal leave from her place of employment. When our sessions finally resumed, I could not wait to tell her about my budding relationship with Shauna.

Ten minutes into my first date with Shauna — right about the time she got up from her bar stool and said she was “going to the can” — I knew she would, at the very least, be someone I was going to invest significant time in. She was as easy to talk to as any girl I’d ever been with, and I found myself at ease. Plans happened magically without anxiety-inducing, twenty-four-hour waits between texts. Her quick wit kept me entertained, and I could tell by the way she so seriously spoke about dancing, her chosen profession, that she is passionate about the art form and mighty talented too. Shauna is beautiful, with flawless hazel eyes and straight dark hair, spunky bangs and a bob that matches her always-upbeat character. She is a snazzy dresser and enjoys a glass of whiskey with a side of fried pickles and good conversation as much as I do.

Things escalated quickly, but very comfortably, and since we’d both been in our fair share of relationships, we knew the true power of honesty and openness. So upon the precipice of my return to therapy I told Shauna about Lori, and admitted to having mixed feelings about what I was getting back into. I told her I was at least moderately uncertain if my mental health was Lori’s number-one concern since she always seemed to find the time to mention my attraction to her.

The first two sessions of my therapeutic reboot had gone great. Lori appeared genuinely thrilled that I was dating Shauna and could see how happy I was. I wasn’t overwhelmed with sexual tension in the new meeting room, though it wasn’t actually spoken about, and in the back of my mind I knew it was just a matter of time before it would start to affect my ability to disclose my thoughts to Lori again.

Then, while attempting to ingratiate myself with my new girlfriend’s cat by spooning food onto his tiny dish on the kitchen floor, I hear my phone ding from inside the living room.

“You got a text, babe,” Shauna says. “It’s from Lori.”

“‘I’m so impressed with you and the work you’re doing…’” Shauna reads off my phone from inside the living room, inquisitively, and not happily. I stuff the cat food back into the Tupperware and toss it into the refrigerator. I make my way into the living room, angry at myself for not changing the settings on my new iPhone to disallow text previews on the locked screen. Shauna’s walking too, and we meet near the kitchen door. “What’s this?” she says, holding up the phone. “Your therapist texts you?”

I take the phone from Shauna and say the most obvious, cliché-sounding thing: “It’s not what it seems.”

As I text back a curt “thanks,” Shauna tells me she’s going to ask her sister, a therapist herself, if it’s OK to text patients.

“Don’t do that.” I say, a little more emphatically. “I promise, this is nothing to be worried about. We’re not doing anything wrong.” I explain that Lori’s just trying to build my self-esteem.

“The only reason I’m even bringing this up is because you said you weren’t sure about her in the first place,” Shauna reminds me. I can tell she regrets looking at my phone without my permission, but I completely understand her feelings.

At my next session I tell Lori that Shauna saw her text and wasn’t thrilled about it.

“She probably feels cheated on to some degree,” Lori says. “A relationship between a therapist and a patient can oftentimes seem much more intimate than the one between a romantic couple.”

Lori goes on to point out that the reason she feels we can exchange texts, blurring the lines between patient/doctor boundaries — a hot topic in the psychotherapy world these days — is because she trusts that I’ll respect her space and privacy. “You’ve proven that much to me,” she says.

On my walk home, instead of being angry at Lori, I understand her thinking behind the text. But I’m also nervous about how Lori and Shauna can ever coexist in my life.

Isn’t therapy supposed to ameliorate my anxiety?

* * *

A week later, Lori begins our session by handing me a printout explaining the psychotherapeutic term “erotic transference” written by Raymond Lloyd Richmond, PhD. It says that erotic transference is the patient’s sense that love is being exchanged between him or herself and the therapist — the exact sensation I was experiencing with Lori, of which she was astutely aware.

According to Richmond, one of the primary reasons people seek therapy is because “something was lacking in their childhood family life,” perhaps “unconditional nurturing guidance and protection.” Upon feeling “noticed” and “understood” by a qualified therapist, sometimes a patient can be “intoxicated” by their therapist’s approval of them. A patient may in turn contemplate that a love is blossoming between them, and, in fact, it sort of is.

From an ethical standpoint, Richmond argues all therapists are “bound” to love their patients, for therapists are committed to willing “the good of all clients by ensuring that all actions within psychotherapy serve the client’s need to overcome the symptoms” which brought them into treatment. This takes genuine care and acceptance on their part. However, a patient can easily confuse the love they feel with simple “desire.” They’re not quite in love with their therapist, so much as they yearn for acceptance from someone, and in those sessions they just happen to be receiving it from their doctor.

Lori tells me that, all along, she has been “working with what I gave her” and that because I flirted with her a bit, she used that to her advantage in the treatment. In employing countertransference — indicating that she had feelings for me — she was keeping me from feeling rejected and despising my own thoughts and urges.

