Memoir

The Underpaid Grunts of TV Talk Show Land

The smiling, screaming audience on your favorite daytime show might not be so ecstatic after all.

Call time at the Paramount Studios is seven a.m., and I arrive thirty minutes early for my latest freelance adventure: “working” as a paid audience member for “The Doctors,” a syndicated talk show featuring physicians discussing health and medical issues that people are often embarrassed to talk about.

Following the hiring agency’s instructions to avoid elaborately patterned clothing, jeans and the color white, I am wearing black pants, a formal red sweater and high heels, and I left my cell phone at home, as mandated.

Agencies like this one put out regular calls for paid audience members for court shows, game shows, sitcoms and talk shows. Their client list has included “The Singing Bee,” “The Steve Harvey Show,” “The Weakest Link,” “The Newlywed Game,” “The Montel Williams Show” and dozens of others that you might stumble upon in the course of a lazy afternoon on the couch.

I am the first one to arrive, but within fifteen minutes the line stretches all the way from the studio gate down the street. A chubby woman in a black dress starts to call out names. Her presence takes me back to my days in elementary school when the teacher checked attendance. Purses, pockets and jackets are searched before we make that final step into the studio.

I have been promised nine dollars an hour to clap, smile, sit, stand up and cheer when told to do so. This is the unglamorous little secret of Hollywood: Not everyone in the studio audience of your favorite show is happy to be there, despite their attempts at genuine smiles. Many audience members are happy if they walk away with fifty dollars in their hands, though most do not. Some who accept the job are just scraping by, including immigrants, many of whom rely on this quick cash to make ends meet.

This is the case of Shoko Watanabe, the thirty-year-old Japanese woman sitting next to me five rows back from the front, who later tells me: “My boyfriend and I live in a rental van, a U-Haul, in Hollywood, so coming to the shows is convenient for me.”

Watanabe is just over five feet tall, has long dark straight hair and is wearing a dark jacket and a dark skirt over her knees. She and her now ex-boyfriend were evicted from their apartment, and he rented a U-Haul van using her name and social security number and put much of their belongings into storage. Watanabe has long relied on audience work to get by, sometimes arriving at shows without taking showers, she tells me, blushing. “But I always managed to look good enough.”

The world of audience work is hierarchically organized: The regulars are often told to stay and work the next show. They are known as the “seniors,” whereas the newbies, like me, are usually sent home after the first taping.

“The Doctors” has one of the highest paying rates for female audience members in Los Angeles: nine dollars an hour. Some shows or recruiting agencies pay eight dollars and no overtime, some pay seven, and others pay fifty bucks for nine hours of work — less than nine dollars per hour (California’s minimum wage).

It’s almost unbearable at times to pretend to enjoy the show. Not only is it too early in the morning to hear about people’s genital warts or bad breath, but it is difficult to smile and keep clapping when I want to pee and I am told to hold it in.

“The Doctors,” one of the shows on which the author served as an audience worker.

The main host is Dr. Travis Stork, a handsome emergency physician with fair skin, blonde hair and blue eyes, best known for appearing on ABC’s “The Bachelor” as the bachelor. With a smile he introduces today’s first guest, an attractive lady with dark, long hair and wearing a dressy fuchsia jacket. She explains that something in her eye has been bothering her for a while now. A minute later, she gets a diagnosis: a stye, a bump that develops when an oil gland at the edge of an eyelid becomes infected. The three other doctors go on for several minutes discussing the best ways for women to prevent this uncomfortable medical problem. Their rather unexciting take-home message: “Avoid makeup” in general, but especially when the stye is still in the eyelid.

Two hours into the taping, one of the audience coordinators suddenly asks me to leave the studio and stay put in a semi-deserted, semi-dark hallway. Minutes later, two other young women join me there. Apparently, the studio needed our seats for guests who were standing up and scheduled to appear at some point in the show. After going to the bathroom, I find myself sitting in a dirty brown chair for the next few hours, near a box of energy bars. I am tired, bored to death and looking forward to the lunch break.

Watanabe and I grab a bite in a nearby fast-food Greek restaurant and then return to the studio. The chubby woman checking in audience members informs us that she only needs six out of the initial twelve of us for the next show. Though we had signed up for eight hours of work, Watanabe and I are dismissed without further explanation and paid in cash for six hours.

We walk away with fifty-six dollars each for six hours of work, plus one unpaid lunch hour of souvlaki and greasy french fries.

* * *

At the beginning of 2011, Watanabe’s bills were piling up, rent was overdue, and she found herself browsing Craigslist in search of a job. That’s when she discovered audience work.

“I was in such a terrible situation that whatever job I had I would appreciate it,” she says.

She had first arrived in the U.S. from Niigata, Japan, in 2005, on a vacation. After visiting relatives in Florida, she went on a trip around the U.S., ending up at Union Station in Los Angeles. Soon after, she decided to stay in the country and enroll in English classes. But deep down, she wanted to become an actress. She found herself party-hopping and mingling with peculiar characters in the entertainment industry. Finally, her networking seemed to lead her to the right person: a fifty-year-old man living in Hollywood who told her he had contacts throughout the industry.

“At the time, I needed help from someone who had the knowledge to help me break into my career,” Watanabe explains. “He seemed to be that person.”

He took her to red carpet events and movie parties, but the money was nowhere to be found. “We did not work. He knew a lot of people from the industry, but nobody believed in his ideas anymore,” she recalls.

For the next two years, Watanabe turned to paid audience work as a financial means to support her broke boyfriend and herself. She attended different shows broadcast on networks across the U.S. and even tried to sign her boyfriend up to get paid along with her. But shows like “The Doctors” preferred women, she says, “so I went to the show on my own.”

After her ex was arrested for shoplifting, Watanabe left all of her belongings behind, grabbed her little dog, a Shih Tzu and bichon mix named Imoko, and moved in with a friend.

“I felt like going from prison to freedom when I was doing audience work,” Watanabe says, despite the forced facial expressions and substandard labor conditions she says she endured.

“Audience work was horrible,” she says now. “They kept an eye on all of us, we couldn’t move, we had to bring our own lunch. There was no freedom.”

But in the midst of a draining personal relationship that was making her miserable, Watanabe sought audience work to escape her problems.

“It was like therapy for me because for many hours I did not have to deal with him,” she says.

* * *

Dynette Streich, a forty-something woman from Nebraska who wanted to break into the acting world, confessed to me once: “I would die if my friends saw me working on ‘Judge Judy.’”

And so it goes for many people I met working in the audience for more than two months, in studios all across Los Angeles, and for shows ranging from the “The Doctors” and “12 Corazones” to “Take it all,” “Judge Joe Brown” and “The Jeff Probst Show.”

In the world’s capital of entertainment, an industry that generates $43 billion in salaries in L.A. County alone, I discovered that audience work, in comparison to other jobs, lacks proper regulation, leaving the door open to precarious and abusive labor conditions. Although a few recruiting agencies would pay minimum wage and overtime, most would not. Still, the workers turn up, day after day, taping after taping, smile after smile.

A few days after my first gig, I find myself spending time with another audience worker, Jordi Lluch. He lives in a motel two blocks from Hollywood Boulevard and pays about $200 per week. But every three weeks, motel policy requires him to move out for a few days before he is allowed to come back again. He shares a common bathroom with other temporary residents at the motel and heats up his food on a tiny metal stove that he bought for eight dollars in a pawn shop. “I know…it is pretty sad,” he says.

Sweat is coming down his forehead by the time he enters his room and takes off the uncomfortable looking costume that he has been wearing for two hours under the California heat (a black cape, hat and a mask that covers his eyes). Besides working in television studios, Lluch, a thin, twenty-nine-year-old mustachioed immigrant from Spain who wears his dark hair in a ponytail, spends time playing El Zorro on the streets of L.A. to earn tips from tourists. When the summer heat is unbearable, he goes indoors to act as if he’s having the time of his life. On this day, he puts on a formal shirt and dark pants and makes his way to a Van Nuys television studio.

Lluch sits in the audience of “12 Corazones,” which is broadcast on Telemundo. In it, four men try to conquer the heart of one of the eight provocatively dressed female contestants who sit across from them on the main stage by shouting comments about the women’s attractiveness and physical appearance. The women reply by pointing out their soon-to-be partners’ allure or lack thereof.

The audience is comprised of twenty men and twenty women whose job is to yell, clap and cheer. The women are repeatedly instructed to apply lipstick, look good for the camera and be as loud as they possibly can by screaming and pretending to be desperately attracted to the male contestants. They’re to act like they want the men, even if they find them repulsive. “Mamacito, cásate conmigo!” shouts one lady, begging a male contestant to marry her.

This “live performance” is such an integral part of the show that if the female audience members do not behave as expected, they are warned that they may never be called in again. Although not to the same extent as the women, men in the audience are also required to holler about the female contestants’ attractiveness to make the show appear more exciting to TV viewers. “Vuelta, vuelta!”, they shout, demanding the female contestants to turn around and shake their bodies as music plays in the background.

As I sit there watching this sordid spectacle unfold, I cannot help but feel ashamed, especially when I become aware of the multiple television cameras immortalizing my facial gestures.

About three hours into the taping, the production crew announces the first of the day’s two breaks. Contestants and audience members head out of the studio and gather around the eating area to get a drink and a snack, usually a hot dog or a Hot Pocket.

Next to Lluch is a Mexican immigrant whose work permit has expired. His name is Enrique, but as with many audience workers, he does not want to reveal his full identity out of fear that he may be reported to the immigration authorities and get deported. He is clearly unhappy with the disorganization of the audience coordinator and how she chooses the audience members for each show.

“I don’t have anything good to say,” he says in Spanish. “The other day I had confirmed attendance and she almost left me out of the show.”

Most female audience members are in their twenties. I notice one of them, a young Mexican mother who has rushed home and brought her baby to the studio during the forty-minute break. For her, the fifty dollars she will get for nine or more hours of work may be the difference between meeting her bills at month’s end or not.