“There’s two people alone in a room together, and if they’re two attractive people, why wouldn’t they be attracted to each other?” says Dr. Galit Atlas. A psychoanalyst who’s had her own private practice for fifteen years, Dr. Atlas has an upcoming book titled The Enigma of Desire: Sex, Longing and Belonging in Psychoanalysis, and I sought her as an independent source for this essay to help me understand Lori’s therapeutic strategies.

Dr. Atlas explains that there are certain boundaries that cannot be crossed between therapist and patient under any circumstances — like having sex with them, obviously. But many other relationship borders can be mapped out depending on the comfort level of the therapist, as long as they stay within the scope of the profession’s ethics, which complicates the discussion surrounding erotic transference.

“As a therapist, I have a role,” Dr. Atlas says. “My role is to protect you.” She says it is incumbent on the therapist to not exploit the patient for the therapist’s own good, but admits that the presence of erotic transference in therapy brings about many challenges. “[Attraction] is part of the human condition,” she observes. In therapy, “the question then is: What do you do with that? Do you deny it? Do you talk about it? How do you talk about it without seducing the patient and with keeping your professional ability to think and to reflect?”

I ask her about the benefits of exploring intimacy in therapy, and Dr. Atlas quickly points out that emotional intimacy — though not necessarily that of the sexual brand — is almost inevitable and required. “An intimate relationship with a therapist can [be] a reparative experience — repairing childhood wounds — but mostly it’s about helping the patient to experience and tolerate emotional intimacy, analyzing the client’s anxieties about being vulnerable and every mechanism one uses in order to avoid being exposed.”

Dr. Atlas says this topic speaks to every facet of the therapeutic relationship, regardless of gender or even sexual orientation, because intimacy reveals emotional baggage that both the patient and therapist carry with them into the session. But this isn’t a symmetrical relationship, and the therapist is the one who holds the responsibility.

“Freud said that a healthy person should be able to work and to love,” she says. “In some ways therapy practices both, and in order to change the patient will have to be known by the therapist. That is intimacy. In order to be able to be vulnerable, both parties have to feel safe.”

After I briefly explain all that has gone on between me and Lori, Dr. Atlas steadfastly says she does not want to judge too harshly why and how everything came to pass in my therapy. “I don’t know your therapist, and I don’t know your history,” she says. But she offers that I should “explore the possibility” that I might have created and admitted my sexual adoration of Lori because one of my fears is to be ignored, not noticed.

Then I offer: “Maybe this essay is being written for the same reason.”

“Exactly.”

Maybe I wanted to interview Lori about erotic transference in my therapy sessions for that same reason as well…to stand out as the most amazingly understanding patient ever.

* * *

“I want to be very clear that this was never about feeding my own ego,” Lori says about her approach to my treatment. “We were always doing this in your best interest.”

I’m in Lori’s office, a tape recorder rolling and a pad and pen in my hands.

“I felt I was doing a disservice to you if I didn’t ‘out’ what I felt was weighing on us, which, honestly, felt like a heavy secret,” she says, pointing out that she discussed my therapeutic process for many hours in her required supervision meetings.

In order for Lori to advance in her field as a social worker, she has to attend 3,000 conference hours with another professional to go over casework — kind of like therapy quality control.

We talk about all of this during one of my scheduled sessions, for the entire hour — and go over by a few minutes, too.

Lori says that when she began her career as a social worker, she decided she wasn’t going to shy away from any subjects. “It’s typical for a client to [have] a habitual desire to sweep things under the rug,” she observes, especially about taboo topics. It can become a cycle of behavior that Lori seeks to break.

I refer back to the time when, unprovoked, she brought up my attraction to her.

She says she mentioned it to avoid what therapists call “door-knobbing,” which is when a patient will purposely mention some huge reveal right at the end of a session so as to sidestep a lengthy conversation about it.

“My only question for you is, was I wrong for bringing it up?” she asks. “Only you can answer that.”

Lori’s great at forcing me to reflect.

“I guess when I said I was over it and could move on, that was an example of my strict black-and-white thinking,” I say, throwing back some language she’s used often to describe my challenge in accepting dualities. In my mind, I was either attracted to her and shouldn’t see her anymore, or I wasn’t attracted to her and could still have her be my therapist. There was no in between.

I realize now that she wasn’t wrong for mentioning my feelings for her, even when I didn’t want her to. Lori noticed that I was frustrated with myself and wanted me to know that an attraction to a therapist is so normal and happens so frequently that there are technical terms for it.

I turn my attention towards the presence of countertransference in our session. I’m trying to come up with an actual question here, but, really, I just want her to confirm her feelings for me are real. So I say, referring to her feelings, with a great degree of difficulty, “It’s funny that they seem genuine to this day.”

“They are genuine,” Lori says, adding a moment later: “I think it might be a good idea if we explore why our discussing it suggests a lack of authenticity.”

“It doesn’t, necessarily,” I begin, then stammer through a few sentences, worried I might offend her by implying she’s been dishonest. I finally settle on, “I guess it comes back to my self-esteem issues. Why would a beautiful woman think I’m attractive?”

Lying in bed with Shauna a few months into our relationship, I ask her what she thought about me the moment she first saw me. I’m fishing for a compliment. But we met on Tinder and I just hope that seeing me in person wasn’t some kind of letdown for her after swiping right on my hand-picked glamour shots. Obviously she isn’t going to say something so awful after having committed to me for so long. It’s a slam-dunk ego boost.

She says she liked the fact that I was wearing a blazer and a tie on a first date. She adds that I was a little shorter than she anticipated, but was content with the two of us at least being the same exact height.

“What did you think when you first saw me?” she asks, turning it around, naturally.

Staying committed to my honesty-at-all-costs policy, I say, “I thought you were really beautiful, but not to the point where I was intimidated by you, which was very important because if I was, you would have gotten a very unconfident version of me, and we probably wouldn’t have hit it off as well as we did.”

Shauna thinks about that for a second, and eventually nods “OK.”

I explain that my insecurity could often get the better of me in dating situations. It was easy to convince myself that I’d be rejected by the girl I was with, especially if I thought she was out of my league. I would then slip into a nervous and reserved state that isn’t at all reflective of my true self.

I’m essentially saying that I was so thrilled to not find Shauna so extraordinarily pretty that I couldn’t accept her being on a date with me. That thought made so much sense at the time I said it, but I’ve since come to realize it is as ridiculous as it is insulting. After ten months of being with Shauna, I’m still completely floored by her, on every level, including a physical one. It gives me great pride to walk into a room with her, and I don’t imagine that changing. Therefore, she actually did meet a confident “version of me.” The way people look doesn’t drastically change in ten months but a person’s perception of self can. It seems my emotional workouts in erotic transference were just beginning to produce results.

* * *

“People fuck up,” Lori informs me during one winter session. “Therapists have slept with clients before, just like politicians have had sex with their interns. But, so you have a full understanding of how this works, we can date.” She explains the parameters as outlined in the social worker’s code of ethics. One of the many stipulations is that we wouldn’t be able to see each other, under any circumstances, for at least two years before dating. She tells me she loves her job, and there’s no way she would ever sacrifice my safety or her career for anything, so she would strictly follow all the dictated rules. “If you truly want to date me, there is the option. But it’s ultimately up to you.”

I know what she’s doing here — putting the onus on me, just like last year when she said we could have sex. The difference this time is the answer I want to give is on par with all of my involuntary urges.

“I don’t want to stop the work we’re doing,” I say. “At this point, it’s far too valuable to me, and, really, I know very little about you.” She’s beautiful, exercises, is smart, funny, professional, enjoys good TV…and that’s about it. Aside from whether or not we’d even both be single in two years, and if we’d be in the correct mind frame to explore a relationship, there are several other things I’m considering here: Would Lori and I really be compatible in every way? Would she ever see me as a lover, a partner, an equal, and not a patient? Could I ever reveal a detail about myself, or even just a shitty day of work, without wondering if she was picking it apart and analyzing it?

Frankly, all those questions could be answered in the positive. But, even if I wasn’t in a happy relationship — Shauna makes this choice much easier, for sure — I wouldn’t go that route. I’d be out a therapist.

* * *

It’s a beautiful spring night in New York and only sidewalk seating will do. Shauna and I are out to dinner at a restaurant near her Queens apartment, and we’re both in good spirits. The weather and the alcohol consumption are partly to blame for that, but, on cue with the season’s change, I feel I’ve turned an emotional corner. Work payments that were past due are finally finding their way into my bank account. As it turns out, my short-term money troubles were not an indication that I had no business being a writer, or that my life changeup was as irresponsible as unprotected sex at fourteen years old.

I’d told Lori as much that afternoon. I took a mental step back from my current situation and realized that in spite of my recent hardships, I was succeeding. I summarize my session for Shauna, who nods in agreement, lovingly pointing out that she’s had the same challenging freelancer experiences as a dancer.

“You’re doing great, babe,” she says matter-of-factly.

“Thank you. That means a lot,” I respond. “I guess if I’m going to be a writer I just have to accept all this and have faith in myself. The way Lori put it was, ‘You just have to go all-in.’”

“Good,” Shauna says. “You should listen to the women in your life.”

* * *

Liked this story? Our editors did too, voting it one of our 20 best untold tales!

See the complete list of Editors’ Picks here. 

I’m a Fifty-Year-Old Mom. I Just Had Sex in the Back Seat of a Car.

Sometimes acting like a teenage rebel is the only way to feel in control.

On a hot and humid night last June, I steered my car over twisting country roads toward a small lakeside town for a romantic rendezvous. I had spent the day at a funeral, reflecting on the fact that at fifty, I had more miles behind me than ahead. Oddly, my paramour had also spent the day at a funeral, and as the summer sun disappeared we made plans to meet halfway between our towns for a drink.