Soon I discover that several audience members in this show don’t have papers, as they are willing to confess to me. But while the audience coordinator requests a form of ID before the beginning of each taping, she tells us in a casual way that it need not be authentic for her to accept it. “It is okay if the ID is from La Placita Olvera,” she says referring to MacArthur Park, popularly known as the place in Los Angeles where undocumented immigrants can purchase a fake ID or social security card. She never says why she is willing to overlook fakes, but my guess is that undocumented immigrants are less likely to bring complaints against abusive employment practices than those who are legally in the country.

Soon, the heat in the studio becomes difficult to deal with, as the producers keep the air conditioner off to prevent the noise from disturbing the taping.

I contacted the audience coordinator regarding the working conditions during the show, but to date, she has not responded, nor have the NBC network, Telemundo or SAG-AFTRA, the actors union. Branigan Robertson, an employment attorney with offices in Orange County, explained to me in an email that “an ‘employee’ is guaranteed certain minimum rights defined by the California Labor Code (such as minimum wage, breaks, and overtime pay). However, an ‘independent contractor’ is not guaranteed such rights. Employers often break the law and abuse workers by misclassifying them as independent contractors when they should be employees.

Robertson added that audience workers fall within a gray area between the two classifications but that the argument for employee status is stronger. “Audience members are subject to the complete control of the employer, they utilize no special skills, they do not invest in equipment or tools, and their opportunity for profit or loss does not depend on their skills,” he told me. “Therefore, they should be an employee, subject to all protections of minimum wage, meals, rest breaks, overtime pay, etc.”

About one hour before the taping of “12 Corazones” is over, the audience coordinator approaches the audience members and gives a fifty dollar bill to each worker. Everyone looks happy and relieved that the day is over. Outside the studio, workers are starting to pile up. While some are waiting for their car rides, others rush to the nearby bus stop in the hopes of catching the last ride home. But it is five minutes past eleven p.m., and some may not make it in time.

Lluch walks fast for fifteen minutes until he gets to the stop several blocks away. When the bus lights finally appear in the dark valley night, he sighs and reaches into his pocket to get some change. The two-hour trip back home has just begun. He will still have to catch the subway to make it back to his motel room.

Hidden History

The Hidden Queer History Behind “A League of Their Own”

The All-American Girls Professional Baseball League did everything it could to keep lesbians off the diamond. Seventy-five years later, its gay stars are finally opening up.

Josephine “JoJo” D’Angelo was in a hotel lobby in 1944. An outfielder for the South Bend Blue Sox — a team in the All-American Girls Professional Baseball League (A.A.G.P.B.L.), founded the year prior — she had dark, curly hair. Even if you didn’t know her last name, her looks hinted at her Italian heritage.

The hotel was likely decorated with muted colors in the modernist style of the previous decade. Thanks to World War II, there were supply shortages and rations, which put a hold on new design in the early ’40s. All available supplies needed to go toward the war effort.

The story was similar in baseball. With most of the Major League Baseball players deployed, executives decided to fill the gap with female players, paving the way for the A.A.G.P.B.L.

But in the hotel that day, D’Angelo was approached by one league executive and told that she was being released from her contract. This was devastating for the right-hander who’d batted .200 in her two seasons with the Blue Sox. She’d been playing since she was a little girl, and had spent her days working in a steel mill in her hometown of Chicago while devoting evenings to playing ball, before attending a tryout for the league at Wrigley Field. That scene was made famous by the film “A League of Their Own,” with hundreds of women traveling from around the country to the brick ballpark with the ivy-covered outfield wall.

Why was D’Angelo being cut from the thing she loved most in the world? When she told the story later in her life, she gave the reason: “a butchy haircut.” It was a haircut she says she never even wanted, one she was pressured into getting by the hairstylist who assured her she would look lovely with her dark curls trimmed into a bob.

D’Angelo had broken one of the cardinal rules of the A.A.G.P.B.L.: “Play like a man, look like a lady.” But she wasn’t the only one. Connie Wisniewski was told she’d be kicked off her team if she chose to get a close-trimmed cut. Multiple recruits were immediately handed tickets home after they showed up to spring training with bobs, and “Dottie Ferguson was warned by her chaperon against wearing girls’ Oxford shoes, because they were excessively masculine-looking,” writes Lois Browne in her book Girls of Summer: In Their Own League.

Members of the Fort Wayne Daisies baseball team, 1948. (Photo courtesy State Archives of Florida)

Players had to attend charm school and wear lipstick on the field. Their uniforms had skirts instead of pants — not great for sliding, but deemed appropriately feminine by league owner Philip K. Wrigley. All of this was chronicled in “A League of Their Own.” But there was one thing the movie left out: the reason for these requirements.

Though it was never explicitly stated, historians and players alike say the rules were in place, in part, to prevent the women from being perceived as lesbians. Many of the women actually were gay, including D’Angelo, which is another part of the story the movie didn’t tell. By not including a gay character’s story in “A League of Their Own,” the film does to the history of the league what the owners tried to do its existence — erase lesbians from the narrative.

* * *

When Terry Donahue met Pat Henschel in 1947, Donahue was a 22-year-old catcher and utility infielder in the All-American Girls Professional Baseball League. She grew up playing ball with her younger brother, Tom, on their family’s farm in Saskatchewan, Canada. “She claimed that she was five-foot-two. She was about five-foot,” Henschel tells me over the phone from the home she shares with Donahue. “She had dark hair, blue eyes, and was very attractive, and she was wonderfully liked.”

Donahue was in Nova Scotia for the winter when she met Henschel, who was 19 at the time. The two women hit it off, keeping in touch when Donahue moved back to the U.S. to play for the Peoria Red Wings. “She was a utility player, and the catcher on her team broke her thumb or her finger,” Henschel says. “The manager came up to her and said, ‘Have you ever caught?’ And Terry said, ‘no.’ He said, ‘Well, you’re going in tonight.’” The first game Donahue ever caught ended up being a 19-inning game. The next day was her birthday.

“The only things [women] can’t do, we can’t hit as far and we can’t throw as hard, but we certainly can make all the plays that you see in the Cubs’ ballpark. Or the Sox,” Donahue told the Kane County Chronicle in 2010, referring to the Cubs and White Sox, Chicago’s two major-league squads.

Left, Terry Donahue’s baseball card. Right, Peoria Redwings team photo in 1947 – the year she met Pat Henschel. Donahue played in the team from 1946 to 1949. (Photos courtesy All American Girls Professional Baseball League Players Association)

Today, Donahue, who has Parkinson’s disease, is 92. Henschel is 89. For seven decades the two told almost everyone, aside from their inner circle, that they were best friends. The Chronicle story calls Henschel Donahue’s “cousin and roommate.” But the truth was much more than that. For 70 years theirs has been a love story, originating in a time when the only love stories we were allowed to tell were those between a man and a woman. Try to ask most former players about the issue and they clam up. “I don’t think it was really even talked about, frankly,” Henschel says.

In the ’40s and ’50s, homosexuality was not discussed much; it wasn’t until 1973 that the American Psychiatric Association removed it from the list of mental illnesses. The players could have lost more than just their baseball careers if they had been open about their queerness. They could have lost their families, occupations, and reputations, too. In those days, “you had to be very discreet, and we were,” says Henschel. “No one was even aware of it because we got so careful and no one would have even imagined anything at all.”

That stigma has carried on for decades. As Ila Borders, the first woman to play for a men’s professional baseball team since the Negro Leagues, wrote in her memoir, Making My Pitch, “I remain certain that my professional career would not have been possible had I come out.” In 1994, Borders, a left-handed pitcher, became the first woman to receive a college baseball scholarship. She was the first to start an N.C.A.A. baseball game and the first woman to get a win in collegiate baseball. She then played for the independent, otherwise all-male St. Paul Saints and Duluth-Superior Dukes.

“In 1994 few in baseball — or in the country — were ready to accept a gay player, male or female,” writes Borders. Indeed, that same year, the book SportsDykes: Stories From On and Off the Field was also published. In her essay, “The Lesbian Label Haunts Women Athletes,” Lynn Rosellini writes, “To most lesbian athletes … coming out is not yet worth it.”

“If a woman plays hardball, people figure she’s likely gay,” writes Borders. It’s why, during her baseball career, she constantly had to answer questions about whether she dated men, and had to reassure the public that, despite the fact that she played ball, she was not gay. She understands today that talking about being a gay athlete is a double-edged sword, in a way. There’s the stereotype that women athletes are all lesbians, which is both inaccurate and unfair. And yet, there’s also the truth that there are many athletes who are also lesbians.

“I was deeply ignorant of my small place in the history of women athletes and the whole gay rights movement,” Borders writes of her playing days as a closeted homosexual.

But this stereotype existed long before Borders was even born. Some A.A.G.P.B.L. players cited masculine clothing or appearances as tipping them off about a woman’s sexual orientation, a stereotype that still exists today and may or may not be accurate. “The lesbians, they dressed like men with those big pants and big shoes, most of them. … [T]hey had boyish bobs,” Dottie Green, a former A.A.G.P.B.L. player and chaperone told Susan K. Cahn in her book Coming on Strong: Gender and Sexuality in Twentieth Century Sports. Or, as Dottie Ferguson Key put it, “tomboyish girls” who “wanted to go with other girls” signaled it with their “mannish” shoes and clothing.

A.A.G.P.B.L. players (left to right) Daisy Junor, 27, South Bend; Dorice Reid, 19, Chicago club member; Dodie Healy, 19, Chicago club member; (top) Gene George, 20, Peoria club member, fraternizing in a bunk room over a sports magazine, 1948. (Photo courtesy State Archives of Florida)

It was this perception of female athletes as unfeminine and unfeminine women as lesbians that led Wrigley, a chewing gum manufacturer and president of the Chicago Cubs, to insist that his players be appropriately feminine in appearance.

But the A.A.G.P.B.L. went even further than that, instituting a policy against fraternizing with other teams. The given reason was “to sustain the complete spirit of rivalry between clubs,” but Browne writes that the real reason that teams imposed stiff fines on players who violated this rule was the fear of lesbianism. When the affair was between teammates, chaperones would refuse to let the suspected couple room together and gauge the reaction of the players to confirm their hunch. In one case, the suspected lovers were so angry about being barred from becoming roommates that team manager Johnny Gottselig considered it proof of the affair. One manager released two of his players because he thought they were gay and was worried they would “contaminate” the rest of the team.

In another case, a married player was rumored to have fallen for one of her teammates. “That player converted this young married woman in just two weeks,” said Fred Leo, who was the League’s publicity director and, later, its president. Another time, Leo said that a married player was discovered to be in a relationship with a woman who was unassociated with the league. Leo claimed he notified her husband, who came and took her home.

“Knowledge of gay women in sport ranged from a hazy, unarticulated awareness to an informed familiarity or personal involvement,” writes Cahn. “Often an athlete’s initial awareness of lesbianism developed from seeing women ‘pairing off’ or getting ‘very clannish’ with each other.”

However, many of the players came to the league quite sheltered. They often arrived from small towns or rural areas and were quite young when they left home. As a result, it was not uncommon for new or younger players to be completely blindsided by the relationships between their teammates. Dorothy Hunter entered the League in 1943, when she was 27. Hunter, who was from Winnipeg, Canada, said she had “never heard of lesbianism,” so her teammates regaled her with tales of lesbian love affairs. “They told me they had wedding ceremonies. Well, I just thought they were giving me the gears because I was a green Canadian.”

But many of the players were unattached. If straight players were married, many of their husbands were off at war or were left back at home on farms or in factories. The players’ grueling schedule and constant travel made dating difficult. It was in many ways the perfect environment for gay women to become involved with each other. But in some cases, the near-inability to date was a welcome reality. It made staying in the closet easier, because there was no time for dating and so there was no need to make excuses. This was something that Borders discovered, too, when she was playing ball in the 1990s.

“Playing baseball allowed little time for dating,” she writes. “When people tried to set me up, it was easy to say, ‘No thanks, too busy.’”

These restrictions kept some women out of the league altogether. One of those women was Dot Wilkinson, often regarded as the greatest softball player of her time — and perhaps all time. Wilkinson was a hard-playing catcher for the Phoenix Ramblers. She joined the American Softball Association (A.S.A.) team in 1933, when she was just 11 years old.

“Softball has meant more to me than I can ever tell anybody,” Wilkinson says in the documentary film “Extra Innings.” “I love that game. I never thought about anything else.”

Wilkinson was recruited to play in the A.A.G.P.B.L. “They came to Arizona to offer us some contracts,” Wilkinson said. “They wanted to give me $85 a week [equivalent to $1,240 today] to catch. I didn’t want to leave the Ramblers and I don’t like being away from home so I didn’t go.”

But it was more than that. Wilkinson didn’t want any part of the curfews, the charm school, the chaperones, or the mandatory dresses. She played in Levi’s or her shiny satin uniform shorts, and she liked it that way. She also knew that the league was actively discouraging players from being perceived as exactly what Wilkinson was — gay.

“Softball was my first love and it still is,” said Wilkinson. But she had another love, too. In 1963, Estelle “Ricki” Caito, a star second baseman, joined the Ramblers. Wilkinson and Caito played together for two seasons, until the A.S.A. disbanded. But they also began a relationship that would last 48 years, until Caito’s death in 2011.

“We were born at a time when we were all in the closet and that was just the name of the game,” Wilkinson said. “And you had to live with it and that’s what we did.”

* * *

It is the obituaries that offer the most publicly available clues to some of the players who spent their lives with other women. The most telling evidence is often in veiled language or titles that are open to interpretation. In at least one case, a player had a “special friend.” In others, their relationships are more explicitly acknowledged.

Mabel Holle played third base for the South Bend Blue Sox, and like teammate JoJo D’Angelo hailed from Illinois. Holle’s father was a semi-professional pitcher and she grew up playing ball with her siblings. She attended the mass tryout at Wrigley Field, becoming one of the original members of the league in 1943. During the season, she was traded to the Kenosha Comets. Her contract was not renewed in 1944, forcing her to try out again. This time, she didn’t make the cut. After leaving the league, she became a physical education teacher. In Holle’s 2011 obituary, written after she died at 91, there’s this: “Holle is survived by her longtime partner, Linda Hoffman.”

Babe Ruth and Millie Deegan, 1938. (Photo courtesy The Diamond Angle, via Archive Today)

Mildred “Millie” Deegan played 10 seasons with the A.A.G.P.B.L., from 1943-1952. She is rumored to have impressed Babe Ruth with how far she could hit a softball, and it is said he squeezed the biceps on her arm when he posed with her for a photo. In 1944 the Brooklyn Dodgers invited Deegan and two other women to their spring training camp. Leo Durocher, the Dodgers manager, told the Daily Oklahoma in 1946, “Deegan spent a whole week training with the Brooklyn Dodgers at their Bear Mountain, NY camp. If she were a man, she no doubt would have been a Dodger.”

Deegan died of breast cancer in 2002 at the age of 82. Her obituary in the New York Times mentions Margaret Nusse, “Ms. Deegan’s companion and her only survivor.” Nusse, known as “Toots,” was a softball legend herself. According to the now-defunct NJ Divas Fastpitch site, Deegan and Nusse were partners for almost 50 years. The two shared their passion for softball: Deegan was the coach for the Linden, New Jersey, Arians and Nusse was the manager. Nusse passed away just six months after Deegan died, at age 85.

June Peppas was a pitcher and first baseman from Fort Wayne, Indiana, who played in the A.A.G.P.B.L. from 1948-1954. The player known as “Lefty” had spunk. Fort Wayne Daisies manager Harold Greiner relates a story in Browne’s book Girls of Summer: “Once there were some men out in the street, and some smart aleck said something. I didn’t hear what it was, they’d watched till I wasn’t nearby. Anyway, all of a sudden I hear ‘Wow!’ I turned around and saw that June Peppas had decked the guy — and I mean she really decked him. He crawled away.”

The A.A.G.P.B.L. meant a lot to Peppas. She was the first chairperson of the Players Association Board and two-time A.A.G.P.B.L. All-Star. Polly Huitt was Peppas’s partner for 46 years before she passed in 2007, nine years before Peppas died at the age of 86. The two operated a printing business in Allegan, Michigan, called PJ’s Printing, from 1975-1988. They sold the business and retired to Florida where, according to Peppas’s obituary, they enjoyed “golf and an active social life.”

Fort Wayne Daisies player Marie Wegman arguing with umpire Norris Ward, 1948. (Photo courtesy State Archives of Florida)

One of the best pitchers to ever play in the A.A.G.P.B.L. was Jean Cione. The girl from Rockford, Illinois, played 10 seasons in the league. In that time she threw three no hitters, had three 20-win seasons, and had an unassisted triple play — something that has only happened 15 times in Major League Baseball since 1909. Cione spent her rookie year in 1947 with the Rockford Peaches and finished with an astonishing 1.30 ERA. “She was a lot fun to be with,” Cione’s partner Ginny Hunt told the Bozeman Daily Chronicle after her death in 2010. “If you didn’t ever experience watching a baseball game with her, you really missed something. It was a treat to watch a game with her. She analyzed every play.”

Catcher Eunice Taylor and her partner of 45 years, Diana Walega, owned and operated a pet supply store for 40 years. Outfielder Barbara Sowers was with her “loving companion” Shirley Ann Weaver for 45 years. And there are many more, players with “longtime,” “beloved companions,” whose names I have chosen not to include here out of respect for the fact that they were likely still closeted during their lives. Their obituaries, which are historical documents, offer us glimpses into their lives and are open for us to interpret.

* * *

“Our relationship is one of the best,” Pat Henschel says of her partnership with Terry Donahue. “We’re very lucky and we know it.”

Photos of the women throughout the years give a glimpse of the life they’ve had together. In their younger days, they look like they could be sisters as they pose in front of a Christmas tree in a picture that might have been taken in the 1960s. They each sport short, dark hairstyles and wear sleeveless turtleneck shirts. In another, they are perhaps in their 60s and they dance together in front of a fireplace. They are both laughing. Their hairstyles have not changed in the decades between the two photos except to turn from brown to gray.

Members of the All-American Girls Professional Baseball League and an umpire, 1948. (Photo courtesy State Archives of Florida)

They are ready to tell the world the truth about their relationship. Donahue’s great nephew, Christopher Bolan, is working on a documentary about their life together. Another photo shows the two of them doing what they had only ever done behind closed doors: they hold hands, weathered and wrinkled by the years they’ve spent together, and they kiss each other on the lips. Their eyes are closed. It is sweet. It is intimate. But they hid this truth for as long as they did because, for most of their lives, they had too much to lose by coming out.

But today, Henschel says, “They either accept it or they don’t.”

* * *

Fifty years after the All-American Girls Professional Baseball League ended, Ila Borders was making history. She had ascended to a level that no woman ever had before. She was playing — and succeeding — in men’s professional baseball. And then, she quit.

We are sitting together in the stands at JetBlue Park, the Red Sox’s spring training facility in Fort Myers, Florida. We’re watching a group of women play the championship game at the team’s Women’s Fantasy Camp, where Borders is coaching. “It got to me,” Borders says about being in the closet. “It’s why I quit. It’s the worst thing on Earth to hide who you are.”

That, Borders says, is why she ultimately came out — for the next generation of girls who want to play ball, so they can be themselves, no matter who they are, and so history doesn’t have to repeat itself.

Borders looks out onto the field of women whose uniforms are streaked with dirt. “If you are a ballplayer, it’s O.K. to play hard and just be yourself,” she says. And she’s finally at a place in her life where she truly believes it.

Memoir

The Day My Therapist Dared Me to Have Sex With Her

My analyst and I grew more intimately connected each week of treatment...but I never saw this indecent proposal coming.