It was nearly eleven when I turned my car onto Main Street, and James was growing impatient. We were speaking on the phone when I caught a glimpse of him. Strikingly handsome, he looked at least a decade younger than his 61 years. Running and doing chores on his rural property kept his body lean and muscular, and his face betrayed few traces of the anguish I knew lay in his heart.

James met me at my car, and as we walked toward the restaurant he put his arm around me. I felt a shudder of excitement run down my spine and I pushed in closer to feel his body. When we sat at the bar he swiveled his chair, pushed his knees against mine, and leaned in close to talk. Our faces were pressed within whispering distance and I inhaled his scent. The drinks we ordered were superfluous; this was all a graceful dance of foreplay.

The bar was teeming with a coarse-looking crowd of men and women who had deeply lined faces and leather jackets. The fact that we were completely out of place only heightened our excitement. We huddled and made witty comments about the antics of other patrons, parting only to fling our heads back in hysterics. We sat at the bar laughing and kissing, and before long James ran his hand up my leg and under my skirt. On previous dates he had teased me about being a Puritan in public, but X-rated in private, but that night I made no attempt to be discreet.

It felt mischievous to be strangers in a raucous tavern far from home in the middle of the night. We reveled in escaping the constricting bonds of our everyday lives – him a lawyer, me a divorced single mother. Our behavior was an unspoken act of defiance against the taunt of age, and the gloom of funerals that had become a common part of our lives.

Outside the restaurant James kissed me deeply and with a new fervency. We were passionately entangled while patrons passed by, and I whispered that we needed to go somewhere private. James began walking me to my car, and I assumed I would follow him to the adjacent hotel, or to his house an hour away.

When we got to my car he told me to get in the back seat. I refused, saying that my kids had left a mess in my car. James took my hand and led me across the lot to his immaculately clean Mercedes.

“Get in,” he said again.

“I’m not having sex with you in a car,” I replied laughing, while thinking of how improper it would be for a middle-aged mother to do so.

“Just get in,” he repeated, smiling mischievously as he opened the rear door.

There was no point in arguing; I knew I’d get in, so I slid onto the back seat. James was right behind, and before I heard the click of the door closing he was kissing me. It was futile to fight the longing we had been feeling for the past hours. Soon, all thoughts of motherhood and what was proper disappeared. We had been together many times before, but that night we devoured each other.

“I can’t believe I just had sex in a car in a public parking lot,” I said afterward, as I searched for my bra in the front seat.

“It was exciting, like in high school,” James replied, looking flushed and exhilarated.

As I drove home in the wee hours of the morning I felt furtive pride that James and I had taken a rebellious stand against the inevitability of age, and society’s expectation that we go gently into the night. In the days and weeks that followed we frequently reminisced about our romp in the car, and how it brought us back to our adolescence; a time of freedom and endless promise, a time before responsibilities and painful regrets.

How It Feels to Be the Biggest Woman at a Clothing Swap

Great, actually.

My bedroom is completely ransacked – clothes are thrown everywhere, purses piled high on my bed. I’m frantically throwing nearly all of my clothes into large plastic bags. Some are still wrapped in the plastic they came in, hanging from metal hangers, as if embalmed and exempt from the passing of time. First to go are the tight designer t-shirts, then the dresses – so many dresses. The black satin cocktail number that once made me feel sexy, but that I could never zip up now. The turquoise one with animal print from Century 21 and the red flowered dress that knocked everyone’s socks off at the company party ten years ago. I used to be so audacious with my wardrobe. Now, I want fewer eyes on me.

I planned on walking, but the load becomes more than I can carry. Instead, I throw the clothes in my car and take off, headed for my first ever clothing swap – where women get together to trade things they no longer want. I’ve been invited by my new friend Sarah to participate in this feminine ritual. This is more than the usual spring cleaning for me; I need to get rid of these painful reminders of the woman I outgrew, literally and figuratively. I no longer want to feel body-shamed by my closet, which is stuffed with clothes that are literally six sizes too small, some that have hung there, unworn, for over a decade while I tried to convince myself I could be someone else.

As I schlep my bags of clothes up to Sarah’s pre-war walk-up, I start to worry that, as a size 12, I’ll be the biggest woman there and nobody will want my offerings. But there’s no turning back now.

* * *

My obsession with fashion started when I was a teenager, when adolescence brought with it a horizontal growth spurt. I didn’t object to my new breasts and butt, but the rapid increase in my thighs and belly made me want to buy every piece of fabric ever made just to cover them up. I was convinced that buying the tightest jeans possible could stymie my out-of-control thighs and shrink them back to their original size. If my clothes were cool enough, stylish enough, expensive enough, everyone would just focus on them and not the fact that I had blown up underneath them.