It’s the waning moments of my fourth session with a new therapist. I’m holding back — and she knows it. My entire body feels tense, not ideal for the setting. I try to relax, but the plush leather couch crumples under me when I shift, making the movements extraordinary. I’ve barely looked into my therapist’s blue eyes at all, and yet I think the hour has gone very well. Of course it has. On the surface, when the patient has been highly selective of the discussion topics, therapy always resembles a friendly get-together.

“Well,” my therapist, Lori, says, the millisecond after I become certain our time is up and I might be in the clear. “I don’t think I should let you go until we’ve at least touched on what was put out there at the end of last week’s session.”

I so supremely wanted this not to come up. My eyelids tighten, my mouth puckers to the left, and my head tilts, as though I’m asking her to clarify.

“When you said you’re attracted to me,” she continues.

“Oh, yeah,” I say. “That.”

Back in session three Lori was trying to build my self-esteem, the lack of which is one of the reasons I’m in treatment. Within the confines of my family, I’ve always been the biggest target of ridicule. We all throw verbal darts around as though we’re engaged in a massive, drunken tournament at a bar, but the most poisonous ones seem to hit me the most often, admittedly somewhat a consequence of my own sensitivity. I’ve been told it was historically all part of an effort to toughen me up, but instead I was filled with towering doubts about my own worth. And since 2012, when I gave up a stable, tenured teaching career for the wildly inconsistent life of a freelance writer, I’ve had great difficulty trusting my own instincts and capabilities. I told Lori that I wish I was better at dealing with life’s daily struggles instead of constantly wondering if I’ll be able to wade through the thick.

She quickly and convincingly pointed out that I work rather hard and am, ultimately, paying my bills on time, that I have friends, an appreciation for arts and culture, and so on. In short, I am, in fact, strong, responsible and “pretty good at life.”

Then Lori heightened the discussion a bit. “I also feel that it is your sensitivity that makes you a great catch out there in the dating world,” she said, to which I involuntarily smiled, blushed and quickly buried my chin in my chest. I was too insecure and too single to handle such a compliment from a beautiful woman.

“Why are you reacting that way?” Lori asked.

I shrugged my shoulders, only half looking up.

“Is it because you’re attracted to me?”

I laughed a little, uncomfortably. “How did you know?”

She gently explained she could tell the day I walked into her office for the first time, after I flashed a bright smile and casually asked where she was from.

Now, a week after dropping that bomb, Lori asks, “So, why haven’t we talked about it?”

“I was hoping to avoid it, I suppose.” I tell her the whole notion of having the hots for a therapist is such a sizable cliché that I was embarrassed to admit it. “For Christ’s sake,” I say, throwing my hands up, “Tony Soprano even fell in love with his therapist.”

Lori snorts, rolls her eyes. “I knew you were going to say that.”

I smile, shake my head and look around the room, denying acceptance of my own ridiculous reality.

“It’s OK,” Lori says, grinning. “We can talk about this in here.”

I look again at her stark blue eyes, prevalent under dark brown bangs, the rest of her hair reaching the top of her chest, which is hugged nicely by a fitted white tee under an open button-down. She jogs often, I’d come to find out, which explains her petite figure and ability to probably pull off just about any outfit of her choosing.

I still can’t speak, so she takes over.

“Do you think you’re the first client that’s been attracted to their therapist?” she asks rhetorically. “I’ve had other clients openly discuss their feelings, even their sexual fantasies involving me.”

“What?” I cackle, beginning to feel as though I’ve moseyed onto the set of a porno.

“It’s true,” she says, acknowledging her desk. “What’s yours? Do you bend me over and take me from behind?”

Nailed it.

“If that’s what you’re thinking, it’s OK,” she goes on, earnestly, explaining that she’s discussed sexual scenarios with her clients before so as to “normalize” the behavior and not have them feel their own thoughts are unnatural. By showing the patient a level of acceptance, she hopes to facilitate a more comfortable atmosphere for “the work” — her painfully accurate pseudonym for psychotherapy.

I take a second to let the red flow out of my face, and ponder what she said. I’m a little unsure about this whole technique, but the more I think about it, the more it makes sense. So I go home, incredibly turned on and completely unashamed.

* * *

One of the great breakthroughs I’ve had in the thirteen months since I began seeing Lori (who agreed to participate in this article, but requested that her full name not be published) is a new ability to accept the existence of dualities in life. For instance, I’ve always had a tremendous sense of pride that, if it doesn’t straddle the line of arrogance, certainly dives into that hemisphere from time to time. I’m great at seeing flaws in others and propping myself up above them by smugly observing my character strengths. I’ve never liked that about myself, but the harder concept to grasp is the fact that I can be so egotistical while also stricken with such vast quantities of insecurity.

In treatment I came to realize that all people have contradictions to their personalities. There’s the insanely smart guy who can’t remotely begin to navigate a common social situation, the charitable girl who devotes all her time to helping strangers, but won’t confront issues in her own personal relationships. In my case, my extreme sensitivity can make me feel fabulous about the aspects of myself that I somehow know are good (my artistic tastes) and cause deep hatred of those traits I happen to loathe (the thirty pounds I could stand to lose).

My next session with Lori is productive. We speak about relationships I’ve formed with friends and lovers, and how my family may have informed those interactions. One constant is that I put crudely high expectations on others, mirroring those thrown upon me as a kid. I’m angered when people don’t meet those expectations, and absolutely devastated when I don’t reach them. Lori points out that it must be “exhausting trying to be so perfect all the time.” I am much more comfortable than I was the week prior, and can feel myself being more candid. I’m relieved that the whole being-attracted-to-my-therapist thing doesn’t come up.

Then, a week later, Lori mentions it, and I become tense again.

“I thought I’d be able to move past it,” I say, adding, “We aired it out, and it’s fine.”

As definitive as I’m trying to sound, Lori is just as defiant.

“I’m glad you feel that way,” she begins, “but I think you owe yourself some kudos. This kind of therapy,” she shares, “isn’t something just anyone can take on.” Such honest discussion doesn’t simply happen, it takes tremendous guts, and Lori can see that I am dealing with it relatively well, so I should praise my own efforts.

“Shit, we both should be proud of ourselves,” she says. “It’s not easy on the therapist either, you know.”

“Why not?”

“Because talking openly about sex is risky at any time, much less with a client.” She explains that therapists are warned any semblance of intimacy can be easily misconstrued. “We learn in our training to not personally disclose, for example,” she says, but adds that, occasionally, transparency can be helpful.

“Still, with you,” she continues, “until I raised the question, I didn’t know for sure that you would go with it; for all I knew you’d run out of here and never come back to risk being so uncomfortable again.”

She’s building my confidence more, and I’m learning that I play a much bigger role in how my life is conducted than I often realize. My treatment wouldn’t be happening if I weren’t enabling it.

Then she says, “And don’t think it’s not nice for me to hear that a guy like you thinks I’m beautiful.”

Crippled by the eroticism of the moment, and combined with the prevailing notion that no woman this stunning could ever be romantically interested in me, I flounder through words that resemble, “Wait…what?”

“If we were somehow at a bar together, and you came over and talked to me,” she says, then flips her palms up innocently, “who knows?”

I laugh again and tell her there’d be almost no chance of me approaching her because I’d never feel like I had a shot in hell.

“Well, that’s not the circumstances we’re in,” she says. “But you might. Who knows?”

I’m confused — Is she really attracted to me or is this some psychotherapeutic ruse? I’m frustrated — I told her I didn’t really want to talk about it. Shouldn’t she be more sensitive to my wants here? I’m angry — Is she getting an ego boost out of this? Most of all, I don’t know what the next step is — Am I about to experience the hottest thing that’s ever happened to a straight male since the vagina was invented?

There were two ways to find out:

1) Discontinue the therapy, wait for her outside her office every day, follow her to a hypothetical happy hour and ask her out, or

2) Keep going to therapy.

* * *

A week later, I’m physically in the meeting room with Lori, but mentally I haven’t left the recesses of my mind.

“Where are you today?” she asks, probably noticing my eyes roving around the room.

“I don’t know.”

“Are you still grappling with the sexual tension between us?”

Here we go again.

“Yes,” I say, with a bit of an edge in my voice, “and I don’t know what to do about it.”

Lori, ever intently, peers into my eyes, wrinkles her mouth and slightly shakes her head.

“Do you want to have sex with me?” she asks.

We both know the answer to that question. All I can do is stare back.

“Let’s have sex,” she announces. “Right here, right now.”

“What?” I respond, flustered.

“Let’s go!” she says a little louder, opening up her arms and looking around as if to say the office is now our playground, and, oh, the rollicking fun we’d have mixing bodily fluids.

“No,” I tell her, “You don’t mean that.”

“What if I do?” she shoots back. “Would you have sex with me, now, in this office?”

“Of course not.”

“Why ‘of course not’? How do I know for sure that you won’t take me if I offer myself to you?”

“I wouldn’t do that.”

“That’s what I thought,” she says, and tension in the room decomposes. “Mike, I don’t feel that you would do something that you think is truly not in our best interest, which is exactly why I just gave you the choice.”

Her offer was a lesson in empowerment, helping me prove that I have an innate ability to make the right choices, even if I’d so desperately prefer to make the wrong one.

I see what she means. I’m awfully proud of myself, and it’s OK to be in this instance. I’m gaining trust in myself, and confidence to boot. But, as the dualities of life dictate, I’m successfully doing “the work” with a daring therapist, while at the same time not entirely convinced she isn’t in need of an ethical scrubbing.

* * *

I don’t have another session with Lori for nearly three months, because she took a personal leave from her place of employment. When our sessions finally resumed, I could not wait to tell her about my budding relationship with Shauna.

Ten minutes into my first date with Shauna — right about the time she got up from her bar stool and said she was “going to the can” — I knew she would, at the very least, be someone I was going to invest significant time in. She was as easy to talk to as any girl I’d ever been with, and I found myself at ease. Plans happened magically without anxiety-inducing, twenty-four-hour waits between texts. Her quick wit kept me entertained, and I could tell by the way she so seriously spoke about dancing, her chosen profession, that she is passionate about the art form and mighty talented too. Shauna is beautiful, with flawless hazel eyes and straight dark hair, spunky bangs and a bob that matches her always-upbeat character. She is a snazzy dresser and enjoys a glass of whiskey with a side of fried pickles and good conversation as much as I do.

Things escalated quickly, but very comfortably, and since we’d both been in our fair share of relationships, we knew the true power of honesty and openness. So upon the precipice of my return to therapy I told Shauna about Lori, and admitted to having mixed feelings about what I was getting back into. I told her I was at least moderately uncertain if my mental health was Lori’s number-one concern since she always seemed to find the time to mention my attraction to her.

The first two sessions of my therapeutic reboot had gone great. Lori appeared genuinely thrilled that I was dating Shauna and could see how happy I was. I wasn’t overwhelmed with sexual tension in the new meeting room, though it wasn’t actually spoken about, and in the back of my mind I knew it was just a matter of time before it would start to affect my ability to disclose my thoughts to Lori again.

Then, while attempting to ingratiate myself with my new girlfriend’s cat by spooning food onto his tiny dish on the kitchen floor, I hear my phone ding from inside the living room.

“You got a text, babe,” Shauna says. “It’s from Lori.”

“‘I’m so impressed with you and the work you’re doing…’” Shauna reads off my phone from inside the living room, inquisitively, and not happily. I stuff the cat food back into the Tupperware and toss it into the refrigerator. I make my way into the living room, angry at myself for not changing the settings on my new iPhone to disallow text previews on the locked screen. Shauna’s walking too, and we meet near the kitchen door. “What’s this?” she says, holding up the phone. “Your therapist texts you?”

I take the phone from Shauna and say the most obvious, cliché-sounding thing: “It’s not what it seems.”

As I text back a curt “thanks,” Shauna tells me she’s going to ask her sister, a therapist herself, if it’s OK to text patients.

“Don’t do that.” I say, a little more emphatically. “I promise, this is nothing to be worried about. We’re not doing anything wrong.” I explain that Lori’s just trying to build my self-esteem.

“The only reason I’m even bringing this up is because you said you weren’t sure about her in the first place,” Shauna reminds me. I can tell she regrets looking at my phone without my permission, but I completely understand her feelings.

At my next session I tell Lori that Shauna saw her text and wasn’t thrilled about it.

“She probably feels cheated on to some degree,” Lori says. “A relationship between a therapist and a patient can oftentimes seem much more intimate than the one between a romantic couple.”

Lori goes on to point out that the reason she feels we can exchange texts, blurring the lines between patient/doctor boundaries — a hot topic in the psychotherapy world these days — is because she trusts that I’ll respect her space and privacy. “You’ve proven that much to me,” she says.

On my walk home, instead of being angry at Lori, I understand her thinking behind the text. But I’m also nervous about how Lori and Shauna can ever coexist in my life.

Isn’t therapy supposed to ameliorate my anxiety?

* * *

A week later, Lori begins our session by handing me a printout explaining the psychotherapeutic term “erotic transference” written by Raymond Lloyd Richmond, PhD. It says that erotic transference is the patient’s sense that love is being exchanged between him or herself and the therapist — the exact sensation I was experiencing with Lori, of which she was astutely aware.

According to Richmond, one of the primary reasons people seek therapy is because “something was lacking in their childhood family life,” perhaps “unconditional nurturing guidance and protection.” Upon feeling “noticed” and “understood” by a qualified therapist, sometimes a patient can be “intoxicated” by their therapist’s approval of them. A patient may in turn contemplate that a love is blossoming between them, and, in fact, it sort of is.

From an ethical standpoint, Richmond argues all therapists are “bound” to love their patients, for therapists are committed to willing “the good of all clients by ensuring that all actions within psychotherapy serve the client’s need to overcome the symptoms” which brought them into treatment. This takes genuine care and acceptance on their part. However, a patient can easily confuse the love they feel with simple “desire.” They’re not quite in love with their therapist, so much as they yearn for acceptance from someone, and in those sessions they just happen to be receiving it from their doctor.

Lori tells me that, all along, she has been “working with what I gave her” and that because I flirted with her a bit, she used that to her advantage in the treatment. In employing countertransference — indicating that she had feelings for me — she was keeping me from feeling rejected and despising my own thoughts and urges.

“There’s two people alone in a room together, and if they’re two attractive people, why wouldn’t they be attracted to each other?” says Dr. Galit Atlas. A psychoanalyst who’s had her own private practice for fifteen years, Dr. Atlas has an upcoming book titled The Enigma of Desire: Sex, Longing and Belonging in Psychoanalysis, and I sought her as an independent source for this essay to help me understand Lori’s therapeutic strategies.

Dr. Atlas explains that there are certain boundaries that cannot be crossed between therapist and patient under any circumstances — like having sex with them, obviously. But many other relationship borders can be mapped out depending on the comfort level of the therapist, as long as they stay within the scope of the profession’s ethics, which complicates the discussion surrounding erotic transference.

“As a therapist, I have a role,” Dr. Atlas says. “My role is to protect you.” She says it is incumbent on the therapist to not exploit the patient for the therapist’s own good, but admits that the presence of erotic transference in therapy brings about many challenges. “[Attraction] is part of the human condition,” she observes. In therapy, “the question then is: What do you do with that? Do you deny it? Do you talk about it? How do you talk about it without seducing the patient and with keeping your professional ability to think and to reflect?”

I ask her about the benefits of exploring intimacy in therapy, and Dr. Atlas quickly points out that emotional intimacy — though not necessarily that of the sexual brand — is almost inevitable and required. “An intimate relationship with a therapist can [be] a reparative experience — repairing childhood wounds — but mostly it’s about helping the patient to experience and tolerate emotional intimacy, analyzing the client’s anxieties about being vulnerable and every mechanism one uses in order to avoid being exposed.”

Dr. Atlas says this topic speaks to every facet of the therapeutic relationship, regardless of gender or even sexual orientation, because intimacy reveals emotional baggage that both the patient and therapist carry with them into the session. But this isn’t a symmetrical relationship, and the therapist is the one who holds the responsibility.

“Freud said that a healthy person should be able to work and to love,” she says. “In some ways therapy practices both, and in order to change the patient will have to be known by the therapist. That is intimacy. In order to be able to be vulnerable, both parties have to feel safe.”

After I briefly explain all that has gone on between me and Lori, Dr. Atlas steadfastly says she does not want to judge too harshly why and how everything came to pass in my therapy. “I don’t know your therapist, and I don’t know your history,” she says. But she offers that I should “explore the possibility” that I might have created and admitted my sexual adoration of Lori because one of my fears is to be ignored, not noticed.

Then I offer: “Maybe this essay is being written for the same reason.”

“Exactly.”

Maybe I wanted to interview Lori about erotic transference in my therapy sessions for that same reason as well…to stand out as the most amazingly understanding patient ever.

* * *

“I want to be very clear that this was never about feeding my own ego,” Lori says about her approach to my treatment. “We were always doing this in your best interest.”

I’m in Lori’s office, a tape recorder rolling and a pad and pen in my hands.

“I felt I was doing a disservice to you if I didn’t ‘out’ what I felt was weighing on us, which, honestly, felt like a heavy secret,” she says, pointing out that she discussed my therapeutic process for many hours in her required supervision meetings.

In order for Lori to advance in her field as a social worker, she has to attend 3,000 conference hours with another professional to go over casework — kind of like therapy quality control.

We talk about all of this during one of my scheduled sessions, for the entire hour — and go over by a few minutes, too.

Lori says that when she began her career as a social worker, she decided she wasn’t going to shy away from any subjects. “It’s typical for a client to [have] a habitual desire to sweep things under the rug,” she observes, especially about taboo topics. It can become a cycle of behavior that Lori seeks to break.

I refer back to the time when, unprovoked, she brought up my attraction to her.

She says she mentioned it to avoid what therapists call “door-knobbing,” which is when a patient will purposely mention some huge reveal right at the end of a session so as to sidestep a lengthy conversation about it.

“My only question for you is, was I wrong for bringing it up?” she asks. “Only you can answer that.”

Lori’s great at forcing me to reflect.

“I guess when I said I was over it and could move on, that was an example of my strict black-and-white thinking,” I say, throwing back some language she’s used often to describe my challenge in accepting dualities. In my mind, I was either attracted to her and shouldn’t see her anymore, or I wasn’t attracted to her and could still have her be my therapist. There was no in between.

I realize now that she wasn’t wrong for mentioning my feelings for her, even when I didn’t want her to. Lori noticed that I was frustrated with myself and wanted me to know that an attraction to a therapist is so normal and happens so frequently that there are technical terms for it.

I turn my attention towards the presence of countertransference in our session. I’m trying to come up with an actual question here, but, really, I just want her to confirm her feelings for me are real. So I say, referring to her feelings, with a great degree of difficulty, “It’s funny that they seem genuine to this day.”

“They are genuine,” Lori says, adding a moment later: “I think it might be a good idea if we explore why our discussing it suggests a lack of authenticity.”

“It doesn’t, necessarily,” I begin, then stammer through a few sentences, worried I might offend her by implying she’s been dishonest. I finally settle on, “I guess it comes back to my self-esteem issues. Why would a beautiful woman think I’m attractive?”

Lying in bed with Shauna a few months into our relationship, I ask her what she thought about me the moment she first saw me. I’m fishing for a compliment. But we met on Tinder and I just hope that seeing me in person wasn’t some kind of letdown for her after swiping right on my hand-picked glamour shots. Obviously she isn’t going to say something so awful after having committed to me for so long. It’s a slam-dunk ego boost.

She says she liked the fact that I was wearing a blazer and a tie on a first date. She adds that I was a little shorter than she anticipated, but was content with the two of us at least being the same exact height.