At 16, the author playing dress up at a friends’ house in Park Slope, Brooklyn. (Photos courtesy the author)

By the time I was 14, I was a size 12, and no fashionable clothing could hide the discomfort I felt. It wasn’t enough to have nice clothes, I still wanted to be thin like the other girls. To be what I thought was normal. Through my teens and 20s, I tried every trend: cleanses, the lemonade diet, the cabbage soup diet, no carbs, low carbs. I tried taking diet pills, Dexatrim every morning with endless glasses of water, but it only gave me headaches and constant trips to the bathroom. Nothing worked.

Finally, I spent one full year when I was in my thirties eating pre-portioned frozen food out of a box and getting up every day at 5:30 in the morning to work out. It worked. I dropped to a size six; in certain styles I was even a four.

I had always hated dressing rooms – the bright lights zooming in on my imperfections, the dread of nothing fitting right. But then, the first time I went shopping after the weight loss was a revelation. Almost everything fit. I remember the moment I pulled a red cotton Brooklyn Industries dress over my head and caught sight of my new self in the mirror; it was as if it was made for me, and I looked incredible. Even though I was thinner, I still had feminine curves, and this dress brought out every one. The cleavage, the thin waist. I wore it out of the store, crumpling up my old clothes and having the cashier cut the price tag off of me at the register. I felt taller, sexier. I bought a whole new wardrobe for my new start. At 38, for the first time, I began to love the warmer months, when dress season was in full bloom.

But the sacrifices I made to get into those dresses meant, ironically, that I rarely went out to dinner or parties because I was afraid of gaining weight. It’s amazing how often people commented about me not drinking or eating, often making me more self-conscious. When I did give in and go out I’d gain weight instantly. Every single time. It was a total Catch-22. The whole purpose of those clothes was to show myself off, to push me to socialize more, but in reality, they kept me in my studio apartment, away from the world, afraid to live.

The author, far right, during the last week of senior year in college.

Eventually I tired of the restrictions and disappointments and took a break from a life of deprivation. The weight crept back on and then some. Most of my favorite clothing no longer fit, regardless of how many pairs of Spanx I wore. Still, I held onto them for over ten years, hoping to someday return to that size, that woman. I had tried to stick to discipline, but eventually being a certain size just wasn’t worth how hard I had to work. It was one thing to say no to dessert or put the bread basket away, but to constantly be hungry and depleted felt at odds with my energetic personality. I wanted to go out, socialize, travel and taste different foods, have different experiences. Being thin without enjoyment defeated the purpose of trying so hard to look the part. I wanted to be part of my own life.

Now, at 47 I’m packing up all of these dresses that belonged to a woman I’m no longer trying to force myself to be. A woman who needed to give up everything for how others might see her. A woman whose biology was never destined for the petite rack. I still miss how I looked in those years of denial, but I don’t miss how I felt.

* * *

I carry three large bags filled to capacity; the plastic handles digging into my skin, turning my fingers red. I walk up four flights of stairs to Sarah’s apartment, where there are tall green plants in every corner and books falling off the shelves. Sarah comes to greet me, her brown hair flowing down to her shoulders, bouncing as she cheerily introduces me to her friends. My heart sinks as I realize most of the women here are in the size six range, a zone I hit just once, and briefly, in my life. I doubt there’s going to be anything here for me.

Sarah pours wine into small glass jars and spreads out homemade pesto sandwiches with brie and bacon marmalade. As we sip our wine and scoop up the melted cheese, the swap begins. Each woman takes a turn presenting her items to the group. Even though everything is being donated, you still want to make sure someone takes home your once-treasured goods with a little pitch. Great color but I have outgrown it. Perfect for summer but too revealing for me. It says, “Love me I’m a Vegetarian,” but I eat meat now so…

A thin brunette with a lot of energy bolts up to the front of the room. As she begins to describe her clothes, all the attention is on her. People start raising their hands and laughing, this is actually kind of fun. “This is the one I got when going to the holiday party last year,” she explains. “And this one my mother-in-law got me but is clearly not my style.” Some of the women talk of ex-boyfriends as they explain the stories behind their clothes. Some of their new jobs. Everyone here wants to get rid of their pasts too. Hearing each story – vignettes about their items, their lives, brings me closer to the women. I feel connected. While they physically appear different than I, they too have stories of wanting to move on in their lives and away from a time that has passed. The clothing swap allows us all the opportunity to release our nostalgia.

I’m surprised at how comfortable these women are in their own bodies. One short woman with a black long bob actually takes off her blouse and begins to try on the clothes right in front of us, her white cotton bra bright like neon lights. She throws on blouses, sweaters and even dresses as if no one is watching. Some of the women know her and her fashion show just blends into the background for them. But I can’t stop staring. I am no prude, but how can she take off her clothes in front of all of these people like she’s in a Loehman’s dressing room? What is that like, to be confident enough in your body to strip down in front of strangers like it’s no big deal?