“What did you think when you first saw me?” she asks, turning it around, naturally.

Staying committed to my honesty-at-all-costs policy, I say, “I thought you were really beautiful, but not to the point where I was intimidated by you, which was very important because if I was, you would have gotten a very unconfident version of me, and we probably wouldn’t have hit it off as well as we did.”

Shauna thinks about that for a second, and eventually nods “OK.”

I explain that my insecurity could often get the better of me in dating situations. It was easy to convince myself that I’d be rejected by the girl I was with, especially if I thought she was out of my league. I would then slip into a nervous and reserved state that isn’t at all reflective of my true self.

I’m essentially saying that I was so thrilled to not find Shauna so extraordinarily pretty that I couldn’t accept her being on a date with me. That thought made so much sense at the time I said it, but I’ve since come to realize it is as ridiculous as it is insulting. After ten months of being with Shauna, I’m still completely floored by her, on every level, including a physical one. It gives me great pride to walk into a room with her, and I don’t imagine that changing. Therefore, she actually did meet a confident “version of me.” The way people look doesn’t drastically change in ten months but a person’s perception of self can. It seems my emotional workouts in erotic transference were just beginning to produce results.

* * *

“People fuck up,” Lori informs me during one winter session. “Therapists have slept with clients before, just like politicians have had sex with their interns. But, so you have a full understanding of how this works, we can date.” She explains the parameters as outlined in the social worker’s code of ethics. One of the many stipulations is that we wouldn’t be able to see each other, under any circumstances, for at least two years before dating. She tells me she loves her job, and there’s no way she would ever sacrifice my safety or her career for anything, so she would strictly follow all the dictated rules. “If you truly want to date me, there is the option. But it’s ultimately up to you.”

I know what she’s doing here — putting the onus on me, just like last year when she said we could have sex. The difference this time is the answer I want to give is on par with all of my involuntary urges.

“I don’t want to stop the work we’re doing,” I say. “At this point, it’s far too valuable to me, and, really, I know very little about you.” She’s beautiful, exercises, is smart, funny, professional, enjoys good TV…and that’s about it. Aside from whether or not we’d even both be single in two years, and if we’d be in the correct mind frame to explore a relationship, there are several other things I’m considering here: Would Lori and I really be compatible in every way? Would she ever see me as a lover, a partner, an equal, and not a patient? Could I ever reveal a detail about myself, or even just a shitty day of work, without wondering if she was picking it apart and analyzing it?

Frankly, all those questions could be answered in the positive. But, even if I wasn’t in a happy relationship — Shauna makes this choice much easier, for sure — I wouldn’t go that route. I’d be out a therapist.

* * *

It’s a beautiful spring night in New York and only sidewalk seating will do. Shauna and I are out to dinner at a restaurant near her Queens apartment, and we’re both in good spirits. The weather and the alcohol consumption are partly to blame for that, but, on cue with the season’s change, I feel I’ve turned an emotional corner. Work payments that were past due are finally finding their way into my bank account. As it turns out, my short-term money troubles were not an indication that I had no business being a writer, or that my life changeup was as irresponsible as unprotected sex at fourteen years old.

I’d told Lori as much that afternoon. I took a mental step back from my current situation and realized that in spite of my recent hardships, I was succeeding. I summarize my session for Shauna, who nods in agreement, lovingly pointing out that she’s had the same challenging freelancer experiences as a dancer.

“You’re doing great, babe,” she says matter-of-factly.

“Thank you. That means a lot,” I respond. “I guess if I’m going to be a writer I just have to accept all this and have faith in myself. The way Lori put it was, ‘You just have to go all-in.’”

“Good,” Shauna says. “You should listen to the women in your life.”

* * *

Liked this story? Our editors did too, voting it one of our 20 best untold tales!

See the complete list of Editors’ Picks here. 

My Daughter Is Trapped Under Five Feet of Snow

In the remote mountains of Norway, a father claws himself out after an avalanche….then starts frantically searching for his daughter.

My Daughter Is Trapped Under Five Feet of Snow

In the remote mountains of Norway, a father claws himself out after an avalanche….then starts frantically searching for his daughter.

 

Narratively is thrilled to present the English-language debut of this interactive story, produced by Bergens Tidende newspaper.

Originally published in Norwegian, it was a viral hit and recently won the “Best Storytelling” prize in Scandinavia’s prestigious Schibsted Awards.

Memoir

That Time I Tried Topless House Cleaning

After years getting paid to bare my breasts at more clubs than I can count, when my funds hit an all-time low I pioneered a cleaner brand of sex work.

Topless Housecleaning + Lapdance
Gentlemen, do you need a good, clean tease after a hard day’s work? I’ll clean your house and give you a (1) lapdance
$100/hr – have your own cleaning supplies – no blocked numbers.

When I arrive at the house of the first viable person to respond to my Craigslist ad, I knock on the door and take a step back. He opens it right away. Jim or John, suddenly I can’t remember. He’s young to have such a nice mini-mansion with a swimming pool and younger than I normally like to deal with. I like his work jeans and dirty white t-shirt, though. They feel kind of homey.

I step in, a little flirty, but all-business to begin with. I get him to show me the whole house, which serves the double purpose of planning ahead for cleaning and making sure there’s no one else hiding, ready to pop out for a gang rape later. Just when the tour is complete my phone rings. It’s my security detail — Possum, the hillbilly witchdoctor I’ve befriended, following instructions to wait for me to clear the house and call to be sure everything’s okay.

“Hey,” I say. “It’s all good in here. Call me in like an hour.”

Ayep,” Possum replies in his drawl.

I turn to JimJohn and start to pull my shirt off, then stop. “Business before pleasure, babe,” I say, making the little money sign with my fingers.

“Oh, of course.” He pulls a hundred out of his pocket and presses it into my hand. I shove it down one of my stockings as I take my pants off, because I have always believed that the safest place for my money is right against my skin.

* * *

I’d had eighty dollars left to my name when I drove into Greenville, South Carolina. Half a tank of gas and two blueberry smoothies later, it dwindled to sixteen dollars folded together in the bottom of my pocket. For some people, this might have been a problem, but not for me. I have the magical ability to walk into a strip club just about anywhere there is one and make a few hundred bucks just because I’m willing to get naked and smile at people.

Sex work is my trust fund. When I’ve been broke down on the side of the road with no money, when I’ve been a homeless teenager, when I’ve wanted to buy a house, a car, an education — sex work has always been there for me. I’ve done almost all the sex work: everything from street hustling to dancing in bejeweled gowns to foot fetish parties and erotic hypnosis. Whenever I discover a new form of sex work — the weirder or more interesting the better — I try to experience it.

I’m staying, with my dog, Spot, in my van down by the river next to Possum, who lives in a van that’s much bigger and nicer than mine. Possum drew me a map showing how to get to the two strip clubs he knows of: a big one, and a little one. Big strip clubs sometimes have things like rules and schedules and lots of competition and high house fees, which I don’t like. I decided to try the small one first.

The small one turned out to be a brothel with very little business, where I met some very beautiful, very southern women, including a 300-pound dancer named Hamhock who I wish I could introduce to every teenager worrying about their weight ever.

I was too fat for the big one, or the door guy was having a bad day.

I started to feel a little panic. That’s when the idea of topless housecleaning came to me — purely formed, rising sweetly out of my desperation — so I put up a Craigslist ad and here I am at Jim or John or whatever his name is’ house.

* * *

I do the kitchen first, like my friend Tania who actually grew up in a mansion and knows how to clean explained to me last night on the phone. I keep up a steady stream of flirting while I put his dishes in the dishwasher and move everything on the counter to one end so I can clean it. While I’m stacking his mail neatly I check out his name. Jim. The counter is dirty, covered in stains and puddles of dried-up food and glue and who knows what else. Scrubbing while bending over a counter in six-inch heels, back arched so that your ass sticks up pretty, is hard work. Especially while flirting the whole time with a man you hope is staring at your ass and not your sweaty face.

He asks about me, how I came to be a topless housecleaner. I don’t tell him that he’s my first, or that I’m broke, or that I live in a van. If you watch television you know what happens to broke homeless women: They give $20 blow jobs, not $100 counter scrubbings. Instead I make up a prissy story about finishing my Master’s degree and taking a year to drive around the country in an R.V. dancing. Of course I tried dancing here, I explain, but the clubs are just so dirty, and I’m way too classy to expose myself to such an environment. The crazy thing I’ve discovered is that the snobbier you seem, the more they will pay you.

Jim is amazingly empathetic about the nastiness of the local clubs. A classy woman like me obviously doesn’t belong in places like those. He follows me from kitchen to bathroom to bedroom to living room, staring while I wipe, mop, scrub and vacuum, all while trying to look like I’m not sweaty from doing this work in humid 90-degree weather. His story is interesting. All his time goes to his race-car business, which is like a dream, but lots of hard work. He bought this house two years ago, but hasn’t had the time or taste to furnish it yet, though he does find the time to indulge in the tradition of illicit hooch brewing down in the basement. Steely grey eyes and his young tough look contrast with his docile nature as he tamely follows me around his house. I’m beginning to think all men in the South must be gentlemen.

When I’m done cleaning I settle him on his couch, set my iPod to Depeche Mode, and tell him that he gets one free lap dance with his housecleaning and after that they are twenty dollars, just like in the club. He opens his wallet and peels off another hundred, right away, and tells me to just dance until that runs out.

“No touching,” I remind him as the song starts and I move in front of him. Soon I’m crawling all over him, undulating, brushing my ass across his hard penis through his jeans. He is begging me to let him touch me, and I’m reminding him that I’m not that kind of girl, although I make sure to sound a little confused.

“Come on,” he says, getting his wallet out. “What about for another hundred?”

I pretend to think hard, then: “Okay.” I take his hands and guide them over my body. “You can touch here — my ass, my thighs, my stomach, but no titties or pussy.”

“Two hundred?” he pulls two crisp $100 bills out of his wallet.