Eventually it’s my turn to present. My palms begin to sweat. I want the ladies to love my clothes as much as I once did, to realize how important these items were to me in my life – my nostalgia, my years of trying to change myself, and this final moment of release as I let all of that pressure go. Each garment on display represents my sense of self when I bought them. I almost feel like if they reject my clothes, they will be rejecting a part of me. I’m afraid they might ignore me because of my current size, like some men do when we meet for the first time.

The author today.

I take a deep breath and go to the front of the living room. I open up my shopping bags and begin with an apology. “I used to be a variety of sizes from six to 12, so hopefully you will find something you like,” I say, as I start to pull out one meaning-laden item after another. I take out long flowy dresses that I wore when I first lost considerable weight in my 30s, when friends had asked if I had an eating disorder, but it was a combination of Jenny Craig and 5:30 a.m. workouts. I pull out my favorite red dress and it’s snatched up immediately. I feel much better about being here. Then I pull out a black strapless dress I never even wore. It was my “just in case I get invited” dress for parties I never went to, wanting to be someone’s plus one but often being passed over for a younger, more petite date. Someone takes this one, too, and I can feel the load lighten, all of those years of watching and wishing, falling away as I give away one too-small dress after another.

It’s a bittersweet feeling to let them go, knowing that I bought these clothes hoping for a different type of life. Now I am saying goodbye to the woman who wore them, or hoped to. Maybe wisdom really does come with age, but whatever finally let me let go of the insecurities of my youth, I’m no longer willing to base my self-worth on an arbitrary standard that I’m biologically incapable of attaining. All of my old insecurity isn’t going to disappear overnight, but passing along my clothes, my past, and my younger self feels noble, graceful, and it leaves room in my life for me, the real me.

Secret Life of a Search and Rescue Volunteer

When someone goes missing on a frozen mountaintop or in a wildfire, my team heads out to help when no one else can — even if all we can do is bring back their bodies.

Three kids are missing on the mountain. They missed their check in, and search and rescue (SAR) has been tasked with finding them. It’s what we do. We track down the lost and injured and bring them home. I’ve been a member of this unit, primarily based around Mount Hood, Oregon, but working wherever we are needed in the Pacific Northwest, for about three years. Given my profound lack of experience at the onset, I’ve only actually been useful for about a year, maybe two.

We have a general idea of where the three kids are, or at least where they are supposed to be. At the base of the mountain, where most climbs start, is a climbers’ register where parties write down their intended route, expected return date, and what equipment they have – vital information in just this type of situation.

It’s cold and windy. Visibility is low. No one wants to be in the field on days like this. But, as Rocky, a veteran member once told me, only half joking, “We’re mountaineers. We suffer. It’s what we do.” That suffering is accepted because this is what we volunteered for (and almost all of us are truly volunteers – only the sheriff and a few others are paid). It’s made tolerable knowing that there is someone worse off, someone who needs us.

We will trace the most likely path and hopefully find them hunkered down in a snow cave or some other shelter, but alive. Bringing a victim home alive is why I go up. The satisfaction is like no other. After more than a decade in medicine, as an EMT initially and now as a physician assistant in a busy urban ER, I have revived cardiac arrests, treated trauma and dealt with just about every other medical calamity, but mountain rescue is different. People get injured in the mountains and back country, we get them when no one else can or will. Even if all we can do is bring back their bodies.

And I know how important that can be.

On the night of my first high school dance, the police showed up bearing somber news to my mother. She took me into the back room of the house. “There’s been an accident. Dad’s dead,” my mother told me, barely a quiver in her voice. She was trying to hold it together, but saying that out loud, she couldn’t. My brother, mother and me stood in that back room, with the lights off, and hugged and cried and lost track of time.

He fell while out hiking two states over. Local SAR was bringing the body out of the canyon. They couldn’t save him, but they could return his body to his family. We grieved while we waited for his return, which would take a day or two. It didn’t become concrete or tangible until we had the body. A tremendous service was done for my family by strangers.

Now it is my turn.

I will do for others what had been done for us. I will bring them home, do what I can to prevent further backroom suffering. Paying a debt to the universe makes the insufferable tolerable.

* * *

We are a team of 15 – physicians, general contractors, business executives and even an animal chiropractor, with personalities as varied as the professions. But there is a core tenet among us all: to help those in need.

A resort at the base of the mountain provides a Sno-Cat that transports us up through the groomed ski fields. National forest regulations prohibit mechanized travel beyond certain boundaries, but occasionally, we get permission to ignore them, to save a life. The driver takes us up as far as we can go before the Cat starts to backslide.

This is where the hard work starts. From here on out, we will be on foot. Once over the ridge and onto the next glacier, we break into smaller teams of three or four and separate to search different areas. Bob, a tall, slender guy who made some wise business decisions and retired early, is my team lead. He is tasked with interacting with the other team leads and Incident Command, as well as making sure all of us come home alive. Then there’s Keith, an engineer who makes dad jokes without being a dad; Christopher, an occasional school teacher who’s fond of instigating shenanigans and watching his work unfold; and me, the newest member of the team – the low-man on the totem pole.