It’s not really a question for me. I’ve given this much contact for thirty dollars a song. I pretend to think long and hard, though. If I let on that I have no principles, I can’t pretend to sell them.

“Okay,” I finally say, pushing the bills down my stockings, “but keep your hands off the kitty! That is not for sale!”

He has gentle, well-practiced hands that he swirls around my nipples and brushes softly over my ass. I arch my back and gasp in pretend ecstasy. Soon he wants more again — a hand job, a hundred dollars.

I insist that I’m not that kind of dancer while I consider this through to its logical conclusion. A couple hundred more for a hand job, a couple hundred more for a blow job, a lot more for sex. It could be a grand, easily. But do I want to have sex with this guy? The thing is, I’m a lesbian. The other thing is, sometimes I think I could be bisexual, and every year or two I have a man sex experiment. I can get into men, and right now on this guy’s lap, I’m turned on.

My phone rings again. It’s Possum. “It’s been an hour,” he says, “are you okay in there?”

“Yeah,” I giggle, “I’m having a great time. I’ll be just another fifteen minutes or so.”

Awright.” He hangs up.

“Will you touch it?” Jim asks.

Do I look like that kind of girl? I’m a very classy stripper, I remind him.

“Oh, of course, of course. I’m sorry,” he says. “I hope you’re not offended.”

“No…” I cock my head. “Actually… I’ve always kind of wondered what it would be like to do something like that for money.”

“Well, here’s your chance to find out.”

“Hmm…I dunno. I couldn’t. Well…how much?”

“A hundred?”

“Oh, no. I couldn’t.”

“Two hundred?” He’s got his wallet out, two crisp hundreds in his hand.

“Okay.” I grab them and shove them into my stocking. In my mind I’m counting and calculating miles. This makes 600, or is it 800? That’s, like, 5,000 miles of gas money! Or 2,000 miles and a month or two of groceries and stuff while I explore desert canyons and sky islands. What more could a girl need?

I slide down between his legs and he unzips his jeans eagerly. It is small, with a nice curve and for a second I love it and want to fuck him. Smiling, I bring my face close, admiring it like I’m about to lick it. He gasps and wiggles a little, and I take his cock in my hand. It’s already throbbing, and I just run my hand up it lightly, swirl some of the pre-cum back down it, run my fingers over the whole thing. He moans and half thrusts his hips. I love this. When I finally grab his cock, two-handed, and give it a couple strong, twisting strokes, he explodes right away. Perfect.

“Oh my god,” he says.

I giggle. “No, goddess.”

“Oh my goddess.” He smiles.

“Stay right there, I’m going to get you a washcloth.” I run to the bathroom.

While he cleans up, I pull my jeans and tank top back on over my fishnets and thong. I’m ecstatic and high from the rush of going from six dollars to 800 dollars in an hour with my hustling skills, but I know I won’t have really pulled it off until I’m in the van, driving away. I make myself look totally calm while I throw my iPod and cleaning stuff in the bag I came with, give him a goodbye hug, and tell him he should really call me again to clean the rest of the house.

I don’t start laughing until I’m in the van and Possum is driving us away. Then I fold over in my seat, laughing and clapping my hands with excitement.

“Possum,” I exclaim, “I love having a vagina!

Leaning back, I push my hips up to pull my jeans down and start fishing the hundreds out of my fishnets.

Possum looks over at me with my legs up on the bed, pulling eight $100 bills out of my thigh highs. “Holy shit,” he says, “I do believe I wish I had a vagina too.”

Checking “topless housecleaning” off my to-try list of sex-work gigs makes me enough money to get back on the road. The next day Spot and I get in the van and drive across the country until I find a beautiful desert-sky island in northern Arizona. I stay for a couple weeks, playing in a creek and tracking coyote, before I get low on money again and start over.

Memoir

My Roommate the Prostitute

At first, the quiet girl from Craigslist seemed like a great match—we had just the occasional tangle over cats and cleanup. And then the men started coming over.

It was late morning, and I was putting up a fresh pot of coffee when I heard the first meow. It sounded awfully close, as if from inside the apartment instead of the backyard one story down. Then I heard it again, and there was no doubt.

WTF?!! I texted my roommate. You got a cat?!

I’d made it clear when she moved in: no pets. “But I want a kitty so bad,” she said a couple weeks later. I suffer from allergies — through spring and summer I have a persistent itch in my nostrils, and the lightest bit of pollen or dander or even a freshly mowed lawn sets off sneezing spells that leave my entire body sore. I was also concerned about the smell. And besides, the landlord forbade pets.

It’s a friend’s, Jenny texted back. I’m only taking care of it for a few months.

Don’t give me that bullshit, I keyed my reply, then backspaced over it, reconsidering. I have a tendency to overreact, to exacerbate conflict. Instead I went for calm and firm, and maybe slightly paternal.

We need to talk.

Later that afternoon, in the kitchen between our bedrooms, we talked, leaning on opposite counters. Jenny (not her real name) kept her eyes downcast, and when I told her she was being inconsiderate and disrespectful and this was not the way grown-ups behaved, she said, “I know. I’m sorry.” I’d expected an argument, but her posture was one of submission, as if I was her dad, or a schoolteacher. But I wasn’t her dad, and she was an adult woman, even if I was twice her age. I was left somewhat unsettled.

In the end, I told her she could keep the cat, but she better take care of it properly.

“Thanks for not being hard on me,” she said, before disappearing back into her room. “I thought you were going to kick me out or something.”

That conversation was the longest we’d ever had. We were unlikely roommates, a Craigslist arrangement: I, a near-middle-aged man, several years divorced, with adolescent children of my own. She, a twenty-year-old recent college grad. We were living in Gravesend, an unremarkable neighborhood in a remote part of Brooklyn, where restaurants, bars and coffee shops are scarce, and when the friend I’d been living with moved out, finding a new roommate wasn’t easy.

At first, I had a parade of eccentrics, men who seemed to have something to hide, smelling of whiskey, with slurred speech, crooked teeth, telling me about jobs as investment bankers or corporate accountants, claims I found dubious. One man, a flashy young Georgian, took one look at the room and grew alarmingly aggressive as he tried to force his cash deposit into my hand, even after I explained that I wasn’t ready to make a decision just yet. He left just as I was about to call the cops.

So when Jenny showed up, I was inclined to like her. She looked like a typical post-college young woman: hair dyed reddish-blond, large earmuff headphones over her ears. She walked with a kind of childish languor, as if it hadn’t fully settled in that she was an adult. Her speech tended to the monosyllabic.

I showed her the room.

“Sweet,” she said.

I showed her the bathroom.

“Sweet.”

Then she asked what she needed for moving in, and I told her: proof of employment, credit report, rent plus security deposit.

“Sweet,” she said.

I assumed this meant she had all those things, and at first, it appeared that she did. She told me she worked two jobs, as a clerk in a stationary store in Midtown Manhattan and as an art-school model. Several days later, she brought documents attesting to her claims, and it all seemed to check out. She moved in a couple weeks later, with the help of her dad, whom I found affable in a way that put me further at ease. Some time after she moved in, I met her boyfriend, who seemed about my age. “He’s an artist,” she told me afterward, unsolicited, as if that explained something.

I did have some mild concerns. I wondered why she would choose to live here — a part of town where she had no friends or family — and with me, a man twice her age. But I needed a roommate, and for the most part, she matched my criteria: stable enough to pay rent, normal enough not to stab me with a kitchen knife or steal my meager possessions. She wanted to be a writer and filmmaker, she said, and was hoping to get into NYU’s film school for graduate studies. There was something familiar about her, almost bland, like an unremarkable extra who might appear repeatedly in so many movies, which meant she was safe and normal and predictable — exactly what I needed if I was to share my home with a stranger.

It was soon after the cat incident that I began to notice she was home more. In fact, she rarely seemed to leave her room. On days I worked from home, I’d hear her throughout the day, in short bursts of action — the turning of the microwave at ten, the fridge opening and closing at eleven, the doorbell with her lunch order at noon. It didn’t bother me; I barely caught glimpses of her. If she’d lost her jobs, it didn’t show so far: She was always on time with rent, and she appeared to have enough money to buy groceries and order in meals. But I wondered, if she wasn’t going to work, how was she supporting herself?

One afternoon, a couple weeks after Jenny took in the cat, I heard her voice and then a male voice I did not recognize. It was definitely not her boyfriend, whose voice was high-pitched; this one was deep, almost gruff. I was in my room, working, and I heard someone enter the bathroom, and then the toilet flush, and so I opened my door a crack for a glance. In the hallway, emerging from the bathroom, was a short, squat man, gray-haired with a bald temple. The man disappeared into Jenny’s room across the hall, and I felt a rush in my brain and gave an involuntary gasp.

There weren’t too many scenarios for why a young woman would be entertaining a vaguely Soviet-looking gentleman who looked to be about her father’s age. I felt a kind of indescribable rage, almost like a personal affront.

How dare she — in my home?!

An hour later, I watched her escort the man to the door. She was wearing blue suede pumps and a very short, ivory-colored dress, somewhat crumpled, as if she’d just removed it from under a pile of laundry. She appeared to be going for a sultry, long-legged look, but she looked instead like a little girl wearing her mother’s discarded clothes. I felt instantly sad for her, and part of me wondered if I shouldn’t offer to help her somehow. Another part of me was so angry I wanted to evict her immediately. The rest of the day, I wrestled with my thoughts, my mind feverish with indecision: Should I say something? Should I tell her boyfriend? Should I call her dad? Was it any of my business anyway?

I decided to wait, see if it happened again, and just a few days later, it did. This time, it was a tall black man wearing an ill-fitting suit and tie, like thrift-shop formalwear. He, too, emerged from the bathroom and disappeared into her room, and after an hour or so she escorted him to the door, again in the blue pumps and rumpled ivory dress.

I took to Google: What to do if my roommate is a prostitute?