The winds are up. The temperatures are down. Visibility is minimal. Freezing fog deposits a thin layer of ice on clothing. Beards freeze and develop icicles. Any exposed skin quickly turns red and raw. The moisture from my breath freezes my goggles. Periodically, I use the rubber handle of my ski pole to scrape the ice out of the goggles. This only provides a brief window of clear vision.

We follow the kids’ intended route up the mountain, up the gentle snow slope, bearing west. It’s a short distance, but it takes us an hour in these conditions. We come up into a bowl, relatively protected from the wind. The route travels up from the bowl and over a ridge. Once on the other side we must be hyper-vigilant. We will be travelling across a large crevasse field, hidden in dense fog. The route leads up a snow and ice gully from the far end of this crevasse field. This is one of the two more common routes for teams to take after they have previously completed the standard route. It represents a step up in technical difficulty, presents complicated route finding, and is an overall longer route. Most of us on the rescue team have climbed this route before, individually or as a team, but not in these conditions.

A fall from their route could have spit the kids out onto this crevasse field. We must search it exhaustively. First, we rope up – tying ourselves together so that if one of us falls into an unseen crevasse, theoretically, the rest of the small team can arrest the fall and retrieve the teammate. A rescuer becomes a liability if he is dead. As the newest, least-experienced member, I’m in the middle of the rope. Bob, on point, has to choose a path around the crevasses. The man in the back is the last hope if the first team members can’t arrest their own fall. Bob scans the snow for signs of weakness indicating a crevasse. I follow the footsteps exactly.

Slowly, methodically, we spread out to search the area. Ice axes are at the ready in the event a rope mate goes into a crevasse. My eyes strain to look for clues through fogged-up goggles. Even a light snow can cover vital clues. We move westward toward the terminus of the route the three kids were attempting.

“I need to search that area down by the big crevasse. Keep eyes on me,” Bob says. Rather than continue with our roped travel, Bob will move more cautiously down towards the crevasse on his own. I head up a ridge and plant myself in a vantage point where I can maintain constant visual contact. The area looks lousy with crevasses, with more likely hidden. Bob is belayed down into the field by Keith, who is anchored to the snow. Any fall should be terminated quickly. Should be. Our gloves have a layer of icy grime, so holding the rope during a fall would require more effort than in more pristine conditions.

He goes out, searches, and returns. No incident, but no evidence found of our three kids either. We’re preparing to keep moving when our radios start crackling and we hear someone from one of the other teams say, “I think I’ve found something.” We all stop and put lift our radios to our ears.

“Should we head up to you?”

Silence. Crackle. “…Yeah.”

My team was searching the lower end of the glacier, so we are some of the last to get to the scene. As we approach, I see the other teams standing around a body. If it weren’t for the people standing around him, I might have walked right by; he was nearly invisible in the waning day, under a fresh layer of snow. I see that no one is frantic. No one is pulling a medical kit out. Our kid must be dead. His mouth is open, in the shape of an “O” and full of snow. I get to him and place my hands on his body. He is stiff and frozen. His base-layer shirt and soft shell jacket are unzipped. There is blood on his thigh, though no obvious deformity or injury. I see no grossly apparent signs of blunt trauma. Some distance away, there is climbing gear strewn at the bottom of the route. One of the other teams had continued searching and found it. It looks like he walked some distance away from the debris field.

Maria, a newly minted ER doctor, digs a little bit of the snow out of his mouth. Not much, just a little. I’m not sure why. It is an image that will stick with me.

“Hey, why don’t I package the body? Not everybody needs to see this,” I offer to the overall rescue leader. Some of the team members have never seen a dead body before.

He pauses for a moment. “Yeah, do it.”

I’m new to mountain rescue, but seasoned to life’s grim realities. The body must be packaged for extrication. He will be covered with a protective plastic tarp and placed into a litter. The litter is like a backboard with small walls and rails. It proves difficult to package him. He is frozen and did not have the foresight to die in a position conducive to packaging. But, I make it work. I have to.

Looking at what’s in front of me, I know what is ahead for the family. I know the sound. I know the dark, backroom scene, huddled in a private anguish that comes after the authorities deliver the news. There’s a wail that comes with unexpected death. It comes from the gut. It’s a sound I heard time and again in those first few days after my father died. I lost a parent, but they have lost a child. I package him as gently as I can. We will get him back to his family. The importance of our task is visceral. I cannot fathom what mourning without the body is. This family will not have to try.

* * *

The radio crackles again. The sheriff is thinking that we should package the body, anchor it someplace safe, and mark the location on GPS. This would allow us to keep searching for the other two. The freezing fog has turned to heavy snow. It was early afternoon, a time in the Pacific Northwest when the sun begins to set, and we are worn. We wouldn’t have more than a few hours of daylight left and still had to get off the mountain.

This is a dilemma. He’s dead, but the other two kids may not be. Until we find them, there’s no way to know. The weather forecast calls for continued lousy conditions for the rest of today and the next few days. Extrication is a lengthy process. Under the best conditions, in more easily accessed terrain, extrication by foot takes half a day. Do we begin the extrication of the body and leave our other two kids to try to survive another night? Do we try to place our first kid somewhere we can find him later and keep searching? In these conditions, among the crevasses, with the accumulating snowfall, it’s unlikely we would be able to find him again. Even anchored in a corner somewhere, location marked on GPS, any manner of event could prevent us from retrieving him. Avalanches could change the landscape of the entire field. There is the risk of continued snowfall and burial. An anchor could fail, leaving the body free to slip into one of the crevasses below.

It’s unbearable, in my mind, to leave him to keep searching. The thought of having to tell the family that we found the body, but left him on the mountain, is crushing. It seems inhumane. But then what would we tell the families of the other two kids if we left the mountain without knowing whether they were alive or dead?

I’m supremely thankful not to have to make that call. There are benefits to being a rookie.

The medical team, my other team, has setup nearby, in an area safe from crevasses or avalanches. There is a tent to escape the wind and warm drinks are being brewed. The medical team is solely concerned with the living. In the absence of proof of life of the other two, the medical team bears watch over the rescuers. The tent is for the rescuers. The warm drinks are for us. Periodically, people have to take a breather, to warm up and mentally recharge. It’s amazing how beneficial something as simple as a warm cup of tea can be in these situations. As one of the new guys, I still feel like I have to prove myself. I stay in the crevasse field and suffer.

Conversations between the rescue leaders in the field and the sheriff’s SAR deputies have been ongoing since we packaged the body. I haven’t been listening. I have no input to offer. Just feet to carry me to wherever I can be useful.

“The sheriff wants us to keep searching.” Word is spreading. My heart sinks into my stomach. I am exhausted. There is no good decision to be reached. I look at my teammates and can tell many are feeling the same. We don’t want to keep searching, but we will.

“SAR base from Team One.”

“Go ahead Team One.”

“Yeah, hey it’s Rocky. We’re not going to do that. It’s cold, it’s late. We’ll never find the body again. We’re bringing the teams in.”

A respected member and veteran of decades of mountain rescue has shut down the sheriff’s plan. Ultimately, it’s the sheriff’s call, but a good leader knows when to listen to experienced heads.

“O.K. Team’s coming in.”

We re-cross the crevassed glacier, this time with a sled with a body in it. Once at the eastern end of the glacier, we raise the whole package up and over the ridge, which is accomplished with ropes, pulleys and brute force. Eventually, we reach the waiting Sno-Cat. The packaged body lies between two rows of bench seats. The seats are full of rescuers. The layers of ice that had been our constant companions begin to melt. Steam rises off each living person’s head. Some people are looking through the camera we found among the scattered belongings. Perhaps a clue will be found to lead us to the other two kids. Perhaps there will be some indication as to what went wrong.

We reach the familiar transition point at the base of the glacier. We get out of the Sno-Cat and unload the package. A short distance below, snow meets parking lot. Rescuers meet sheriff. I head inside. There is to be a debrief. We are reminded of the resources available to us, should we need them, if anyone is experiencing grief or stress from recovering a body.

The body is brought inside the lodge. I can hear the family. By the end of the debrief, the family of our first kid should be well on their way to the city with the deceased. They are not. Word is traveling. The family of our first kid is staying on the mountain to support the families of our other two kids. I can’t imagine how they came to that decision. Their boy is dead. Yet, they remain with the other two families, while the body of their boy travels back to the city.

When I hear this, I remember that the ache I’m feeling all over is just physical pain. It is temporary.

* * *

I return to my warm apartment. The two kids are still up on the mountain. I’m mentally preparing for a return to the cold and misery tomorrow when the page comes through. We are grounded. No searchers will be deployed tomorrow on account of the horrendous conditions. Officially, this is still a “rescue.” The longer our other two kids are out there, the less likely they are to survive, if they are still alive at all. But they are up there, somewhere. I have little faith that this is going to be a rescue.

I feel utterly helpless, sitting in my kitchen, in a worn-out old chair, head back, staring at the ceiling. The debt I set out to pay remains. I am unable to provide the service that was done for my family. Logically, I understand it is out of my hands. The dangers and risks are real. This is a rational decision. In my gut, though, I have failed. This was my task. Bring the bodies home. Yet they remain on the mountain. There is only failure now.

So, I get drunk, the only solution I can think of.

Over the next few days conditions continue to deteriorate and eventually I have to go back to work. Finally, the search gets called off completely.

The following summer, I’m returning from a wildfire when the text comes through from my good friend Bob G., a member of the medical rescue team.

“multiagency effort. found the other 2.” He gives me no context. He doesn’t need to.

There is a great deal of discussion and speculation as to what happened. It doesn’t matter to me. I don’t particularly care how they got there, just where they end up – back with their families.

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