More than what to do, I was seeking clarity on why it bothered me. Who was I to judge if Jenny chose an unorthodox profession? Why would I care if she used her room to ply her trade? Still, I couldn’t stomach the thought, and the Internet validated my discomfort. On Yahoo Answers and in Google Groups and various other forums people wrote about similar experiences, and the consensus was: Don’t let your roommate turn tricks within your home. It’s dangerous, it’s illegal, and it can bring nothing but trouble.

I wondered about the practical aspects of her work: Does she have a Backpage ad? Did she use Craigslist? Could I find her on The Erotic Review?

I imagined the conversation we’d have. “This isn’t a brothel!” I wanted to yell at her. “Where do you even find these guys?” Then I reconsidered, thinking I might speak to her in a more caring way. Sit her down for a talk. Maybe get some women’s organization involved. Point her in the right direction. Rescue her.

* * *

I didn’t do any of that. Instead, when we met in the kitchen the next afternoon, passing between the refrigerator and the trashcan by the sink, I decided to bring it up. I was washing a dish, the water running lightly, and she was behind me, waiting for something in the microwave.

“I’ve been seeing some strange men around here,” I said.

She turned slowly to face me, nonchalant, with a thin smile. “What?” she asked. I was certain she’d heard me.

“I’ve been seeing strange men around here,” I said again.

“Oh, yeah.” She had a self-satisfied look, as if she was taunting me: What are you going to do about it? This was not what I’d expected. She’d been remorseful about the cat, and so I’d imagined a repeat.

“Friends of yours?” I asked, hiding my indignation, though I hoped she’d pick up on my mocking tone.

“Yeah,” she said. After a pause, as if realizing something, she added, “I’m friends with some older guys.” She took a sip of water from a glass in her hand, without breaking eye contact. “They’re harmless.”

Harmless. Was that an acknowledgment that they were not, in fact, “friends?”

She offered no further explanations, and we both retreated to our rooms. If at first I’d thought to treat her kindly, I was no longer inclined to. I’d given her the chance to explain. I had offered: Let us, as adults, discuss this situation. In return, she took me for a fool. I’m friends with some older guys. The words infuriated me, and I began to plot her eviction.

Several days passed, however, and still I did nothing. Then, one evening, I was out with a woman I’d recently begun dating. We had just finished dinner at a SoHo restaurant, paid the check, and were about to head to her place when my phone rang. It was my landlord.

“Somebody call 911,” she said. “Police, ambulance. I don’t know what’s happen.” My landlord is Chinese, and I often have a hard time understanding her, but her tone told me all I needed to know. There was trouble at the apartment. “You come home now,” she commanded.

Was Jenny hurt? My thoughts went to the men. I knew this couldn’t end well.

My date raised an eyebrow to me. “Give me a sec,” I said. We were outside the restaurant, in the cool night air on a quiet street, a jittery yellow cab passing over the uneven cobblestone.

I texted Jenny: Everything ok? Landlord says someone called 911.

The response came a few seconds later.

this is kaylee shes dead

I stared at that text, uncomprehending. I didn’t know anyone named Kaylee.

Who’s dead? Who are you? Call me.

A few minutes later, my phone rang with Jenny’s number, and a young woman told me she was Jenny’s best friend. Jenny was dead. She had been dead, in fact, for the past twenty-four hours, in her bed, in our apartment. Kaylee, whose tone was so completely lacking in inflection she sounded almost robotic, told me she’d grown alarmed when Jenny didn’t respond to her texts and phone calls, and so she came by the apartment and convinced the landlord to let her in.

“Probably an overdose,” she said.

My thoughts in those moments would later seem incongruous with the event itself, but at the time they were automatic, a cascading stream of impolitic ponderings. Mostly I was relieved that I’d been spared the task of evicting her, and was now desperately hoping that my evening would not be spoiled any further.

I hung up the phone and looked at my date, who was gripping my arm and staring.

“My roommate’s dead,” I said.

My date reacted as I expected. “Oh, my god! Are you O.K.?”

Of course I was O.K. The fact that my roommate was dead was unsettling, and I was somewhat shaken, but I wasn’t sad, or feeling any grief-related emotions. Mostly I was just annoyed that her death was getting in the way of my evening plans. Jenny and I had lived together for four months, but I barely knew her. Kaylee? A friend? I didn’t know Jenny had friends. An overdose? An overdose of what?

I called my landlord, and told her what I had learned: roommate’s dead, body is still in the house. No, she need not worry about a thing. The police will take care of it all. I was out of town, I said — not a lie, although not entirely the truth either. I’d be back in the morning, and get a new roommate in the coming days. There’d be no problem with the rent.

My date gripped my arm tighter, as if the news of death created some erotic charge, at once frightening and gripping, and we went off together to her apartment a few blocks away.

* * *

In the morning I took the subway home, and remembered: My roommate was dead. It felt surreal, and I found myself ruminating on the nature of death, and youth, and the way we often know so little about the people living just several feet away from us. I thought back to what I’d done the day before: got myself breakfast, worked, then lunch, then anticipated my date in the evening. I’d been annoyed that Jenny had left dirty dishes in the sink and a half-eaten chocolate bar on the kitchen counter for two days straight.

When I got home, the door to Jenny’s room was sealed with a strip of police tape. I also discovered that in addition to the cat, she’d had two large white rats, which I found sitting in tall mesh cages in another room, probably moved there by the cops. It appeared that someone had taken the cat.

Later in the afternoon, my phone rang.

“Hi Shulem, it’s Steve.” There was a pause. “Jenny’s dad.”

I felt momentarily caught off balance. Until that moment, I had imagined that Jenny’s death would affect very few people. She had seemed like a rootless child, unattached, unaffected. I knew she had parents, a little sister, extended family somewhere, but I knew so little about them they were almost unreal to me. Her entire life seemed confined to her room across the hallway, as if she mattered to no one but herself.

“I am so sorry, I am so terribly sorry.” The words tumbled out clumsily, lame and ineffectual. “I was so shocked. I can’t imagine what it’s like for you. I am so, so terribly sorry. This must be so devastating.”

I could hear him sniffling on the other end of the line. “She was a sad girl, Shulem.”

A sad girl? There were the signs, of course. And yet, she’d always seemed vaguely chipper, even after I’d started seeing the men come by.

It was heroin, Steve told me. Her boyfriend, who was an addict, had introduced it to her. Steve thought she must’ve been using for only a couple weeks. He asked if I’d noticed any changes recently, and I told him that I hadn’t.

“Jenny’s aunt will come by to collect some of her things,” he said. “We know Jenny wrote some poetry, so maybe we can find it on her computer.” He paused, then said: “I’m really sorry you have to deal with this.”

When I hung up, I felt guilty for feeling as unmoved as I did. I sat at the desk in my room, a blast of cold air from the air conditioning hitting my face, and thought about Jenny’s death, disturbed that I didn’t feel something more. This was a young woman, just beginning adult life, who’d lived with me for four months, and when I had heard she was dead, my strongest emotion was annoyance. Her father, at the same time, seemed to expect exactly that. I’m sorry you have to deal with this. As if he knew that someone like me would be affected only by the trouble of it all.

* * *

Over the next few days, I checked Jenny’s Facebook page, and was surprised by the outpouring of grief from friends — dozens and dozens of them — who’d tagged her name and wrote messages on her “wall,” in the language of tweeting, text-messaging millennials.

rip jenny (tear-face smiley)

cant believe shes gone i loved that girl

omg why???????

Here were people reminiscing about her, friends writing about the time she helped someone with a college essay, or about high school adventures, or that time they got passed-out drunk and high on that crazy spring break trip.

Two days later, her aunt came.

“This is the biggest nightmare of our lives,” she said, and then she, too, apologized that I’ve had to deal with it all. The aunt packed up some of Jenny’s things — her computer and a handful of personal items. She packed some of her clothes into a few large trash bags. “I think I’ll take these to the Salvation Army,” she said.

Still, out of the entire collection of Jenny’s possessions, she left most of it, a room full of belongings, and told me to throw it all in the trash. I stood in the room afterward, looking around at the things that make up a person’s life, but now no longer mattered. The bed that was ordered online just four months ago. The easy chair Jenny had brought from her childhood home in Westchester. A bunch of keys on a key ring, a bracelet of blue beads, a MetroCard, a bag of cosmetics. Things that, just three days ago, Jenny might’ve thought important, but now, poof — so inconsequential.

Later, I stood in the middle of her empty room, after I’d emptied the closets, swept and mopped the floor, and cleared out all her things. It looked just like it had before she moved in: bare, clean, uninhabited but inviting. I closed the door to look behind it, and noticed a taped-up card, from HashtagThePlanet.com: it hurts now. but it will get better. i promise.

It amazed me how quickly a person’s life could be dismantled, all these concrete physical objects discarded or recycled. I thought about how our physical possessions are like phantom lives: You can go into a person’s room and look at her bed, her desk, the flip-flops in the corner, the little trashcan with the empty coffee cup and dirty tissues, and almost see a living being, by the effects of one. But then, these things are collected, dispersed, in a kind of parallel death — three days, and a healthy young woman’s presence is scraped clean off the planet.

I left the note on the door, and kept a few of Jenny’s things for myself: a small hammer, a pack of AAA batteries. A lamp. Her easy chair. It made me sad, but I had little use for the rest, and ended up putting most of it out with the trash. There it all lay, right by the curb, plastic storage bins and large trash bags filled with the effects of Jenny’s everyday life; the contents of her drawers and closets, whatever her aunt had left — bed linen, hair accessories, underwear, a blanket and some pillows, a bright red blow dryer. The stuff sat on the edge of the sidewalk for a day or two, and through the window I watched as people passed, glancing at the items. Some stopped to pick through them, holding up items for inspection, taking what they pleased, until the pile was about half the original size. Then the trash collectors came and tossed it all into the monster-mouth of their truck, until nothing was left but a shattered light bulb that slipped out of one of the bags, now spread in tiny bits of glass among the fallen leaves of a nearby honeysuckle tree.

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